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Images D Exil


Images D Exil
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French Xx Bibliography


French Xx Bibliography
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Author : William J. Thompson
language : en
Publisher: Associated University Presse
Release Date : 2007-09

French Xx Bibliography written by William J. Thompson and has been published by Associated University Presse this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-09 with Literary Criticism categories.


Provides the listing of books, articles, and book reviews concerned with French literature since 1885. This is a reference source in the study of modern French literature and culture. It contains nearly 8,800 entries.



Reordering Of Culture


Reordering Of Culture
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Author : Alvina Roberta Ruprecht
language : en
Publisher: McGill-Queen's Press - MQUP
Release Date : 1995

Reordering Of Culture written by Alvina Roberta Ruprecht and has been published by McGill-Queen's Press - MQUP this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Social Science categories.


Political, economic and social barriers among Latin America, the Caribbean and Canada are giving way to global forces and the "global dreams" they inspire. This collection of original articles and essays examines popular culture, literature, theatre, belief systems, indigenous practices and questions of identity, exile and alienation. The interconnectedness and distinction of cultural production throughout the Americas, "transplanted" interests, the mediation of African and European influences, and the expression of shifting identities, all reflect the development of a new American neighbourhood.



Image And Territory


Image And Territory
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Author : Jennifer Burwell
language : en
Publisher: Wilfrid Laurier Univ. Press
Release Date : 2007

Image And Territory written by Jennifer Burwell and has been published by Wilfrid Laurier Univ. Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Art categories.


In a culture that often understands formal experimentation or theoretical argument to be antithetical to pleasure, Atom Egoyan has nevertheless consistently appealed to wide audiences around the world. If films like The Adjuster, Calendar, Exotica, and The Sweet Hereafter have ensured him international cult status as one of the most revered of all contemporary directors, Egoyan's forays into installation art and opera have provided evidence of his versatility and confirmed his talents. Throughout his career, Atom Egoyan has shown himself to possess the rarest kind of singularity. As Jonathan Romney puts it, Egoyanþs 2preoccupations and tropes have been so consistent that he's practically created his own genre3 (1995, 8). Hrag Vartanian adds, 2Egoyanesque has become a word to film aficionados, commonly understood to mean a cinematic moment that examines sexuality, technology and alienation in the modern world3 (2004). For this singularity, Egoyan is widely hailed as a true auteur, ƯƯsomeone carrying on the legacy of the European art-house traditions of Bergman, Godard, and Truffaut. Certainly, his work bears a most recognizable signatureƯƯthere is no confusing an Egoyan work with anyone elseþs. Like his art-house predecessors, Egoyan clearly intends that his work be, as Dudley Andrew puts it, 2read rather than consumed,3 that is, viewed meditatively, reflected upon, and discussed (2000, 24). And indeed, in this world in which filmmaking has become commonplacewhere, as Egoyan has said, 2what used to be a rarified activity is now available to anyone with a digital camera and a computer3 (2001b, 18) he intends through much of his work to recall an earlier image culture in which artists had an ability to produce something that gained its power precisely through its rarity.



Images D Exil


Images D Exil
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Author : Eric Mazet
language : fr
Publisher:
Release Date : 2004

Images D Exil written by Eric Mazet and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with categories.




Iconotropy And Cult Images From The Ancient To Modern World


Iconotropy And Cult Images From The Ancient To Modern World
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Author : Jorge Tomás García
language : en
Publisher: Taylor & Francis
Release Date : 2022-04-06

Iconotropy And Cult Images From The Ancient To Modern World written by Jorge Tomás García and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-04-06 with Art categories.


The book examines the process of symbolic and material alteration of religious images in antiquity, the middle ages and the modern period. The process by which the form and meaning of images are modified and adapted for a new context is defined by a large number of spiritual, religious, artistic, geographical or historical circumstances. This book provides a defined theoretical framework for these symbolic and material alterations based on the concept of iconotropy; that is, the way in which images change and/or alter their meaning. Iconotropy is a key concept in religious history, particularly for periods in which religious changes, often turbulent, took place. In addition, the iconotropic process of appropriating cult images brought with it changes in the materiality of those images. Numerous accounts from antiquity, the middle ages and the modern period detail how cult images were involved in such processes of misinterpretation, both symbolically and materially. The book will be of interest to scholars working in art history, visual culture and religious history.



Representing History Class And Gender In Spain And Latin America


Representing History Class And Gender In Spain And Latin America
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Author : Carolina Rocha
language : en
Publisher: Springer
Release Date : 2012-07-25

Representing History Class And Gender In Spain And Latin America written by Carolina Rocha and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-07-25 with History categories.


This anthology explores the role of children and teenagers in Latin American and Spanish Film as protagonists, victims and witnesses of societies polarized by and still grappling with the consequences of political divisions.



Between Image And Identity


Between Image And Identity
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Author : Karina A. Eileraas
language : en
Publisher: Lexington Books
Release Date : 2007-07-19

Between Image And Identity written by Karina A. Eileraas and has been published by Lexington Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-07-19 with Literary Criticism categories.


This book addresses the 'autobiographical' literature, visual, and performance art of postcolonial women from Maghreb and Southeast Asia including Leila Sebbar, Assia Djebar, and Theresa Hak Kyung Cha. Karina Eileraas critically examines how contemporary postcolonial artists participate in the violence of representation in order to re-imagine the relationship between image and identity.



Dix Ann Es D Exil Livre Ii Chapitres 1 8


Dix Ann Es D Exil Livre Ii Chapitres 1 8
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Author : Gustave Masson
language : en
Publisher: BoD – Books on Demand
Release Date : 2024-05-31

Dix Ann Es D Exil Livre Ii Chapitres 1 8 written by Gustave Masson and has been published by BoD – Books on Demand this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-05-31 with Fiction categories.


Reprint of the original, first published in 1876.



Post Beur Cinema


Post Beur Cinema
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Author : Will Higbee
language : en
Publisher: Edinburgh University Press
Release Date : 2013-07-22

Post Beur Cinema written by Will Higbee and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-07-22 with Performing Arts categories.


Since the early 1980s, filmmakers of Maghrebi origin have made a key contribution to the representation of issues such as immigration, integration and national identity in French cinema. However, they have done so mostly from a position on the margins of the industry. In contrast, since the early 2000s, Maghrebi-French and North African �migr� filmmakers have occupied an increasingly prominent position in on both sides of the camera, announcing their presence on French screens in a wider range of genres and styles than ever before. This greater prominence and move to the mainstream has not automatically meant that these films have lost any of the social or political relevance of Beur cinema of the 1980s or the banlieue film of the 1990s. Indeed in the 2000s these films have increasingly questioned the boundaries between national, transnational and diasporic cinema, whilst simultaneously demanding, either implicitly or explicitly, a reconsideration of the very difference that has traditionally been seen as a barrier to the successful integration of North African immigrants and their descendants into French society. Through a detailed study of this transformative decade for Maghrebi-French and North African �migr� filmmaking in France, this book argues for the emergence of a Post-Beur cinema in the 2000s that is simultaneously global and local in its outlook. An absorbing introduction to this key development in contemporary French cinema, Post-Beur Cinema is essential reading for students and scholars in Film Studies, French Studies and Diaspora Studies.



Identity And Image


Identity And Image
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Author : Jutta Vinzent
language : en
Publisher: VDG Weimar - Verlag und Datenbank für Geisteswissenschaften
Release Date : 2006-06-22

Identity And Image written by Jutta Vinzent and has been published by VDG Weimar - Verlag und Datenbank für Geisteswissenschaften this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-06-22 with Art categories.


This book explores the image and identity of émigré painters, sculptors and graphic artists from Nazi Germany in Britain between 1933 and 1945. It focuses on a neglected field of Exile Studies, that of exiled artists in Britain. Methodologies used in this study have been developed by Exile Studies and History of Art, but also by Postcolonialism, scholars of which usually apply their ideas to the Afro-Asian emigration of the second part of the twentieth century. Thus this study represents methodologically a new way of looking at the emigration from Nazi Germany. Identity and Image is divided into five chapters: After an introductory Chapter One (historiography of the topic, methodology of the study, structure of the book), Chapter Two establishes socio-political patterns of emigration and provides an historical framework for Chapters Three and Four, which concentrate on the image and identity of the refugee artist, the former based on written sources and the latter on visual material. In detail, Chapter Three analyses the British image of the refugee artists and their works on the one hand and the émigrés' self-representations on the other, the latter exemplified by refugee organisations (the Free German League of Culture/Freier Deutscher Kulturbund, the Austrian Centre, the Anglo-Sudeten Club and the Czech Institute) and institutions founded by émigré artists (Jack Bilbo's Modern Art Gallery and Arthur Segal's Painting School). Chapter Four examines the works produced in internment and those exhibited and produced for the refugee organisations discussed in Chapter Three. Chapter Five discusses the results of this study in the light of three postcolonial concepts: diaspora communities, the notion of home and the gendered identity of the refugee. The appendix lists all painters, sculptors and graphic artists from Nazi Germany in Britain with biographical details. Apart from visual and written sources discussed for the first time, there are two major results of the study: First, although the artists were united as refugees, this unity did not lead to a unity in art - "refugee art" is a construction put forward by the British press and the refugee organisations, particularly the Free German League of Culture. Second, contrary to claims that modern art was international and formed a universal unity that "transgressed" nationality, neither the West/Europe nor modernism form unities; instead, in the 1930s and 1940s, cultures in Europe constructed conceptions of other European cultures on the basis of nation-state identities.