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Jahrb Cher Des Deutschen National Vereins F R Musik Und Ihre Wissenschaft


Jahrb Cher Des Deutschen National Vereins F R Musik Und Ihre Wissenschaft
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Jahrb Cher Des Deutschen National Vereins F R Musik Und Ihre Wissenschaft Verantwortl Red Hofrath Dr G Schilling


Jahrb Cher Des Deutschen National Vereins F R Musik Und Ihre Wissenschaft Verantwortl Red Hofrath Dr G Schilling
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Author : Gustav Schilling
language : de
Publisher:
Release Date : 1839

Jahrb Cher Des Deutschen National Vereins F R Musik Und Ihre Wissenschaft Verantwortl Red Hofrath Dr G Schilling written by Gustav Schilling and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1839 with categories.




Jahrb Cher Des Deutschen National Vereins F R Musik Und Ihre Wissenschaft


Jahrb Cher Des Deutschen National Vereins F R Musik Und Ihre Wissenschaft
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Author : Deutscher National-Verein für Musik und ihre Wissenschaft
language : de
Publisher:
Release Date : 1841

Jahrb Cher Des Deutschen National Vereins F R Musik Und Ihre Wissenschaft written by Deutscher National-Verein für Musik und ihre Wissenschaft and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1841 with categories.




Jahrb Cher Des Deutschen National Vereins F R Musik Und Ihre Wissenschaft


Jahrb Cher Des Deutschen National Vereins F R Musik Und Ihre Wissenschaft
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AUDIOBOOK

Author :
language : de
Publisher:
Release Date : 1840

Jahrb Cher Des Deutschen National Vereins F R Musik Und Ihre Wissenschaft written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1840 with categories.




Jahrb Cher Des Deutschen Nationalvereins F R Musik Und Ihre Wissenschaft


Jahrb Cher Des Deutschen Nationalvereins F R Musik Und Ihre Wissenschaft
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AUDIOBOOK

Author : Deutscher National-Verein für Musik und ihre Wissenschaft
language : de
Publisher:
Release Date : 1840

Jahrb Cher Des Deutschen Nationalvereins F R Musik Und Ihre Wissenschaft written by Deutscher National-Verein für Musik und ihre Wissenschaft and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1840 with categories.




Jahrb Cher Des Deutschen National Vereins F R Musik Und Ihre Wissenschaft


Jahrb Cher Des Deutschen National Vereins F R Musik Und Ihre Wissenschaft
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AUDIOBOOK

Author : Deutscher National-Verein für Musik und ihre Wissenschaft
language : de
Publisher:
Release Date : 1842

Jahrb Cher Des Deutschen National Vereins F R Musik Und Ihre Wissenschaft written by Deutscher National-Verein für Musik und ihre Wissenschaft and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1842 with categories.




Harmonia Wochenschrift F R Wissenschaft U Kunst Etc Von John Wolfgang Dubjanski


Harmonia Wochenschrift F R Wissenschaft U Kunst Etc Von John Wolfgang Dubjanski
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Author : John-Wolfgang Dubjanski
language : de
Publisher:
Release Date : 1862

Harmonia Wochenschrift F R Wissenschaft U Kunst Etc Von John Wolfgang Dubjanski written by John-Wolfgang Dubjanski and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1862 with categories.




The Vienna Don Giovanni


The Vienna Don Giovanni
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Author : Ian Woodfield
language : en
Publisher: Boydell & Brewer
Release Date : 2010

The Vienna Don Giovanni written by Ian Woodfield and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Music categories.


Aspects of Don Giovanni's compositional history are uncovered and the study provides for detailed evidence with which to evaluate Da Ponte's recollections. The essential truth of his account - that the revision of the operain Vienna was an interactive process - seems to be fully borne out. A general theory of transmission is proposed, which clarifies the relationship between the fluid text produced by re-creation and the static text generated by replication. In the year following its 1787 Prague première, Don Giovanni was performed in Vienna. Everyone, according to the well-known account by Da Ponte, thought something was wrong with it. In response, Mozart made changes, producing a Vienna 'version' of the opera, cutting two of the original arias but inserting three newly-composed pieces. The dilemma faced by musicians and scholars ever since has been whether to preserve the opera in these two 'authentic' forms, or whether to fashion a hybrid text incorporating the best of both. This study presents new evidence about the Vienna form of the opera, based on the examination of late eighteenth-century manuscript copies. The Prague Conservatory score is identified as the primary exemplar for the Viennese dissemination of Don Giovanni, which is shown to incorporate two quite distinct versions, represented by the performing materials in Vienna [O.A.361] and the early Lausch commercial copy in Florence. To account for this phenomenon, seen also in early sources of the Prague Don Giovanni and Così fan tutte, a general theory of transmission for the Mozart Da Ponte operas is proposed, which clarifies the relationship between the fluid text produced by re-creation (performing) and the static text generated by replication (copying). Aspects of the compositional history of Don Giovanni are uncovered. Evidence to suggest that Mozart first considered an order in which Donna Elvira's scena precedes the comic duet 'Per queste tue manine' is assessed. The essential truth of Da Ponte's account - that the revision of the opera in Vienna was an interactive process, involving the views of performers, the reactions of audiences and the composer's responses - seems to be fully borne out. The final part of the study investigates the late eighteenth-century transmission of Don Giovanni. The idea that hybrid versions gained currency only in the nineteenth century or in the lighter Singspiel tradition is challenged. IAN WOODFIELD is Professorand Director of Research at the School of Music and Sonic Arts, Queen's University Belfast.



Literarisches Centralblatt F R Deutschland


Literarisches Centralblatt F R Deutschland
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Author :
language : de
Publisher:
Release Date : 1851

Literarisches Centralblatt F R Deutschland written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1851 with Bibliography categories.




Transformative Learning And Identity


Transformative Learning And Identity
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Author : Knud Illeris
language : en
Publisher: Routledge
Release Date : 2013-09-05

Transformative Learning And Identity written by Knud Illeris and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-09-05 with Education categories.


In the current ever changing world – the liquid modernity – the most pressing psychological challenge to all of us is to create and maintain a personal balance between mental stability and mental flexibility. In Transformative Learning and Identity Knud Illeris, one of the leading thinkers on the way people learn, explores, updates and re-defines the concept and understanding of transformative learning while linking the concept of transformative learning to the concept of identity. He thoroughly discusses what transformative learning is or could be in a broader learning theoretical perspective, including various concepts of learning by change, as opposed to learning by addition, and ends up with a new, short and distinct definition. He also explores and discusses the concept of identity and presents a general model depicting the complexity of identities today. Building on the work of Mezirow, various perspectives of transformative learning are analysed and discussed, including; transformative learning in different life ages; progressive and regressive transformations; motivation and identity defence; development of identity; personality and competence, and transformative learning in school, education, working life, and in relation to current and future life conditions. This vital new book by one of the leading learning theorists of our time will prove of lasting interest to academics, teachers, instructors, leaders and researchers in the field of adult learning and education. It will also appeal to many students and researchers of psychology and sociology in general.



Music For A Mixed Taste


Music For A Mixed Taste
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Author : Steven Zohn
language : en
Publisher: Oxford University Press
Release Date : 2015

Music For A Mixed Taste written by Steven Zohn and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015 with Music categories.


Georg Philipp Telemann gave us one of the richest legacies of instrumental music from the eighteenth century. Though considered a definitive contribution to the genre during his lifetime, his concertos, sonatas, and suites were then virtually ignored for nearly two centuries following his death. Yet these works are now among the most popular in the baroque repertory. In Music for a Mixed Taste, Steven Zohn considers Telemann's music from stylistic, generic, and cultural perspectives. He investigates the composer's cosmopolitan "mixed taste"--a blending of the French, Italian, English, and Polish national styles-and his imaginative expansion of this concept to embrace mixtures of the old (late baroque) and new (galant) styles. Telemann had an equally remarkable penchant for generic amalgamation, exemplified by his pioneering role in developing hybrid types such as the sonata in concerto style ("Sonate auf Concertenart") and overture-suite with solo instrument ("Concert en ouverture"). Zohn examines the extramusical meanings of Telemann's "characteristic" overture-suites, which bear descriptive texts associating them with literature, medicine, politics, religion, and the natural world, and which acted as vehicles for the composer's keen sense of musical humor. Zohn then explores Telemann's unprecedented self-publishing enterprise at Hamburg, and sheds light on the previously unrecognized borrowing by J.S. Bach from a Telemann concerto. Music for a Mixed Taste further reveals how Telemann's style polonaise generates musical and social meanings through the timeless oppositions of Orient-Occident, urban-rural, and serious-comic.