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L Art Social En France


L Art Social En France
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L Art Social En France


L Art Social En France
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Author : Neil McWilliam
language : fr
Publisher: PU Rennes
Release Date : 2014

L Art Social En France written by Neil McWilliam and has been published by PU Rennes this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Art and society categories.


"Les vingt-trois essais rassemblés dans cet ouvrage examinent les discours sur l'"art social, leurs origines idéologiques, leurs tensions, ainsi que l'histoire de la notion et le rôle qu'elle a pu jouer dans les pratiques artistiques. Le désir d'intégrer les arts à une transformation radicale des rapports sociaux et économiques inspire les théoriciens politiques, les philosophes et les artistes (en fait, ceux-là bien plus que ceux-ci) depuis l'époque des jacobins jusqu'à celle des anarchistes. Une telle conception devient plus complexe sous la Troisième République où de nouvelles voix, souvent attachées au maintien des hiérarchies existantes, plaident pour une nouvelle version de art social" plus à même de prendre place dans la politique artistique de l'État. Éminemment polysémique et mouvante, l'idée d'art social pose la question de la fonction de l'art dans une société post-révolutionnaire, industrielle et marchande, et interroge l'autonomie et l'originalité supposées de l'art. Elle a pesé d'un poids déterminant dans l'abolition des hiérarchies, l'extension du concept d'art et le développement de l'éducation populaire, dans des domaines aussi divers que la fête publique, le logement social et les arts du décor, dont le rôle parfois attribué aujourd'hui au designer porte l'héritage. Sans prétendre épuiser la question, ni céder à une vision téléologique de son évolution, les contributions au présent ouvrage permettent de replacer l'idée d'art social dans la longue durée et d'en découvrir les acteurs."--Page 4 of cover.



Art Nouveau In Fin De Siecle France


Art Nouveau In Fin De Siecle France
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Author : Debora L. Silverman
language : en
Publisher: Univ of California Press
Release Date : 2023-12-22

Art Nouveau In Fin De Siecle France written by Debora L. Silverman and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-12-22 with History categories.


Winner, 1990 Berkshire Conference Book Award Art Nouveau in Fin-de-Siecle France: Politics, Psychology, and Style explores the shift in the locus of modernity from technological monument to private interior. It examines the political, economic, social, intellectual and artistic factors, specific to late 19th century France, that interacted in the development of art nouveau.



L Art Social


L Art Social
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Author : Roger Marx
language : fr
Publisher: Editions Gravitons
Release Date : 2016-08-26

L Art Social written by Roger Marx and has been published by Editions Gravitons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-08-26 with Literary Collections categories.


Un texte prônant la démocratisation de l'art. Véritable manifeste contre la spécialisation et l'élitisation, cet ouvrage prône la reconnaissance des art décoratifs et l'intégration de l'art dans toutes les sphères de la société. Son approche moderne de la création artistique, mêlée aux activités professionnelles et aux convictions de son auteur, fait de "L'Art social" un jalon dans l'histoire sociale de l'art. Cet ouvrage présente les visions réformatrices de Roger Marx. EXTRAIT Quand l'art se mêle intimement à la vie unanime, la désignation « d'art social » seule peut lui convenir. On ne saurait restreindre à une classe le privilège de ses inventions ; il appartient à tous, sans distinction de rang ni de fortune. À PROPOS DE L'AUTEUR Nancy, 28 août 1859 – Paris, 13 décembre 1913 Roger Marx était un homme de lettres et critique d’art français, inspecteur général des Musées des départements au Ministère des Beaux-arts.



Art Social De La R Volution La Grande Guerre


Art Social De La R Volution La Grande Guerre
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Author : Neil McWilliam
language : fr
Publisher:
Release Date : 2014

Art Social De La R Volution La Grande Guerre written by Neil McWilliam and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with categories.




Art Criticism And Its Institutions In Nineteenth Century France


Art Criticism And Its Institutions In Nineteenth Century France
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Author : Michael R. Orwicz
language : en
Publisher: Manchester University Press
Release Date : 1994

Art Criticism And Its Institutions In Nineteenth Century France written by Michael R. Orwicz and has been published by Manchester University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Art criticism categories.


This book explores a range of social, institutional and discursive conditions in and through which criticism emerged and functioned in 19th-century France, and goes on to develop broader theoretical questions drawn from historical case studies.



Dreams Of Happiness


Dreams Of Happiness
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Author : Neil McWilliam
language : en
Publisher: Princeton University Press
Release Date : 2017-03-14

Dreams Of Happiness written by Neil McWilliam and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-03-14 with Art categories.


Responding to the decline of the monarchy and the church in post-revolutionary France, theorists representing a wide spectrum of leftist ideologies proposed comprehensive blueprints for society that assigned a crucial role to aesthetics. In this full-length investigation of social romanticism, Neil McWilliam explores the profound impact of radical philosophies on contemporary aesthetics and art criticism, and traces efforts to conscript the arts for doctrinal ends. He highlights the complexity and diversity of systems such as Saint-Simonianism, Fourierism, Republicanism, and Christian Socialism--movements that set out to exploit the ameliorative effect of aesthetic form on human consciousness--and challenges the previous linking of social art to narrow didacticism. This book seeks an understanding both of the conventions of artistic judgment and reception and of the aims and significance of radical political ideologies. Drawing on a broad spectrum of previously neglected journalistic criticism, visual material, and archival sources, together with key political texts by figures such as Saint-Simon, Philippe Buchez, and Pierre Leroux, this work reveals an important facet of radical history and modifies received understandings of French art in the wake of Romanticism. In the process it probes the role of culture within oppositional political practice, arguing that the ultimate failure to realize a social art exposes the limits of the radicals' break with dominant discourse and their hesitancy in forging links with a culturally disenfranchised working class. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.



The Idea Of Art As Propaganda In France 1750 1799


The Idea Of Art As Propaganda In France 1750 1799
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Author : James A. Leith
language : en
Publisher:
Release Date : 1965

The Idea Of Art As Propaganda In France 1750 1799 written by James A. Leith and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1965 with Art categories.




D Coration Le Rationalisme Architecturaux A L Exposition Universelle


D Coration Le Rationalisme Architecturaux A L Exposition Universelle
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Author : Meredith L. Clausen
language : en
Publisher: Brill Archive
Release Date : 1987

D Coration Le Rationalisme Architecturaux A L Exposition Universelle written by Meredith L. Clausen and has been published by Brill Archive this book supported file pdf, txt, epub, kindle and other format this book has been release on 1987 with Art categories.




A Companion To Nineteenth Century Art


A Companion To Nineteenth Century Art
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Author : MIchelle Facos
language : en
Publisher: John Wiley & Sons
Release Date : 2018-09-10

A Companion To Nineteenth Century Art written by MIchelle Facos and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-09-10 with Art categories.


A comprehensive review of art in the first truly modern century A Companion to Nineteenth-Century Art contains contributions from an international panel of noted experts to offer a broad overview of both national and transnational developments, as well as new and innovative investigations of individual art works, artists, and issues. The text puts to rest the skewed perception of nineteenth-century art as primarily Paris-centric by including major developments beyond the French borders. The contributors present a more holistic and nuanced understanding of the art world during this first modern century. In addition to highlighting particular national identities of artists, A Companion to Nineteenth-Century Art also puts the focus on other aspects of identity including individual, ethnic, gender, and religious. The text explores a wealth of relevant topics such as: the challenges the artists faced; how artists learned their craft and how they met clients; the circumstances that affected artist’s choices and the opportunities they encountered; and where the public and critics experienced art. This important text: Offers a comprehensive review of nineteenth-century art that covers the most pressing issues and significant artists of the era Covers a wealth of important topics such as: ethnic and gender identity, certain general trends in the nineteenth century, an overview of the art market during the period, and much more Presents novel and valuable insights into familiar works and their artists Written for students of art history and those studying the history of the nineteenth century, A Companion to Nineteenth-Century Art offers a comprehensive review of the first modern era art with contributions from noted experts in the field.



Rivals And Conspirators


Rivals And Conspirators
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Author : Fae Brauer
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2014-07-08

Rivals And Conspirators written by Fae Brauer and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-07-08 with Art categories.


Once the State-run Salon in Paris closed, an array of independent Salons mushroomed starting with the French Artists Salon and Women’s Salon in 1881 followed by the Independent Artists’ Salon, National Salon of Fine Arts and Autumn Salon. Offering an unparalleled choice of art identities and alliances, together with undreamed-of opportunities for sales, commissions, prizes and art criticism, these great Salons guaranteed the centripetal and centrifugal power of Paris as the “modern art centre”. Lured by the prospect of being exhibited annually in Salons the size of Biennales today, a huge number and national diversity of artists, from the Australian Rupert Bunny to the Spaniards Pablo Picasso and Juan Gris, flocked to Paris. Yet by no means were these Salons equal in power, nor did they work consensually to forge this “modern art centre”. Formed on the basis of their different cultural politics, constantly they rivalled one another for State acquisitions and commissions, exhibition places and spaces, awards, and every other means of enhancing their legitimacy. By no means were the avant-garde salons those that most succeeded. Instead, as this culturo-political history demonstrates, the French Artists’ and National Fine Art Salons were the most successful, with the genderist French Artists' Salon being the most powerful and “official”. Despite the renown today of Neo-Impressionism, Art Nouveau, Fauvism, Cubism and Orphism, the most powerful artists in this “modern art centre” were not Sonia Delaunay, Émile Gallé, Paul Signac, Henri Matisse or even Picasso but such Academicians as Léon Bonnat, William Bouguereau, Fernand Cormon, Edouard Detaille, Gabriel Ferrier, Jean-Paul Laurens, Luc-Oliver Merson and Aimé Morot, who exhibited at the “official” Salon supported by the machinery of the State. In its exposure of the rivalry, conflict and struggle between the Salons and their artists, this is an unprecedented history of dissension. It also exposes how, just below the welcoming internationalist veneer of this “modern art centre”, intense persecutionist paranoia lay festering. Whenever France’s “civilizing mission” seemed culturally, commercially or colonially threatened, it erupted in waves of nationalist xenophobia turning artistic rivalry into bitter enmity. In exposing how rivals became transmuted into conspirators, ultimately this book reveals a paradox resonant in histories that celebrate the international triumph of French modern art: that this magnetic “centre”, which began by welcoming international modernists, ended by attacking them for undermining its cultural supremacy, contaminating its “civilizing mission” and politically persecuting the very modernist culture for which it has received historical renown.