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Image And Imagination Of The Religious Self In Late Medieval And Early Modern Europe


Image And Imagination Of The Religious Self In Late Medieval And Early Modern Europe
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Image And Imagination Of The Religious Self In Late Medieval And Early Modern Europe


Image And Imagination Of The Religious Self In Late Medieval And Early Modern Europe
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Author : Reindert Leonard Falkenburg
language : en
Publisher: Brepols Publishers
Release Date : 2007

Image And Imagination Of The Religious Self In Late Medieval And Early Modern Europe written by Reindert Leonard Falkenburg and has been published by Brepols Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with History categories.


The articles within this volume explore some of the diverse medieval constructions and representations of the soul.



Mediating Religious Cultures In Early Modern Europe


Mediating Religious Cultures In Early Modern Europe
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Author : Torrance Kirby
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2014-07-03

Mediating Religious Cultures In Early Modern Europe written by Torrance Kirby and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-07-03 with Art categories.


In recent years, writing on early-modern culture has turned from examining the upheavals of the Reformation as the ruptured birth of early modernity out of the late medieval towards a striking emphasis on processes of continuity, transition, and adaptation. No longer is the ‘religious’ seen as institutional or doctrinaire, but rather as a cultural and social phenomenon that exceeds the rigid parameters of modern definition. Recent analyses of early-modern cultures offer nuanced accounts that move beyond the limits of traditional historiography, and even the bounds of religious studies. At their centre is recognition that the scope of the religious can never be extricated from early-modern culture. Despite its many conflicts and tensions, the lingua franca for cultural self-understanding of the early-modern period remains ineluctably religious. The early-modern world wrestled with the radical challenges concerning the nature of belief within the confines of church or worship, but also beyond them. This process of negotiation was complex and fuelled European social dynamics. Without religion we cannot begin to comprehend the myriad facets of early-modern life, from markets, to new forms of art, to public and private associations. In discussions of images, the Eucharist, suicide, music, street lighting, or whether or not the sensible natural world represented an otherworldly divine, religion was the fundamental preoccupation of the age. Yet, even in contexts where unbelief might be considered, we find the religious providing the fundamental terminology for explicating the secular theories and views which sought to undermine it as a valid aspect of human life. This collection of essays takes up these themes in diverse ways. We move from the 15th century to the 18th, from the core problem of sacramental mediation of the divine within the strict parameters of eucharistic and devotional life, through discussion of images and iconoclasm, music and word, to more blurred contexts of death, street life, and atheism. Throughout the early-modern period, the very processes of adaption – even change itself – were framed by religious concepts and conceits.



Image And Incarnation


Image And Incarnation
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Author : Walter Melion
language : en
Publisher: BRILL
Release Date : 2015-09-01

Image And Incarnation written by Walter Melion and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-09-01 with Art categories.


The doctrine of the Incarnation was wellspring and catalyst for theories of images verbal, material, and spiritual. Section I, “Representing the Mystery of the Incarnation”, takes up questions about the representability of the mystery. Section II, “Imago Dei and the Incarnate Word”, investigates how Christ’s status as the image of God was seen to license images material and spiritual. Section III, “Literary Figurations of the Incarnation”, considers the verbal production of images contemplating the divine and human nature of Christ. Section IV, “Tranformative Analogies of Matter and Spirit”, delves into ways that material properties and processes, in their effects on the beholder, were analogized to Christ’s hypostasis. Section V, “Visualizing the Flesh of Christ”, considers the relation between the Incarnation and the Passion.



Religion And The Senses In Early Modern Europe


Religion And The Senses In Early Modern Europe
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Author : Wietse de Boer
language : en
Publisher: BRILL
Release Date : 2012-11-16

Religion And The Senses In Early Modern Europe written by Wietse de Boer and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-11-16 with History categories.


This interdisciplinary volume examines the role of sensation in the religious transformations of early modern Europe. Sensation was both central to the doctrinal disputes of the Reformation and critical in shaping new or reformed devotional practices.



Ekphrastic Image Making In Early Modern Europe 1500 1700


Ekphrastic Image Making In Early Modern Europe 1500 1700
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Author : Arthur J. DiFuria
language : en
Publisher: BRILL
Release Date : 2021-12-20

Ekphrastic Image Making In Early Modern Europe 1500 1700 written by Arthur J. DiFuria and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-12-20 with Art categories.


In epideictic oratory, ekphrasis is typically identified as an advanced rhetorical exercise that verbally reproduces the experience of viewing a person, place, or thing; more specifically, it often purports to replicate the experience of viewing a work of art. Not only what was seen, but also how it was beheld, and the emotions attendant upon first viewing it, are implicitly construed as recoverable, indeed reproducible. This volume examines how and why many early modern pictures operate in an ekphrastic mode: such pictures claim to reconstitute works of art that solely survived in the textual form of an ekphrasis; or they invite the beholder to respond to a picture in the way s/he responds to a stirring verbal image; or they call attention to their status as an image, in the way that ekphrasis, as a rhetorical figure, makes one conscious of the process of image-making; or finally, they foreground the artist’s or the viewer’s agency, in the way that the rhetor or auditor is adduced as agent of the image being verbally produced. Contributors: Carol Elaine Barbour, Ivana Bičak, Letha Ch’ien, James Clifton, Teresa Clifton, Karl Enenkel, Arthur DiFuria, Christopher Heuer, Barbara Kaminska, Annie Maloney, Annie McEwen, Walter Melion, Lars Cyril Nørgaard, Dawn Odell, April Oettinger, Shelley Perlove, Stephanie Porras, Femke Speelberg, Caecilie Weissert, Elliott Wise, and Steffen Zierholz.



The Cult Of Saint Katherine Of Alexandria In Late Medieval Nuremberg


The Cult Of Saint Katherine Of Alexandria In Late Medieval Nuremberg
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Author : Anne Simon
language : en
Publisher: Routledge
Release Date : 2016-03-16

The Cult Of Saint Katherine Of Alexandria In Late Medieval Nuremberg written by Anne Simon and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-03-16 with History categories.


Katherine of Alexandria was a major object of devotion within medieval Europe, ranking second only to the Virgin Mary in the canon of female saints. Yet despite her undoubted importance, relatively little is known about the significance and function of her cult within the German-speaking territories that stood at the heart of Europe. Anne Simon's study adds a welcome new interdisciplinary perspective to the study of Saint Katherine and the wider ecclesiastical landscape of a medieval Europe poised on the edge of religious change. Taking as a case study the wealthy and politically influential merchant city of Nuremberg, this book draws on a wide variety of textual and visual sources to explore interrelated themes: the shaping of urban space through the cult of Saint Katherine; her role in the moulding and advertising patrician identity and alliances through cultural patronage; and patrician use of the saint to showcase the city's political, economic, cultural and religious importance at the heart of the Holy Roman Empire. Further , the book reveals the construction of exemplarity in Saint Katherine's legend and miracles and their resonance within the context of the city and the Dominican Convent of Saint Katherine, whose nuns came from the same status-aware, confident patrician elite that so loyally supported successive Emperors. Filling a significant gap in current research, the work has much to offer scholars of medieval history, hagiography, art history, German studies, cultural and urban studies. Hence it not only expands our understanding of Saint Katherine's importance in German-speaking territories, but also adds to the picture of her cult in its European perspective.



Frans Floris 1519 20 1570 Imagining A Northern Renaissance


Frans Floris 1519 20 1570 Imagining A Northern Renaissance
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Author : Edward H. Wouk
language : en
Publisher: BRILL
Release Date : 2018-03-20

Frans Floris 1519 20 1570 Imagining A Northern Renaissance written by Edward H. Wouk and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-03-20 with Art categories.


Frans Floris de Vriendt radically transformed Netherlandish art. His monumental mythologies introduced a new appreciation for the heroic nude to the Low Countries and his religious art challenged standards of decorum. Born into a family of sculptors and architects, Floris refashioned his art through travel, first studying with the humanist painter Lambert Lombard in Liège and then continuing on to Italy. These experiences defined the hybridizing novelty of his art, forged by juxtaposing antique and modern, Italian and northern sources. This book maps Floris’s hybrid style onto shifting conceptions of cultural, religious, and political identity on the eve of the Dutch Revolt. It explores his collaborations and rivalries, engagement with artistic theory, hierarchical workshop, and revolutionary use of print.



Sight And Spirituality In Early Netherlandish Painting


Sight And Spirituality In Early Netherlandish Painting
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Author : Bret L. Rothstein
language : en
Publisher: Cambridge University Press
Release Date : 2005-06-08

Sight And Spirituality In Early Netherlandish Painting written by Bret L. Rothstein and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-06-08 with Art categories.


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The Anthropomorphic Lens


The Anthropomorphic Lens
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Author : Walter Melion
language : en
Publisher: BRILL
Release Date : 2014-11-06

The Anthropomorphic Lens written by Walter Melion and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-11-06 with History categories.


Anthropomorphism – the projection of the human form onto the every aspect of the world – closely relates to early modern notions of analogy and microcosm. What had been construed in Antiquity as a ready metaphor for the order of creation was reworked into a complex system relating the human body to the body of the world. Numerous books and images - cosmological diagrams, illustrated treatises of botany and zoology, maps, alphabets, collections of ornaments, architectural essays – are entirely constructed on the anthropomorphic analogy. Exploring the complexities inherent in such work, the interdisciplinary essays in this volume address how the anthropomorphic model is fraught with contradictions and tensions, between magical and rational, speculative and practical thought. Contributors include Pamela Brekka, Anne-Laure van Bruaene, Ralph Dekoninck, Agnès Guiderdoni, Christopher P. Heuer, Sarah Kyle, Walter S. Melion, Christina Normore, Elizabeth Petcu, Bertrand Prevost, Bret Rothstein, Paul Smith, Miya Tokumitsu, Michel Weemans, and Elke Werner.



The Religious Paintings Of Hendrick Ter Brugghen


The Religious Paintings Of Hendrick Ter Brugghen
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Author : NatashaT. Seaman
language : en
Publisher: Routledge
Release Date : 2017-07-05

The Religious Paintings Of Hendrick Ter Brugghen written by NatashaT. Seaman and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Art categories.


The first in-depth study of the Utrecht artist to address questions beyond connoisseurship and attribution, this book makes a significant contribution to Ter Brugghen and Northern Caravaggist studies. Focusing on the Dutch master's simultaneous use of Northern archaisms with Caravaggio's motifs and style, Natasha Seaman nuances our understanding of Ter Brugghen's appropriations from the Italian painter. Her analysis centers on four paintings, all depicting New Testament subjects. They include Ter Brugghen's largest and first known signed work (Crowning with Thorns), his most archaizing (the Crucifixion), and the two paintings most directly related to the works of Caravaggio (the Doubting Thomas and the Calling of Matthew). By examining the ways in which Ter Brugghen's paintings deliberately diverge from Caravaggio's, Seaman sheds new light on the Utrecht artist and his work. For example, she demonstrates that where Caravaggio's paintings are boldly illusionistic and mimetic, thus de-emphasizing their materiality, Ter Brugghen's works examined here create the opposite effect, connecting their content to their made form. This study not only illuminates the complex meanings of the paintings addressed here, but also offers insights into the image debates and the status of devotional art in Italy and Utrecht in the seventeenth century by examining one artist's response to them.