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Gutai


Gutai
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Gutai


Gutai
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Author : Ming Tiampo
language : en
Publisher: University of Chicago Press
Release Date : 2011-03-15

Gutai written by Ming Tiampo and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-03-15 with Art categories.


Gutai is the first book in English to examine Japan’s best-known modern art movement, a circle of postwar artists whose avant-garde paintings, performances, and installations foreshadowed many key developments in American and European experimental art. Working with previously unpublished photographs and archival resources, Ming Tiampo considers Gutai’s pioneering transnational practice, spurred on by mid-century developments in mass media and travel that made the movement’s field of reception and influence global in scope. Using these lines of transmission to claim a place for Gutai among modernist art practices while tracing the impact of Japan on art in Europe and America, Tiampo demonstrates the fundamental transnationality of modernism. Ultimately, Tiampo offers a new conceptual model for writing a global history of art, making Gutai an important and original contribution to modern art history.



Gutai


Gutai
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Author : Marco Franciolli
language : en
Publisher: Silvana Editoriale
Release Date : 2010

Gutai written by Marco Franciolli and has been published by Silvana Editoriale this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Art categories.


The Gutai Group was a small collective of artists in Osaka, Japan, active from 1954 until 1972. The performative actions of its members anticipated the Fluxus and happenings movements, as well as the early strains of Conceptualism then brewing in the West. Gutai's intense exchanges with the avant-garde circles of Paris and Turin come to the fore in this publication.



75 Years At The First Baptist Church


75 Years At The First Baptist Church
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Author :
language : en
Publisher:
Release Date : 1954*

75 Years At The First Baptist Church written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1954* with Fargo (N.D.) categories.




Gutai


Gutai
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Author : Ming Tiampo
language : en
Publisher: Guggenheim Museum
Release Date : 2013

Gutai written by Ming Tiampo and has been published by Guggenheim Museum this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Art, Abstract categories.


Published in conjunction with the first United States museum retrospective ever devoted to Gutai, exhibited at the Solomon R. Guggenheim Museum in New York, Gutai: Splendid Playground surveys the influential collective and artistic movement. This exhibition catalogue aims to demonstrate the range of bold and innovative creativity present in the avant-garde movement, to examine the aesthetic strategies in the cultural, social, and political context of postwar Japan and the West, and to further establish Gutai in an expanded, transnational history and critical discourse of modern art. Organized thematically and chronologically to explore Gutai's unique approach to materials, process and performativity, this publication investigates the group's radical experimentation across a range of media and styles, and demonstrates how individual artists pushed the limits of what art could be or mean in a post-atomic era. The range includes painting (gestural abstraction and post-constructivist abstraction), conceptual art, experimental performance and film, indoor and outdoor installation art, sound art, mail art, interactive or 'playful' art, light art and kinetic art. Illustrating both iconic Gutai and lesser-known works, this catalogue presents a rich survey reflecting new scholarship, especially on so-called 'late Gutai' works dating from 1965 to 1972.



Body Art Performing The Subject


Body Art Performing The Subject
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Author : Amelia Jones
language : en
Publisher: U of Minnesota Press
Release Date : 1998

Body Art Performing The Subject written by Amelia Jones and has been published by U of Minnesota Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Art categories.


"With great originality and scholarship, Amelia Jones maps out an extraordinary history of body art over the last three decades and embeds it in the theoretical terrain of postmoderism. The result is a wonderful and permissive space in which the viewer...can wander"...-Moira Roth, Trefethen professor of art history, Mills College.



Background Noise


Background Noise
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Author : Brandon LaBelle
language : en
Publisher: A&C Black
Release Date : 2006-01-01

Background Noise written by Brandon LaBelle and has been published by A&C Black this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-01-01 with Music categories.


The rise of a prominent auditory culture, reveals the degree to which sound art is lending definition to the 21st Century. And yet sound art still lacks related literature to compliment, and expand, the realm of practice. Background Noise sets out an historical overview, while at the same time shaping that history according to what sound art reveals - the dynamics of art to operate spatially, through media of reproduction and broadcast, and in relation to the intensities of communication and its contextual framework



Radicals And Realists In The Japanese Nonverbal Arts


Radicals And Realists In The Japanese Nonverbal Arts
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Author : Thomas R. H. Havens
language : en
Publisher: University of Hawaii Press
Release Date : 2006-07-31

Radicals And Realists In The Japanese Nonverbal Arts written by Thomas R. H. Havens and has been published by University of Hawaii Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-07-31 with Art categories.


Radicals and Realists is the first book in any language to discuss Japan’s avant-garde artists, their work, and the historical environment in which they produced it during the two most creative decades of the twentieth century, the 1950s and 1960s. Many of the artists were radicals, rebelling against existing canons and established authority. Yet at the same time they were realists in choosing concrete materials, sounds, and themes from everyday life for their art and in gradually adopting tactics of protest or resistance through accommodation rather than confrontation. Whatever the means of expression, the production of art was never devoid of historical context or political implication. Focusing on the nonverbal genres of painting, sculpture, dance choreography, and music composition, this work shows that generational and political differences, not artistic doctrines, largely account for the divergent stances artists took vis-a-vis modernism, the international arts community, Japan’s ties to the United States, and the alliance of corporate and bureaucratic interests that solidified in Japan during the 1960s. After surveying censorship and arts policy during the American occupation of Japan (1945–1952), the narrative divides into two chronological sections dealing with the 1950s and 1960s, bisected by the rise of an artistic underground in Shinjuku and the security treaty crisis of May 1960. The first section treats Japanese artists who studied abroad as well as the vast and varied experiments in each of the nonverbal avant-garde arts that took place within Japan during the 1950s, after long years of artistic insularity and near-stasis throughout war and occupation. Chief among the intellectuals who stimulated experimentation were the art critic Takiguchi Shuzo, the painter Okamoto Taro, and the businessman-painter Yoshihara Jiro. The second section addresses the multifront assault on formalism (confusingly known as "anti-art") led by visual artists nationwide. Likewise, composers of both Western-style and contemporary Japanese-style music increasingly chose everyday themes from folk music and the premodern musical repertoire for their new presentations. Avant-garde print makers, sculptors, and choreographers similarly moved beyond the modern—and modernism—in their work. A later chapter examines the artistic apex of the postwar period: Osaka’s 1970 world exposition, where more avant-garde music, painting, sculpture, and dance were on display than at any other point in Japan’s history, before or since. Radicals and Realists is based on extensive archival research; numerous concerts, performances, and exhibits; and exclusive interviews with more than fifty leading choreographers, composers, painters, sculptors, and critics active during those two innovative decades. Its accessible prose and lucid analysis recommend it to a wide readership, including those interested in modern Japanese art and culture as well as the history of the postwar years.





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Author :
language : en
Publisher:
Release Date : 1961

written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1961 with Art, Abstract categories.




Abstract Expressionism


Abstract Expressionism
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Author : Joan M. Marter
language : en
Publisher: Rutgers University Press
Release Date : 2007

Abstract Expressionism written by Joan M. Marter and has been published by Rutgers University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Art categories.


A collection of essays that discuss abstract expressionist art.



Art Anti Art Non Art


Art Anti Art Non Art
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Author : Reiko Tomii
language : en
Publisher: Getty Publications
Release Date : 2007

Art Anti Art Non Art written by Reiko Tomii and has been published by Getty Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Art categories.


Introduction to two decades of artistic ferment in postwar Japan. As that devastated nation confronted the fraught legacy of World War II, a rapid succession of avant-garde groups began experimenting with new media and processes of making art, disrupting conventions to address the changes occurring around them. The works that remain from this era are largely ephemeral - exhibition flyers, programs for performances, musical scores, issues of short-lived journals, documentary photographs, pieces of mail art, and multiples made from the detritus of modern life - but the ideals of engagement and innovation that invigorated this creative surge are not.