Ibbs And Tillett


Ibbs And Tillett
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Ibbs And Tillett


Ibbs And Tillett
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Author : Christopher Fifield
language : en
Publisher: Routledge
Release Date : 2017-11-22

Ibbs And Tillett written by Christopher Fifield and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-11-22 with Music categories.


For the greater part of the twentieth century, Ibbs and Tillett's concert agency was to the British music industry what Marks and Spencer is to the world of the department store. The roll-call of famous musicians on its books was unmatched, and included such international stars as Clara Butt, Fritz Kreisler, Pablo Casals, Sergei Rachmaninov, Andr Segovia, Kathleen Ferrier, Myra Hess, Jacqueline du Pr Clifford Curzon and Vladimir Ashkenazy, to name but a handful. From 1906, the success of the company was due to the dedication of its founders, Robert Leigh Ibbs and John Tillett. After their deaths, the agency was run by the latter's wife, Emmie, who, dubbed the 'Duchess of Wigmore Street', became one of the most formidable yet respected women in British music. The history of this unique institution and its owners is told here for the first time, often through the fascinating letters that were exchanged between the artists themselves and the agency. It begins in the latter years of the 19th century with the concert and theatrical manager Narciso Vert, for whom both Ibbs and Tillett worked until his death in 1905. The story then becomes a history of musical life in twentieth-century Britain, illuminating aspects of the day-to-day management of concerts and festivals, the lives and livelihoods of professional musicians, as well as those who strove to join their ranks through audition or recommendation. The changing profile, and particularly the onset and development of personal management of artists represented by Ibbs and Tillett and their reception in the press, can be viewed as a barometer of musical taste. The demise of the agency in 1990 was indicative of just how much the world of British music had changed by the end of the century, but despite its loss to the profession, the legacy and influence of Ibbs and Tillett has remained a benchmark in today's highly competitive world of artist management and concert promotion, many of whose principal operators began



Perspectives On Ernst Von Dohn Nyi


Perspectives On Ernst Von Dohn Nyi
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Author : James A. Grymes
language : en
Publisher: Scarecrow Press
Release Date : 2005

Perspectives On Ernst Von Dohn Nyi written by James A. Grymes and has been published by Scarecrow Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Music categories.


This book is an edited collection of essays on Ernst von Dohnányi written by top scholars, students, and Dohnányi's loved ones. Special "Historical Documents" sections demonstrate Dohnányi's importance in the eyes of such notables as Béla Bartók, making this volume of great interest not only to those interested in Dohnányi's life and works, but also to students of 19th-century musical life.



The Mid Twentieth Century Concert Pianist


The Mid Twentieth Century Concert Pianist
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Author : Julian Hellaby
language : en
Publisher: Routledge
Release Date : 2018-05-20

The Mid Twentieth Century Concert Pianist written by Julian Hellaby and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-05-20 with Music categories.


In this book, Julian Hellaby presents a detailed study of English piano playing and career management as it was in the middle years of the twentieth century. Making regular comparisons with early twenty-first-century practice, the author examines career-launching mechanisms, such as auditions and competitions, and investigates available means of career sustenance, including artist management, publicity outlets, recital and concerto work, broadcasts, recordings and media reviews. Additionally, Hellaby considers whether a mid-twentieth-century school of English piano playing may be identified and, if so, whether it has lasted into the early decades of the twenty-first century. The author concludes with an appraisal of the state of English pianism in recent years and raises questions about its future. Drawing on extensive research from a wide variety of primary and secondary sources, this book is structured around case-studies of six pianists who were commencing and then developing their careers between approximately 1935 and 1970. The professional lives and playing styles of Malcolm Binns, Peter Katin, Moura Lympany, Denis Matthews, Valerie Tryon and David Wilde are examined, and telling comparisons are made between the state of affairs then and that of more recent times. Engagingly written, the book is likely to appeal to professional and amateur pianists, piano teachers, undergraduate and postgraduate music students, academics and anyone with an interest in the history of pianists, piano performance and music performance history in general.



Guilhermina Suggia Cellist


Guilhermina Suggia Cellist
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Author : Anita Mercier
language : en
Publisher: Routledge
Release Date : 2017-07-05

Guilhermina Suggia Cellist written by Anita Mercier and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.


Born in 1885 in Porto, Portugal, to a middle-class musical family, Guilhermina Suggia began playing cello at the age of five. A child prodigy, she was already a seasoned performer when she won a scholarship to study with Julius Klengel in Leipzig at the age of sixteen. Suggia lived in Paris with fellow cellist Pablo Casals for several years before World War I, in a professional and personal partnership that was as stormy as it was unconventional. When they separated Suggia moved to London, where she built a spectacularly successful solo career. Suggia's virtuosity and musicianship, along with the magnificent style and stage presence famously captured in Augustus John's portrait, made her one of the most sought-after concert artists of her day. In 1927 she married Dr Josasimiro Carteado Mena and settled down to a comfortable life divided between Portugal and England. Throughout the 1930s, Suggia remained one of the most respected musicians in Europe. She partnered on stage with many famous instrumentalists and conductors and completed numerous BBC broadcasts. The war years kept her at home in Portugal, where she focused on teaching, but she returned to England directly after the war and resumed performing. When Suggia died in 1950, her will provided for the establishment of several scholarship funds for young cellists, including England's prestigious Suggia Gift. Mercier's study of Suggia's letters and other writings reveal an intelligent, warm and generous character; an artist who was enormously dedicated, knowledgeable and self-disciplined. Suggia was one of the first women to make a career of playing the cello at a time when prejudice against women playing this traditionally 'masculine' instrument was still strong. A role model for many other musicians, she was herself a fearless pioneer.



Hope And Glory


Hope And Glory
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Author : Maurice Leonard
language : en
Publisher: Victorian Secrets
Release Date : 2012

Hope And Glory written by Maurice Leonard and has been published by Victorian Secrets this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Biography & Autobiography categories.


Dame Clara Butt (1872-1936) was one of the most celebrated singers of the Victorian and Edwardian eras, a symbol of the glory of a Britain on whose Empire the sun never set. Standing an Amazonian 6'2" tall, Clara had a glorious contralto voice of such power that when she sang in Dover, Sir Thomas Beecham swore she could be heard in Calais. A friend of the royal family, Clara was made a Dame in recognition of her sterling work during the First World War. Her rousing performances of Land of Hope and Glory brought the nation together and raised thousands of pounds for charity. In the first biography since her death, Maurice Leonard tells Dame Clara Butt's remarkable story, from humble beginnings in Sussex, to her dazzling apotheosis by an adoring nation. With humour and insight, Leonard reveals the woman behind the cultural icon.



Music In Edwardian London


Music In Edwardian London
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Author : Simon McVeigh
language : en
Publisher: Boydell & Brewer
Release Date : 2024-05-21

Music In Edwardian London written by Simon McVeigh and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-05-21 with History categories.


Traversing London's musical culture, this book boldly illuminates the emergence of Edwardian London as a beacon of musical innovation. The dawning of a new century saw London emerge as a hub in a fast-developing global music industry, mirroring Britain's pivotal position between the continent, the Americas and the British Empire. It was a period of expansion, experiment and entrepreneurial energy. Rather than conservative and inward-looking, London was invigorated by new ideas, from pioneering musical comedy and revue to the modernist departures of Debussy and Stravinsky. Meanwhile, Elgar, Holst, Vaughan Williams, and a host of ambitious younger composers sought to reposition British music in a rapidly evolving soundscape. Music was central to society at every level. Just as opulent theatres proliferated in the West End, concert life was revitalised by new symphony orchestras, by the Queen's Hall promenade concerts, and by Sunday concerts at the vast Albert Hall. Through innumerable band and gramophone concerts in the parks, music from Wagner to Irving Berlin became available as never before. The book envisions a burgeoning urban culture through a series of snapshots - daily musical life in all its messy diversity. While tackling themes of cosmopolitanism and nationalism, high and low brows, centres and peripheries, it evokes contemporary voices and characterful individuals to illuminate the period. Challenging issues include the barriers faced by women and people of colour, and attitudes inhibiting the new generation of British composers - not to mention embedded imperialist ideologies reflecting London's precarious position at the centre of Empire. Engagingly written, Simon McVeigh's groundbreaking book reveals the exhilarating transformation of music in Edwardian London, which laid the foundations for the century to come.



The Correspondence Of Jean Sibelius And Rosa Newmarch 1906 1939


The Correspondence Of Jean Sibelius And Rosa Newmarch 1906 1939
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Author : Jean Sibelius
language : en
Publisher: Boydell & Brewer Ltd
Release Date : 2011

The Correspondence Of Jean Sibelius And Rosa Newmarch 1906 1939 written by Jean Sibelius and has been published by Boydell & Brewer Ltd this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Biography & Autobiography categories.


This edition provides the full set of letters in English translation. It is complemented by the letters' online availability in their original language. Rosa Harriet Newmarch [1857-1940] was well-known in her lifetime as the leading British authority on Russian music, yet she also enjoyed a long and close friendship with the Finnish composer, Jean Sibelius [1865-1957]. This edition traces a personal and professional relationship that lasted more than three decades, as documented in more than 130 letters, notes and telegrams currently held in the National Archives of Finland. The correspondence, conducted in a mixture of French and German, reveals the intense friendship between Sibelius and Newmarch, sheds detailed light on Newmarch's contribution to the development of musical life in Britain, and provides some of Sibelius's most intimate commentary on his own works, as well as on those of other composers. This edition contains the complete extant correspondence between Newmarch and Sibelius in English translation, complemented by comprehensive commentaries on the events and personalities referred to, and is prefaced by an extensive introduction outlining Newmarch's definitive role in promoting Sibelius and his music in early twentieth-century Britain. An appendix reproduces a previously unknown programme note that Newmarch wrote for the first British performance of Sibelius's Fourth Symphony. The book's translation and publication of the letters in English is complemented by the letters' online availability in their original language. PHILIP ROSS BULLOCK is University Lecturer in Russian at the University of Oxford, and Tutor and Fellow at Wadham College, Oxford.



The History Of Live Music In Britain Volume I 1950 1967


The History Of Live Music In Britain Volume I 1950 1967
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Author : Simon Frith
language : en
Publisher: Routledge
Release Date : 2016-03-09

The History Of Live Music In Britain Volume I 1950 1967 written by Simon Frith and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-03-09 with Music categories.


The social history of music in Britain since 1950 has long been the subject of nostalgic articles in newspapers and magazines, nostalgic programmes on radio and television and collective memories on music websites, but to date there has been no proper scholarly study. The three volumes of The History of Live Music in Britain address this gap, and do so from the unique perspective of the music promoter: the key theme is the changing nature of the live music industry. The books are focused upon popular music but cover all musical genres and the authors offer new insights into a variety of issues, including changes in musical fashions and tastes; the impact of developing technologies; the balance of power between live and recorded music businesses; the role of the state as regulator and promoter; the effects of demographic and other social changes on music culture; and the continuing importance of do-it-yourself enthusiasts. Drawing on archival research, a wide range of academic and non-academic secondary sources, participant observation and industry interviews, the books are likely to become landmark works within Popular Music Studies and broader cultural history.



Jacqueline Du Pr A Biography


Jacqueline Du Pr A Biography
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Author : Carol Easton
language : en
Publisher: Plunkett Lake Press
Release Date : 2019-08-09

Jacqueline Du Pr A Biography written by Carol Easton and has been published by Plunkett Lake Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-08-09 with Biography & Autobiography categories.


Jacqueline du Pré (1945-1987) was one of the world’s great cellists. At age 11, she won the most prestigious cello award in Britain and was an established artist at twenty. At twenty-one, she married young conductor and pianist Daniel Barenboim. Six years later, her career was over. She had developed multiple sclerosis, and died slowly over the next fifteen years. During those years she continued to believe that she would recover, taught the cello and went out in her wheelchair. Carol Easton came to know Jacqueline well during her last five years, when the cellist had begun to work with a psychoanalyst. In addition to her own interviews with Jacqueline, Easton interviewed more than one hundred people who had known the cellist. This eBook edition includes twenty images from films about Jacqueline du Pré byChristopher Nupen. Christopher Nupen, in the words of Sir Jeremy Isaacs, Chief Executive, Channel 4 Television (London), “pioneered a style of filming music and music making for television in which his excellence has rarely been equalled and never excelled.” “Compelling. I had always known there was something unspoken about Jacqueline du Pré’s early childhood, here revealed. After reading the book, I wished I had known her before the onset of multiple sclerosis. What comes through in the biography is a passionate and free-spirited artist.” — Yo Yo Ma “A strong, compelling and compassionate book.” — Richard Dyer, Boston Globe “This sensitive biography... helps explain why so many people fell in love with [du Pré’s] persona as well as her incomparable artistry on the cello.” — Publishers Weekly “In this immensely compassionate biography, we learn the facts behind the fairytale, the many truths behind the tragedy. And they’re presented insightfully, even entertainingly.” — Valerie Scher, San Diego Tribune “By showing the human being behind the saintly mask handed to her by a public which demands that those whom it has designated ‘golden’ suffer nobly so as not to upset the rest of us, and by recording the silent scream of the woman who bore the terrible nickname ‘Smiley,’ Carol Easton has proved that truth can be more moving than fiction.” — The Sunday Times (London) “This biography will give extra poignancy to hearing again the Jacqueline du Pré recordings, which deservedly continue to hold their places in the best-seller lists.” —Music and Musicians “Carol Easton’s judicious and well-researched biography leaves you with the unedifying thought that life is a bitch, appallingly and gratuitously bloody in its wanton injustice. Fortunately, the book is also an illuminating exploration and celebration of a musical personality loved by her public.” — The Spectator “Easton’s book is a splendid evocation of the strange world of the prodigy, and a moving account of how the cello was both angel and monster for du Pré — a source of painful isolation as well as unmatched passion.” — Hedy Weiss, Chicago Sun-Times “Carol Easton describes the full extent of the tragedy that enveloped this wonderfully gifted woman. In the process, du Pré recovers the dignity of which she was robbed with such casual cruelty during her last years... Easton’s musical perception, sharper than that of many critics, makes the book credible, while her skills as a researcher and her direct-yet-elegant style make du Pré’s story, with its larger-than-life, jet-set cast of characters and its soap-opera overtones, emotionally rich and spiritually rewarding.” — Laurence Vittes, Los Angeles Reader “A rich, full-scale portrait of one of the 20th century’s greatest cellists whose emotionally charged concerts captivated audiences... Easton skillfully reveals du Pré’s musical and emotional development and shows us a charming, flirtatious and beautiful young woman who often hid behind her music.” — Los Angeles Today



Roland Hayes


Roland Hayes
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Author : Christopher A. Brooks
language : en
Publisher: Indiana University Press
Release Date : 2014-12-22

Roland Hayes written by Christopher A. Brooks and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-12-22 with Music categories.


A “gripping, sensitive” biography of the trailblazing singer who carved a path for African American artists including Marian Anderson and Paul Robeson (The Atlanta Voice). Performing in a country rife with racism and segregation, the tenor Roland Hayes was the first African American man to reach international fame as a concert performer. He became one of the few artists in the world who could sell out Town Hall, Carnegie Hall, Symphony Hall, and Covent Garden. Performing the African American spirituals he was raised on, his voice was marked with a unique sonority which easily navigated French, German, and Italian art songs. A multiculturalist both on and off the stage, he counted among his friends George Washington Carver, Eleanor Roosevelt, Ezra Pound, Pearl Buck, Dwight Eisenhower, and Langston Hughes. This “substantial and well-documented” biography spans the history of Hayes’s life and career and the legacy he left behind as a musician and a champion of African American rights (BBC Music Magazine). It is an authentic, panoramic portrait of a man who was as complex as the music he performed. “Like many generations of celebrated African American concert artists, I am an inheritor of the legacy left by the great Roland Hayes. Yet, we hardly know his name today. With this long overdue book, the oversight is now remedied.” —Lawrence Brownlee, Metropolitan Opera “A wonderful journey through Hayes’ performances, racial plight and acceptance.” —Examiner.com