La Tonalit Harmonique
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La Tonalit Harmonique
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Author : Carl Dahlhaus
language : fr
Publisher: Editions Mardaga
Release Date : 1993
La Tonalit Harmonique written by Carl Dahlhaus and has been published by Editions Mardaga this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993 with Tonality categories.
Stories Of Tonality In The Age Of Fran Ois Joseph F Tis
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Author : Thomas Christensen
language : en
Publisher: University of Chicago Press
Release Date : 2019-05-27
Stories Of Tonality In The Age Of Fran Ois Joseph F Tis written by Thomas Christensen and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-05-27 with Music categories.
Stories of Tonality in the Age of François-Joseph Fétis explores the concept of musical tonality through the writings of the Belgian musicologist François-Joseph Fétis (1784–1867), who was singularly responsible for theorizing and popularizing the term in the nineteenth century. Thomas Christensen weaves a rich story in which tonality emerges as a theoretical construct born of anxiety and alterity for Europeans during this time as they learned more about “other” musics and alternative tonal systems. Tonality became a central vortex in which French musicians thought—and argued—about a variety of musical repertoires, be they contemporary European musics of the stage, concert hall, or church, folk songs from the provinces, microtonal scale systems of Arabic and Indian music, or the medieval and Renaissance music whose notational traces were just beginning to be deciphered by scholars. Fétis’s influential writings offer insight into how tonality ingrained itself within nineteenth-century music discourse, and why it has continued to resonate with uncanny prescience throughout the musical upheavals of the twentieth and twenty-first centuries.
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Author :
language : en
Publisher: TheBookEdition
Release Date :
written by and has been published by TheBookEdition this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.
Handbook D 39 Enchainements Harmoniques 3
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Author : Serge Sibony
language : en
Publisher: TheBookEdition
Release Date : 2011
Handbook D 39 Enchainements Harmoniques 3 written by Serge Sibony and has been published by TheBookEdition this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with categories.
Towards Tonality
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Author : Thomas Street Christensen
language : en
Publisher: Leuven University Press
Release Date : 2007
Towards Tonality written by Thomas Street Christensen and has been published by Leuven University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Music categories.
Collected Writings of the Orpheus Institute 6"We have developed a tremendous amount of what might best be referred to as journalistic knowledge concerning the ways that musicians of earlier periods thought about musical structures. Now that we have that knowledge, what might we do with it?"?Joel LesterThe often complex connections and intersections between modal and tonal idioms and contrapuntal and harmonic organization during the transition from the Renaissance to the Baroque era are considered from various perspectives in Towards Tonality. Prominent musicians and scholars from a wide range of fields testify here to their personal understanding of this significant time of shifts in musical taste. This collection of essays is based on lectures presented during the conference "Historical Theory, Performance, and Meaning in Baroque Music," organized by the International Orpheus Academy for Music and Theory in Ghent, Belgium.
Chromatikon Vi
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Author : Michel Weber
language : en
Publisher: Les Editions Chromatika
Release Date : 2011-01-15
Chromatikon Vi written by Michel Weber and has been published by Les Editions Chromatika this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-01-15 with Philosophy categories.
Le réseau « Chromatiques whiteheadiennes » a pour objectif premier de fédérer les recherches sur les différents aspects,
Studies On The Origin Of Harmonic Tonality
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Author : Carl Dahlhaus
language : en
Publisher: Princeton University Press
Release Date : 2014-07-14
Studies On The Origin Of Harmonic Tonality written by Carl Dahlhaus and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-07-14 with Music categories.
Carl Dahlhaus was without doubt the premier musicologist of the postwar generation, a giant whose recent death was mourned the world over. Translated here for the first time, this fundamental work on the development of tonality shows his complete mastery of the theory of harmony. In it Dahlhaus explains the modern concepts of harmony and tonality, reviewing in the process the important theories of Rameau, Sechter, Ftis, Riemann, and Schenker. He contrasts the familiar premises of chordal composition with the lesser known precepts of intervallic composition, the basis for polyphonic music in the late Middle Ages and Renaissance. Numerous quotations from theoretical treatises document how early music was driven forward not by progressions of chords but by simple progressions of intervals. Exactly when did composers transform intervallic composition into chordal composition? Modality into tonality? Dahlhaus provides extensive analyses of motets by Josquin, frottole by Cara and Tromboncino, and madrigals by Monteverdi to demonstrate how, and to what degree, such questions can be answered. In his bold speculations, in his magisterial summaries, in his command of eight centuries of music and writings on music, and in his deep understanding of European history and culture, Carl Dahlhaus sets a standard that will seldom be equalled. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Le Cycle Harmonique Rotterdam 1691
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Author : Christiaan Huygens
language : en
Publisher:
Release Date : 1986
Le Cycle Harmonique Rotterdam 1691 written by Christiaan Huygens and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1986 with Music categories.
Muziektheoretische studie van de Nederlandse wis-, natuurkundige en astronoom (1629-1695)
Le Guide Musical
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Author :
language : en
Publisher:
Release Date : 1883
Le Guide Musical written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1883 with categories.
Centre And Periphery Roots And Exile
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Author : Friedemann Sallis
language : en
Publisher: Wilfrid Laurier Univ. Press
Release Date : 2012-08-06
Centre And Periphery Roots And Exile written by Friedemann Sallis and has been published by Wilfrid Laurier Univ. Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-08-06 with Music categories.
This book examines the impact place and displacement can have on the composition and interpretation of Western art music, using as its primary objects of study the work of István Anhalt (1919–2012), György Kurtág (1926–), and Sándor Veress (1907–92). Although all three composers are of Hungarian origin, their careers followed radically different paths. Whereas, Kurtág remained in Budapest for most of his career, Anhalt and Veress left: the former in 1946 and immigrated to Canada and the latter in 1948 and settled in Switzerland. All three composers have had an extraordinary impact in the cultural environments within which their work took place. In the first section, “Place and Displacement,” contributors examine what happens when composers and their music migrate in the culturally complex world of the late twentieth century. The past one hundred years produced record numbers of refugees, and this fact is now beginning to resonate in the study of music. As Anhalt himself forcefully asserts, however, not all composers who emigrate should be understood as exiles. The first chapters of this book explore some of the problems and questions surrounding this issue. Essays in the second section, “Perspectives on Reception, Analysis, and Interpretation,” look at how performing acts of interpretation on music implies bringing the time, place, and identity of the musician, the analyst, and the teacher to bear on the object of study. Like Kodály, Kurtág considers his work to be “naturally” embedded in Hungarian culture, but he is also a quintessentially European artist. Much of his production—he is one of the twentieth century’s most prolific composers of vocal music—involves the setting of Hungarian texts, but in the late 1970s his cultural horizons expanded to include texts in Russian, German, French, English, and ancient Greek. The book explores how musicologists’ divergent cultural perspectives impinge on the interpretation of this work. The final section, “The Presence of the Past and Memory in Contemporary Music,” examines the impact time and memory can have on notions of place and identity in music. All living art taps into the personal and collective past in one way or another. The final four chapters look at various aspects of this relationship.