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Kathleen Petyarre


Kathleen Petyarre
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Kathleen Petyarre


Kathleen Petyarre
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Author : Christine Nicholls
language : en
Publisher: Wakefield Press
Release Date : 2001

Kathleen Petyarre written by Christine Nicholls and has been published by Wakefield Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Art categories.


Eastern Anmatyerr artist Kathleen Petyarre was born around 1940 on the Atnangker homelands in the Northern Territory, arid spinifex country.Kathleen Petyarrepresents a stunning full colour retrospective of Petyarre's work to date.



Kathleen Petyarre


Kathleen Petyarre
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Author : Kathleen Petyarre
language : en
Publisher:
Release Date : 2008

Kathleen Petyarre written by Kathleen Petyarre and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Art, Aboriginal Australian categories.




Paintings By Kathleen Petyarre


Paintings By Kathleen Petyarre
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Author : Kathleen Petyarre
language : en
Publisher:
Release Date : 1999

Paintings By Kathleen Petyarre written by Kathleen Petyarre and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Art, Australian categories.




History Power Text


History Power Text
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Author : Timothy Neale
language : en
Publisher: UTS ePRESS
Release Date : 2014-01-01

History Power Text written by Timothy Neale and has been published by UTS ePRESS this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-01-01 with Social Science categories.


History, Power, Text: Cultural Studies and Indigenous Studies is a collection of essays on Indigenous themes published between 1996 and 2013 in the journal known first as UTS Review and now as Cultural Studies Review. This journal opened up a space for new kinds of politics, new styles of writing and new modes of interdisciplinary engagement. History, Power, Text highlights the significance of just one of the exciting interdisciplinary spaces, or meeting points, the journal enabled. ‘Indigenous cultural studies’ is our name for the intersection of cultural studies and Indigenous studies showcased here. This volume republishes key works by academics and writers Katelyn Barney, Jennifer Biddle, Tony Birch, Wendy Brady, Gillian Cowlishaw, Robyn Ferrell, Bronwyn Fredericks, Heather Goodall, Tess Lea, Erin Manning, Richard Martin, Aileen Moreton-Robinson, Stephen Muecke, Alison Ravenscroft, Deborah Bird Rose, Lisa Slater, Sonia Smallacombe, Rebe Taylor, Penny van Toorn, Eve Vincent, Irene Watson and Virginia Watson—many of whom have taken this opportunity to write reflections on their work—as well as interviews between Christine Nicholls and painter Kathleen Petyarre, and Anne Brewster and author Kim Scott. The book also features new essays by Birch, Moreton-Robinson and Crystal McKinnon, and a roundtable discussion with former and current journal editors Chris Healy, Stephen Muecke and Katrina Schlunke.



The Pain Of Unbelonging


The Pain Of Unbelonging
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Author : Sheila Collingwood-Whittick
language : en
Publisher: Rodopi
Release Date : 2007

The Pain Of Unbelonging written by Sheila Collingwood-Whittick and has been published by Rodopi this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Literary Criticism categories.


Beyond the obvious and enduring socio-economic ravages it unleashed on indigenous cultures, white settler colonization in Australasia also inflicted profound damage on the collective psyche of both of the communities that inhabited the contested space of the colonial world. The acute sense of alienation that colonization initially provoked in the colonized and colonizing populations of Australia and New Zealand has, recent studies indicate, developed into an endemic, existential pathology. Evidence of the psychological fallout from the trauma of geographical deracination, cultural disorientation and ontological destabilization can be found not only in the state of anomie and self-destructive patterns of behaviour that now characterize the lives of indigenous Australian and Maori peoples, but also in the perpetually faltering identity-discourse and cultural rootlessness of the present descendants of the countries' Anglo-Celtic settlers. It is with the literary expression of this persistent condition of alienation that the essays gathered in the present volume are concerned. Covering a heterogeneous selection of contemporary Australasian literature, what these critical studies convincingly demonstrate is that, more than two hundred years after the process of colonisation was set in motion, the experience that Germaine Greer has dubbed 'the pain of unbelonging' continues unabated, constituting a dominant thematic concern in the writing produced today by Australian and New Zealand authors.



Decolonizing The Landscape


Decolonizing The Landscape
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Author : Beate Neumeier
language : en
Publisher: Rodopi
Release Date : 2014-01-10

Decolonizing The Landscape written by Beate Neumeier and has been published by Rodopi this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-01-10 with History categories.


How does one read across cultural boundaries? The multitude of creative texts, performance practices, and artworks produced by Indigenous writers and artists in contemporary Australia calls upon Anglo-European academic readers, viewers, and critics to respond to this critical question. Contributors address a plethora of creative works by Indigenous writers, poets, playwrights, filmmakers, and painters, including Richard Frankland, Lionel Fogarty, Lin Onus, Kim Scott, Sam Watson, and Alexis Wright, as well as Durrudiya song cycles and works by Western Desert artists. The complexity of these creative works transcends categorical boundaries of Western art, aesthetics, and literature, demanding new processes of reading and response. Other contributors address works by non-Indigenous writers and filmmakers such as Stephen Muecke, Katrina Schlunke, Margaret Somerville, and Jeni Thornley, all of whom actively engage in questioning their complicity with the past in order to challenge Western modes of knowledge and understanding and to enter into a more self-critical and authentically ethical dialogue with the Other. In probing the limitations of Anglo-European knowledge-systems, essays in this volume lay the groundwork for enter¬ing into a more authentic dialogue with Indigenous writers and critics. Beate Neumeier is Professor and Chair of English at the University of Cologne. Her research is in gender, performance, and postcolonial studies. Editor of the e-journal Gender Forum and the database GenderInn, she has published books on English Re¬naissance and contemporary anglophone drama, contemporary American and British-Jewish literature, and women’s writing. Kay Schaffer, an Adjunct Professor in Gender Studies and Social Analysis at the University of Adelaide. is the author of ten books and numerous articles at the intersections of gender, culture, and literary studies. Her recent publications address the Stolen Generations in Australia, life narratives in human-rights campaigns, and readings of contemporary Chinese women writers.





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Author :
language : en
Publisher: KARTHALA Editions
Release Date :

written by and has been published by KARTHALA Editions this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.




Aboriginal Art Identity And Appropriation


Aboriginal Art Identity And Appropriation
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Author : Elizabeth Burns Coleman
language : en
Publisher: Routledge
Release Date : 2017-05-15

Aboriginal Art Identity And Appropriation written by Elizabeth Burns Coleman and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-05-15 with Social Science categories.


The belief held by Aboriginal people that their art is ultimately related to their identity, and to the continued existence of their culture, has made the protection of indigenous peoples' art a pressing matter in many postcolonial countries. The issue has prompted calls for stronger copyright legislation to protect Aboriginal art. Although this claim is not particular to Australian Aboriginal people, the Australian experience clearly illustrates this debate. In this work, Elizabeth Burns Coleman analyses art from an Australian Aboriginal community to interpret Aboriginal claims about the relationship between their art, identity and culture, and how the art should be protected in law. Through her study of Yolngu art, Coleman finds Aboriginal claims to be substantially true. This is an issue equally relevant to North American debates about the appropriation of indigenous art, and the book additionally engages with this literature.



Chaos Territory Art


Chaos Territory Art
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Author : Elizabeth A. Grosz
language : en
Publisher: Columbia University Press
Release Date : 2008

Chaos Territory Art written by Elizabeth A. Grosz and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Art categories.


Table of Contents Acknowledgments1. Chaos. Cosmos, Territory, Architecture2. Vibration. Animal, Sex, Music3. Sensation. The Earth, a People, ArtNotes Bibliography Index.



Beyond Aesthetics


Beyond Aesthetics
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Author : Christopher Pinney
language : en
Publisher: Routledge
Release Date : 2020-05-25

Beyond Aesthetics written by Christopher Pinney and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-05-25 with Social Science categories.


The anthropology of art is currently at a crossroads. Although well versed in the meaning of art in small-scale tribal societies, anthropologists are still wrestling with the question of how to interpret art in a complex, post-colonial environment. Alfred Gell recently confronted this problem in his posthumous book Art and Agency. The central thesis of his study was that art objects could be seen, not as bearers of meaning or aesthetic value, but as forms mediating social action. At a stroke, Gell provocatively dismissed many longstanding but tired questions of definition and issues of aesthetic value. His book proposed a novel perspective on the roles of art in political practice and made fresh links between analyses of style, tradition and society. Offering a new overview of the anthropology of art, this book begins where Gell left off. Presenting wide-ranging critiques of the limits of aesthetic interpretation, the workings of objects in practice, the relations between meaning and efficacy and the politics of postcolonial art, its distinguished contributors both elaborate on and dissent from the controversies of Gells important text. Subjects covered include music and the internet as well as ethnographic traditions and contemporary indigenous art. Geographically its case studies range from India to Oceania to North America and Europe.