Ik Hou Van New York Hollywood En Parijs
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Ik Hou Van New York Hollywood En Parijs Druk 1
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Author : Lindsey Kelk
language : nl
Publisher:
Release Date : 2012-08
Ik Hou Van New York Hollywood En Parijs Druk 1 written by Lindsey Kelk and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-08 with categories.
Ik Hou Van New York Hollywood En Parijs
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Author : Lindsey Kelk
language : nl
Publisher: Boekerij
Release Date : 2013-10-11
Ik Hou Van New York Hollywood En Parijs written by Lindsey Kelk and has been published by Boekerij this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10-11 with Fiction categories.
Lekker lezen ondanks dyslexie Dit ebook uit de serie PrismaDyslexie bevat het lettertype Dyslexie. De letters van dit lettertype zijn zodanig aangepast dat dyslectici minder moeite hebben ze van elkaar te onderscheiden, waardoor er minder leesfouten gemaakt worden en het lezen gemakkelijker wordt. Ik hou van… New York, Hollywood en Parijs (omnibus) Als de Britse Angela Clark haar verloofde betrapt met een andere vrouw, pakt ze het eerste vliegtuig dat haar zo ver mogelijk bij haar sores vandaan brengt. Enkele uren later staat ze eenzaam en alleen voor een willekeurig hotel in New York. Gelukkig raakt ze al snel bevriend met Jenny, de receptioniste, die haar inwijdt in de hippe wereld van mode, cocktails, handtassen en mooie mannen. Het is het begin van een geweldig nieuw leven dat Angela op de leukste plekken ter wereld zal brengen. Maar net als ze denkt dat ze alles perfect voor elkaar heeft, blijkt ze de vreemdste problemen aan te trekken…
Contemporary Sino French Cinemas
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Author : Michelle E. Bloom
language : en
Publisher: University of Hawaii Press
Release Date : 2017-11-30
Contemporary Sino French Cinemas written by Michelle E. Bloom and has been published by University of Hawaii Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-11-30 with History categories.
Transnational cinemas are eclipsing national cinemas in the contemporary world, and Sino-French films exemplify this phenomenon through the cinematic coupling of the Sinophone and the Francophone, linking France not just with the Chinese mainland but also with the rest of the Chinese-speaking world. Sinophone directors most often reach out to French cinema by referencing and adapting it. They set their films in Paris and metropolitan France, cast French actors, and sometimes use French dialogue, even when the directors themselves don't understand it. They tend to view France as mysterious, sexy, and sophisticated, just as the French see China and Taiwan as exotic. As Michelle E. Bloom makes clear, many films move past a simplistic opposition between East and West and beyond Orientalist and Occidentalist cross-cultural interplay. Bloom focuses on films that have appeared since 2000 such as Tsai Ming-liang's What Time Is It There? , Hou Hsiao-hsien's Flight of the Red Balloon, and Dai Sijie's Balzac and the Little Chinese Seamstress. She views the work of these well-known directors through a Sino-French optic, applying the tropes of métissage (or biraciality), intertextuality, adaptation and remake, translation, and imitation to shed new light on their work. She also calls attention to important, lesser studied films: Taiwanese director Cheng Yu-chieh's Yang Yang, which depicts the up-and-coming Taiwanese star Sandrine Pinna as a mixed race beauty; and Emily Tang Xiaobai's debut film Conjugation, which contrasts Paris and post-Tiananmen Square Beijing, the one an incarnation of liberty, the other a place of entrapment. Bloom's insightful analysis also probes what such films reveal about their Taiwanese and Chinese creators. Scholars have long studied Sino-French literature, but this inaugural full-length work on Sino-French cinema maps uncharted territory, offering a paradigm for understanding other cross-cultural interminglings and tools to study transnational cinema and world cinema. The Sino-French, rich and multifaceted, linguistically, culturally, and ethnically, constitutes an important part of film studies, Francophone studies, Sinophone studies and myriad other fields. This is a must-read for students, scholars, and lovers of film.
Paris And The Clich Of History
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Author : Catherine Eleanor Clark
language : en
Publisher: Oxford University Press
Release Date : 2018
Paris And The Clich Of History written by Catherine Eleanor Clark and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018 with ART categories.
Paris and the Cliché of History traces the changing historical meanings of photographs of this city during a century marked by urban renovation, war, occupation, liberation, and visual documentation. Challenging the idea that photographs merely document the past, it calls for new methods of reading photos as material objects with histories of their own and sheds insight on the capital's reduction to an image in the twentieth century.
Playing To The World S Biggest Audience
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Author : Michael Curtin
language : en
Publisher: Univ of California Press
Release Date : 2007-08-02
Playing To The World S Biggest Audience written by Michael Curtin and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-08-02 with History categories.
Delineates the globalizing pressures and opportunities that have dramatically transformed the terrain of Chinese film and television, including the end of the cold war, the rise of the World Trade Organization, and the escalation of democracy movements. This book examines the prospect of a global Chinese audience.
Ik Hou Van New York
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Author : Lindsey Kelk
language : nl
Publisher: Boekerij
Release Date : 2009-10-31
Ik Hou Van New York written by Lindsey Kelk and has been published by Boekerij this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-10-31 with Fiction categories.
Angela Clark pakt het eerste vliegtuig als ze haar verloofde betrapt met een andere vrouw tijdens de bruiloft van haar beste vriendin. Eenzaam en alleen staat ze enkele uren later voor een willekeurig hotel in Manhattan. Ze raakt al snel bevriend met Jenny, de receptioniste van het hotel. Samen verwerken ze Angelas liefdesverdriet met shoppen, cocktails en naar de sauna gaan. Ze date met twee mannen tegelijk en geniet met volle teugen van haar nieuwe vrijheid. Als Angela een baan krijgt als blogger bij een hip tijdschrift lijkt haar leven weer helemaal op orde te zijn. Haar blog over daten in New York is al snel een groot succes en wordt binnen no time door iedereen gelezen ook door haar twee mannen...
Film An International Bibliography
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Author : Malte Hagener
language : en
Publisher: Springer
Release Date : 2016-12-16
Film An International Bibliography written by Malte Hagener and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-12-16 with Performing Arts categories.
Kommentierte Bibliografie. Sie gibt Wissenschaftlern, Studierenden und Journalisten zuverlässig Auskunft über rund 6000 internationale Veröffentlichungen zum Thema Film und Medien. Die vorgestellten Rubriken reichen von Nachschlagewerk über Filmgeschichte bis hin zu Fernsehen, Video, Multimedia.
The Chinese Cinema Book
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Author : Song Hwee Lim
language : en
Publisher: Bloomsbury Publishing
Release Date : 2020-04-30
The Chinese Cinema Book written by Song Hwee Lim and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-04-30 with Performing Arts categories.
This revised and updated new edition provides a comprehensive introduction to the history of cinema in mainland China, Hong Kong and Taiwan, as well as to disaporic and transnational Chinese film-making, from the beginnings of cinema to the present day. Chapters by leading international scholars are grouped in thematic sections addressing key historical periods, film movements, genres, stars and auteurs, and the industrial and technological contexts of cinema in Greater China.
Taiwan Film Directors
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Author : Emilie Yueh-yu Yeh
language : en
Publisher: Columbia University Press
Release Date : 2005-07-06
Taiwan Film Directors written by Emilie Yueh-yu Yeh and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-07-06 with Performing Arts categories.
Focusing on the work of four contemporary filmmakers—Ang Lee, Edward Yang, Hou Hsiao-hsien, and Tsai Ming-liang—the authors explore how these filmmakers broke from tradition, creating a cinema that is both personal and insistent on examining Taiwan's complex history. Featuring stills, anecdotes, and close readings of films, the authors consider the influence of Hong Kong and martial arts films, directors' experiments with autobiography, the shifting fortunes of the Taiwanese film industry, and Taiwan cinema in the context of international cinema's aesthetics and business practices.
The Oxford Handbook Of Chinese Cinemas
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Author : Carlos Rojas
language : en
Publisher: Oxford University Press
Release Date : 2013-03-13
The Oxford Handbook Of Chinese Cinemas written by Carlos Rojas and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-03-13 with Performing Arts categories.
What does it mean for a cinematic work to be "Chinese"? Does it refer specifically to a work's subject, or does it also reflect considerations of language, ethnicity, nationality, ideology, or political orientation? Such questions make any single approach to a vast field like "Chinese cinema" difficult at best. Accordingly, The Oxford Handbook of Chinese Cinemas situates the term more broadly among various different phases, genres, and distinct national configurations, while taking care to address the consequences of grouping together so many disparate histories under a single banner. Offering both a platform for cross-disciplinary dialogue and a mapping of Chinese cinema as an expanded field, this Handbook presents thirty-three essays by leading researchers and scholars intent on yielding new insights and new analyses using three different methodologies. Chapters in Part I investigate the historical periodizations of the field through changing notions of national and political identity -- all the way from the industry's beginnings in the 1920s up to its current forms in contemporary Hong Kong, Taiwan, and the global diaspora. Chapters in Part II feature studies centered on the field's taxonomical formalities, including such topics as the role of the Chinese opera in technological innovation, the political logic of the "Maoist film," and the psychoanalytic formula of the kung fu action film. Finally, in Part III, focus is given to the structural elements that comprise a work's production, distribution, and reception to reveal the broader cinematic apparatuses within which these works are positioned. Taken together, the multipronged approach supports a wider platform beyond the geopolitical and linguistic limitations in existing scholarship. Expertly edited to illustrate a representative set of up to date topics and approaches, The Oxford Handbook of Chinese Cinemas provides a vital addition to a burgeoning field still in its formative stages.