In Between Architectural Drawing And Imaginative Knowledge In Islamic And Western Traditions
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In Between Architectural Drawing And Imaginative Knowledge In Islamic And Western Traditions
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Author : Hooman Koliji
language : en
Publisher: Routledge
Release Date : 2016-03-09
In Between Architectural Drawing And Imaginative Knowledge In Islamic And Western Traditions written by Hooman Koliji and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-03-09 with Architecture categories.
Contemporary technical architectural drawings, in establishing a direct relationship between the drawing and its object, tend to privilege the visible physical world at the expense of the invisible intangible ideas and concepts, including that of the designer’s imagination. As a result, drawing may become a utilitarian tool for documentation, devoid of any meaningful value in terms of a kind of knowledge that could potentially link the visible and invisible. This book argues that design drawings should be recognized as intermediaries, mediating between the world of ideas and the world of things, spanning the intangible and tangible. The notion of the 'Imaginal' as an intermediary between the invisible and visible is discussed, showing how architectural drawings lend themselves to this notion by performing as creative agents contributing not only to the physical world but also penetrating the realm of concepts. The book argues that this 'in-between' quality to architectural drawing is essential and that it is critical to perceive drawings as subtle bodies that hold physical attributes (for example, form, proportion, color), highly evocative, yet with no matter. Focusing on Islamic geometric architectural drawings, both historical and contemporary, it draws on key philosophical and conceptual notions of imagination from the Islamic tradition as these relate to the creative act. In doing so, this book not only makes important insights into the design process and act of architectural representation, but more broadly it adds to debates on philosophies of the imagination, linking both Western and Islamic traditions.
In Between Architectural Drawing And Imaginative Knowledge In Islamic And Western Traditions
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Author : Dr Hooman Koliji
language : en
Publisher:
Release Date : 2015-07-28
In Between Architectural Drawing And Imaginative Knowledge In Islamic And Western Traditions written by Dr Hooman Koliji and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-07-28 with Architecture categories.
This book argues that design drawings should be recognised as intermediaries, mediating between the world of ideas and the world of things, spanning the intangible and tangible. The book argues that this ‘in-between’ quality to architectural drawing is essential and that it is critical to perceive drawings as subtle bodies that hold physical attributes (e.g. form, proportion, colour), highly evocative, yet with no matter. Focusing on Islamic geometric architectural drawings, both historical and contemporary, it draws on key philosophical and conceptual notions of imagination from the Islamic tradition as these relate to the creative act. It also adds to debates on philosophies of the imagination, linking both Western and Islamic traditions.
In Between
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Author : Hooman Koliji
language : en
Publisher: Lund Humphries Publishers
Release Date : 2015-05-01
In Between written by Hooman Koliji and has been published by Lund Humphries Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-05-01 with Architecture categories.
Contemporary technical architectural drawings, in establishing a direct relationship between the drawing and its object, tend to privilege the visible physical world at the expense of the invisible intangible ideas and concepts, including that of the designer's imagination. As a result, drawing may become a utilitarian tool for documentation, devoid of any meaningful value in terms of a kind of knowledge that could potentially link the visible and invisible. This book argues that design drawings should be recognised as intermediaries, mediating between the world of ideas and the world of things, spanning the intangible and tangible. The notion of the Imaginal as an intermediary between the invisible and visible is discussed, showing how architectural drawings lend themselves to this notion by performing as creative agents contributing not only to the physical world but also penetrating the realm of concepts. The book argues that this 'in-between' quality to architectural drawing is essential and that it is critical to perceive drawings as subtle bodies that hold physical attributes (e.g. form, proportion, colour), highly evocative, yet with no matter.Focusing on Islamic geometric architectural drawings, both historical and contemporary, it draws on key philosophical and conceptual notions of imagination from the Islamic tradition as these relate to the creative act. In doing so, this book not only makes important insights into the design process and act of architectural representation, but more broadly it adds to debates on philosophies of the imagination, linking both Western and Islamic traditions.
Confabulations Storytelling In Architecture
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Author : Paul Emmons
language : en
Publisher: Taylor & Francis
Release Date : 2016-12-19
Confabulations Storytelling In Architecture written by Paul Emmons and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-12-19 with Architecture categories.
Confabulation is a drawing together through storytelling. Fundamental to our perception, memory, and thought is the way we join fractured experiences to construct a narrative. Confabulations: Storytelling in Architecture weaves together poetic ideas, objects, and events and returns you to everyday experiences of life through juxtapositions with dreams, fantasies, and hypotheticals. It follows the intellectual and creative framework of architectural cosmopoesis developed and practiced by the distinguished thinker, architect, and professor Dr. Marco Frascari, who thought deeply about the role of storytelling in architecture. Bringing together a collection of 24 essays from a diverse and respected group of scholars, this book presents the convergence of architecture and storytelling across a broad temporal, geographic, and cultural range. Beginning with an introduction framing the topic, the book is organized along a continuous thread structured around four key areas: architecture of stories, stories of architecture, stories of theory and practice of stories. Beautifully illustrated throughout and including a 64-page full colour section, Confabulations is an insightful investigation into architectural narratives.
Art And Architecture In The Islamic Tradition
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Author : Mohammed Hamdouni Alami
language : en
Publisher: Bloomsbury Publishing
Release Date : 2013-12-20
Art And Architecture In The Islamic Tradition written by Mohammed Hamdouni Alami and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-12-20 with Architecture categories.
What is 'art' in the sense of the Islamic tradition? Mohammed Hamdouni Alami argues that Islamic art has historically been excluded from Western notions of art; that the Western aesthetic tradition's preoccupation with the human body, and the ban on the representation of the human body in Islam, has meant that Islamic and Western art have been perceived as inherently at odds. However, the move away from this 'anthropomorphic aesthetic' in Western art movements, such as modern abstract and constructivist painting, have presented the opportunity for new ways of viewing and evaluating Islamic art and architecture. This book questions the very idea of art predicated on the anthropocentric bias of classical art, and the corollary 'exclusion' of Islamic art from the status of art. It addresses a central question in post-classical aesthetic theory, in as much as the advent of modern abstract and constructivist painting have shown that art can be other than the representation of the human body; that art is not neutral aesthetic contemplation but it is fraught with power and violence; and that the presupposition of classical art was not a universal truth but the assumption of a specific cultural and historical set of practices and vocabularies. Based on close readings of classical Islamic literature, philosophy, poetry, medicine and theology, along with contemporary Western art theory, the author uncovers a specific Islamic theoretical vision of art and architecture based on poetic practice, politics, cosmology and desire. In particular it traces the effects of decoration and architectural planning on the human soul as well as the centrality of the gaze in this poetic view - in Arabic 'nazar'- while examining its surprising similarity to modern theories of the gaze. Through this double gesture, moving critically between two traditions, the author brings Islamic thought and aesthetics back into the realm of visibility, addressing the lack of recognition in comparison with other historical periods and traditions. This is an important step toward a critical analysis of the contemporary debate around the revival of Islamic architectural identity - a debate intricately embedded within opposing Islamic political and social projects throughout the world.
Diminuzioni E Accrescimenti
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Author : Maria Teresa Bartoli
language : it
Publisher:
Release Date : 2018
Diminuzioni E Accrescimenti written by Maria Teresa Bartoli and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018 with Architecture categories.
The perspective in graphic arts was born with a different form than the one used to present it in today's courses, and it developed along with the transformations of scientific thought. This study disassembles from the inside the perspective images of a series of works, and then assembles them again, using clear graphic elaborations to show every step of the process. The sequence of the essays illustrates the evolution of role of the abacus and of measures in the works of the first artist-scientists, according to the scientific thought of the time. From Humanism to Baroque, perspective ceases to be a research on the truth of the eye. On the contrary, it becomes the search of the the eye's deception, exploiting mechanical devices and complex theorems of geometric optics. The original quest is therefore replaced by technical virtuosity. The final repertoire offers a selection of examples showing the wideness of the theme over the centuries.
The Topkapi Scroll
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Author : Gülru Necipoğlu
language : en
Publisher: Getty Publications
Release Date : 1996-03-01
The Topkapi Scroll written by Gülru Necipoğlu and has been published by Getty Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996-03-01 with Art categories.
Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representation. She also compares the Islamic understanding of geometry with that found in medieval Western art, making this book particularly valuable for all historians and critics of architecture. The scroll, with its 114 individual geometric patterns for wall surfaces and vaulting, is reproduced entirely in color in this elegant, large-format volume. An extensive catalogue includes illustrations showing the underlying geometries (in the form of incised “dead” drawings) from which the individual patterns are generated. An essay by Mohammad al-Asad discusses the geometry of the muqarnas and demonstrates by means of CAD drawings how one of the scroll’s patterns could be used co design a three-dimensional vault.
Architecture Of Coexistence Building Pluralism
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Author : Azra Akšamija
language : en
Publisher:
Release Date : 2020-09
Architecture Of Coexistence Building Pluralism written by Azra Akšamija and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09 with categories.
What Is Islamic Art
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Author : Wendy M. K. Shaw
language : en
Publisher: Cambridge University Press
Release Date : 2019-10-10
What Is Islamic Art written by Wendy M. K. Shaw and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-10-10 with History categories.
An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.
The Theory Of Islamic Art
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Author : Idham Mohammed Hanash
language : en
Publisher: International Institute of Islamic Thought (IIIT)
Release Date : 2017-01-01
The Theory Of Islamic Art written by Idham Mohammed Hanash and has been published by International Institute of Islamic Thought (IIIT) this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-01-01 with categories.
Divine oneness as the principle of beauty is perhaps quintessentially Islamic artistic expression and experience and what it celebrates. Why has Islamic art evolved as it has, what forms does it take, what is the logic underlying it? What message is the Muslim artist attempting to convey, what emotion is he seeking to evoke? This work views Islamic art as a subject of archeological study and treats its evolution as part of the historical study of art in the broader sense. At the same time, it paves the way for an epistemological shift from viewing Islamic art as a material concept having to do with beautiful rarities and relics that have grown out of Islamic cultural and artistic creativity, to a theoretical concept associated with a vision, a principle, a theory and a method. This theo-retical concept provides the intellectual and cultural foundation for a critical philosophical science of Islamic artistic beauty to which we might refer as ‘the science of Islamic art,’ or ‘the Islamic aesthetic’ that evaluates visual artistic creations in terms of both beauty and practical usefulness. In the process the study also explores orientalist misconceptions, challenging some of the premises with which it has approached Islamic art, with judgement rooted in a cultural framework alien to the spiritual perspective of Islam.