Jazz Hot And Hybrid
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Jazz Hot And Hybrid
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Author : Winthrop Sargeant
language : en
Publisher: Da Capo Press, Incorporated
Release Date : 1975-01-21
Jazz Hot And Hybrid written by Winthrop Sargeant and has been published by Da Capo Press, Incorporated this book supported file pdf, txt, epub, kindle and other format this book has been release on 1975-01-21 with Music categories.
Jazz
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Author : Winthrop Sargeant
language : en
Publisher: New York, McGraw-Hill
Release Date : 1964
Jazz written by Winthrop Sargeant and has been published by New York, McGraw-Hill this book supported file pdf, txt, epub, kindle and other format this book has been release on 1964 with Jazz categories.
Adorno And A Writing Of The Ruins
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Author : James Martin Harding
language : en
Publisher: SUNY Press
Release Date : 1997-02-20
Adorno And A Writing Of The Ruins written by James Martin Harding and has been published by SUNY Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997-02-20 with Literary Criticism categories.
Extends critical discussion of Adorno to works by Samuel Beckett, T.S. Eliot, Ralph Ellison, and Amiri Baraka, arguing that Adorno's work can best be assessed in terms of its relevance in specific localized contexts.
Creating The Jazz Solo
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Author : Vic Hobson
language : en
Publisher: Univ. Press of Mississippi
Release Date : 2018-11-15
Creating The Jazz Solo written by Vic Hobson and has been published by Univ. Press of Mississippi this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-11-15 with Biography & Autobiography categories.
Throughout his life, Louis Armstrong tried to explain how singing with a barbershop quartet on the streets of New Orleans was foundational to his musicianship. Until now, there has been no in-depth inquiry into what he meant when he said, "I figure singing and playing is the same," or, "Singing was more into my blood than the trumpet." Creating the Jazz Solo: Louis Armstrong and Barbershop Harmony shows that Armstrong understood exactly the relationship between what he sang and what he played, and that he meant these comments to be taken literally: he was singing through his horn. To describe the relationship between what Armstrong sang and played, author Vic Hobson discusses elements of music theory with a style accessible even to readers with little or no musical background. Jazz is a music that is often performed by people with limited formal musical education. Armstrong did not analyze what he played in theoretical terms. Instead, he thought about it in terms of the voices in a barbershop quartet. Understanding how Armstrong, and other pioneer jazz musicians of his generation, learned to play jazz and how he used his background of singing in a quartet to develop the jazz solo has fundamental implications for the teaching of jazz history and performance today. This assertive book provides an approachable foundation for current musicians to unlock the magic and understand jazz the Louis Armstrong way.
French Music And Jazz In Conversation
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Author : Deborah Mawer
language : en
Publisher: Cambridge University Press
Release Date : 2014-12-04
French Music And Jazz In Conversation written by Deborah Mawer and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-12-04 with Literary Criticism categories.
This book explores the historical-cultural interactions between French concert music and American jazz across 1900-65, from both perspectives.
Blowin Hot And Cool
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Author : John Gennari
language : en
Publisher: University of Chicago Press
Release Date : 2010-09-15
Blowin Hot And Cool written by John Gennari and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-09-15 with Music categories.
In the illustrious and richly documented history of American jazz, no figure has been more controversial than the jazz critic. Jazz critics can be revered or reviled—often both—but they should not be ignored. And while the tradition of jazz has been covered from seemingly every angle, nobody has ever turned the pen back on itself to chronicle the many writers who have helped define how we listen to and how we understand jazz. That is, of course, until now. In Blowin’ Hot and Cool, John Gennari provides a definitive history of jazz criticism from the 1920s to the present. The music itself is prominent in his account, as are the musicians—from Louis Armstrong and Duke Ellington to Charlie Parker, John Coltrane, Roscoe Mitchell, and beyond. But the work takes its shape from fascinating stories of the tradition’s key critics—Leonard Feather, Martin Williams, Whitney Balliett, Dan Morgenstern, Gary Giddins, and Stanley Crouch, among many others. Gennari is the first to show the many ways these critics have mediated the relationship between the musicians and the audience—not merely as writers, but in many cases as producers, broadcasters, concert organizers, and public intellectuals as well. For Gennari, the jazz tradition is not so much a collection of recordings and performances as it is a rancorous debate—the dissonant noise clamoring in response to the sounds of jazz. Against the backdrop of racial strife, class and gender issues, war, and protest that has defined the past seventy-five years in America, Blowin’ Hot and Cool brings to the fore jazz’s most vital critics and the role they have played not only in defining the history of jazz but also in shaping jazz’s significance in American culture and life.
Drifting On A Read
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Author : Michael Jarrett
language : en
Publisher: State University of New York Press
Release Date : 1999-02-25
Drifting On A Read written by Michael Jarrett and has been published by State University of New York Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999-02-25 with Social Science categories.
For almost a century, writers such as Ralph Ellison, Michael Ondaatje, and Ishmael Reed have expressed an affinity for jazz, hearing the music as a model for writing. Michael Jarrett examines their work and the work of others who have brought jazz into language, pushing "interpretation" into the realm of "invention."
Jazz Historiography
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Author : Daniel Hardie
language : en
Publisher: iUniverse
Release Date : 2013-12-11
Jazz Historiography written by Daniel Hardie and has been published by iUniverse this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-12-11 with Music categories.
Jazz has been around for over a hundred years but how much do we know about its history, and how much of what think we know is true? Beginning in the so called Jazz Age of the 1920s jazz history was recounted and interpreted by admiring authors and record collectors both in the United States and elsewhere. However, since the early 1990s some historians have come to doubt the validity of the conventional narrative of the story of jazz and some of its most hallowed traditions. In Jazz Historiography: The Story of Jazz History Writing Daniel Hardie uncovers the course of jazz history writing from early Jazz Age American and French publications to Academic texts in the 2000s, and seeks answers to questions about the accuracy of those accounts and the influence they have had on our understanding of jazz history - even the impact they might have had on the course of jazz history itself. How much for example did the work of jazz historians influence the course of the New Orleans Revival? Was the appearance of bebop in the 1940s a revolutionary response to oppression experienced by Afro American musicians in a commercialized popular music industry, or was it an attempt to mirror the development of classical music of the time? How has the development of University jazz studies influenced the writing of jazz history?
Writing Jazz
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Author : Nicholas M. Evans
language : en
Publisher: Routledge
Release Date : 2015-12-22
Writing Jazz written by Nicholas M. Evans and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-12-22 with History categories.
This study examines how early writers of jazz criticism (such as Gilbert Seldes and Carl Van Vechten) and literature (F. Scott Fitzgerald and Langston Hughes)--as well as jazz performers and composers (such as Al Jolson, Sophie Tucker, and George Gershwin)--associated the music directly with questions about identity (racial, ethnic, national, gendered, and sexual) and with historical developments like industrialization. Going beyond the study of melody, harmony, and rhythm, this book's interdisciplinary approach takes seriously the cultural beliefs about jazz that inspired interracial contact, moralistic panic, bohemian slumming, visions of American democracy, and much more. Detailed textual analysis of fiction, nonfiction, film, and musical performance illustrates the complexity of these cultural beliefs in the 1920s and also shows their survival to the present day. In part, jazz absorbed the U.S. cultural imagination due to the nineteenth-century artistic search for music that would define the national character. To the chagrin of Anglo-Saxon nativists, jazz ascended as an exemplar of cultural hybridity and pluralism. The writers and entertainers studied in this volume--most of whom were minorities of Jewish Irish or African heritage--hailed the new social possibilities that they heard and felt in jazz. Yet most of them also qualified their enthusiasm by remaining wary of both the seductions of jazz's commercialization and the loss of ethnic identity in the melting pot.
Analysis Of Jazz
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Author : Laurent Cugny
language : en
Publisher: Univ. Press of Mississippi
Release Date : 2019-03-20
Analysis Of Jazz written by Laurent Cugny and has been published by Univ. Press of Mississippi this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-03-20 with Music categories.
Analysis of Jazz: A Comprehensive Approach, originally published in French as Analyser le jazz, is available here in English for the first time. In this groundbreaking volume, Laurent Cugny examines and connects the theoretical and methodological processes that underlie all of jazz. Jazz in all its forms has been researched and analyzed by performers, scholars, and critics, and Analysis of Jazz is required reading for any serious study of jazz; but not just musicians and musicologists analyze jazz. All listeners are analysts to some extent. Listening is an active process; it may not involve questioning but it always involves remembering, comparing, and listening again. This book is for anyone who attentively listens to and wants to understand jazz. Divided into three parts, the book focuses on the work of jazz, analytical parameters, and analysis. In part one, Cugny aims at defining what a jazz work is precisely, offering suggestions based on the main features of definition and structure. Part two he dedicates to the analytical parameters of jazz in which a work is performed: harmony, rhythm, form, sound, and melody. Part three takes up the analysis of jazz itself, its history, issues of transcription, and the nature of improvised solos. In conclusion, Cugny addresses the issues of interpretation to reflect on the goals of analysis with regard to understanding the history of jazz and the different cultural backgrounds in which it takes place. Analysis of Jazz presents a detailed inventory of theoretical tools and issues necessary for understanding jazz.