How A Film Theory Got Lost And Other Mysteries In Cultural Studies
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How A Film Theory Got Lost And Other Mysteries In Cultural Studies
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Author : Robert B. Ray
language : en
Publisher: Indiana University Press
Release Date : 2001-04-22
How A Film Theory Got Lost And Other Mysteries In Cultural Studies written by Robert B. Ray and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-04-22 with Performing Arts categories.
He is a member of The Vulgar Boatmen, whose records include You and Your Sister, Please Panic, and Opposite Sex.ContentsForeword by James NaremoreImpressionism, Surrealism, and Film Theory: Path Dependence, or How a Tradition in Film Theory Gets LostThe Bordwell Regime and the Stakes of KnowledgeSnapshots: The Beginnings of PhotographyTrackingHow to Start and Avant-GardeHow to Teach Cultural StudiesThe Best Way to Understand PostmodernismThe Mystery of Edward HopperFilm and LiteratureConclusion
The Structure Of Complex Images
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Author : Robert B. Ray
language : en
Publisher: Springer Nature
Release Date : 2020-05-09
The Structure Of Complex Images written by Robert B. Ray and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-05-09 with Performing Arts categories.
After over a century of existence, the cinema still has its mysteries. Why, for example, is the job we call movie stardom unlike any other in the world? How do films provide so much unconcealed information that we fail to notice? What makes it hard to define what counts as “acting”? How do movies like Casablanca and Breathless store the film and world histories of their generations? How can we reconcile auteurism’s celebration of the movie director’s authority with the camera’s automatism? Why have the last four decades of film criticism so often neglected such questions? After beginning with an overview of film studies, this book proposes a shift from predictable theoretical approaches to models that acknowledge the perplexities and mysteries of the movies. Deriving methods from cinephilia, Wittgenstein, Richard Rorty, Stanley Cavell, Eleanor Duckworth, V. F. Perkins, and James Naremore, Robert B. Ray offers close readings that call attention to what we have missed in such classic films as La Règle du Jeu, It Happened One Night, It’s a Wonderful Life, Vertigo, Holiday, The Philadelphia Story, Casablanca, Breathless, and Tickets.
Film Theory
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Author : Philip Simpson
language : en
Publisher: Taylor & Francis
Release Date : 2004
Film Theory written by Philip Simpson and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Art categories.
This major new collection identifies the critical and theoretical concepts which have been most significant in the study of film and presents a historical and intellectual context for the material examined.
Mysteries Of Cinema
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Author : Adrian Martin
language : en
Publisher:
Release Date : 2020-04
Mysteries Of Cinema written by Adrian Martin and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-04 with categories.
The major essays of the distinguished and prolific Australian-born film critic Adrian Martin have long been difficult to access, so this anthology, which collects highlights of his work in one volume, will be welcomed throughout film studies. Martin offers in-depth analysis of many genres of films while providing a broad understanding of the history of cinema and the history of film criticism and culture. These vibrant, highly personal essays, written between 1982 and 2016, balance breadth across cinema theory with almost encyclopedic detail, ranging between aesthetics, cinephilia, film genre, criticism, philosophy, and cultural politics. Mysteries of Cinema circumscribes a special cultural period that began with the dream of critique as a form of poetic writing, and today arrives at collaborative experiments in audiovisual essays. Throughout these essays, Martin pursues a particular vision of what cinema has been, what it is, and what it still could be.
Film As Social Practice
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Author : Graeme Turner
language : en
Publisher: Psychology Press
Release Date : 1993
Film As Social Practice written by Graeme Turner and has been published by Psychology Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993 with Cinéma - Aspect social categories.
This fourth edition of our bestselling text has been comprehensively updated and revised to include contemporary film analysis and recent films. With a focus on contemporary popular cinema and examples from Classical Hollywood, Graeme Turner examines the social and cultural aspects of film from audiences and ideologies to exhibition and technology. This fourth edition now includes: new sections dealing with debates about spectacle and special effects an extended treatment of sound and its contribution to cinema film theorya (TM)s discussion of the representation of race and ethnicity a thorough update of individual film references a revised applications chapter that includes new contemporary examples new illustrations from contemporary popular cinema. Students of film studies, film practice and film theory will find this a welcome addition to their degree course studies.
Classical Japanese Cinema Revisited
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Author : Catherine Russell
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2011-06-16
Classical Japanese Cinema Revisited written by Catherine Russell and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-06-16 with Performing Arts categories.
Catherine Russell's highly accessible book approaches Japanese cinema as an industry closely modeled on Hollywood, focusing on the classical period - those years in which the studio system dominated all film production in Japan, from roughly 1930 to 1960. Respectful and thoroughly informed about the aesthetics and critical values of the Japanese canon, Russell is also critical of some of its ideological tendencies, and her analyses provide new insights on class and gender dynamics. Russell locates Japanese cinema within a global system of reception, and she highlights the importance of the industrial production context of these films. Including studies of landmark films by Ozu, Kurosawa and other directors, this book provides a perfect introduction to a crucial and often misunderstood area of Japanese cultural output. With a critical approach that highlights the "everydayness" of Japanese studio-era cinema, Catherine Russell demystifies the canon of great Japanese cinema, treating it with fewer auteurist and Orientalist assumptions than many other scholars and critics.
Approaches To Popular Film
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Author : Joanne Hollows
language : en
Publisher: Manchester University Press
Release Date : 1995-05-15
Approaches To Popular Film written by Joanne Hollows and has been published by Manchester University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995-05-15 with Performing Arts categories.
Introductory textbook for A-level and undergraduate courses.
Mysteries Of Cinema
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Author : Adrian Martin
language : en
Publisher: Film Culture in Transition
Release Date : 2018-05-28
Mysteries Of Cinema written by Adrian Martin and has been published by Film Culture in Transition this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-05-28 with Film criticism categories.
The major essays of the distinguished and prolific Australian-born film critic Adrian Martin have long been difficult to access, so this anthology, which collects highlights of his work in one volume, will be welcomed throughout film studies. Martin offers indepth analysis of many genres of films while providing a broad understanding of the history of cinema and the history of film criticism and culture. These vibrant, highly personal essays, written between 1982 and 2016, balance breadth across cinema theory with almost encyclopedic detail, ranging between aesthetics, cinephilia, film genre, criticism, philosophy, and cultural politics. Mysteries of Cinema circumscribes a special cultural period that began with the dream of critique as a form of poetic writing, and today arrives at collaborative experiments in audiovisual essays. Throughout these essays, Martin pursues a particular vision of what cinema has been, what it is, and what it still could be.
Crash Cinema
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Author : Will Godfrey
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2009-10-02
Crash Cinema written by Will Godfrey and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-10-02 with Performing Arts categories.
Crash Cinema: Representation in Film is a collection of essays that emerged from Crash Cinema an annual symposium that is an integral part of the Bradford Film Festival at the National Media Museum (UK). The symposium was created by academics and curators who share the common aim of promoting the importance of film both as an academic study and for critical public appreciation. Films can be enjoyed as entertainment, they can educate and inform and they can excite and disturb. Films are powerful pieces of culture. The films that we now ‘consume’ do more than simply amuse or horrify. Cinema not only thrills us but also communicates to us about ourselves and in the twentieth and twenty-first century moving images have become the dominant form of this communication. Bombarded by images, we inhabit a media intensive world in which every aspect of life is pervaded by visual signs. In these circumstances it becomes increasingly significant to engage with the politics of representation. Through this vital process we can acknowledge that all cultural forms, whether in high art or the mass media, are in the broadest sense political. We can also appreciate that it is a complex agenda of interests that shapes specific ideological meanings. Fulsomely equipped, we can apply this essential tool to the exciting task of decoding the political, social and cultural meanings articulated through the making, promotion and consumption of film. This book aims to offer an arena for the analysis of these representations. Representations cannot depict the ‘truth’ and the essays in this book do not claim to search for the ‘truth’. We ask whose ‘truth’ is being represented, how is it represented and why is it represented like that? We also ask how do representations tell us something about the culture within which they are created. Yet the essays in this volume are not ‘stuck’ in the representational concerns of the past and try instead to uncover the power of cinema to shock and surprise whether that be through visceral impact, subversive content, experiments with identity or the exploration of the taboo. Representation, as defined by the eleven essays in this book, is a fluid and dynamic approach to the study of film. The study of film, to which this book contributes some unique case studies, is as popular as ever and has withstood growing challenge from the new media such as CG Animations, the internet and computer, console and online gaming. This is because the pleasure of film is still the most humanistic and because the sophistication of the representations offered by cinematic expression remain ever more complex and pleasurable to decipher. This book can therefore be read by any student, academic, writer or filmmaker hooked on these delights.
Beyond The Subtitle
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Author : Mark Betz
language : en
Publisher: U of Minnesota Press
Release Date : 2009
Beyond The Subtitle written by Mark Betz and has been published by U of Minnesota Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Performing Arts categories.
Examining European art films of the 1950s and 1960s, Mark Betz argues that it istime for film analysis to move beyond prevailing New Wave historiography, mired in outdated notions of nationalism and dragged down by decades of auteurist criticism. Focusing on the cinemas of France and Italy, Betz reveals how the flowering of European art films in the postwar era is inseparable from the complex historical and political frameworks of the time.