Good Bye South Good Bye De Hou Hsiao Hsien
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Hou Hsiao Hsien
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Author : Jean-Michel Frodon
language : fr
Publisher:
Release Date : 1999
Hou Hsiao Hsien written by Jean-Michel Frodon and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Motion picture producers and directors categories.
Chef de file de la Nouvelle Vague taiwanaise apparue au début des années 80, Hou Hsiao-hsien s'est affirmé depuis comme l'un des grands cinéastes contemporains. Notamment récompensé d'un Lion d'or au Festival de Venise 1989 pour La Cité des douleurs, il connaît en Occident un succès croissant, confirmé par l'accueil réservé l'an dernier aux Fleurs de Shanghai. Construit collectivement sous la direction de Jean-Michel Frodon, critique cinéma du Monde, cet ouvrage est composé d'essais consacrés à l'œuvre de Hou Hsiao-hsien, son inscription dans l'histoire du cinéma, son rapport aux arts chinois, à l'histoire de son pays. Le cinéaste a accordé, à Taipei, un long entretien inédit à Emmanuel Burdeau, critique aux Cahiers du cinéma, où il raconte son enfance, la genèse de son cinéma, analyse chacun de ses films, et parle de ses projets. Les textes sont rédigés par des auteurs français pour la plupart, mais également taiwanais, japonais et américain, afin d'offrir l'approche la plus ouverte de cette œuvre reconnue dans le monde entier. L'ouvrage est complété par une étude critique de chacun des films de Hou Hsiao-hsien. Hou Hsiao-hsien, né dans la province chinoise de Guang-dong en 1947, a réalisé quatorze films depuis 1980. Ses derniers films sont tous sortis en salles à Paris, depuis La Cité des douleurs (1989), Le Maître de Marionnettes (1993), Good Men, Good Women (1995), Goodbye South, Goodbye (1996) et Les Fleurs de Shanghai (1998). Mais on a aussi pu voir en rétrospective Un été chez grand-père (1984), Poussières dans le vent (1987), Un temps pour vivre, un temps pour mourir (1985).
Good Bye South Good Bye De Hou Hsiao Hsien
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Author : Encyclopaedia Universalis,
language : fr
Publisher: Encyclopaedia Universalis
Release Date : 2016-04-28
Good Bye South Good Bye De Hou Hsiao Hsien written by Encyclopaedia Universalis, and has been published by Encyclopaedia Universalis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-28 with Fiction categories.
Une fiche de référence sur Good Bye South, Good Bye, un chef-d'oeuvre de Hou Hsiao-Hsien. Good Bye South, Good Bye s'inscrit dans la lignée des films qui voient Hou Hsiao-hsien transformer le présent, et lui rendre, par sa pure observation, une liaison, qu'elle soit de servitude ou d'attachement, avec son propre passé, son territoire intime. Les grands films méritent le même traitement que les grands livres. Sur le modèle des fiches de lecture, les fiches cinéma d'Encyclopaedia Universalis associent une analyse du film et un article de fond sur son auteur : - Pour connaître et comprendre l'œuvre et son contexte, l'apprécier plus finement et pouvoir en parler en connaissance de cause. - Pour se faire son propre jugement sous la conduite d'un guide à la compétence incontestée. Un ouvrage conçu par des spécialistes du cinéma pour tout savoir sur Good Bye South, Good Bye de Hou Hsiao-Hsien. A propos de l’Encyclopaedia Universalis : Reconnue mondialement pour la qualité et la fiabilité incomparable de ses publications, Encyclopaedia Universalis met la connaissance à la portée de tous. Écrite par plus de 7 400 auteurs spécialistes et riche de près de 30 000 médias (vidéos, photos, cartes, dessins...), l’Encyclopaedia Universalis est la plus fiable collection de référence disponible en français. Elle aborde tous les domaines du savoir.
Movie Mutations
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Author : Jonathan Rosenbaum
language : en
Publisher: Bloomsbury Publishing
Release Date : 2019-07-25
Movie Mutations written by Jonathan Rosenbaum and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-25 with Performing Arts categories.
The idea of cinephilia is a crucial one for students of the cinema, but it is often associated with a bygone arthouse era. At the beginning of the twenty-first century, corporatism, public relations and bottom-line accounting seem to govern mainstream film-making. Formula-driven Hollywood blockbusters dominate the world marketplace. In times like these can 'the love of cinema' still flourish? In fact contemporary cinema is stunningly varied and rich. From Taiwan and Iran to Brazil and the Baltic states, it is flourishing and constantly mutating. Directors like Abbas Kiarostami, Hou Hsiao-hsien and Tsai Ming-liang are making extraordinary films that are the equal of the great classics, previously unrecognised works from the past are being discovered, and new definitions and boundaries of genres are being formulated. Even when this work is not widely distributed it is seen at film festivals on every continent and available on DVD; and it is being discussed in a proliferating number of print and web publications. Those who follow and share such work, as contributors from around the world demonstrate in this book, are forming new kinds of critical communities that enable significant exchanges between cultures at a time when other forces seem bent on keeping them mutually isolated. In contrast to any talk of 'the death of cinema', Movie Mutations pronounces the art form alive, well, and still developing in new and unforeseen directions. In weaving together transnational discussions and debates, Movie Mutations shows why the idea of cinephilia is just as relevant today as it ever was.
The Sinophone Cinema Of Hou Hsiao Hsien Culture Style Voice And Motion
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Author : Christopher Lupke
language : en
Publisher: Cambria Press
Release Date : 2016-03-25
The Sinophone Cinema Of Hou Hsiao Hsien Culture Style Voice And Motion written by Christopher Lupke and has been published by Cambria Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-03-25 with categories.
"Featuring rare interviews and sophisticated analysis, this book sheds light on Hou's narrative innovations and aesthetic triumphs while, along the way, unlocking some of the mysteries lurking behind one of the greatest bodies of cinematic work ever produced." -MICHAEL BERRY, University of California Santa Barbara "Lupke's book provides comprehensive coverage, detailed contextualization, and insightful analysis from Hou's earliest works to his most recent accomplishment. The narrative is particularly compelling because it weaves cultural and social contexts and filmic texts together, and it brings various formal elements (image, editing, language, music) to bear upon one another. The book also includes careful comparison with another East Asian auteur Ozu Yasujirô. The Sinophone Cinema of Hou Hsiao-hsien is a significant addition." -GUO-JUIN, HONG, Duke University "Lupke's comprehensive and original study excavates the literary inspirations of Hou's filmmaking, showing how Wu Nianzhen, Shen Congwen, and especially Zhu Tianwen shape his philosophy and aesthetic. In Lupke's convincing account, the anti-filial behaviors of their characters, which have attracted little critical attention, are the key to understanding their shared concern for the visible dissolution of the family in the modern world. In addition to its lucid analysis, this book contextualizes the filmmaking history of Hou in ways that illustrate the cultural and political significance of studying Taiwan Cinema in a global context." -HSIU-CHUANG DEPPMAN, Oberlin College "Serving both as an excellent comprehensive introduction to the filmmaker and as a series of in-depth readings, this informative, engaging, and insightful book covers the full range of Hou's work. Writing clearly and elegantly, Lupke perceptively relates Hou's films to both literary and cinematic antecedents. Aside from Hou's well-known connection to Taiwan's 'native soil' literature, Lupke highlights as well the filmmaker's debt to earlier mainland Chinese authors such as Shen Congwen, Zhang Ailing, and Hu Lancheng. Hou's singular contribution to film aesthetics, summarized as 'stasis within motion,' comes through vividly and convincingly." -JASON MCGRATH, University of Minnesota *This book includes images.
Taiwan Cinema As Soft Power
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Author : Song Hwee Lim
language : en
Publisher: Oxford University Press
Release Date : 2021-12-17
Taiwan Cinema As Soft Power written by Song Hwee Lim and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-12-17 with Performing Arts categories.
Why has Taiwanese film been so appealing to film directors, critics, and audiences across the world? This book argues that because Taiwan is a nation without hard political and economic power, cinema becomes a form of soft power tool that Taiwan uses to attract global attention, to gain support, and to build allies. Author Song Hwee Lim shows how this goal has been achieved by Taiwanese directors whose films win the hearts and minds of foreign audiences to make Taiwan a major force in world cinema. The book maps Taiwan's cinematic output in the twenty-first century through the three keywords in the book's subtitle-authorship, transnationality, historiography. Its object of analysis is the legacy of Taiwan New Cinema, a movement that begun in the early 1980s that has had a lasting impact upon filmmakers and cinephiles worldwide for nearly forty years. By examining case studies that include Hou Hsiao-hsien, Ang Lee, and Tsai Ming-liang, this book suggests that authorship is central to Taiwan cinema's ability to transcend borders to the extent that the historiographical writing of Taiwan cinema has to be reimagined. It also looks at the scaling down of soft power from the global to the regional via a cultural imaginary called little freshness, which describes films and cultural products from Taiwan that have become hugely popular in China and Hong Kong. In presenting Taiwan cinema's significance as a case of a small nation with enormous soft power, this book hopes to recast the terms and stakes of both cinema studies and soft power studies in academia.
Contemporary Sino French Cinemas
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Author : Michelle E. Bloom
language : en
Publisher: University of Hawaii Press
Release Date : 2017-11-30
Contemporary Sino French Cinemas written by Michelle E. Bloom and has been published by University of Hawaii Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-11-30 with History categories.
Transnational cinemas are eclipsing national cinemas in the contemporary world, and Sino-French films exemplify this phenomenon through the cinematic coupling of the Sinophone and the Francophone, linking France not just with the Chinese mainland but also with the rest of the Chinese-speaking world. Sinophone directors most often reach out to French cinema by referencing and adapting it. They set their films in Paris and metropolitan France, cast French actors, and sometimes use French dialogue, even when the directors themselves don't understand it. They tend to view France as mysterious, sexy, and sophisticated, just as the French see China and Taiwan as exotic. As Michelle E. Bloom makes clear, many films move past a simplistic opposition between East and West and beyond Orientalist and Occidentalist cross-cultural interplay. Bloom focuses on films that have appeared since 2000 such as Tsai Ming-liang's What Time Is It There? , Hou Hsiao-hsien's Flight of the Red Balloon, and Dai Sijie's Balzac and the Little Chinese Seamstress. She views the work of these well-known directors through a Sino-French optic, applying the tropes of métissage (or biraciality), intertextuality, adaptation and remake, translation, and imitation to shed new light on their work. She also calls attention to important, lesser studied films: Taiwanese director Cheng Yu-chieh's Yang Yang, which depicts the up-and-coming Taiwanese star Sandrine Pinna as a mixed race beauty; and Emily Tang Xiaobai's debut film Conjugation, which contrasts Paris and post-Tiananmen Square Beijing, the one an incarnation of liberty, the other a place of entrapment. Bloom's insightful analysis also probes what such films reveal about their Taiwanese and Chinese creators. Scholars have long studied Sino-French literature, but this inaugural full-length work on Sino-French cinema maps uncharted territory, offering a paradigm for understanding other cross-cultural interminglings and tools to study transnational cinema and world cinema. The Sino-French, rich and multifaceted, linguistically, culturally, and ethnically, constitutes an important part of film studies, Francophone studies, Sinophone studies and myriad other fields. This is a must-read for students, scholars, and lovers of film.
Thirty Two New Takes On Taiwan Cinema
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Author : Emilie Yueh-yu Yeh
language : en
Publisher: University of Michigan Press
Release Date : 2022-12-22
Thirty Two New Takes On Taiwan Cinema written by Emilie Yueh-yu Yeh and has been published by University of Michigan Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-12-22 with Social Science categories.
A film-by-film introduction to Taiwan cinema and cultures
Literary Culture In Taiwan
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Author : Sung-sheng Chang
language : en
Publisher: Columbia University Press
Release Date : 2004
Literary Culture In Taiwan written by Sung-sheng Chang and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Education categories.
Chang provides a comprehensive history of late 20th century Taiwanese literature by placing the vibrant local tradition within the contexts of a modernising economy, & a postcolonial, post-Cold War world order.
The Assassin
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Author : Peng Hsiao-yen
language : en
Publisher: Hong Kong University Press
Release Date : 2019-10-23
The Assassin written by Peng Hsiao-yen and has been published by Hong Kong University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-10-23 with Performing Arts categories.
The Assassin tells the story of a swordswoman who refrains from killing. Hou Hsiao-hsien astonishes his audience once again by upsetting almost every convention of the wuxia (martial arts) genre in the film. This collection offers eleven readings, each as original and thought-provoking as the film itself, beginning with one given by the director himself. Contributors analyze the elliptical way of storytelling, Hou’s adaptation of the source text (a tale from the Tang dynasty, also included in this volume), the film’s appropriation of traditional Chinese visual aesthetics, as well as the concept of xia (knight-errant) that is embedded in Confucian, Daoist, and Buddhist worldviews. There are also discussions of the much-celebrated sonic design of The Assassin: the nearly exclusive use of a diegetic film score is a statement on the director’s belief in cinematic reality. Underlying all the chapters is a focus on how Hou reinvents Tang-dynasty China in contemporary culture. The meticulously recreated everyday reality of the Tang world in the film highlights the ethnic and cultural diversity of the dynasty. It was a time when Sogdian traders acted as important intermediaries between Central Asia and the Tang court, and as a result Sogdian culture permeated the society. Taking note of the vibrant hybridity of Tang culture in the film, this volume shows that the historical openness to non-Chinese elements is in fact an essential part of the Chineseness expressed in Hou’s work. The Assassin is a gateway to the remote Tang-dynasty world, but in Hou’s hands the concerns of that premodern world turn out to be highly relevant to the world of the audience. “This book promises to be a useful companion to the film The Assassin. Contributors to this collection have convincingly and compellingly elucidated some of the film’s most difficult features. The result is a rich and wide-ranging analysis of one of the most beautiful films of our time.” —Sung-Sheng Yvonne Chang, The University of Texas at Austin “This collection of essays unfolds the many layers of The Assassin by speaking to its aesthetic achievements, reinvention of genre conventions, deep historical engagement, and philosophical substance. It exceeds the sum of its individual parts by building a vibrant cross-disciplinary conversation among a diverse group of accomplished scholars, who contribute original and compelling insights on the film.” —Jean Ma, Stanford University
China Review 1997
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Author : Maurice Brosseau
language : en
Publisher: Chinese University Press
Release Date : 1997
China Review 1997 written by Maurice Brosseau and has been published by Chinese University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Business & Economics categories.
China Review has been chosen by the American Public Libraries Association for inclusion in the list of books recommended to its members for acquisition. China Review 1997, the seventh volume of the series, is an expert survey of China's major sectors of interest and critically summarizes the development of the previous year in core chapters covering politics, the economy, and social change. The volume contains in-depth studies of political, social, and economic issues such as the death of leader Deng Xiaoping, the anticipated fifteenth Party Congress, cross-straits relations, the problem of state-owned enterprises, and foreign economic relations, all of which are of major concern to those who are interested in the development of the People's Republic. Additional studies describe seldom discussed aspects of Chinese society such as cultural changes and legal disputes.