La Fin Du Cin Ma
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La Rencontre Du Cin Ma Fran Ais
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Author : Robert J. Berg
language : en
Publisher: Yale University Press
Release Date : 2010-07-27
La Rencontre Du Cin Ma Fran Ais written by Robert J. Berg and has been published by Yale University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-07-27 with Performing Arts categories.
À la rencontre du cinéma français: analyse, genre, histoire is intended to serve as the core textbook in a wide variety of upper-level undergraduate and graduate French cinema courses. In contrast to content-, theme-, or issue-based approaches to film, Professor Berg stresses “the cinematically specific, the warp and fabric of the film itself, the stuff of which it is made.' Sufficient proficiency in French is the sole prerequisite: “No previous background in film studies is assumed, nor is any prior acquaintance with French cinema. It will help, of course, to like movies, and to have seen quite a few…' (from the preface).
Abel Gance And The End Of Silent Cinema
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Author : Paul Cuff
language : en
Publisher: Springer
Release Date : 2016-11-10
Abel Gance And The End Of Silent Cinema written by Paul Cuff and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-11-10 with Performing Arts categories.
This book explores the creation and destruction of Abel Gance’s most ambitious film project, and seeks to explain why his meteoric career was so nearly extinguished at the end of silent cinema. By 1929, Gance was France’s most famous director. Acclaimed for his technical innovation and visual imagination, he was also admonished for the excessive length and expense of his productions. Gance’s first sound film, La Fin du Monde (1930), was a critical and financial disaster so great that it nearly destroyed his career. But what went wrong? Gance claimed it was commercial sabotage whilst critics blamed the director’s inexperience with new technology. Neither excuse is satisfactory. Based on extensive archival research, this book re-investigates the cultural background and aesthetic consequences of Gance’s transition from silent filmmaking to sound cinema. La Fin du Monde is revealed to be only one element of an extraordinary cultural project to transform cinema into a universal religion and propagate its power through the League of Nations. From unfinished films to unrealized social revolutions, the reader is given a fascinating tour of Gance’s lost cinematic utopia.
Canadian Film And Video
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Author : Loren R. Lerner
language : en
Publisher: University of Toronto Press
Release Date : 1997-01-01
Canadian Film And Video written by Loren R. Lerner and has been published by University of Toronto Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997-01-01 with Reference categories.
This extensive bibliography and reference guide is an invaluable resource for researchers, practitioners, students, and anyone with an interest in Canadian film and video. With over 24,500 entries, of which 10,500 are annotated, it opens up the literature devoted to Canadian film and video, at last making it readily accessible to scholars and researchers. Drawing on both English and French sources, it identifies books, catalogues, government reports, theses, and periodical and newspaper articles from Canadian and non-Canadian publications from the first decade of the twentieth century to 1989. The work is bilingual; descriptive annotations are presented in the language(s) of the original publication. Canadian Film and Video / Film et vidéo canadiens provides an in-depth guide to the work of over 4000 individuals working in film and video and 5000 films and videos. The entries in Volume I cover topics such as film types, the role of government, laws and legislation, censorship, festivals and awards, production and distribution companies, education, cinema buildings, women and film, and video art. A major section covers filmmakers, video artists, cinematographers, actors, producers, and various other film people. Volume II presents an author index, a film and video title index, and a name and subject index. In the tradition of the highly acclaimed publication Art and Architecture in Canada these volumes fill a long-standing need for a comprehensive reference tool for Canadian film and video. This bibliography guides and supports the work of film historians and practitioners, media librarians and visual curators, students and researchers, and members of the general public with an interest in film and video.
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Author :
language : en
Publisher: Soffer Publishing
Release Date :
written by and has been published by Soffer Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.
The Oxford Handbook Of Canadian Cinema
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Author : Janine Marchessault
language : en
Publisher: Oxford University Press
Release Date : 2019-03-20
The Oxford Handbook Of Canadian Cinema written by Janine Marchessault and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-03-20 with Performing Arts categories.
The chapters in The Oxford Handbook of Canadian Cinema present a rich, diverse overview of Canadian cinema. Responding to the latest developments in Canadian film studies, this volume takes into account the variety of artistic voices, media technologies, and places which have marked cinema in Canada throughout its history. Drawing on a range of established and emerging scholars from a range of disciplines, this volume will be useful to teachers, scholars, and to a general readership interested in cinema in Canada. Moving beyond the director-focused approach of much previous scholarship, this book is concerned with communities, institutions, and audiences for Canadian cinema at both national and international levels. The choice of subjects covered ranges from popular, genre cinema to the most experimental of artistic interventions. Canadian cinema is seen in its interaction with other forms of art-making and media production in Canada and at the international level. Particular attention has been paid to the work of Indigenous filmmakers, members of diasporic communities and feminist and LGBTQ artists. The result is a book attentive to the complex social and institutional contexts in which Canadian cinema is made and consumed.
La Fin Du Cin Ma
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Author : André Gaudreault
language : fr
Publisher: Armand Colin
Release Date : 2013-10-16
La Fin Du Cin Ma written by André Gaudreault and has been published by Armand Colin this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10-16 with Art categories.
Submergé par la déferlante du numérique, qui brouille radicalement les frontières entre les médias (cinéma, télévision, BD, Internet, téléphonie, etc.), le cinéma serait en train de mourir : la chaleur du photochimique a cédé le terrain à la froideur du pixel et le hors-film a commencé à envahir, avec ses transmissions par satellite, les salles dévolues au septième art. Pourtant le cinéma est partout : il s’inscrit sur de nouveaux supports et s’affiche sur de nouveaux écrans. On peut néanmoins se demander si un film en DVD vu sur écran vidéo, c’est encore du cinéma, et si les images encodées du compositing numérique et de la motion capture relèvent toujours du cinématographique. En s’appuyant sur leur hypothèse de la « double naissance des médias », les auteurs interrogent les soubresauts identitaires que le cinéma traverse aujourd’hui et proposent des clefs pour comprendre l’impact du numérique sur l’univers médiatique actuel. Serions-nous en train d’assister à une troisième naissance du cinéma
Women In Europe Between The Wars
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Author : Dr Angela Kershaw
language : en
Publisher: Ashgate Publishing, Ltd.
Release Date : 2013-04-28
Women In Europe Between The Wars written by Dr Angela Kershaw and has been published by Ashgate Publishing, Ltd. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-04-28 with Literary Criticism categories.
The central aim of this interdisciplinary book is to make visible the intentionality behind the 'forgetting' of European women's contributions during the period between the two world wars in the context of politics, culture and society. It also seeks to record and analyse women's agency in the construction and reconstruction of Europe and its nation states after the First World War, and thus to articulate ways in which the writing of women's history necessarily entails the rewriting of everyone's history. By showing that the erasure of women's texts from literary and cultural history was not accidental but was ideologically motivated, the essays explicitly and implicitly contribute to debates surrounding canon formation. Other important topics are women's political activism during the period, antifascism, the contributions made by female journalists, the politics of literary production, genre, women's relationship with and contributions to the avant-garde, women's professional lives, and women's involvement in voluntary associations. In bringing together the work of scholars whose fields of expertise are diverse but whose interests converge on the inter-war period, the volume invites readers to make connections and comparisons across the whole spectrum of women's political, social, and cultural activities throughout Europe.
Le Verbe Au Cinema
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Author : Boulou Ebanda de B'béri
language : en
Publisher: Lulu.com
Release Date : 2013
Le Verbe Au Cinema written by Boulou Ebanda de B'béri and has been published by Lulu.com this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Dialogue in motion pictures categories.
Un essai, politique, sur l'oralite dans un corpus de films d'Afrique noire francophone de 1950 a 2000. Dans un langage clair, l'auteur illustre comment dans les societes de l'ecriture, le texte engagerait l'Homme et que cette ecriture aurait impose un genre, un style et des modes de production de sens qui sont propres a ces societes de l'ecriture d'ou, par exemple, la naissance du langage cinematographique formalise. Ainsi il se demande ce qui arriverait a une analyse de film calquee sur ce langage dont les articulations discursives ne sont pas necessairement en adequation avec la mysticite de la parole qui, elle, engagerait veritablement l'Homme en Afrique noire? Qu'arrive-t-il a l'analyse quand l'image d'une parole detourne le sens prescrit dans les modes operatoires du langage cinematographique des societes de l'ecrit ? Comment le cinema, a travers la technique audiovisuelle, devient-il une technologie par excellence capable de nous faire voir la nature mystique et culturelle de cette parole ?
Andr T Chin
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Author : William Marshall
language : en
Publisher: Manchester University Press
Release Date : 2007-07-15
Andr T Chin written by William Marshall and has been published by Manchester University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-07-15 with Biography & Autobiography categories.
This is the first full-length monograph in English about one of France's most important contemporary filmmakers, perhaps best known in the English-speaking world for his award-winning Les Roseaux sauvages/Wild Reeds of 1994. This study locates André Téchiné within historical and cultural contexts that include the Algerian War, May 1968 and contemporary globalization, and the influence of Roland Barthes, Bertolt Brecht, Ingmar Bergman, William Faulkner, and the cinematic French New Wave. The originality of Téchiné's sixteen feature films lies in his subtle exploration of sexuality and national identity, as he challenges expectations in his depictions of gay relations, the North African dimensions of contemporary French culture, and the center-periphery relationship between Paris and especially his native southwest.
The End Of Cinema
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Author : André Gaudreault
language : en
Publisher: Columbia University Press
Release Date : 2015-04-14
The End Of Cinema written by André Gaudreault and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-04-14 with Performing Arts categories.
Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the "digitalphobes" who lament the implosion of cinema and the "digitalphiles" who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next.