Italian Late Medieval And Renaissance Drawing Books


Italian Late Medieval And Renaissance Drawing Books
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The Biography Of The Object In Late Medieval And Renaissance Italy


The Biography Of The Object In Late Medieval And Renaissance Italy
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Author : Roberta J. M. Olson
language : en
Publisher: Wiley-Blackwell
Release Date : 2006-06-05

The Biography Of The Object In Late Medieval And Renaissance Italy written by Roberta J. M. Olson and has been published by Wiley-Blackwell this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-06-05 with Art categories.


Material culture is not static: objects are created, used and re-used, sometimes for centuries, and their lives interact with those of the people who made and used them. The essays in this book discuss the ‘social lives’ of objects in late-medieval and renaissance Italy, ranging from maiolica, through sculpture and prostitutes’ jewellery, to miraculous painted images. Demonstrates the continued life of these objects well past the deaths of their creators and patrons. Contains a series of original contributions by young scholars, representing a broad range of approaches.



Mary Of Mercy In Medieval And Renaissance Italian Art


Mary Of Mercy In Medieval And Renaissance Italian Art
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Author : KatherineT. Brown
language : en
Publisher: Routledge
Release Date : 2017-07-05

Mary Of Mercy In Medieval And Renaissance Italian Art written by KatherineT. Brown and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Art categories.


Mater Misericordiae?Mother of Mercy?emerged as one of the most prolific subjects in central Italian art from the late thirteenth through the sixteenth centuries. With iconographic origins in Marian cult relics brought from Palestine to Constantinople in the fifth century, the amalgam of attributes coalesced in Armenian Cilicia then morphed as it spread to Cyprus. An early concept of Mary of Mercy?the Virgin standing with outstretched arms and a wide mantle under which kneel or stand devotees?entered the Italian peninsula at the ports of Bari and Venice during the Crusades, eventually converging in central Italy. The mendicant orders adopted the image as an easily recognizable symbol for mercy and aided in its diffusion. In this study, the author?s primary goals are to explore the iconographic origins of the Madonna della Misericordia as a devotional image by identifying and analyzing key attributes; to consider circumstances for its eventual overlapping function as a secular symbol used by lay confraternities; and to discuss its diaspora throughout the Italian peninsula, Western Europe, and eastward into Russia and Ukraine. With over 100 illustrations, the book presents an array of works of art as examples, including altarpieces, frescoes, oil paintings, manuscript illuminations, metallurgy, glazed terracotta, stained glass, architectural relief sculpture, and processional banners.



Art And Politics In Late Medieval And Early Renaissance Italy 1250 1500


Art And Politics In Late Medieval And Early Renaissance Italy 1250 1500
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Author : Charles M. Rosenberg
language : en
Publisher: University of Notre Dame Press
Release Date : 1990

Art And Politics In Late Medieval And Early Renaissance Italy 1250 1500 written by Charles M. Rosenberg and has been published by University of Notre Dame Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990 with Art categories.


A series of papers delivered at a conference with the same name in 1988 at the University of Notre Dame. It considered the relationship between politics and the literary and visual arts. Political scientists and anthropologists focus on the institutions that express power relationships.



Drawing In Early Renaissance Italy


Drawing In Early Renaissance Italy
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Author : Francis Ames-Lewis
language : en
Publisher: Yale University Press
Release Date : 2000-01-01

Drawing In Early Renaissance Italy written by Francis Ames-Lewis and has been published by Yale University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000-01-01 with Art categories.


Through the works of the major fifteenth-century draughtsmen - Pisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio and Leonardo da Vinci - Francis Ames-Lewis then explores new types of drawing evolved during the century: the free sketch contrasting with the frozen control of the model-book, the exploratory study of the nude, the preparatory compositional sketch and the cartoon.



Painting As A Modern Art In Early Renaissance Italy


Painting As A Modern Art In Early Renaissance Italy
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Author : Robert Brennan
language : en
Publisher: Harvey Miller
Release Date : 2019

Painting As A Modern Art In Early Renaissance Italy written by Robert Brennan and has been published by Harvey Miller this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019 with Art, Modern categories.


"Painting as a Modern Art in Early Renaissance Italy" reconstructs a historical concept of modern art on the basis of sources written between the 1390s and 1440s. The central point of reference in these sources was Giotto, the early fourteenth-century painter who, as one writer put it in 1442, "first modernized (modernizavit) ancient and mosaic figures." The word "modern" was used in a wide variety of ways throughout this period, some quite polemical, others rather prosaic. To call art (ars) modern, however, was to invoke a stable, well-defined concept whose roots ran deep in late-medieval intellectual life. According to this concept, to make an art modern was to set it on a new foundation in science (scientia) and rationalize it accordingly. As familiar as this formulation may sound in principle, each and every one of its key terms--art, modernity, science, rationality--meant something strikingly different in this period than it does in our time. The hallmark of modern art was not verisimilitude or expression or virtually any of the achievements that art historians associate with Giotto today, but rather the invention of techniques that aimed to imitate nature in its very manner of operation, aligning the concrete, step-by-step process of painting with the inner workings of nature itself. By reclaiming this concept and tracking its complex relation to early Renaissance concerns such as linear perspective and the canon of proportion, the book not only establishes a novel framework for the visual analysis of fourteenth- and fifteenth-century Italian painting, but also unravels a fundamental master narrative of Western art history from within, clearing the way for renewed discussions of alternative modernities, including those that precede the story of modernism as we know it. --Publisher's website.



Italian Late Medieval And Renaissance Drawing Books


Italian Late Medieval And Renaissance Drawing Books
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Author : Albert J. Elen
language : en
Publisher:
Release Date : 1995

Italian Late Medieval And Renaissance Drawing Books written by Albert J. Elen and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Artists' preparatory studies categories.




Picturing Women In Late Medieval And Renaissance Art


Picturing Women In Late Medieval And Renaissance Art
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Author : Christa Grössinger
language : en
Publisher: Manchester University Press
Release Date : 1997

Picturing Women In Late Medieval And Renaissance Art written by Christa Grössinger and has been published by Manchester University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Art, Early Renaissance categories.


This extensively illustrated book discusses the representation of women in the art of the late Middle Ages in Northern Europe. Drawing on a wide range of different media, but making particular use of the rich plethora of woodcuts, the author charts how the images of women changed during the period and proposes two basic categories - the Virgin and Eve, good and evil. Within these, however, we discover attitudes to sinful, foolish, married and unmarried women and the style and use of these images exposes the full extent of the misogyny entrenched in medieval society.



The Sensory World Of Italian Renaissance Art


The Sensory World Of Italian Renaissance Art
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Author : François Quiviger
language : en
Publisher: Reaktion Books
Release Date : 2010-06-15

The Sensory World Of Italian Renaissance Art written by François Quiviger and has been published by Reaktion Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-06-15 with Art categories.


During the Renaissance, new ideas progressed alongside new ways of communicating them, and nowhere is this more visible than in the art of this period. In The Sensory World of Italian Renaissance Art, François Quiviger explores the ways in which the senses began to take on a new significance in the art of the sixteenth century. The book discusses the presence and function of sensation in Renaissance ideas and practices, investigating their link to mental imagery—namely, how Renaissance artists made touch, sound, and scent palpable to the minds of their audience. Quiviger points to the shifts in ideas and theories of representation, which were evolving throughout the sixteenth century, and explains how this shaped early modern notions of art, spectatorship, and artistic creation. Featuring many beautiful images by artists such as Dürer, Leonardo da Vinci, Titian, Pontormo, Michelangelo, and Brueghel, The Sensory World of Renaissance Art presents a comprehensive study of Renaissance theories of art in the context of the actual works they influenced. Beautifully illustrated and extensively researched, it will appeal to students and scholars of art history.



Art And The Augustinian Order In Early Renaissance Italy


Art And The Augustinian Order In Early Renaissance Italy
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Author : Anne Dunlop
language : en
Publisher: Routledge
Release Date : 2016-12-05

Art And The Augustinian Order In Early Renaissance Italy written by Anne Dunlop and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-12-05 with History categories.


The rise of the mendicant orders in the later Middle Ages coincided with rapid and dramatic shifts in the visual arts. The mendicants were prolific patrons, relying on artworks to instruct and impress their diverse lay congregations. Churches and chapels were built, and new images and iconographies developed to propagate mendicant cults. But how should the two phenomena be related? How much were these orders actively responsible for artistic change, and how much did they simply benefit from it? To explore these questions, Art and the Augustinian Order in Early Renaissance Italy looks at art in the formative period of the Augustinian Hermits, an order with a particularly difficult relation to art. As a first detailed study of visual culture in the Augustinian order, this book will be a basic resource, making available previously inaccessible material, discussing both well-known and more neglected artworks, and engaging with fundamental methodological questions for pre-modern art and church history, from the creation of religious iconographies to the role of gender in art.



Art As Politics In Late Medieval And Renaissance Siena


Art As Politics In Late Medieval And Renaissance Siena
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Author : TimothyB. Smith
language : en
Publisher: Routledge
Release Date : 2017-07-05

Art As Politics In Late Medieval And Renaissance Siena written by TimothyB. Smith and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Art categories.


In Art as Politics in Late Medieval and Renaissance Siena, contributors explore the evolving relationship between image and politics in Siena from the time of the city-state's defeat of Florence at the Battle of Montaperti in 1260 to the end of the Sienese Republic in 1550. Engaging issues of the politicization of art in Sienese painting, sculpture, architecture, and urban design, the volume challenges the still-prevalent myth of Siena's cultural and artistic conservatism after the mid fourteenth century. Clearly establishing uniquely Sienese artistic agendas and vocabulary, these essays broaden our understanding of the intersection of art, politics, and religion in Siena by revisiting its medieval origins and exploring its continuing role in the Renaissance.