Islamic Aesthetics
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Beauty And Islam
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Author : Valerie Gonzalez
language : en
Publisher: Bloomsbury Publishing
Release Date : 2001-08-24
Beauty And Islam written by Valerie Gonzalez and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-08-24 with Art categories.
'Beauty and Islam' explores aspects of aesthetics in classical Islamic thought in the light of contemporary theories, offering new perspectives on Islamic art and architecture with examples ranging from the Qur'an and the Alhambra to the works of present day artists and philosophers. Tracing the roots of Islamic aesthetics back to the works of the great philosophers of the Middle Ages such as Avicenna and Averroes, Valerie Gonzalez finds that aesthetic theory in Islam must be seen within the much wider context of parallel thinking on theology, ethics, physics and metaphysics.
Islamic Aesthetics
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Author : Oliver Leaman
language : en
Publisher:
Release Date : 2004
Islamic Aesthetics written by Oliver Leaman and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Art categories.
Leaman criticizes the influence of Sufism on Islamic aesthetics and contends that it is generally misleading regarding both the nature of Islam and artistic expression.
Enfoldment And Infinity
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Author : Laura U. Marks
language : en
Publisher: MIT Press
Release Date : 2010-08-13
Enfoldment And Infinity written by Laura U. Marks and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-08-13 with Art categories.
Tracing the connections—both visual and philosophical—between new media art and classical Islamic art. In both classical Islamic art and contemporary new media art, one point can unfold to reveal an entire universe. A fourteenth-century dome decorated with geometric complexity and a new media work that shapes a dome from programmed beams of light: both can inspire feelings of immersion and transcendence. In Enfoldment and Infinity, Laura Marks traces the strong similarities, visual and philosophical, between these two kinds of art. Her argument is more than metaphorical; she shows that the “Islamic” quality of modern and new media art is a latent, deeply enfolded, historical inheritance from Islamic art and thought. Marks proposes an aesthetics of unfolding and enfolding in which image, information, and the infinite interact: image is an interface to information, and information (such as computer code or the words of the Qur'an) is an interface to the infinite. After demonstrating historically how Islamic aesthetics traveled into Western art, Marks draws explicit parallels between works of classical Islamic art and new media art, describing texts that burst into image, lines that multiply to form fractal spaces, “nonorganic life” in carpets and algorithms, and other shared concepts and images. Islamic philosophy, she suggests, can offer fruitful ways of understanding contemporary art.
Beauty And Islam
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Author : Valérie Gonzalez
language : en
Publisher:
Release Date : 2001
Beauty And Islam written by Valérie Gonzalez and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Aesthetics, Arab categories.
Beauty and Islam' explores aspects of aesthetics in classical Islamic thought in the light of contemporary theories, offering new perspectives on Islamic art and architecture with examples ranging from the Qur'an and the Alhambra to the works of present day artists and philosophers. Tracing the roots of Islamic aesthetics back to the works of the great philosophers of the Middle Ages such as Avicenna and Averroes, Valerie Gonzalez finds that aesthetic theory in Islam must be seen within the much wider context of parallel thinking on theology, ethics, physics and metaphysics.
Art And Architecture In The Islamic Tradition
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Author : Mohammed Hamdouni Alami
language : en
Publisher: Bloomsbury Publishing
Release Date : 2013-12-20
Art And Architecture In The Islamic Tradition written by Mohammed Hamdouni Alami and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-12-20 with Art categories.
What is 'art' in the sense of the Islamic tradition? Mohammed Hamdouni Alami argues that Islamic art has historically been excluded from Western notions of art; that the Western aesthetic tradition's preoccupation with the human body, and the ban on the representation of the human body in Islam, has meant that Islamic and Western art have been perceived as inherently at odds. However, the move away from this 'anthropomorphic aesthetic' in Western art movements, such as modern abstract and constructivist painting, have presented the opportunity for new ways of viewing and evaluating Islamic art and architecture. This book questions the very idea of art predicated on the anthropocentric bias of classical art, and the corollary 'exclusion' of Islamic art from the status of art. It addresses a central question in post-classical aesthetic theory, in as much as the advent of modern abstract and constructivist painting have shown that art can be other than the representation of the human body; that art is not neutral aesthetic contemplation but it is fraught with power and violence; and that the presupposition of classical art was not a universal truth but the assumption of a specific cultural and historical set of practices and vocabularies. Based on close readings of classical Islamic literature, philosophy, poetry, medicine and theology, along with contemporary Western art theory, the author uncovers a specific Islamic theoretical vision of art and architecture based on poetic practice, politics, cosmology and desire. In particular it traces the effects of decoration and architectural planning on the human soul as well as the centrality of the gaze in this poetic view - in Arabic 'nazar'- while examining its surprising similarity to modern theories of the gaze. Through this double gesture, moving critically between two traditions, the author brings Islamic thought and aesthetics back into the realm of visibility, addressing the lack of recognition in comparison with other historical periods and traditions. This is an important step toward a critical analysis of the contemporary debate around the revival of Islamic architectural identity - a debate intricately embedded within opposing Islamic political and social projects throughout the world.
The Theory Of Islamic Art
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Author : Idham Mohammed Hanash
language : en
Publisher: International Institute of Islamic Thought (IIIT)
Release Date : 2017-01-01
The Theory Of Islamic Art written by Idham Mohammed Hanash and has been published by International Institute of Islamic Thought (IIIT) this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-01-01 with categories.
Divine oneness as the principle of beauty is perhaps quintessentially Islamic artistic expression and experience and what it celebrates. Why has Islamic art evolved as it has, what forms does it take, what is the logic underlying it? What message is the Muslim artist attempting to convey, what emotion is he seeking to evoke? This work views Islamic art as a subject of archeological study and treats its evolution as part of the historical study of art in the broader sense. At the same time, it paves the way for an epistemological shift from viewing Islamic art as a material concept having to do with beautiful rarities and relics that have grown out of Islamic cultural and artistic creativity, to a theoretical concept associated with a vision, a principle, a theory and a method. This theo-retical concept provides the intellectual and cultural foundation for a critical philosophical science of Islamic artistic beauty to which we might refer as ‘the science of Islamic art,’ or ‘the Islamic aesthetic’ that evaluates visual artistic creations in terms of both beauty and practical usefulness. In the process the study also explores orientalist misconceptions, challenging some of the premises with which it has approached Islamic art, with judgement rooted in a cultural framework alien to the spiritual perspective of Islam.
The Origins Of Visual Culture In The Islamic World
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Author : Mohammed Hamdouni Alami
language : en
Publisher: Bloomsbury Publishing
Release Date : 2015-04-17
The Origins Of Visual Culture In The Islamic World written by Mohammed Hamdouni Alami and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-04-17 with Art categories.
In tenth-century Iraq, a group of Arab intellectuals and scholars known as the Ikhwan al-Safa began to make their intellectual mark on the society around them. A mysterious organisation, the identities of its members have never been clear. But its contribution to the intellectual thought, philosophy, art and culture of the era - and indeed subsequent ones - is evident. In the visual arts, for example, Hamdouni Alami argues that the theory of human proportions which the Ikwan al-Safa propounded (something very similar to those of da Vinci), helped shape the evolution of the philosophy of aesthetics, art and architecture in the tenth and eleventh centuries CE, in particular in Egypt under the Fatimid rulers. With its roots in Pythagorean and Neoplatonic views on the role of art and architecture, the impact of this theory of specific and precise proportion was widespread. One of the results of this extensive influence is a historic shift in the appreciation of art and architecture and their perceived role in the cultural sphere. The development of the understanding of the interplay between ethics and aesthetics resulted in a movement which emphasised more abstract and pious contemplation of art, as opposed to previous views which concentrated on the enjoyment of artistic works (such as music, song and poetry). And it is with this shift that we see the change in art forms from those devoted to supporting the Umayyad caliphs and the opulence of the Abbasids, to an art which places more emphasis on the internal concepts of 'reason' and 'spirituality'.Using the example of Fatimid art and views of architecture (including the first Fatimid mosque in al-Mahdiyya, Tunisia), Hamdouni Alami offers analysis of the debates surrounding the ethics and aesthetics of the appreciation of Islamic art and architecture from a vital time in medieval Middle Eastern history, and shows their similarity with aesthetic debates of Italian Renaissance.
Colour Light And Wonder In Islamic Art
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Author : Idries Trevathan
language : en
Publisher: Saqi Books
Release Date : 2020-02-17
Colour Light And Wonder In Islamic Art written by Idries Trevathan and has been published by Saqi Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-02-17 with Art categories.
A unique investigation into the aesthetics of colour in Islamic art revealing its deeper symbolic and mystical meanings. The experience of colour in Islamic visual culture has historically been overlooked. In this new approach, Idries Trevathan examines the language of colour in Islamic art and architecture in dialogue with its aesthetic contexts, offering insights into the pre-modern Muslim experience of interpreting colour. The seventeenth-century Shah Mosque in Isfahan, Iran, represents one of the finest examples of colour-use on a grand scale. Here, Trevathan examines the philosophical and mystical traditions that formed the mosque's backdrop. He shows how careful combinations of colour and design proportions in Islamic patterns expresses knowledge beyond that experienced in the corporeal world, offering another language with which to know and experience God. Colour thus becomes a spiritual language, calling for a re-consideration of how we read Islamic aesthetics.
Knowledge And Beauty In Classical Islam
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Author : Giovanna Lelli
language : en
Publisher: Routledge
Release Date : 2020-10-18
Knowledge And Beauty In Classical Islam written by Giovanna Lelli and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-10-18 with History categories.
This volume offers an aesthetic reading of the Muqaddima by Ibn Khaldūn (d. 1406), a text that has been studied up to the present as a work on historiography. It argues that the Muqaddima is also a comprehensive treatise on classical Arab-Islamic culture and provides a picture of classical Arab-Islamic aesthetics in its totality. The theme of the book is the intrinsic connection between beauty and knowledge in the Muqaddima. Whenever Ibn Khaldūn deals with the problem of knowledge and science, he also deals with the problem of sensual beauty as an instrument or an obstacle to attain it. Ibn Khaldūn’s philosophy of history is necessarily also an aesthetics of history. His key-notion of “group feeling”, the physical, ethic and aesthetic virtue of Bedouin societies, is at once the origin of the ascent of centralised States and the cause of their ruin. It represents a tragic contradiction that applies to the history of the Maghreb but then takes a universal value. It reflects a range of other contradictions inherent to the "system" of classical Arab-Islamic aesthetics. These contradictions undermine the aesthetic system of the Muqaddima from within and provide decisive elements for the emergence of modern aesthetics. Offering a comparative approach, the volume is a key resource to scholars and students interested in Arabic and Islamic studies, philosophy, aesthetics and global history.
Deconstructing The American Mosque
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Author : Akel Ismail Kahera
language : en
Publisher: University of Texas Press
Release Date : 2010-01-01
Deconstructing The American Mosque written by Akel Ismail Kahera and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-01-01 with Architecture categories.
From the avant-garde design of the Islamic Cultural Center in New York City to the simplicity of the Dar al-Islam Mosque in Abiquiu, New Mexico, the American mosque takes many forms of visual and architectural expression. The absence of a single, authoritative model and the plurality of design nuances reflect the heterogeneity of the American Muslim community itself, which embodies a whole spectrum of ethnic origins, traditions, and religious practices. In this book, Akel Ismail Kahera explores the history and theory of Muslim religious aesthetics in the United States since 1950. Using a notion of deconstruction based on the concepts of "jamal" (beauty), "subject," and "object" found in the writings of Ibn Arabi (d. 1240), he interprets the forms and meanings of several American mosques from across the country. His analysis contributes to three debates within the formulation of a Muslim aesthetics in North America—first, over the meaning, purpose, and function of visual religious expression; second, over the spatial and visual affinities between American and non-American mosques, including the Prophet's mosque at Madinah, Arabia; and third, over the relevance of culture, place, and identity to the making of contemporary religious expression in North America.