Hieronymus Cock Printmaker And Publisher
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Hieronymus Cock Printmaker And Publisher
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Author : Timothy A. Riggs
language : en
Publisher:
Release Date : 1980
Hieronymus Cock Printmaker And Publisher written by Timothy A. Riggs and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1980 with Printmakers categories.
Hieronymus Cock Printmaker And Publisher
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Author : Timothy A. Riggs
language : en
Publisher: Garland Publishing
Release Date : 1977
Hieronymus Cock Printmaker And Publisher written by Timothy A. Riggs and has been published by Garland Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 1977 with Art categories.
Hieronymus Cock
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Author : Joris van Grieken
language : en
Publisher:
Release Date : 2013
Hieronymus Cock written by Joris van Grieken and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Art categories.
Hieronymus Cock (1518-1570) was an Antwerp painter and printmaker. Together with his wife, he was one of the first to establish a publishing house for prints. From 1548 their firm “At the Sign of the Four Winds” issued hundreds of important etchings and engravings. Prints after frescoes and paintings by Italian artists Raphael and Bronzino, the first series of classical ruins, antique sculpture, as well as designs by such Northern artists as Maarten van Heemskerck and Frans Floris were distributed all over Europe and helped to spread Renaissance ideals of beauty. It was Cock who spotted the talent of Pieter Bruegel, an artist who would eventually supply Cock with more than sixty designs for prints.
The Renaissance Of Etching
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Author : Catherine Jenkins
language : en
Publisher: Metropolitan Museum of Art
Release Date : 2019-10-21
The Renaissance Of Etching written by Catherine Jenkins and has been published by Metropolitan Museum of Art this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-10-21 with Art categories.
The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Frans Floris 1519 20 1570 Imagining A Northern Renaissance
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Author : Edward H. Wouk
language : en
Publisher: BRILL
Release Date : 2018-03-20
Frans Floris 1519 20 1570 Imagining A Northern Renaissance written by Edward H. Wouk and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-03-20 with Art categories.
Frans Floris de Vriendt was among the most celebrated Netherlandish artists of the sixteenth-century, more renowned in his day than Bruegel the Elder. This book relates Floris’s hybridizing art to the social, religious, and political crises reshaping his society.
Art In Reproduction
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Author : Robert Verhoogt
language : en
Publisher: Amsterdam University Press
Release Date : 2007
Art In Reproduction written by Robert Verhoogt and has been published by Amsterdam University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Art categories.
This illuminating study examines the cultural meaning of artistic reproduction in a refreshingly new context through its consideration of how three artists managed the reproduction of their work.
Ekphrastic Image Making In Early Modern Europe 1500 1700
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Author : Arthur J. DiFuria
language : en
Publisher: BRILL
Release Date : 2021-12-20
Ekphrastic Image Making In Early Modern Europe 1500 1700 written by Arthur J. DiFuria and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-12-20 with Art categories.
This volume examines how and why many early modern pictures operate in an ekphrastic mode.
The Small Landscape Prints In Early Modern Netherlands
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Author : Alexandra Onuf
language : en
Publisher: Routledge
Release Date : 2017-01-02
The Small Landscape Prints In Early Modern Netherlands written by Alexandra Onuf and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-01-02 with Art categories.
In 1559 and 1561, the Antwerp print publisher Hieronymus Cock issued an unprecedented series of landscape prints known today simply as the Small Landscapes. The forty-four prints included in the series offer views of the local countryside surrounding Antwerp in simple, unembellished compositions. At a time when vast panoramic and allegorical landscapes dominated the art market, the Small Landscapes represent a striking innovation. This book offers the first comprehensive analysis of the significance of the Small Landscapes in early modern print culture. It charts a diachronic history of the series over the century it was in active circulation, from 1559 to the middle of the seventeenth century. Adopting the lifespan of the prints as the framework of the study, Alexandra Onuf analyzes the successive states of the plates and the changes to the series as a whole in order to reveal the shifting artistic and contextual valences of the images at their different moments and places of publication. This unique case study allows for a new perspective on the trajectory of print publishing over the course of the late sixteenth and early seventeenth centuries across multiple publishing houses, highlighting the seminal importance of print publishers in the creation and dissemination of visual imagery and cultural ideas. Looking at other visual materials and contemporary sources – including texts as diverse as humanist poetry and plays, agricultural manuals, polemical broadsheets, and peasant songs – Onuf situates the Small Landscapes within the larger cultural discourse on rural land and the meaning of the local in the turbulent early modern Netherlands. The study focuses new attention on the active and reciprocal intersections between printed pictures and broader cultural, economic and political phenomena.
Painted Prints
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Author : Susan Dackerman
language : en
Publisher: Penn State Press
Release Date : 2002
Painted Prints written by Susan Dackerman and has been published by Penn State Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Art categories.
Betr. u.a. Hans Holbeins Totentanz in den "Simulachres & historiées faces de la mort", Lyon 1538 (S. 176-179).
Graphic History
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Author : Philip Benedict
language : en
Publisher: Librairie Droz
Release Date : 2007
Graphic History written by Philip Benedict and has been published by Librairie Droz this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Art categories.
The suite of forty prints published in Geneva in 1570 depicting the wars, massacres and troubles of the French Wars of Religion may have been the first picture history made in woodcuts or etchings that promised a geenral public a true view of great events of the recent past. This richly illustrated study reconstructs the gradual elaboration of this experimental work, situating it within the previously untold story of the use of the graphic arts to report the news in the fist centuries of European printmaking. Successive chapters explore the pictorial traditions that inspired the printmakers, examine how they gathered their information, assess the reliability of the scenes, and analyze the historical vision informing the series. Part 2 reproduces the full suite with commentary in double page fold-outs. Through the study of a single print series, lost chapters in the history of jorunalism, of the graphic arts, and of Protestant historical consciousness re-emerge.