Identidad Diferencia Y Ciudadan A En El Cine Transnacional Contempor Neo
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Identidad Diferencia Y Ciudadan A En El Cine Transnacional Contempor Neo
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Author : Ester Bautista
language : es
Publisher:
Release Date : 2014
Identidad Diferencia Y Ciudadan A En El Cine Transnacional Contempor Neo written by Ester Bautista and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Juvenile Nonfiction categories.
Identidad Diferencia Y Ciudadan A En El Cine Transnacional Contempor Neo
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Author : Ana María Sedeńo Valdellós
language : es
Publisher:
Release Date : 2015
Identidad Diferencia Y Ciudadan A En El Cine Transnacional Contempor Neo written by Ana María Sedeńo Valdellós and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015 with Boundaries in motion pictures categories.
Identidad Diferencia Y Ciudadan A En El Cine Transnacional Contempor Neo
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Author : José Luis Fecé
language : en
Publisher: Editorial UOC
Release Date : 2015-07-03
Identidad Diferencia Y Ciudadan A En El Cine Transnacional Contempor Neo written by José Luis Fecé and has been published by Editorial UOC this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-07-03 with Photography categories.
En los últimos años la expresión “cine transnacional” se viene utilizando como sinónimo de “cine contemporáneo” puesto que las actuales condiciones de producción, distribución y consumo cinematográficos conducen a unas transformaciones, también estéticas, que difícilmente pueden explicarse desde las culturas y políticas nacionales. La imposibilidad o, como mínimo, la dificultad de asignar una nacionalidad única o mayoritaria constituye una de las principales características del cine, y de la producción audiovisual, contemporáneos. Los textos incluidos en esta edición se ocupan de estas transformaciones a través de ejemplos relacionados con espacios geopolíticos (los países que componen Mercosur); la recepción y el consumo de producciones audiovisuales latinas en Estados Unidos o con el análisis de espacios ficcionales transnacionales: la ciudad global, la frontera y otros no lugares contemporáneos. Estos trabajos coinciden en una idea más general: el carácter transnacional del cine contemporáneo no es un asunto estrictamente cinematográfico, sino también político, pues tanto su realidad como su imaginario geopolítico afectan también al propio concepto de ciudadanía.
Transnational Cinema In Europe
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Author : Manuel Palacio
language : en
Publisher: LIT Verlag Münster
Release Date : 2013
Transnational Cinema In Europe written by Manuel Palacio and has been published by LIT Verlag Münster this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Social Science categories.
The attempt to produce films for the international market has led to lively exchanges and meeting points between local and national identity discourses and global processes of identity formation. Co-productions alone can no longer be seen as an incentive for national cultural production. Rather, it is necessary to regard co-productions as a privileged site for an analysis of the relations between identity, nation, and culture. Transnational Cinema in Europe is the result of a collaboration of two research groups in Madrid and Vienna. The book consists of articles by members of both research groups, as well as by several other experts. (Series: Contributions to the European Theater, Film and Media Studies / Beitrage zur europaischen Theater-, Film- und Medienwissenschaft - Vol. 4)
Contemporary Hispanic Cinema
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Author : Stephanie Dennison
language : en
Publisher: Tamesis Books
Release Date : 2013
Contemporary Hispanic Cinema written by Stephanie Dennison and has been published by Tamesis Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Business & Economics categories.
Includes chapters based on presentations made at a symposium entitled "Transnational Film Financing in the Hispanic World," held at the University of Leeds in 2009.
Multiculturalismo Cine Mexicano E Identidad
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Author : Raciel Damón Martínez Gómez
language : es
Publisher: Eae Editorial Academia Espanola
Release Date : 2011-07
Multiculturalismo Cine Mexicano E Identidad written by Raciel Damón Martínez Gómez and has been published by Eae Editorial Academia Espanola this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-07 with categories.
La comunicación se ha constituido en una referencia obligada para la ciencia social. Su importancia estriba en que cada vez es más alta su incidencia en los procesos sociales contemporáneos. Se le podría adjudicar dicha omnipresencia al aceleramiento económico que, precisamente, impulsa la globalización. A mitad del siglo pasado se debatió con acritud la influencia que podrían tener los mass media. Sin embargo, la mirada se ha complejizado en torno a los epifenómenos comunicativos que no sólo ni exclusivamente se remiten a la relación causa y efecto. Hoy día la sociología y la antropología aportan puntos de vista interesantes para comprender la hegemonía mediática. El libro analiza algunas líneas sobre la representación de la identidad de las minorías en el Nuevo Cine Mexicano, como sedimento rutinario de esa paradójica red que se articula entre los medios y los grupos hegemónicos a través de un imaginario colectivo que prácticamente se convierte en un espacio en donde interactúa la condición multicultural.
Transnational Cinema
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Author : Steven Rawle
language : en
Publisher: Bloomsbury Publishing
Release Date : 2018-01-24
Transnational Cinema written by Steven Rawle and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-01-24 with Performing Arts categories.
This core teaching text provides a thorough overview of the recently emerged field of transnational film studies. Covering a range of approaches to analysing films about migrant, cross-cultural and cross-border experience, Steven Rawle demonstrates how film production has moved beyond clear national boundaries to become a product of border crossing finance and creative personnel. This comprehensive introduction brings together the key concepts and theories of transnational cinema, including genre, remakes, diasporic and exilic cinema, and the limits of thinking about cinema as a particularly national cultural artefact. It is an excellent course companion for undergraduate students of film, cinema, media and cultural studies studying transnational and global cinema, and provides both students and lovers of film alike with a strong grounding in this timely field of film studies.
Remaking The Nation
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Author : Sarah Radcliffe
language : en
Publisher: Routledge
Release Date : 2005-08-12
Remaking The Nation written by Sarah Radcliffe and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-08-12 with Science categories.
Remaking the Nation presents new ways of thinking about the nation, nationalism and national identities. Drawing links between popular culture and indigenous movements, issues of 'race' and gender, and ideologies of national identity, the authors draw on their work in Latin America to illustrate their retheorisation of the politics of nationalism. This engaging exploration of contemporary politics in a postmodern, post new-world-order uncovers a map of future political organisation, a world of pluri-nations and ethnicised identities in the ever-changing struggle for democracy.
Technoscience And Cyberculture
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Author : Stanley Aronowitz
language : en
Publisher: Routledge
Release Date : 2014-04-08
Technoscience And Cyberculture written by Stanley Aronowitz and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-04-08 with Art categories.
Technoculture is culture--such is the proposition posited in Technoscience and Cyberculture, arguing that technology's permeation of the cultural landscape has so irrevocably reconstituted this terrain that technology emerges as the dominant discourse in politics, medicine and everyday life. The problems addressed in Technoscience and Cyberculture concern the ways in which technology and science relate to one another and organize, orient and effect the landscape and inhabitants of contemporary culture.
Global Neorealism
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Author : Saverio Giovacchini
language : en
Publisher: Univ. Press of Mississippi
Release Date : 2011-10-11
Global Neorealism written by Saverio Giovacchini and has been published by Univ. Press of Mississippi this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-10-11 with Performing Arts categories.
Contributions by Nathaniel Brennan, Luca Caminati, Silvia Carlorosi, Caroline Eades, Saverio Giovacchini, Paula Halperin, Neepa Majumdar, Mariano Mestman, Hamid Naficy, Sada Niang, Masha Salazkina, Sarah Sarzynski, Robert Sklar, and Vito Zagarrio Intellectual, cultural, and film historians have long considered neorealism the founding block of post-World War II Italian cinema. Neorealism, the traditional story goes, was an Italian film style born in the second postwar period and aimed at recovering the reality of Italy after the sugarcoated moving images of fascism. Lasting from 1945 to the early 1950s, neorealism produced world-renowned masterpieces such as Roberto Rossellini's Roma, città aperta (Rome, Open City, 1945) and Vittorio De Sica's Ladri di biciclette (Bicycle Thieves, 1947). These films won some of the most prestigious film awards of the immediate postwar period and influenced world cinema. This collection brings together distinguished film scholars and cultural historians to complicate this nation-based approach to the history of neorealism. The traditional story notwithstanding, the meaning and the origins of the term are problematic. What does neorealism really mean, and how Italian is it? Italian filmmakers were wary of using the term and Rossellini preferred "realism." Many filmmakers confessed to having greatly borrowed from other cinemas, including French, Soviet, and American. Divided into three sections, Global Neorealism examines the history of this film style from the 1930s to the 1970s using a global and international perspective. The first section examines the origins of neorealism in the international debate about realist esthetics in the 1930s. The second section discusses how this debate about realism was “Italianized” and coalesced into Italian “neorealism” and explores how critics and film distributors participated in coining the term. Finally, the third section looks at neorealism’s success outside of Italy and examines how film cultures in Latin America, Africa, Asia, and the United States adjusted the style to their national and regional situations.