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La Pittura Dell Ottocento


La Pittura Dell Ottocento
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Pittura Dell Ottocento


Pittura Dell Ottocento
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Author :
language : en
Publisher:
Release Date : 1933

Pittura Dell Ottocento written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1933 with categories.




Francesco Saverio Altamura La Pittura Dell Ottocento In Italia


Francesco Saverio Altamura La Pittura Dell Ottocento In Italia
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Author : Le Parche Edizioni
language : it
Publisher: Lulu.com
Release Date : 2016-02-21

Francesco Saverio Altamura La Pittura Dell Ottocento In Italia written by Le Parche Edizioni and has been published by Lulu.com this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-02-21 with Reference categories.


Saverio Altamura (1826-1897) fu uno dei primi pittori che portarono al Caffè Michelangiolo di Firenze la nuova tendenza pittorica, avendo visitato, nel 1855, il padiglione realista di Gustave Courbet, realizzato a Parigi in occasione della Esposizione Universale. In quell'occasione erano con lui Domenico Morelli e Serafino De Tivoli (1826-1892), così, proprio a partire dal 1855, Firenze divenne il centro in cui andò maturando il nuovo stile, Macchiaiolo, con il concorso di artisti toscani e di altra provenienza che si concentravano sulla resa dei rapporti cromatici e tonali di due frammenti di realtà, prescindendo dal disegno e dal chiaroscuro perché in natura i contorni non esistono.



La Pittura Sacra In Italia Nell Ottocento


La Pittura Sacra In Italia Nell Ottocento
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Author : Daniela Vasta
language : it
Publisher: Gangemi Editore spa
Release Date : 2012-09-10T00:00:00+02:00

La Pittura Sacra In Italia Nell Ottocento written by Daniela Vasta and has been published by Gangemi Editore spa this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-09-10T00:00:00+02:00 with Art categories.


La disamina della pittura sacra del XIX secolo, nella ricchezza ed eterogeneità delle sue proposte, costituisce un tassello fondamentale per la comprensione del dibattito sviluppatosi successivamente nel Novecento. L'Ottocento rappresenta il lento, faticoso “laboratorio” nel quale si rifrequentano i linguaggi del passato, si esauriscono le opzioni linguistiche sterili, si imposta la soluzione al problema di come coniugare in modo credibile l'arte religiosa con la sensibilità dell'uomo moderno. Proprio grazie a questo lavorio continuo, l'arte sacra ha potuto riconsegnarsi, nel XX secolo, alla sensibilità di artisti e uomini di cultura che si sono nuovamente interrogati sul suo significato, sul suo futuro e sulla sua missione.



Italian Painting In The Age Of Unification


Italian Painting In The Age Of Unification
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Author : Laura L. Watts
language : en
Publisher: Routledge
Release Date : 2021-06-15

Italian Painting In The Age Of Unification written by Laura L. Watts and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-06-15 with Art categories.


Italian Painting in the Age of Unification reconstructs the artistic motivations and messaging of three artists—Tommaso Minardi, Francesco Hayez, and Gioacchino Toma—from three distinct regions in Italy prior to, during, and directly following political unification in 1861. Each artist, working in Rome, Milan, and Naples, respectively, adopted the visual narratives particular to his region, using style to communicate aspects of his political, religious, or social context. By focusing on these three figures, this study will introduce readers outside of Italy to their diversity of practice, and provide a means for understanding their place within the larger field of international nineteenth-century art, albeit a place largely distinct from the better-known French tradition. The book will be of interest to scholars working in art history, nationalism, Italian history, or Italian studies.



Ottocento Italiano La Pittura


Ottocento Italiano La Pittura
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Author : Gloria Fossi
language : it
Publisher: Giunti Editore
Release Date : 2014

Ottocento Italiano La Pittura written by Gloria Fossi and has been published by Giunti Editore this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Art categories.




Portraits By Ingres


Portraits By Ingres
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Author : Jean-Auguste-Dominique Ingres
language : en
Publisher: Metropolitan Museum of Art
Release Date : 1999

Portraits By Ingres written by Jean-Auguste-Dominique Ingres and has been published by Metropolitan Museum of Art this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Drawing, French categories.


Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)



Italy S Southern Question


Italy S Southern Question
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Author : Jane Schneider
language : en
Publisher: Routledge
Release Date : 2020-05-31

Italy S Southern Question written by Jane Schneider and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-05-31 with Social Science categories.


The ‘Southern Question' has been a major topic in Italian political, economic and cultural life for a century and more. During the Cold War, it was the justification for heavy government intervention. In contemporary Italy, a major part of the appeal of the Lombard League has been its promise to dissociate the South from the North, even to the point of secession. The South also remains a resonant theme in Italian literature. This interdisciplinary book endeavours to answer the following: - When did people begin to think of the South as a problem? - Who - intellectuals, statisticians, criminologists, political exiles, novelists (among them some important southerners) - contributed to the discourse about the South and why? - Did their view of the South correspond to any sort of reality? - What was glossed over or ignored in the generalized vision of the South as problematic? - What consequences has the ‘Question' had in controlling the imaginations and actions of intellectuals and those with political and other forms of power? - What alternative formulations might people create and live by if they were able to escape from the control of the ‘Question' and to imagine the political, economic and cultural differences within Italy in some other way? This timely book reveals how Southern Italians have been affected by distorted versions of a complex reality similar to the discourse of ‘Orientalism'. In situating the devaluation of Southern Italian culture in relation to the recent emergence of ‘anti-mafia' ideology in the South and the threat posed to national unity by the Lombard League, it also illuminates the world's stiff inter-regional competition for investment capital.



La Pittura Dell Ottocento


La Pittura Dell Ottocento
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Author : Antonio Del Guercio
language : en
Publisher:
Release Date : 1982

La Pittura Dell Ottocento written by Antonio Del Guercio and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1982 with categories.




Kermes 94 95


Kermes 94 95
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Author :
language : en
Publisher: Claudio Aita
Release Date :

Kermes 94 95 written by and has been published by Claudio Aita this book supported file pdf, txt, epub, kindle and other format this book has been release on with Art categories.


Numero doppio, 160 pagine, cm21x29,7, brossura, illustrato a colori, anno 2015 Questo numero speciale di Kermes, nell’ambito delle celebrazioni per il 350° anniversario della morte di Nicolas Poussin (1594-1665), esce in concomitanza con la mostra ‘Poussin et Dieu’ che il Musée du Louvre presenta nella primavera del 2015. Omaggio al ‘pittore-filosofo’, il volume si pone quale strumento scientifico di riferimento che riporta lo stato dell’arte a livello internazionale negli studi tecnici poussiniani e accompagna la mostra come adeguato complemento al catalogo per la comprensione scientifica delle tematiche. La pubblicazione è stata l’occasione per attivare un dibattito internazionale – quasi un convegno ideale con sede in Kermes – a cui hanno aderito con entusiasmo oltre venti autori, proponendo significativi ed estesi studi in una dimostrazione esemplare d’interazione fra ricerche storico artistiche e tecnico-scientifiche. … It is with great enthusiasm that Kermes supported this initiative hosting the studies, as though these were part of a conference, ‘ideal’ in that it never took place physically, but very much real in terms of the international plurality of its contributions, presented here thanks to lively exchange of information across frontiers … This publication is the fruit of a perfect and exemplary collaboration between curators, conservators and scientists brought together from all countries… The publication here before us provides a number of answers – let us be brave and use the word ‘definitive’ – to questions which have long been an issue of debate … Comme l’affirme ici même Sheila McTighe, toute vision plus large de la pratique de Poussin doit dorénavant prendre en compte et intégrer ces nouvelles données techniques. (Pierre Rosenberg de l’Académie française, Président-directeur honoraire du Musée du Louvre) This volume of the journal Kermes devoted to the meticulous technical analysis of several works by Nicolas Poussin, reveals the wealth of knowledge acquired through the implementation of new methods of physico-chemical analysis taken together with the detailed investigation of the handling and materials deployed during the process of creating the work of art. A number of different means have been employed in order to investigate in the greatest detail the nature of a particular pigment, its impurities, the effects of the addition of a medium as well as the effects created by mixtures … (Philippe Walter, Directeur du Laboratoire d’archéologie moléculaire et structurale, CNRS-UMR 8820, Université Pierre et Marie Curie) indice/Index: speciale – NICOLAS POUSSIN. TECHNIQUE, PRACTICE, CONSERVATION a cura di Helen Glanville, Claudio Seccaroni Helen Glanville, Claudio Seccaroni Nota introduttiva dei curatori / Editors’ Introductory Note Pierre Rosenberg Du progrès en histoire de l’art / On Developments in the History of Art Philippe Walter Combiner les regards sur les œuvres de Nicolas Poussin / A Combined Vision of the Works of Nicolas Poussin Sheila McTighe Poussin’s Practice: A New Plea for Poussin as a Painter Helen Glanville Nicolas Poussin: Creation and Perception Paolo Bensi Supporti e preparazioni: aspetti delle scelte esecutive di Poussin a confronto con le tecniche pittoriche dell’ambiente romano (1620-70) Chiara Merucci, Claudio Seccaroni Qualche osservazione sui Baccanali di putti della Galleria Nazionale d’Arte Antica in Palazzo Barberini Marcia Steele Transmitted Light Infrared Imaging of Two Paintings by Poussin at the Cleveland Museum of Art David Piurek The Cleveland Museum of Art Painting Conservation. Transmitted IR Photography Setup Sophia Plender, Aviva Burnstock Technical Examination and Conservation of The Triumph of David by Nicolas Poussin Laurie Benson, Carl Villis The Crossing of the Red Sea in the National Gallery of Victoria, Melbourne John Twilley, Nicole Myers, Mary Schafer Poussin’s Materials and Techniques for The Triumph of Bacchus at the Nelson-Atkins Museum of Art Jean Cadogan, Stephen Kornhauser, Patricia Sherwin Garland The Crucifixion by Nicolas Poussin in the Wadsworth Atheneum Museum of Art, Hartford, Connecticut Rikke Foulke The Holy Family with the Infant Saint John the Baptist and Saint Elizabeth Laurence de Viguerie, Philippe Walter, Helen Glanville Some Preliminary Remarks on Nicolas Poussin’s Painting Technique in L’Orage: Complementary X-ray Fluorescence and X-ray Diffraction Study Carol Woods Sawyer Discoveries Concerning Poussin’s Technique Made during the Examination and Treatment of Achilles among the Daughters of Lycomedes Characteristics of the Canvases Used by Nicolas Poussin Bibliographic References Abstracts CULTURA PER I BENI CULTURALI CSRP-The Central Scientific Restoration Project Workshop – Moscow: I metodi di restauro dei monumenti architettonici di legno in russia ARI: Il tesoro sottratto di Roma SUPSI: Studio comparativo di metodi diagnostici per la valutazione dei distacchi degli intonaci e del loro trattamento AICRAB: “Digital Humanities” alla Biblioteca Capitolare di Vercelli OPD: Avanzamenti circa il restauro dell’ Adorazione dei Magi di Leonardo da Vinci MNEMOSYNE: Riprendere le proposte di Giovani Urbani per la cura dei contesti ambientali e condizione per la duratura conservazione anche delle singole opere d’arte CCR La Venaria Reale: Campagna di documentazione dello stato di conservazione dell’opera La Bella Principessa attribuita a Leonardo da Vinci Taccuino IG-IIC: Sostenibilità della conservazione, ma oltre le mode … LA RECENSIONE Licia Vlad Borrelli, La fucina di Vulcano. I metalli nel mondo antico: storia, tecnologia, conservazione Giorgio Bonsanti Giuseppina Perusini, Simon Horsin-Déon e il restauro in Francia alla metà del XIX secolo Paolo Bensi Christoph Schölzel, Gemäldegalerie Dresden: Bewahrung und Restaurierung der Kunstwerke von den Anfängen der Galerie bis 1876 Giorgio Bonsanti Antonio Sgamellotti, Brunetto G. Brunetti and Costanza Miliani (edited by), Science and Art. The Painted Surface Giorgio Bonsanti Elena Pecchioni, Fabio Fratini, Emma Cantisani, Atlante delle malte antiche in sezione sottile al microscopio ottico / Atlas of the ancient mortars in thin section under optical microscope Deodato Tapete Maria Beatrice Failla, Susanne Adina Meyer, Chiara Piva, Stefania Ventra (a cura di), La cultura del restauro. Modelli di ricezione per la museologia e la storia dell’arte Giorgio Bonsanti



The Influence Of Pre Raphaelitism On Fin De Si Cle Italy


The Influence Of Pre Raphaelitism On Fin De Si Cle Italy
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Author : Giuliana Pieri
language : en
Publisher: MHRA
Release Date : 2007

The Influence Of Pre Raphaelitism On Fin De Si Cle Italy written by Giuliana Pieri and has been published by MHRA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with History categories.


This volume is the first comprehensive study of the influence of English Pre-Raphaelitism on Italian art and culture in the late nineteenth century. Analysis of the cultural relations between Italy and Britain has focused traditionally on the special place that Italy had in the British imagination, but the cultural and artistic exchanges between the two countries have been much misunderstood. This book aims to correct this imbalance by placing Pre-Rapahelitism in its European context. It explores the nature of its influence on Italy, how it was transmitted, and how it was manifested, by focusing on the role of Italian Anglophiles, the English communities in Florence and Rome, the writings of Gabriele D'Annunzio, and a number of Italian artists active in Tuscany and Rome. The works of Cellini, Ricci, Gioja, De Carolis, and Sartorio in particular fully demonstrate the impact of Pre-Raphaelitism on the young Italian school of painting which found in the English movement an ideal link with its glorious past on which it could build a new artistic identity. These artists show that English Pre-Raphaelitism was one of the most powerful single influences on fin-de-siecle Italian culture.