Impressionists And Politics
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Impressionists And Politics
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Author : Philip Nord
language : en
Publisher: Routledge
Release Date : 2014-04-04
Impressionists And Politics written by Philip Nord and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-04-04 with Art categories.
Impressionists and Politics is an accessible introduction to the current debates about Impressionism. Was the artistic movement really radical and innovative? Is the term "Impressionism" itself an adequate characterization of the movement of painters and critics that took the mid-nineteenth century Paris art world by storm? By providing an historical background and context, the book places the Impressionists' roots in wider social and economic transformations and explains its militancy, both aesthetic and political. Impressionists and Politics is a concise history of the movement, from its youthful inception in the 1860s, through to its final years of recognition and then crisis.
Impressionism
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Author : John House
language : en
Publisher: Yale University Press
Release Date : 2004-01-01
Impressionism written by John House and has been published by Yale University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-01-01 with History categories.
A new perspective on Impressionist art that offers revealing, fresh interpretations of familiar paintings In this handsome book, a leading authority on Impressionist painting offers a new view of this admired and immensely popular art form. John House examines the style and technique, subject matter and imagery, exhibiting and marketing strategies, and social, political, and ideological contexts of Impressionism in light of the perspectives that have been brought to it in the last twenty years. When all of these diverse approaches are taken into account, he argues, Impressionism can be seen as a movement that challenged both artistic and political authority with its uncompromisingly modern subject matter and its determinedly secular worldview. Moving from the late 1860s to the early 1880s, House analyzes the paintings and career strategies of the leading Impressionist artists, pointing out the ways in which they countered the dominant conventions of the contemporary art world and evolved their distinctive and immediately recognizable manner of painting. Focusing closely on the technique, composition, and imagery of the paintings themselves and combining this fresh appraisal with recent historical studies of Impressionism, House explores how pictorial style could generate social and political meanings and opens new ways of looking at this luminous art.
Neo Impressionism And Anarchism In Fin De Si E France
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Author : Robyn Roslak
language : en
Publisher: Routledge
Release Date : 2017-07-05
Neo Impressionism And Anarchism In Fin De Si E France written by Robyn Roslak and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Art categories.
In Neo-Impressionism and Anarchism in Fin-de-Si?e France, Robyn Roslak examines for the first time the close relationship between neo-impressionist landscapes and cityscapes and the anarchist sympathies of the movement's artists. She focuses in particular on paintings produced between 1886 and 1905 by Paul Signac and Maximilien Luce, the neo-impressionists whose fidelity to anarchism, to the art of landscape and to a belief in the social potential of art was strongest. Although the neo-impressionists are best known for their rational and scientific technique, they also heeded the era's call for art surpassing the mundane realities of everyday life. By tempering their modern subjects with a decorative style, they hoped to lead their viewers toward moral and social improvement. Roslak's ground-breaking analysis shows how the anarchist theories of Elis?Reclus, Pierre Kropotkin and Jean Grave both inspired and coincided with these ideals. Anarchism attracted the neo-impressionists because its standards for social justice were grounded, like neo-impressionism itself, in scientific exactitude and aesthetic idealism. Anarchists claimed humanity would reach its highest level of social and moral development only in the presence of a decorative variety of nature, and called upon progressive thinkers to help create and maintain such environments. The neo-impressionists, who primarily painted decorative landscapes, therefore discovered in anarchism a political theory consistent with their belief that decorative harmony should be the basis for socially responsible art.
Neo Impressionism And Anarchism In Fin De Si E France
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Author : Robyn Roslak
language : en
Publisher:
Release Date : 2007
Neo Impressionism And Anarchism In Fin De Si E France written by Robyn Roslak and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Anarchism categories.
"In Neo-Impressionism and Anarchism in Fin-de-Si?e France, Robyn Roslak examines for the first time the close relationship between neo-impressionist landscapes and cityscapes and the anarchist sympathies of the movement's artists. She focuses in particular on paintings produced between 1886 and 1905 by Paul Signac and Maximilien Luce, the neo-impressionists whose fidelity to anarchism, to the art of landscape and to a belief in the social potential of art was strongest. Although the neo-impressionists are best known for their rational and scientific technique, they also heeded the era's call for art surpassing the mundane realities of everyday life. By tempering their modern subjects with a decorative style, they hoped to lead their viewers toward moral and social improvement. Roslak's ground-breaking analysis shows how the anarchist theories of Elis?Reclus, Pierre Kropotkin and Jean Grave both inspired and coincided with these ideals. Anarchism attracted the neo-impressionists because its standards for social justice were grounded, like neo-impressionism itself, in scientific exactitude and aesthetic idealism. Anarchists claimed humanity would reach its highest level of social and moral development only in the presence of a decorative variety of nature, and called upon progressive thinkers to help create and maintain such environments. The neo-impressionists, who primarily painted decorative landscapes, therefore discovered in anarchism a political theory consistent with their belief that decorative harmony should be the basis for socially responsible art."--Provided by publisher.
Realism In The Age Of Impressionism
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Author : Marnin Young
language : en
Publisher: Yale University Press
Release Date : 2015-07-24
Realism In The Age Of Impressionism written by Marnin Young and has been published by Yale University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-07-24 with Art categories.
The late 1870s and early 1880s were watershed years in the history of French painting. As outgoing economic and social structures were being replaced by a capitalist, measured time, Impressionist artists sought to create works that could be perceived in an instant, capturing the sensations of rapidly transforming modern life. Yet a generation of artists pushed back against these changes, spearheading a short-lived revival of the Realist practices that had dominated at mid-century and advocating slowness in practice, subject matter, and beholding. In this illuminating book, Marnin Young looks closely at five works by Jules Bastien-Lepage, Gustave Caillebotte, Alfred-Philippe Roll, Jean-François Raffaëlli, and James Ensor, artists who shared a concern with painting and temporality that is all but forgotten today, having been eclipsed by the ideals of Impressionism. Young’s highly original study situates later Realism for the first time within the larger social, political, and economic framework and argues for its centrality in understanding the development of modern art.
The Politics Of Aesthetic Judgment
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Author : Barbara R. Walters
language : en
Publisher:
Release Date : 2003
The Politics Of Aesthetic Judgment written by Barbara R. Walters and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with Art categories.
The Politics of Aesthetic Judgment examines Impressionism in the context of the changing worldview and institutional structures for art in fin-de-sicle France. These changes are empirically connected to new patronage groups for art, especially third generation European Jews for whom group identity became salient during the Dreyfus Affair, and Americans, whose social aspirations resisted emulation of an earlier aristocracy.
Fauve Painting
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Author : James D. Herbert
language : en
Publisher:
Release Date : 1992
Fauve Painting written by James D. Herbert and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992 with Art categories.
Fauve paintings, with their bold distortion of forms and exuberant colour, created great controversy when they were first exhibited in the early years of the 20th century.
Mapping Impressionist Painting In Transnational Contexts
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Author : Emily C. Burns
language : en
Publisher: Routledge
Release Date : 2021-05-03
Mapping Impressionist Painting In Transnational Contexts written by Emily C. Burns and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-05-03 with Art categories.
This book offers microhistories related to the transnational circulations of impressionism in the late nineteenth and early twentieth centuries. The contributors rethink the role of "French" impressionism in shaping these iterations by placing France within its global and imperialist context and arguing that impressionisms might be framed through the mobility studies’ concept of "constellations of mobility." Artists engaging with impressionism in France, as in other global contexts, relied on, responded to, appropriated, and resisted elements of form and content based on fluid and interconnected political realities and market structures. Written by scholars and curators, the chapters demand reconsideration of impressionism as a historical construct and the meanings assigned to that term. This project frames future discussion in art history, cultural studies, and global studies on the politics of appropriating impressionism.
Early Impressionism And The French State 1866 1874
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Author : Jane Mayo Roos
language : en
Publisher: Cambridge University Press
Release Date : 2000-02-13
Early Impressionism And The French State 1866 1874 written by Jane Mayo Roos and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000-02-13 with Art categories.
Early Impressionism and the French State explores the reception of modernist painting in the years that preceded the Impressionist exhibition of 1874. Opening with an extensive analysis of the ministry of fine arts and the politics of the Salon, the study considers the Salon experiences of Courbet, Manet, and the group that became known as the Impressionists: Monet, Renoir, Pissarro, Degas, Morisot, Cézanne, and Bazille. This book also examines how art was politicized during the Second Empire and the impact that this had on the interpretation of early Impressionist works.
The Feminist Aesthetics Of Virginia Woolf
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Author : Jane Goldman
language : en
Publisher: Cambridge University Press
Release Date : 2001-01-04
The Feminist Aesthetics Of Virginia Woolf written by Jane Goldman and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-01-04 with Art categories.
Jane Goldman offers a revisionary, feminist reading of Woolf's work. Focusing on Woolf's engagement with the artistic theories of her time, Goldman analyses Woolf's fascination with the Post-impressionist exhibition of 1920 and the solar eclipse of 1927 by linking her response to a much wider literary and cultural context. Lavishly illustrated with colour pictures, this book will appeal not only to scholars working on Woolf, but also to students of modernism, art history, and women's studies.