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Giustino By Antonio Vivaldi


Giustino By Antonio Vivaldi
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Giustino By Antonio Vivaldi


Giustino By Antonio Vivaldi
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Author : Antonio Vivaldi
language : en
Publisher:
Release Date : 1991

Giustino By Antonio Vivaldi written by Antonio Vivaldi and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991 with categories.




Style And Structure In Antonio Vivaldi S Il Giustino 1724


Style And Structure In Antonio Vivaldi S Il Giustino 1724
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Author : Ann Marles Candace
language : en
Publisher:
Release Date : 1984

Style And Structure In Antonio Vivaldi S Il Giustino 1724 written by Ann Marles Candace and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with categories.




Style And Structure In Antonio Vivaldi S Il Giustino 1724


Style And Structure In Antonio Vivaldi S Il Giustino 1724
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Author : Candace Ann Marles
language : en
Publisher:
Release Date : 1984

Style And Structure In Antonio Vivaldi S Il Giustino 1724 written by Candace Ann Marles and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with Style, Musical categories.


Much of the research on Vivaldi's operas has been of a general nature or has focused on extra-musical matters. The rest has dealt for the most part with the late works. 11 Giustino , the subject of this thesis, is an earlier opera which was produced in the carnival season of 1724 at the Teatro Capranica in Rome. Vivaldi was very active as an opera composer. Many of his works were written for Venice (a very important operatic centre at this time) but he produced operas in quite a number of other cities as well. His early works already contained characteristics of what has been called the "Neapolitan" style. Contemporary opinions about Vivaldi's dramatic works differed widely but he composed and produced operas for twenty-seven years, evidence of his success in the field. The libretto of IjL Giustino was written by Nicolo Beregan for a Venetian production in 1683 by Legrenzi. It was subsequently revised by Pietro Pariati and set by Albinoni in 1711. Vivaldi's Giustino incorporates further changes; a similar version was set by Handel in 1732. The plot is very loosely based on the life of Justin I, an Illyrian peasant who rose through the ranks of the Imperial Guard and eventually became emperor. It is a typical seventeenth-century libretto and includes several opportunities for spectacular stage effects. The autograph manuscript of I_1 Giustino is contained in volume 34 of the Foa collection in the Biblioteca Nazionale in Turin. The paper used is quite different from that in most of Vivaldi's other manuscripts, implying that the work was actually composed in Rome. The score is typical of Vivaldi with regards to abbreviations and other graphic characteristics. Generally the composer's intentions are quite clear. Elements of musical style and structure are used quite typically in the work. Some features are reminiscent of Vivaldi's early operas (strong interest in sonority, substantial choruses) while others foreshadow procedures employed in the late works (shorter 'B' sections). Transitional characteristics include texture (occasional use of a homophonic, non-thematic ritornello) and rhythm (the Lombard figure appears). Key association is the most important technique used for characterization but thematic types, rhythm, scoring, and other features also contribute. The work follows an overall tonal plan, beginning and ending in C major, with important recurrences of this tonality elsewhere. There is also an attempt to produce a sense of climax at the end of each act. 11 Giustino represents the only extant, complete operatic score by Vivaldi from the period 1721 to 1726. For this reason and in consequence of its transitional characteristics, the work occupies an important place in the composer's dramatic oeuvre.



Giustino


Giustino
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Author : Nicolò Beregan
language : en
Publisher:
Release Date : 1987

Giustino written by Nicolò Beregan and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1987 with categories.




Il Giustino Antonio Vivaldi


Il Giustino Antonio Vivaldi
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Author :
language : fr
Publisher:
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Il Giustino Antonio Vivaldi written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.




Giustino Di Antonio Vivaldi


Giustino Di Antonio Vivaldi
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Author : Antonio Vivaldi
language : it
Publisher: Casa Ricordi
Release Date : 1991

Giustino Di Antonio Vivaldi written by Antonio Vivaldi and has been published by Casa Ricordi this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991 with Music categories.




Antonio Vivaldi


Antonio Vivaldi
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Author : Antonio Vivaldi
language : en
Publisher:
Release Date : 1991

Antonio Vivaldi written by Antonio Vivaldi and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991 with categories.




Il Giustino Dramma Per Musica In Drei Akten


Il Giustino Dramma Per Musica In Drei Akten
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Author : Jana Beckmann
language : de
Publisher:
Release Date : 2022

Il Giustino Dramma Per Musica In Drei Akten written by Jana Beckmann and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022 with categories.




Il Giustino


Il Giustino
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Author : Jana Beckmann
language : de
Publisher:
Release Date : 2022

Il Giustino written by Jana Beckmann and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022 with categories.




The Late Operas Of Antonio Vivaldi 1727 1738


The Late Operas Of Antonio Vivaldi 1727 1738
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Author : Eric Cross
language : en
Publisher:
Release Date : 1981

The Late Operas Of Antonio Vivaldi 1727 1738 written by Eric Cross and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981 with Music categories.


This study of Vivaldi's late operas grew out of an interest not so much in Vivaldi but in Baroque opera in general. On examining the position of research into this genre a few years ago, it appeared that most of the important composers in this field had been investigated to some degree, with the exception of Vivaldi. As Mario Rinaldi has shown in his survey of Vivaldi research, the vocal works were neglected until the last few years, and despite the impetus provided by the tercentenary of his birth in 1978, the balance has not yet been restored. Considering the popularity of his instrumental works, it seemed rather unfair that his theatrical music should be virtually ignored (an interesting comparison can be made here with Haydn), and so the present work aims to throw some light onto this side of his activities. For practical reasons it was impossible to take into account all the surviving operatic fragments scattered throughout the libraries of Europe. However, as all the most important manuscripts are housed in Turin, these formed the basis of this study, with the addition of six arias from Ercole su'l Termodonte in a manuscript in the Bibliothèque du Conservatoire National de Musique, Paris. Further restrictions, however, were still necessary, and so, as many of the later works use librettos by leading figures such as Zeno and Metastasio, these mature operas, dating from 1727 onwards, seemed the most obvious on which to concentrate. One opera, Griselda, has been singled out for particular attention on account of the available information concerning the adaptation of Zeno's libretto, and Vivaldi's score of this work has recently been reproduced in the Garland Series of facsimiles of Italian opera. Most of the work that has been done on the operas so far has tended to approach them from the point of view of the concertos, constantly drawing parallels between the two styles. There are, obviously, many connections, but, for the most part, this investigation has tried to view them as dramatic works in their own right--the way in which Vivaldi, as a man of the theatre, would surely have regarded them. --from Preface.