Italian Neorealism


Italian Neorealism
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Italian Neorealism


Italian Neorealism
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Author : Mark Shiel
language : en
Publisher: Wallflower Press
Release Date : 2006

Italian Neorealism written by Mark Shiel and has been published by Wallflower Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Fiction categories.


Italian Neorealism: Rebuilding the Cinematic City is a valuable introduction to one of the most influential of film movements. Exploring the roots and causes of neorealism, particularly the effects of the Second World War, as well as its politics and style, Mark Shiel examines the portrayal of the city and the legacy left by filmmakers such as Rossellini, De Sica, and Visconti. Films studied include Rome, Open City (1945), Paisan (1946), The Bicycle Thief (1948), and Umberto D. (1952).



Italian Neorealism And Global Cinema


Italian Neorealism And Global Cinema
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Author : Laura E. Ruberto
language : en
Publisher: Wayne State University Press
Release Date : 2007

Italian Neorealism And Global Cinema written by Laura E. Ruberto and has been published by Wayne State University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Literary Criticism categories.


This volume addresses the influence of Italian neorealist films on world cinema well beyond the post-World War II period associated with the movement. Despite its lack of organization and relatively short life span, the Italian neorealist movement deeply influenced directors and film traditions around the world. This collection examines the impact of Italian neorealism beyond the period of 1945-52, the years conventionally connected to the movement, and beyond the postwar Italian film industry where the movement originated. Providing a refreshing aesthetic and ideological contrast to mainstream Hollywood films, neorealist filmmakers demonstrated not only how an engaging narrative technique could be brought to bear upon social issues but also how cinema could shape and redefine national identity. The fourteen essays in Italian Neorealism and Global Cinema consider films from Italy, India, Brazil, Africa, the Czech Republic, postwar Germany, Hong Kong, the United States, France, Belgium, Colombia, and Great Britain. Each essay explores neorealism's complex relationship to a different national film tradition, style, or historical period, illustrating the profound impact of neorealism and the ways it continues to complicate the relationship between ideas of nation, national cinema, and national identity. Many of the essays identify similar themes or motifs adapted from neorealism, and several essays address a politicized national film tradition that developed in opposition to a monolithic Western aesthetic. In all, Italian Neorealism and Global Cinema provides a novel critical understanding of the wide-ranging international impact of a short period in Italian cultural history. Film scholars and students of film history will appreciate this insightful text.



Italian Neorealism


Italian Neorealism
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Author : Charles L. Leavitt IV
language : en
Publisher: University of Toronto Press
Release Date : 2020

Italian Neorealism written by Charles L. Leavitt IV and has been published by University of Toronto Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020 with Art categories.


This book seeks to redefine, recontextualize, and reassess Italian neorealism - an artistic movement characterized by stories set among the poor and working class - through innovative close readings and comparative analysis.



Italian Film In The Light Of Neorealism


Italian Film In The Light Of Neorealism
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Author : Millicent Marcus
language : en
Publisher: Princeton University Press
Release Date : 2020-03-31

Italian Film In The Light Of Neorealism written by Millicent Marcus and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-03-31 with Performing Arts categories.


The movement known as neorealism lasted seven years, generated only twenty-one films, failed at the box office, and fell short of its didactic and aesthetic aspirations. Yet it exerted such a profound influence on Italian cinema that all the best postwar directors had to come to terms with it, whether in seeming imitation (the early Olmi), in commercial exploitation (the middle Comencini) or in ostensible rejection (the recent Tavianis). Despite the reactionary pressures of the marketplace and the highly personalized visions of Fellini, Antonioni. And Visconti, Italian cinema has maintained its moral commitment to use the medium in socially responsible ways--if not to change the world, as the first neorealists hoped, then at least to move filmgoers to face the pressing economic, political, and human problems in their midst. From Rossellini's Open City (1945) to the Taviani brothers' Night of the Shooting Stars (1982). The author does close readings of seventeen films that tell the story of neorealism's evolving influence on Italian postwar cinematic expression. Other films discussed are De Sica's Bicycle Thief and Umberto D. De Santis's Bitter Rice, Comencini's Bread, Love, and Fantasy, Fellini's La strada, Visconti's Senso, Antonioni's Red Desert, Olmi's Il Posto, Germi's Seduced and Abandoned, Pasolini's Teorema, Petri's Investigation of a Citizen above Suspicion, Bertolucci's The Conformist, Rosi's Christ Stopped at Eboli, and Wertmuller's Love and Anarchy, Scola's We All Loved Each Other So Much provides the occasion for the author's own retrospective consideration of how Italian cinema has fulfilled, or disappointed, the promise of neorealism.



Italian Neorealist Cinema


Italian Neorealist Cinema
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Author : Christopher Wagstaff
language : en
Publisher: University of Toronto Press
Release Date : 2007-01-01

Italian Neorealist Cinema written by Christopher Wagstaff and has been published by University of Toronto Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-01-01 with Performing Arts categories.


"The end of the Second World War saw the emergence in Italy of the neorealism movement, which produced a number of films characterized by stories set among the poor and working class, often shot on location using non-professional actors. In this study Christopher Wagstaff provides an in-depth analysis of neorealist film, focusing on three films that have had a major impact on filmmakers and audiences around the world: Roberto Rossellini's Roma città aperta and Paisà and Vittorio De Sica's Ladri di biciclette. Indeed, these films are still, more than half a century after they were made, among the most highly regarded works in the history of cinema. In this insightful and carefully researched work, Wagstaff suggests that the importance of these films is largely due to the aesthetic and rhetorical qualities of their assembled sounds and images rather than, as commonly thought, their particular representations of historical reality.The author begins by situating neorealist cinema in its historical, industrial, commercial, and cultural context. He goes on to provide a theoretical discussion of realism and the merits of neorealist films, individually and collectively, as aesthetic artefacts. He follows with a detailed analysis of the three films, focusing on technical and production aspects as well as on the significance of the films as cinematic works of art.While providing a wealth of information and analysis previously unavailable to an English-speaking audience, Italian Neorealist Cinema offers a radically new perspective on neorealist cinema and the Italian art cinema that followed it."



Andr Bazin And Italian Neorealism


Andr Bazin And Italian Neorealism
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Author : André Bazin
language : en
Publisher: A&C Black
Release Date : 2011-09-15

Andr Bazin And Italian Neorealism written by André Bazin and has been published by A&C Black this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-09-15 with Performing Arts categories.


A new collection of posthumous writings by André Baz



What Is Neorealism


What Is Neorealism
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Author : Bert Cardullo
language : en
Publisher:
Release Date : 1991

What Is Neorealism written by Bert Cardullo and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991 with Performing Arts categories.


What Is Neorealism? is a representative critical bibliography of writings (in English) on Italian cinematic neorealism. Like most "isms," neorealism is a nebulous term; this is the first attempt to record and compare the many, sometimes contradictory, definitions of it put forward by filmmakers, critics, and historians. An up-to-date bibliography of historical and critical writings in English on Italian cinematic neorealism, plus a chronology, with credits, of the films of Italian neorealism, including the precursors of the movement, is included.



Italian Post Neorealist Cinema


Italian Post Neorealist Cinema
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Author : Luca Barattoni
language : en
Publisher: Edinburgh University Press
Release Date : 2013-12-16

Italian Post Neorealist Cinema written by Luca Barattoni and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-12-16 with Performing Arts categories.


This book brings to the surface the lines of experimentation and artistic renewal appearing after the exhaustion of Neorealism, mapping complex areas of interest such as the emergence of ethical concerns, the relationship between ideology and representati



Italian Neorealist Cinema


Italian Neorealist Cinema
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Author : Torunn Haaland
language : en
Publisher: Edinburgh University Press
Release Date : 2013-12-17

Italian Neorealist Cinema written by Torunn Haaland and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-12-17 with Performing Arts categories.


This book traces the roots of neorealist film and draws parallels to neorealist fiction, by surveying the major creative contributions to and critical receptions of this trend in Italian postwar cinema.



Global Neorealism


Global Neorealism
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Author : Saverio Giovacchini
language : en
Publisher: Univ. Press of Mississippi
Release Date : 2011-10-11

Global Neorealism written by Saverio Giovacchini and has been published by Univ. Press of Mississippi this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-10-11 with Performing Arts categories.


Intellectual, cultural, and film historians have long considered neorealism the founding block of post–World War II Italian cinema. Neorealism, the traditional story goes, was an Italian film style born in the second postwar period and aimed at recovering the reality of Italy after the sugarcoated moving images of Fascism. Lasting from 1945 to the early 1950s, neorealism produced world-renowned masterpieces such as Roberto Rossellini’s Roma, città aperta (Rome, Open City, 1945) and Vittorio De Sica’s Ladri di biciclette (Bicycle Thieves, 1947). These films won some of the most prestigious film awards of the immediate postwar period and influenced world cinema. This collection brings together distinguished film scholars and cultural historians to complicate this nation-based approach to the history of neorealism. The traditional story notwithstanding, the meaning and the origins of the term are problematic. What does neorealism really mean, and how Italian is it? Italian filmmakers were wary of using the term and Rossellini preferred “realism.” Many filmmakers confessed to having greatly borrowed from other cinemas, including French, Soviet, and American. Divided into three sections, Global Neorealism examines the history of this film style from the 1930s to the 1970s using a global and international perspective. The first section examines the origins of neorealism in the international debate about realist esthetics in the 1930s. The second section discusses how this debate about realism was “Italianized” and coalesced into Italian “neorealism” and explores how critics and film distributors participated in coining the term. Finally, the third section looks at neorealism’s success outside of Italy and examines how film cultures in Latin America, Africa, Asia, and the United States adjusted the style to their national and regional situations.