The Concerto


The Concerto
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The Concerto


The Concerto
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Author : Abraham Veinus
language : en
Publisher: Courier Corporation
Release Date : 1964-01-01

The Concerto written by Abraham Veinus and has been published by Courier Corporation this book supported file pdf, txt, epub, kindle and other format this book has been release on 1964-01-01 with Music categories.


The first thorough English-language exploration of the concerto as a musical form, this is an oft-quoted, authoritative survey. Examining the social, economic, and personal factors that influenced the concerto's growth, the work also summarizes the contributions of theorists, composers, and musicians and defines the genre's terms and the changing nature.



The Concerto


The Concerto
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Author : Stephan D. Lindeman
language : en
Publisher: Taylor & Francis
Release Date : 2006

The Concerto written by Stephan D. Lindeman and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Music categories.


Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.



The Concerto


The Concerto
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Author : Michael Steinberg
language : en
Publisher: Oxford University Press
Release Date : 2000-10-26

The Concerto written by Michael Steinberg and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000-10-26 with Music categories.


Michael Steinberg's 1996 volume The Symphony: A Reader's Guide received glowing reviews across America. It was hailed as "wonderfully clear...recommended warmly to music lovers on all levels" (Washington Post), "informed and thoughtful" (Chicago Tribune), and "composed by a master stylist" (San Francisco Chronicle). Seiji Ozawa wrote that "his beautiful and effortless prose speaks from the heart." Michael Tilson Thomas called The Symphony "an essential book for any concertgoer." Now comes the companion volume--The Concerto: A Listener's Guide. In this marvelous book, Steinberg discusses over 120 works, ranging from Johann Sebastian Bach in the 1720s to John Adams in 1994. Readers will find here the heart of the standard repertory, among them Bach's Brandenburg Concertos, eighteen of Mozart's piano concertos, all the concertos of Beethoven and Brahms, and major works by Mendelssohn, Schumann, Liszt, Bruch, Dvora'k, Tchaikovsky, Grieg, Elgar, Sibelius, Strauss, and Rachmaninoff. The book also provides luminous introductions to the achievement of twentieth-century masters such as Arnold Schoenberg, Be'la Barto'k, Igor Stravinsky, Alban Berg, Paul Hindemith, Sergei Prokofiev, Aaron Copland, and Elliott Carter. Steinberg examines the work of these musical giants with unflagging enthusiasm and bright style. He is a master of capturing the expressive, dramatic, and emotional values of the music and of conveying the historical and personal context in which these wondrous works were composed. His writing blends impeccable scholarship, deeply felt love of music, and entertaining whimsy. Here then is a superb journey through one of music's richest and most diverse forms, with Michael Steinberg along as host, guide, and the best of companions.



A History Of The Concerto


A History Of The Concerto
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Author : Michael Thomas Roeder
language : en
Publisher: Hal Leonard Corporation
Release Date : 1994

A History Of The Concerto written by Michael Thomas Roeder and has been published by Hal Leonard Corporation this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Concerto categories.


A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.



The Concerto


The Concerto
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Author : Ralph Hill
language : en
Publisher:
Release Date : 1952

The Concerto written by Ralph Hill and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1952 with Concerto categories.




A Guide To The Concerto


A Guide To The Concerto
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Author : Robert Layton
language : en
Publisher: Oxford University Press, USA
Release Date : 1996

A Guide To The Concerto written by Robert Layton and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996 with Music categories.


A Guide to the Concerto offers a survey of the growth and development of the concerto form from its origins in the seventeenth century to the present day. Throughout, analyses that avoid technical jargon are illuminated by over 130 music examples. Among the many contributors are Dr. Robert Simpson, who discusses Beethoven's concertos; H.C. Robbins Landon, scholar of the Viennese classical period; David Brown, authority on nineteenth-century Russian music; Michael Kennedy, author of studies on Elgar and Britten, and Peter Dickinson, composer and writer on American music. Robert Layton himself provides an introduction and discography with hundreds of recommended recordings, and writes on the concerto in Scandinavia and the modern Russian concerto. --From publisher's description.



The Concerto


The Concerto
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Author : Ralph Hill
language : en
Publisher:
Release Date : 1952

The Concerto written by Ralph Hill and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1952 with Concerto categories.




The Concerto


The Concerto
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Author : John Culshaw
language : en
Publisher:
Release Date : 1949

The Concerto written by John Culshaw and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1949 with Concerto categories.




The Cambridge Companion To The Concerto


The Cambridge Companion To The Concerto
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Author : Simon P. Keefe
language : en
Publisher: Cambridge University Press
Release Date : 2005-10-27

The Cambridge Companion To The Concerto written by Simon P. Keefe and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-10-27 with Music categories.


No musical genre has had a more chequered critical history than the concerto and yet simultaneously retained as consistently prominent a place in the affections of the concert-going public. This volume, one of very few to deal with the genre in its entirety, assumes a broad remit, setting the concerto in its musical and non-musical contexts, examining the concertos that have made important contributions to musical culture, and looking at performance-related topics. A picture emerges of a genre in a continual state of change, re-inventing itself in the process of growth and development and regularly challenging its performers and listeners to broaden the horizons of their musical experience.



The Scoring Of Baroque Concertos


The Scoring Of Baroque Concertos
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Author : C. R. F. Maunder
language : en
Publisher: Boydell Press
Release Date : 2004

The Scoring Of Baroque Concertos written by C. R. F. Maunder and has been published by Boydell Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Music categories.


Evidence indicates that the concertos of Vivaldi, Bach, Haydn etc were performed as chamber music, not the full orchestral works commonly assumed. The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.