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Late Classical Strings And Winds


Late Classical Strings And Winds
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Concerto V


Concerto V
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Author : Kenneth Cooper
language : en
Publisher: Garland Pub
Release Date : 1989-08-01

Concerto V written by Kenneth Cooper and has been published by Garland Pub this book supported file pdf, txt, epub, kindle and other format this book has been release on 1989-08-01 with categories.




Late Classical Strings And Winds


Late Classical Strings And Winds
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Author :
language : en
Publisher:
Release Date : 1989

Late Classical Strings And Winds written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1989 with categories.




Concerto V Late Classical Strings And Winds 1775 1806 Concerti For Violin Viola And Oboe


Concerto V Late Classical Strings And Winds 1775 1806 Concerti For Violin Viola And Oboe
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Author :
language : en
Publisher:
Release Date : 1989

Concerto V Late Classical Strings And Winds 1775 1806 Concerti For Violin Viola And Oboe written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1989 with categories.




The Concerto


The Concerto
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Author : Stephan D. Lindeman
language : en
Publisher: Taylor & Francis
Release Date : 2006

The Concerto written by Stephan D. Lindeman and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Music categories.


Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.



Classical Strings And Winds


Classical Strings And Winds
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Author :
language : en
Publisher:
Release Date : 1990

Classical Strings And Winds written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990 with categories.




The Complete Idiot S Guide To Music History


The Complete Idiot S Guide To Music History
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Author : Michael Miller
language : en
Publisher: Dorling Kindersley Ltd
Release Date : 2008-07-01

The Complete Idiot S Guide To Music History written by Michael Miller and has been published by Dorling Kindersley Ltd this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-07-01 with Music categories.


A beautifully composed journey through music history! Music history is a required course for all music students. Unfortunately, the typical music history book is dry and academic, focusing on rote memorization of important composers and works. This leads many to think that the topic is boring, but bestselling author Michael Miller proves that isn't so. This guide makes music history interesting and fun, for both music students and older music lovers. * Covers more than Western "classical" music-also includes non-Western music and uniquely American forms such as jazz * More than just names and dates-puts musical developments in context with key historical events



A Short History Of Opera


A Short History Of Opera
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Author : Donald J. Grout
language : en
Publisher: Columbia University Press
Release Date : 2003-07-18

A Short History Of Opera written by Donald J. Grout and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-07-18 with Music categories.


When first published in 1947, A Short History of Opera immediately achieved international status as a classic in the field. Now, more than five decades later, this thoroughly revised and expanded fourth edition informs and entertains opera lovers just as its predecessors have. The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operatic form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day. A Short History of Opera examines not only the standard performance repertoire, but also works considered important for the genre's development. Its expanded scope investigates opera from Eastern European countries and Finland. The section on twentieth-century opera has been reorganized around national operatic traditions including a chapter devoted solely to opera in the United States, which incorporates material on the American musical and ties between classical opera and popular musical theater. A separate section on Chinese opera is also included. With an extensive multilanguage bibliography, more than one hundred musical examples, and stage illustrations, this authoritative one-volume survey will be invaluable to students and serious opera buffs. New fans will also find it highly accessible and informative. Extremely thorough in its coverage, A Short History of Opera is now more than ever the book to turn to for anyone who wants to know about the history of this art form.



Timpani Tone And The Interpretation Of Baroque And Classical Music


Timpani Tone And The Interpretation Of Baroque And Classical Music
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Author : Steven L. Schweizer
language : en
Publisher: Oxford University Press
Release Date : 2010-06-28

Timpani Tone And The Interpretation Of Baroque And Classical Music written by Steven L. Schweizer and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-06-28 with Music categories.


Timpani Tone and the Interpretation of Baroque and Classical Music explores the nature, production, and evolution of timpani tone and provides insights into how to interpret the music of J. S. Bach, Handel, Haydn, and Mozart. In drawing on 31 years of experience, Steven L. Schweizer focuses on the components of timpani tone and methods for producing it. In so doing, he discusses the importance of timpani bowl type; mallets; playing style; physical gestures; choice of drums; mallet grip; legato, marcato, and staccato strokes; playing different parts of the timpano head; and psychological openness to the music in effectively shaping and coloring timpani parts. In an acclaimed chapter on interpretation, Schweizer explores how timpanists can use knowledge of the composer's style, psychology, and musical intentions; phrasing and articulation; the musical score; and a conductor's gestures to effectively and convincingly play a part with emotional dynamism and power. The greater part of the book is devoted to the interpretation of Baroque and Classical orchestral and choral music. Meticulously drawing on original sources and authoritative scores from the seventeenth through nineteenth centuries, Schweizer convincingly demonstrates that timpanists were capable of producing a broader range of timpani tone earlier than is normally supposed. The increase in timpani size, covered timpani mallets, and thinner timpani heads increased the quality of timpani tone; therefore, today's timpanist's need not be entirely concerned with playing with very articulate sticks. In exhaustive sections on Bach, Handel, Haydn, and Mozart, Schweizer takes the reader on an odyssey through the interpretation of their symphonic and choral music. Relying on Baroque and Classical performance practices, timpani notation, the composer's musical style, and definitive scores, he interprets timpani parts from major works of these composers. Schweizer pays particular attention to timpani tone, articulation, phrasing, and dynamic contouring: elements necessary to effectively communicate their part to listeners.



Music For Winds And Strings


Music For Winds And Strings
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Author : Jeffrey Goodman
language : en
Publisher: CreateSpace
Release Date : 2014-12-28

Music For Winds And Strings written by Jeffrey Goodman and has been published by CreateSpace this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-12-28 with categories.


Music for Winds and Strings is comprised of three movements and is scored for oboe, clarinet, bassoon, violin, viola and cello. Composed in 2013 and 2014, the movements are titled: I. Tessellation 12 II. Caprice in Blue III. Passacaglia, Fantasy and Chorale The movements can be performed individually, or as a group. As a group the sequence above is preferred, but the players can also choose a different order if desired. I. Tessellation 12 was inspired by the later chamber music of Stravinsky and the art of M. C. Escher. Th e title refers to the tone row of 12 notes, and to the various symmetries that are possible in arranging the sequence and iterations of the row. II. Caprice in Blue was composed as an homage to New Orleans blues and ragtime music, and contains iconic blues guitar riffs as well as some transfigured Gershwin influences. III. Passacaglia, Fantasy and Chorale is based on an ancient Tibetan chant melody, and, as each instrument enters, the meter progressively changes from 6/4 to 5/4 to 4/4 etc. until at last the violin and oboe enter in 2/4. Following the Passacaglia is a Fantasy loosely based on motivic elements of the Passacaglia melody, and finally a short Chorale finishes the movement. For all current information about the music, the webpage is: http: //www.shelterofclearlight.com/Pages/MusicforWoodwindsandStrings.aspx



Music For Winds And Strings


Music For Winds And Strings
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Author : Jeffrey Goodman
language : en
Publisher: CreateSpace
Release Date : 2015-01-03

Music For Winds And Strings written by Jeffrey Goodman and has been published by CreateSpace this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-01-03 with categories.


Music for Winds and Strings is comprised of three movements and is scored for oboe, clarinet, bassoon, violin, viola and cello. Composed in 2013 and 2014, the movements are titled: I. Tessellation 12 II. Caprice in Blue III. Passacaglia, Fantasy and Chorale The movements can be performed individually, or as a group. As a group the sequence above is preferred, but the players can also choose a different order if desired. I. Tessellation 12 was inspired by the later chamber music of Stravinsky and the art of M. C. Escher. Th e title refers to the tone row of 12 notes, and to the various symmetries that are possible in arranging the sequence and iterations of the row. II. Caprice in Blue was composed as an homage to New Orleans blues and ragtime music, and contains iconic blues guitar riffs as well as some transfigured Gershwin influences. III. Passacaglia, Fantasy and Chorale is based on an ancient Tibetan chant melody, and, as each instrument enters, the meter progressively changes from 6/4 to 5/4 to 4/4 etc. until at last the violin and oboe enter in 2/4. Following the Passacaglia is a Fantasy loosely based on motivic elements of the Passacaglia melody, and finally a short Chorale finishes the movement. For all current information about the music, the webpage is: http: //www.shelterofclearlight.com/Pages/MusicforWoodwindsandStrings.aspx