Les Grotesques
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Les Grotesques
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Author : Théophile Gautier
language : fr
Publisher:
Release Date : 1844
Les Grotesques written by Théophile Gautier and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1844 with categories.
Les Grotesques De La Musique
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Author : Hector Berlioz
language : fr
Publisher:
Release Date : 1859
Les Grotesques De La Musique written by Hector Berlioz and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1859 with Composers categories.
Les Grotesques
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Author :
language : fr
Publisher:
Release Date : 1838
Les Grotesques written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1838 with categories.
Les Grotesques
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Author : Théophile Gautier
language : fr
Publisher:
Release Date : 1845
Les Grotesques written by Théophile Gautier and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1845 with categories.
The Works Of Th Ophile Gautier
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Author : Théophile Gautier
language : en
Publisher:
Release Date : 1901
The Works Of Th Ophile Gautier written by Théophile Gautier and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1901 with categories.
Les Grotesques
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Author :
language : fr
Publisher:
Release Date : 1853
Les Grotesques written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1853 with Authors, French categories.
Holy Monsters Sacred Grotesques
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Author : Michael E. Heyes
language : en
Publisher: Lexington Books
Release Date : 2018-08-10
Holy Monsters Sacred Grotesques written by Michael E. Heyes and has been published by Lexington Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-08-10 with Religion categories.
Holy Monsters, Sacred Grotesques examines the intersection of religion and monstrosity in a variety of different time periods in the hopes of addressing two gaps in scholarship within the field of monster studies. The first part of the volume—running from the medieval to the Early Modern period—focuses upon the view of the monster through non-majority voices and accounts from those who were themselves branded as monsters. Overlapping partially with the Early Modern and proceeding to the present day, the contributions of the second part of the volume attempt to problematize the dichotomy of secular/religious through a close look at the monsters this period has wrought.
Bart K And The Grotesque
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Author : Julie Brown
language : en
Publisher: Routledge
Release Date : 2017-07-05
Bart K And The Grotesque written by Julie Brown and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.
The grotesque is one of art's most puzzling figures - transgressive, comprising an unresolveable hybrid, generally focussing on the human body, full of hyperbole, and ultimately semantically deeply puzzling. In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bartngaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In a number of instrumental works he also overtly engaged grotesque satirical strategies, sometimes - as in Two Portraits: 'Ideal' and 'Grotesque' - indicating this in the title. In this book, Julie Brown argues that Bart concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. While Barteveloped each interest in highly individual ways, and did so separately to a considerable extent, the three concerns remained conceptually interlinked. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bartas composing.
Bart K And The Grotesque
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Author : Julie A. Brown
language : en
Publisher: Ashgate Publishing, Ltd.
Release Date : 2007-01-01
Bart K And The Grotesque written by Julie A. Brown and has been published by Ashgate Publishing, Ltd. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-01-01 with Music categories.
In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bartók engaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In this book, Julie Brown argues that Bartók's concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bartók was composing.
Engraving The Savage
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Author : Michael Gaudio
language : en
Publisher: U of Minnesota Press
Release Date : 2008
Engraving The Savage written by Michael Gaudio and has been published by U of Minnesota Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Art categories.
In 1585, the British painter and explorer John White created images of Carolina Algonquian Indians. These images were collected and engraved in 1590 by the Flemish publisher and printmaker Theodor de Bry and were reproduced widely, establishing the visual prototype of North American Indians for European and Euro-American readers. In this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its “savage other.” Going beyond the notion of the “savage” as an intellectual and ideological construct, Gaudio examines how the tools, materials, and techniques of copperplate engraving shaped Western responses to indigenous peoples. Engraving the Savage demonstrates that the early visual critics of the engravings attempted-without complete success-to open a comfortable space between their own “civil” image-making practices and the “savage” practices of Native Americans-such as tattooing, bodily ornamentation, picture-writing, and idol worship. The real significance of these ethnographic engravings, he contends, lies in the traces they leave of a struggle to create meaning from the image of the American Indian. The visual culture of engraving and what it shows, Gaudio reasons, is critical to grasping how America was first understood in the European imagination. His interpretations of de Bry’s engravings describe a deeply ambivalent pictorial space in between civil and savage-a space in which these two organizing concepts of Western culture are revealed in their making. Michael Gaudio is assistant professor of art history at the University of Minnesota.