Idea A Concept In Art Theory
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Idea A Concept In Art Theory
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Author : Erwin Panofsky
language : en
Publisher:
Release Date : 1968
Idea A Concept In Art Theory written by Erwin Panofsky and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1968 with Aesthetics categories.
Idea
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Author : Erwin Panofsky
language : it
Publisher:
Release Date : 1968
Idea written by Erwin Panofsky and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1968 with Art categories.
Art In Theory 1900 2000
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Author : Charles Harrison
language : en
Publisher: Blackwell Publishing
Release Date : 2003
Art In Theory 1900 2000 written by Charles Harrison and has been published by Blackwell Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with Art categories.
These 300 texts provide a vivid introduction to the history of art between 1900 and 2000. Major themes considered include: concepts of genius and originality, modes of landscape painting, the question of Modernity, and the aesthetics of photography.
A Companion To Art Theory
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Author : Paul Smith
language : en
Publisher: John Wiley & Sons
Release Date : 2008-04-15
A Companion To Art Theory written by Paul Smith and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-04-15 with Art categories.
The Companion provides an accessible critical survey of Western visual art theory from sources in Classical, Medieval and Renaissance thought through to contemporary writings.
The End Of Art Theory
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Author : Victor Burgin
language : en
Publisher: Bloomsbury Publishing
Release Date : 1986-05-02
The End Of Art Theory written by Victor Burgin and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 1986-05-02 with Art categories.
Art theory', understood as those forms of aesthetics, art history and criticism which began in the Enlightenment and culminated in 'high modernism', is now at an end. These essays, examining the interdependencies of advertising, film, painting and photography, constitute a call for a 'new art theory' - a practice of writing whose end is to contribute to a general 'theory of representations': an understanding of the modes and means of symbolic articulation of our forms of sociality and subjectivity.
Early Modern Art Theory Visual Culture And Ideology 1400 1700
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Author : James Hutson
language : en
Publisher: Anchor Academic Publishing
Release Date : 2016-06-20
Early Modern Art Theory Visual Culture And Ideology 1400 1700 written by James Hutson and has been published by Anchor Academic Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-06-20 with Art categories.
The development of art theory over the course of the Renaissance and Baroque eras is reflected in major stylistic shifts. In order to elucidate the relationship between theory and practice, we must consider the wider connections between art theory, poetic theory, natural philosophy, and related epistemological matrices. Investigating the interdisciplinary reality of framing art-making and interpretation, this treatment rejects the dominant synchronic approach to history and historiography and seeks to present anew a narrative that ties together various formal approaches, focusing on stylistic transformation in particular artist’s oeuvres – Michelangelo, Annibale Carracci, Guercino, Guido Reni, Poussin, and others – and the contemporary environments that facilitated them. Through the dual understanding of the art-theoretical concept of the Idea, an evolution will be revealed that illustrates the embittered battles over style and the overarching intellectual shifts in the period between art production and conceptualization based on Aristotelian and Platonic notions of creativity, beauty and the goal of art as an exercise in encapsulating the “divine” truth of nature.
A Visual Guide To Classical Art Theory For Drawing And Painting Students
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Author : Eric Mantle
language : en
Publisher: Parkhurst Brothers Publishers Incorporated
Release Date : 2009
A Visual Guide To Classical Art Theory For Drawing And Painting Students written by Eric Mantle and has been published by Parkhurst Brothers Publishers Incorporated this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Art categories.
Eric Mantle presents the basics of classical theory in a clear and concise manner for all beginning drawing and painting students. His book features diagrams that illustrate every concept. Students will see the complexities of color theory and understand how to create the illusion of volume and depth on a 2-dimensional surface. "As an art student," Professor Mantle recalls, "I was frequently frustrated by instructional books that gave lengthy verbal descriptions of visual concepts and then showed small and/or unclear diagrams of those concepts. As an art teacher, I found that my students would gain a clearer understanding of a visual concept if my verbal explanation was combined with a diagram of that concept." A Visual Guide to Classical Art Theory is great for both traditional and non-traditional media. Each page, theory and diagram represents a different tool for the artist to use. Through their use, the artist will find an infinite number of solutions. Artists also may use the book to create a trompe-l'oeil effect in graffiti art or the illusion of volume and depth on the computer. A Visual Guide to Art Theory is presented in a unique, non-verbal format that clearly illustrates the effect of perspective on color, light and shade.
Early Modern Art Theory Visual Culture And Ideology 1400 1700
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Author : James Hutson
language : en
Publisher: Anchor Academic Publishing
Release Date : 2016-03
Early Modern Art Theory Visual Culture And Ideology 1400 1700 written by James Hutson and has been published by Anchor Academic Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-03 with Art categories.
The development of art theory over the course of the Renaissance and Baroque eras is reflected in major stylistic shifts. In order to elucidate the relationship between theory and practice, we must consider the wider connections between art theory, poetic theory, natural philosophy, and related epistemological matrices. Investigating the interdisciplinary reality of framing art-making and interpretation, this treatment rejects the dominant synchronic approach to history and historiography and seeks to present anew a narrative that ties together various formal approaches, focusing on stylistic transformation in particular artist’s oeuvres – Michelangelo, Annibale Carracci, Guercino, Guido Reni, Poussin, and others – and the contemporary environments that facilitated them. Through the dual understanding of the art-theoretical concept of the Idea, an evolution will be revealed that illustrates the embittered battles over style and the overarching intellectual shifts in the period between art production and conceptualization based on Aristotelian and Platonic notions of creativity, beauty and the goal of art as an exercise in encapsulating the “divine” truth of nature.
Art Theory As Visual Epistemology
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Author : Harald Klinke
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2014-06-26
Art Theory As Visual Epistemology written by Harald Klinke and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-06-26 with Art categories.
How can we “know”? What does “knowledge” mean? These were the fundamental questions of epistemology in the 17th century. In response to continental rationalism, the British empiricist John Locke proposed that the only knowledge humans can have is acquired a posterior. In a discussion of the human mind, he argued, the source of knowledge is sensual experience – mostly vision. Since vision and picture-making are the realm of art, art theory picked up on questions such as: are pictures able to represent knowledge about the world? How does the production of images itself generate knowledge? How does pictorial logic differ from linguistic logic? How can artists contribute to a collective search for truth? Questions concerning the epistemic potential of art can be found throughout the centuries up until the present day. However, these are not questions of art alone, but of the representational value of images in general. Thus, the history of art theory can contribute much to recent discussions in Visual Studies and Bildwissenschaften by showing the historic dimension of arguments about what images are or should be. “What is knowledge?” is as much a philosophic question as “What is an image?” Visual epistemology is a new and promising research field that is best investigated using an interdisciplinary approach that addresses a range of interconnected areas, such as internal and external images and the interplay of producer and perceiver of images. This publication outlines this territory by gathering together several approaches to visual epistemology by many distinguished authors.
Dialectical Passions
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Author : Gail Day
language : en
Publisher: Columbia University Press
Release Date : 2010-12-22
Dialectical Passions written by Gail Day and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-12-22 with Philosophy categories.
Representing a new generation of theorists reaffirming the radical dimensions of art, Gail Day launches a bold critique of late twentieth-century art theory and its often reductive analysis of cultural objects. Exploring core debates in discourses on art, from the New Left to theories of "critical postmodernism" and beyond, Day counters the belief that recent tendencies in art fail to be adequately critical. She also challenges the political inertia that results from these conclusions. Day organizes her defense around critics who have engaged substantively with emancipatory thought and social process: T. J. Clark, Manfredo Tafuri, Fredric Jameson, Benjamin H. D. Buchloh, and Hal Foster, among others. She maps the tension between radical dialectics and left nihilism and assesses the interpretation and internalization of negation in art theory. Chapters confront the claim that exchange and equivalence have subsumed the use value of cultural objects and with it critical distance and interrogate the proposition of completed nihilism and the metropolis put forward in the politics of Italian operaismo. Day covers the debates on symbol and allegory waged within the context of 1980s art and their relation to the writings of Walter Benjamin and Paul de Man. She also examines common conceptions of mediation, totality, negation, and the politics of anticipation. A necessary unsettling of received wisdoms, Dialectical Passions recasts emancipatory reflection in aesthetics, art, and architecture.
