Hollantsche Parnas
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Hollantsche Parnas
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Author :
language : nl
Publisher: Amsterdam University Press
Release Date : 1997-01-01
Hollantsche Parnas written by and has been published by Amsterdam University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997-01-01 with Education categories.
Voor veel zeventiende-eeuwers staat het vast: de grote, klassieke literatuur van Griekenland en Rome is in Nederland in hun tijd opnieuw tot bloei gekomen. Een Gouden Eeuw is aangebroken, niet alleen in economisch en politiek opzicht, maar ook in de kunst. Om het niveau van de klassieke auteurs te bereiken waren een degelijke opleiding en een grote vertrouwdheid met de voorbeelden onmisbaar. Toch maakt de Nederlandse poëzie van de zeventiende eeuw allerminst een schoolse indruk. Dichters stonden midden in het leven en luchtten hun hart bij alle mogelijke gelegenheden. Zelden zijn er zoveel politieke pamfletten in dichtvorm gedrukt. En zelden was er ook zoveel aandacht voor wat dichters te zeggen hadden. De Alfa-reeks omvat Poëzie, proza en toneel uit verschillende eeuwen en van verschillende auteurs. De reeks richt zich in eerste instantie op eerste- en tweedejaars studenten Nederlands, maar is ook bedoeld voor een in literatuur geïnteresseerd publiek. De teksten zijn, waar nodig, door deskundigen van commentaar en woordverklaringen voorzien.
Hollantsche Parnas Of Verscheide Gedichten
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Author : Tobias van Domselaer
language : nl
Publisher:
Release Date : 1660
Hollantsche Parnas Of Verscheide Gedichten written by Tobias van Domselaer and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1660 with categories.
Hollantsche Parnas Of Verscheide Gedichten Gerijmt Door J Westerbaen J V Vondel J Vos G Brant R Anslo En Andere Voornaamste Dichters Onzer Eeuwe
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Author :
language : nl
Publisher:
Release Date : 1660
Hollantsche Parnas Of Verscheide Gedichten Gerijmt Door J Westerbaen J V Vondel J Vos G Brant R Anslo En Andere Voornaamste Dichters Onzer Eeuwe written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1660 with categories.
Ekphrastic Image Making In Early Modern Europe 1500 1700
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Author : Arthur J. DiFuria
language : en
Publisher: BRILL
Release Date : 2021-12-20
Ekphrastic Image Making In Early Modern Europe 1500 1700 written by Arthur J. DiFuria and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-12-20 with Art categories.
This volume examines how and why many early modern pictures operate in an ekphrastic mode.
Bijdragen Tot Cene Nederlandsche Bibliographie Uitgegeven Door Het Frederik Muller Fonds
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Author :
language : nl
Publisher:
Release Date : 1888
Bijdragen Tot Cene Nederlandsche Bibliographie Uitgegeven Door Het Frederik Muller Fonds written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1888 with categories.
Bibliographie Van Vondels Werken
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Author : J. H. W. Unger
language : nl
Publisher:
Release Date : 1888
Bibliographie Van Vondels Werken written by J. H. W. Unger and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1888 with categories.
A Corpus Of Rembrandt Paintings V
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Author : Ernst van de Wetering
language : en
Publisher: Springer Science & Business Media
Release Date : 2013-12-12
A Corpus Of Rembrandt Paintings V written by Ernst van de Wetering and has been published by Springer Science & Business Media this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-12-12 with Art categories.
This volume is the fifth volume of A Corpus of Rembrandt Paintings, a project devoted to all Rembrandt’s paintings. This is the work of ‘The Rembrandt Research Project’, consisting of a group of scholars led since 1993 by Professor Ernst van de Wetering. The project began in 1968 with the aim of separating Rembrandt’s own paintings from the vast number of Rembrandtesque paintings made by his many apprentices and followers. Having opted for a chronological approach to the cataloguing of Rembrandt’s paintings (from 1625 till 1642) in the first three volumes, it was decided in 1993 to adopt a thematic approach for further volumes. This was largely to facilitate the recognition of different hands. The new approach yielded much more information not only about Rembrandt’s working methods but also about the function and meaning of his works. This expanded field of view meant that etchings and drawings with similar themes also needed to be included. In 2005 Volume IV appeared, devoted to Rembrandt’s self-portraits, in painting, etching and drawing. Volume V consists of a catalogue and analysis of the so-called small-scale history and genre paintings. That theme was chosen because this type of complex work shows a variety of full-length protagonists acting in different narrative settings. For this reason, in the 17th century, painting, etching or drawing biblical and mythological scenes was looked upon as an artist’s greatest challenge. The choice of this theme proved to be highly fruitful in several ways. Small-scale history pieces reveal Rembrandt’s artistic ambitions most clearly. They also offer the authors a much more accurate view of the daily routine in Rembrandt’s studio; his apprentices mostly copied this type of work or used it as a starting point for their own. As a result it was easier to distinguish the works by the master himself from those of his pupils. All aspects of the skills necessary to create a pictorial illusion play a part in the creation of small-figured history paintings. These aspects were referred to as ‘the basis of the noble art of painting’ in Rembrandt’s days. Two seventeenth century painter/theoreticians discussed these principles systematically in two books which up till now have only sporadically been consulted in the context of 17th century studio practice. Karel van Mander wrote his Grond der edel vry schilder-const [Basis of the Art of Painting] in 1604 and Samuel van Hoogstraten produced his Inleyding tot de hooge schoole der schilderkonst [Academy of Painting] in 1678. Van Hoogstraten was a pupil of Rembrandt between 1642 and ’48. Comparing the two books and considering them in relation to Rembrandt’s oeuvre, gradually reveals his original views on painting and how these had developed during his career. Thus, the authors of this new Volume of A Corpus have gained an unexpected and profound insight into Rembrandt’s ideas and approach to his art. The ‘basic aspects’ of painting included the following topics: function and methods of drawing; human proportions; various positions, poses and gestures of figures; ways of arranging a scene’s protagonists in a composition; facial expressions of a variety of emotions; light, shadows and reflected light; landscape and animals; draperies and articles of clothing; methods of painting, and various characteristics and uses of colours. The way these ‘basic aspects’ were selected and dealt with presumed that the more practical side to the art of painting would be learned by the apprentice in the daily routine of his master’s studio. With the development of art history in the nineteenth century the ‘basic aspects’ of the art of painting listed above acquired the vague label of ‘style’. However, the seventeenth century categorization of the ‘basic aspects’ provides a much more acute means of probing the views and criteria for judging a painting by Rembrandt and his contemporaries than the concept of ‘style’. Volume V in the series A Corpus of Rembrandt Paintings breaks new ground from the point of view of art history, not only in its approach to Rembrandt as an artist, but more particularly to his thinking about painting. Moreover, a detailed comparison of Rembrandt’s works and those by his apprentices who based their works on his, led to a profound and detailed understanding of Rembrandt’s views on pictorial quality. In art historical literature quality usually does not feature prominently since it is regarded as being too subjective. This comparative approach, together with the analysis of seventeenth century categories of thought about painting, have given the research on Rembrandt a new impetus, at the same time allowing us to see more clearly through seventeenth century eyes. That is why the new volume of the ‘Corpus’ is an important publication – not only for art historians but also for all who want to fully enjoy the numerous works of art that date back to the Dutch Golden Age, now scattered in museums around the world.
A Corpus Of Rembrandt Paintings
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Author : J. Bruyn
language : en
Publisher: Springer Science & Business Media
Release Date : 2013-05-14
A Corpus Of Rembrandt Paintings written by J. Bruyn and has been published by Springer Science & Business Media this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-05-14 with Art categories.
Since the second half of the last century art historians, realizing that the image of Rembrandt’s work had become blurred with time, have attempted to redefine the artist’s significance both as a source of inspiration to other artists and as a great artist in his own right. In order to carry on the work started by previous generations, a group of leading Dutch art historians from the university and museum world joined forces in the late 1960s in order to study afresh the paintings usually ascribed to the artist. The researchers came together in the Rembrandt Research Project which was established to provide the art world with a new standard reference work which would serve the community of art historians for the nearby and long future. They examined the originals of all works attributed to Rembrandt taking full advantage of today’s sophisticated techniques including radiography, neutron activation autoradiography, dendrochronology and paint sample analysis — thereby gaining valuable insight into the genesis and condition of the paintings. The result of this meticulous research is laid down chronologically in the following Volumes: A Corpus of Rembrandt Paintings, Volume I, which deals with works from Rembrandt’s early years in Leiden(1629-1631), published in 1982. A Corpus of Rembrandt Paintings, Volume II, covering his first years in Amsterdam (1631-1634), published in 1986. THIS VOLUME: A Corpus of Rembrandt Paintings, Volume III, goes into his later years of reputation (1635-1642), published in 1990. Each Volume consists of a number of Introductory Chapters as well as the full Catalogue of all paintings from the given time period attributed to Rembrandt. In this catalogue each painting is discussed and examined in a detailed way, comprising a descriptive, an interpretative and a documentary section. For the authenticity evaluation of the paintings three different categories are used to divide the works in: A. Paintings by Rembrandt, B. Paintings of which Rembrandt’s authorship cannot be positively either accepted or rejected, and C. Paintings of which Rembrandt’s authorship cannot be accepted. This volume (Volume III) contains 820 pages, starting of with three introductory chapters and discussing 86 paintings. In clear and accessible explanatory text all different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging. In this volume important paintings including the Night Watch are discussed.
Rembrandt And His Critics 1630 1730
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Author : Seymour Slive
language : en
Publisher: Springer Science & Business Media
Release Date : 2013-03-09
Rembrandt And His Critics 1630 1730 written by Seymour Slive and has been published by Springer Science & Business Media this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-03-09 with Art categories.
My greatest debt in the writing of this book is to my teacher Dr. Ulrich Middeldorf, who taught me the methodology of research in art history, and who guided my studies of art theory and criticism. This study, which in an earlier form was accepted as a doctoral dissertation by the University of Chicago, was begun under Dr. Middeldorf's guidance, and during all stages of its preparation I benefited from his invaluable suggestions and criticism. A United States Government Grant enabled me to complete my researches on Rembrandt in the Netherlands, where I studied at the Rijksuniversiteit te Utrecht with Dr. J.G. van Gelder, who was particularly generous with his knowledge and time. He read the manuscript and proofs, and offered numerous suggestions and additions which have been of great benefit to me. Special acknowledgement is made to the Kunsthistorisch lnstituut der Rijksuniversiteit te Utrecht for generously finding a place for this study in the Utrechtse Bij dragen tot de Kunstgeschiedenis. I am also much indebted to Dr. H. Schulte Nordholt of the Kunsthistorisch lnstituut for his valuable advice and his help inseeing the book through the press.
Dutch Literature In The Age Of Rembrandt
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Author : Maria A. Schenkeveld
language : en
Publisher: John Benjamins Publishing
Release Date : 1991-01-01
Dutch Literature In The Age Of Rembrandt written by Maria A. Schenkeveld and has been published by John Benjamins Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991-01-01 with Art categories.
Dutch literature of the 17th century, while not as famous as other elements of the culture of the Dutch Golden Age, deserves independent focus, not only because of its own intrinsic worth, but also because of the evidence of strong social concern that it presents and the light it sheds on other aspects of the Golden Age. Despite this, outside the Netherlands the literature has not been examined closely, undoubtedly because of the language barrier, but also because there is no reasonable introduction to the material in English. This book fills that lacuna. Richly illustrated, it groups its subjects thematically: politics, religion, nature, daily life. Because Golden Age painting, in particular, is so famous, the book devotes a special chapter to the connection between poetry and painting. A concluding chapter shows the republic's function as a European literary trading center with brisk import and export. Included also are texts and translations of poems and extensive bibliographies for further study.