Handbuch Filmmusik I Musikdramaturgie Im Neuen Deutschen Film
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Handbuch Filmmusik I Musikdramaturgie Im Neuen Deutschen Film
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Author : Enjott Schneider
language : de
Publisher: BoD – Books on Demand
Release Date : 2018-01-26
Handbuch Filmmusik I Musikdramaturgie Im Neuen Deutschen Film written by Enjott Schneider and has been published by BoD – Books on Demand this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-01-26 with Social Science categories.
Der Neue Deutsche Film (1960-1985) war ein Autorenkino: mit eigener Handschrift und individualisierten Darstellungsformen. Im Vergleich dazu ist heutiges Filmbusiness zum Produzentenkino geworden. Durch permanentes Schielen auf Quote und finanziellen Erfolg dominieren Mainstream und austauschbare Versatzstücke. Gerade in der Filmmusik werden immergleiche Erfolgsmodelle perpetuiert. Enjott Schneider zeigt auf, was einst das Faszinosum des Neuen Deutschen Films ausmachte: die Lust an Experiment und Risiko, eine individuelle (oft verquere) Meinung zu formulieren, die Suche nach Neuem, auch wenn damit oftmals ein Scheitern verbunden war. Das Quellenmaterial dazu stammt zum einen aus über hundert Gesprächen mit anderen Filmkomponisten, Regisseuren, Cuttern und zum anderen aus Analysen von über 400 Filmen und aus der eigenen Filmmusikarbeit des Autors. Ein Komponistenlexikon, ein detailliertes Inhaltsverzeichnis und ein ausführliches Film-, Sach- und Personenregister machen das Buch zudem zu einem geschätzten Nachschlagewerk.
Handbuch Filmmusik
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Author : Enjott Schneider
language : de
Publisher:
Release Date : 1986
Handbuch Filmmusik written by Enjott Schneider and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1986 with Music categories.
Film Music In The Sound Era
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Author : Jonathan Rhodes Lee
language : en
Publisher: Routledge
Release Date : 2020-03-10
Film Music In The Sound Era written by Jonathan Rhodes Lee and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-03-10 with Music categories.
Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.
Music And The Silent Film
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Author : Martin Miller Marks
language : en
Publisher: Oxford University Press
Release Date : 1997-02-13
Music And The Silent Film written by Martin Miller Marks and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997-02-13 with Music categories.
In this book, a leading authority on film music examines scores of the silent film era. The first of three projected volumes investigating music written for films, this thoughtful and pathbreaking study demonstrates the richness of silent film music as it details the way in which scores were often planned from the start as an integral part of the whole cinematic experience. Following an introductory chapter that outlines several key theoretical questions and surveys eight decades of writing on film music, Martin Miller Marks focuses on those scores created between 1895 and 1924. He begins by considering two early examples, one German (written by persons unknown for Skladanowsky's Bioskop exhibitions in 1895 and 1896) and one French (scored by Camille Saint-Saëns for the 1908 film L'Assassinat du Duc de Guise). Subsequent chapters fully discuss Walter Cleveland Simon's music for the American film An Arabian Tragedy (1912) as well as the Joseph Breil accompaniment to D. W. Griffith's Birth of a Nation (1915). As described in this book, Breil's memorable score--though a compilation derived from many sources--was played by an orchestra as Griffith's sweeping images filled the screen, thus contributing significantly to the great film's success while also achieving remarkable power in its own right. Marks then concludes with a look at Erik Satie's witty and innovative music for the French film Entr'acte (1924), which was the first film score of consequence by an avant-garde composer. Giving unprecedented attention to a vibrant, important, and oft-neglected facet of twentieth-century music, Music and the Silent Film will interest scholars of film theory, film history, modern music, and modern aesthetics.
Film An International Bibliography
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Author : Malte Hagener
language : en
Publisher: Springer
Release Date : 2016-12-16
Film An International Bibliography written by Malte Hagener and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-12-16 with Performing Arts categories.
Kommentierte Bibliografie. Sie gibt Wissenschaftlern, Studierenden und Journalisten zuverlässig Auskunft über rund 6000 internationale Veröffentlichungen zum Thema Film und Medien. Die vorgestellten Rubriken reichen von Nachschlagewerk über Filmgeschichte bis hin zu Fernsehen, Video, Multimedia.
Musikdramaturgie Im Film
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Author : Robert Rabenalt
language : de
Publisher: edition text + kritik
Release Date : 2020-09-24
Musikdramaturgie Im Film written by Robert Rabenalt and has been published by edition text + kritik this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09-24 with Music categories.
Die auditive Gestaltung im Kino lädt zum aufmerksamen Zuhören ein, um eine Geschichte interessant und unterhaltsam zu erzählen. Musik im Film ist ein dramaturgisches Mittel und beeinflusst dabei sowohl Form als auch Wirkung des Films. Der schillernde Begriff "Dramaturgie", der sich stets zwischen Theorie und Praxis behaupten muss, erfährt in diesem Buch eine für die Beschäftigung mit Filmmusik notwendige Konkretisierung. Mit zahlreichen Beispielen und auf unterschiedlichen Wegen der Filmmusikanalyse, die vom Allgemeinen zum filmmusikalischen Detail führen oder umgekehrt von einem Teilmoment ausgehen und auf dessen Bedeutung für das Ganze schließen lassen, werden Grundformen und Ausnahmen des filmischen Erzählens thematisiert und die Rolle, die der Filmmusik dabei zukommt, illustriert. Mit Blick auf das Verwenden und Komponieren von Musik sowie auf deren Wahrnehmung im Kontext einer Geschichte wird die oft benannte, aber bisher weder ausführlich noch systematisch untersuchte Bedeutung der Dramaturgie von Grund auf überdacht. Das dramaturgisch Verbindende der verschiedenen eingenommenen Perspektiven, die Querverbindungen zwischen Musiktheorie, filmischer Montage, Erzählformen und Filmrezeption führen schließlich zu einem neuen, auf die dramaturgische Wirkungsweise von Musik spezialisierten Modell der auditiven Ebenen im Film. In Verbindung mit einer Systematik von dramaturgisch wirksamen Musik-Bild-Kopplungen und dem Konzept vom Fabelzusammenhang der Filmmusik wird ein universelles und zeitgemäßes Analysemodell für Filmmusik offeriert, das sich auch über die besprochenen Genres und Formen hinaus anwenden lässt. Ein ausführliches Glossar schließt das Buch ab, das damit für Medienschaffende und Forschende gleichermaßen von Interesse sein wird.
Unsettling Scores
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Author : Roger Hillman
language : en
Publisher: Indiana University Press
Release Date : 2005-04-20
Unsettling Scores written by Roger Hillman and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-04-20 with History categories.
Interprets the use of classical music in postwar German cinema.
The Cambridge Companion To Film Music
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Author : Mervyn Cooke
language : en
Publisher: Cambridge University Press
Release Date : 2016-12-08
The Cambridge Companion To Film Music written by Mervyn Cooke and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-12-08 with Music categories.
A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks.
German Cinema
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Author : Marc Silberman
language : en
Publisher: Wayne State University Press
Release Date : 1995
German Cinema written by Marc Silberman and has been published by Wayne State University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Literary Criticism categories.
A historical overview of German film from the silent era to the present, presenting close readings of 14 films from five major historical periods of German cinema. Each chapter analyzes a single film, discussing filmmakers' personal styles, genre, and modes of narration, and looks at the wider contexts of film production and reception including political issues and social change. Films include a Nazi propaganda musical, Ernst Lubitsch's Passion, and Wim Wenders' Paris, Texas. Includes film credits for each film, bandw photos, and extensive notes. Annotation copyright by Book News, Inc., Portland, OR
Analyzing Music In Advertising
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Author : Nicolai Graakjaer
language : en
Publisher: Routledge
Release Date : 2014-11-27
Analyzing Music In Advertising written by Nicolai Graakjaer and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-11-27 with Business & Economics categories.
The study of music in commercials is well-suited for exploring the persuasive impact that music has beyond the ability to entertain, edify, and purify its audience. This book focuses on music in commercials from an interpretive text analytical perspective, answering hitherto neglected questions: What characterizes music in commercials compared to other commercial music and other music on TV? How does music in commercials relate to music ‘outside’ the universe of commercials? How and what can music in commercials signify? Author Nicolai Graakjær sets a new benchmark for the international scholarly study of music on television and its pervading influence on consumer choice.