[PDF] La Nascita Del Teatro Moderno In Italia Tra Quindicesimo E Sedicesimo Secolo - eBooks Review

La Nascita Del Teatro Moderno In Italia Tra Quindicesimo E Sedicesimo Secolo


La Nascita Del Teatro Moderno In Italia Tra Quindicesimo E Sedicesimo Secolo
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La Nascita Del Teatro Moderno In Italia Tra Quindicesimo E Sedicesimo Secolo


La Nascita Del Teatro Moderno In Italia Tra Quindicesimo E Sedicesimo Secolo
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Author : Marzia Pieri
language : it
Publisher:
Release Date : 2022

La Nascita Del Teatro Moderno In Italia Tra Quindicesimo E Sedicesimo Secolo written by Marzia Pieri and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022 with Performing Arts categories.




La Nascita Del Teatro Moderno


La Nascita Del Teatro Moderno
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Author : Marzia Pieri
language : it
Publisher:
Release Date : 1989

La Nascita Del Teatro Moderno written by Marzia Pieri and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1989 with Performing Arts categories.




The Cambridge History Of Italian Literature


The Cambridge History Of Italian Literature
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Author : Peter Brand
language : en
Publisher: Cambridge University Press
Release Date : 1999-08-28

The Cambridge History Of Italian Literature written by Peter Brand and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999-08-28 with Literary Criticism categories.


Italy possesses one of the richest and most influential literatures of Europe, stretching back to the thirteenth century. This substantial history of Italian literature provides a comprehensive survey of Italian writing since its earliest origins. Leading scholars describe and assess the work of writers who have contributed to the Italian literary tradition, including Dante, Petrarch and Boccaccio, the Renaissance humanists, Machiavelli, Ariosto and Tasso, pioneers and practitioners of commedia dell'arte and opera, and the contemporary novelists Calvino and Eco. The Cambridge History of Italian Literature sets out to be accessible to the general reader as well as to students and scholars: translations are provided, along with a map, chronological chart and substantial bibliographies.



Pollastra And The Origins Of Twelfth Night


Pollastra And The Origins Of Twelfth Night
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Author : Louise George Clubb
language : en
Publisher: Routledge
Release Date : 2017-11-30

Pollastra And The Origins Of Twelfth Night written by Louise George Clubb and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-11-30 with Drama categories.


Pollastra and the Origins of Twelfth Night addresses two closely linked and increasingly studied issues: the nature of the relation of Shakespeare's plays to Italian culture, and the technology of modern theater invented in Renaissance Italy. The discovery of forgotten works by Giovanni Lappoli, known as Pollastra, led to publication in Italy in 1993 in a limited edition of the Italian texts with supplemental scholarship by the authors, entitled Romance and Aretine Humanism in Sienese Comedy. One of those texts, the comedy Parthenio, has escaped the attention of theater bibliographers, because it was quickly sold out in its time and only a handful of copies are known to exist today. Yet it played an important part in the birth of Italian Renaissance drama and of modern comedy in general, in that it was the immediate predecessor and source of Gl'Ingannati, arguably the most famous comedy of the Italian Renaissance and certainly the most imitated, translated, adapted all over Europe. The best known of its progeny is Shakespeare's Twelfth Night. Much has been written in Italy and England about Gl'Ingannati and Shakespeare's debt to it, but nothing at all about Parthenio. This volume provides the first English translation (with the original Italian on facing pages); and presents for an international audience the theatrical scholarship from the 1993 book Romance and Aretine Humanism in Sienese Comedy, augmented with new findings.



The Perfect Genre Drama And Painting In Renaissance Italy


The Perfect Genre Drama And Painting In Renaissance Italy
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Author : Kristin Phillips-Court
language : en
Publisher: Routledge
Release Date : 2016-12-05

The Perfect Genre Drama And Painting In Renaissance Italy written by Kristin Phillips-Court and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-12-05 with Art categories.


Proposing an original and important re-conceptualization of Italian Renaissance drama, Kristin Phillips-Court here explores how the intertextuality of major works of Italian dramatic literature is not only poetic but also figurative. She argues that not only did the painterly gaze, so prevalent in fifteenth- and sixteenth-century devotional art, portraiture, and visual allegory, inform humanistic theories, practices and themes, it also led prominent Italian intellectuals to write visually evocative works of dramatic literature whose topical plots and structures provide only a fraction of their cultural significance. Through a combination of interpretive literary criticism, art historical analysis and cultural and intellectual historiography, Phillips-Court offers detailed readings of individual plays juxtaposed with specific developments and achievements in the realm of painting. Revealing more than historical connections between artists and poets such as Tasso and Giorgione, Mantegna and Trissino, Michelangelo and Caro, or Bruno and Caravaggio, the author locates the history of Renaissance art and drama securely within the history of ideas. She provides us with a story about the emergence and eventual disintegration of Italian Renaissance drama as a rigorously philosophical and empirical form. Considering rhetorical, philosophical, ethical, religious, political-ideological, and aesthetic dimensions of each of the plays she treats, Kristin Phillips-Court draws our attention to the intermedial conversation between the theater and painting in a culture famously dominated by art. Her integrated analysis of visual and dramatic works brings to light how the lines and verses of the text reveal an ongoing dialogue with visual art that was far richer and more intellectually engaged than we might reconstruct from stage diagrams and painted backdrops.



Secret Sharers In Italian Comedy


Secret Sharers In Italian Comedy
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Author : Jackson I. Cope
language : en
Publisher: Duke University Press
Release Date : 1996

Secret Sharers In Italian Comedy written by Jackson I. Cope and has been published by Duke University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996 with Drama categories.


Modern vernacular comedy took shape in early sixteenth-century Italy with the many plays adapted from and modeled on Plautine New Comedy. As Jackson I. Cope demonstrates in this study, some Italian dramatists reacted to the widespread success of this genre with a counterparadigm, a comedy that exploits secrecy as form. In both historically and critically engaging fashion, Cope identifies and examines this major development in Italian theater. Though outwardly similar to New Comedy with its characteristically harmonious closure, this essentially anti-Plautine form employs a secret--known by the audience but unequally shared among the players--to introduce a radical discrepancy between simultaneous stories unfolding in a single action doubly understood. The result is a plot that is misleading at the surface, contingent and unfinished at its end. The audience, in a position of enforced collusion with regard to the secret, becomes a formal ingredient in the production. The play, more cynical than carnivalesque, opens onto vistas of disruption and deception rather than closing on a note of renewed social harmony. Cope's close and original readings of both classic and lesser-known plays by Machiavelli, Ruzante, Cecchi, Grazzini, Fagiuoli, Maggi, and others follow this peculiarly Italian, anti-Plautine paradigm through variations across three centuries to its masterful and complex culmination in Carlo Goldoni's villeggiatura trilogy. Establishing a new comedic canon that demands a revision of Italian dramatic history and the history of European dramatic theory, Secret Sharers in Italian Comedy makes an important contribution to Italian studies and will also attract readers among theater scholars in English, comparative literature, and drama.



Scripts And Scenarios


Scripts And Scenarios
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Author : Richard Andrews
language : en
Publisher: Cambridge University Press
Release Date : 1993-04-22

Scripts And Scenarios written by Richard Andrews and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993-04-22 with Drama categories.


Examines in a different light the innovative and influential scripted comedies of the Italian Renaissance.



The Reinvention Of Theatre In Sixteenth Century Europe


The Reinvention Of Theatre In Sixteenth Century Europe
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Author : T.F. Earle
language : en
Publisher: Routledge
Release Date : 2017-07-05

The Reinvention Of Theatre In Sixteenth Century Europe written by T.F. Earle and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Foreign Language Study categories.


The sixteenth century was an exciting period in the history of European theatre. In the Iberian Peninsula, Italy, France, Germany and England, writers and actors experimented with new dramatic techniques and found new publics. They prepared the way for the better-known dramatists of the next century but produced much work which is valuable in its own right, in Latin and in their own vernaculars. The popular theatre of the Middle Ages gave endless material for reinvention by playwrights, and the legacy of the ancient world became a spur to creativity, in tragedy and comedy. As soon as readers and audiences had taken in the new plays, they were changed again, taking new forms as the first experiments were themselves modified and reinvented. Writers constantly adapted the texts of plays to meet new requirements. These and other issues are explored by a group of international experts from a comparative perspective, giving particular emphasis to one of the great European comic dramatists, the Portuguese Gil Vicente. Tom Earle is King John II Professor of Portuguese at Oxford. Catarina Fouto is a Lecturer in Portuguese at King's College London.



Renaissance Drama 36 37


Renaissance Drama 36 37
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Author : Albert Russell Ascoli
language : en
Publisher: Northwestern University Press
Release Date : 2010-01-19

Renaissance Drama 36 37 written by Albert Russell Ascoli and has been published by Northwestern University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-01-19 with Drama categories.


Renaissance Drama, an annual interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theater, and performance. This special issue of Renaissance Drama on "Italy in the Drama of Europe" primarily builds on the groundwork laid by Louise George Clubb, who showed that Italian drama was made in such a way as to facilitate its absorption and transformation into other traditions, even when it was not explicitly cited or referenced. "Italy in the Drama of Europe" takes up the reverberations of early modern Italian drama in the theaters of Spain, England, and France and in writings in Italian, English, Spanish, French, Hebrew, Latin, and German. Its scope is an example of the continuing force of and interest in one of the most rewarding, wide-ranging, and productive early modern aesthetic modes, and a tribute to the scholarship of Louise George Clubb, who, among others, recalled our attention to it.



Inventing The Opera House


Inventing The Opera House
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Author : Eugene J. Johnson
language : en
Publisher: Cambridge University Press
Release Date : 2018-05-17

Inventing The Opera House written by Eugene J. Johnson and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-05-17 with Architecture categories.


This book examines the invention of the architecture of the modern opera house in Italy between the late fifteenth and late seventeenth centuries.