London Opera Observed 1711 1844
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London Opera Observed 1711 1844
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Author : Michael Burden
language : en
Publisher:
Release Date : 2013
London Opera Observed 1711 1844 written by Michael Burden and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Opera categories.
London Opera Observed 1711 1844
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Author : Michael Burden
language : en
Publisher: Pickering & Chatto Publishers
Release Date : 2013
London Opera Observed 1711 1844 written by Michael Burden and has been published by Pickering & Chatto Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with History categories.
Handel’s Rinaldo, first performed in 1711, helped to establish the popularity of the all-sung, Italian opera amongst eighteenth-century London audiences. This did not meet with universal approval; the strong tradition of spoken drama, coupled with a distrust of a ‘foreign’ form and language made opera a controversial topic, not least in the newly-expanding press. The rare material in this five-volume reset edition examines opera not simply as a genre of performance, but as a wider topic of comment and debate. The stories that surrounded the Italian opera singers illuminate contemporary British attitudes towards performance, sexuality and national identity. The collection will be of interest to all scholars of the long eighteenth century as well as historians of theatre and performance. It includes a wide range of documents such as biographical material on performers, commentary by London audiences, proposals for aesthetic and managerial reforms, controversial reviews by high-profile critics and introductions to the opera texts themselves.The edition includes substantial editorial commentary, setting the documents in the wider context of eighteenth- and nineteenth-century London cultural life. An extensive general introduction is followed by headnotes to each text and explanatory notes throughout. A large bibliography and consolidated index appear in the final volume.
London Opera Observed 1711 1844 Volume I
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Author : Michael Burden
language : en
Publisher: Routledge
Release Date : 2013-04
London Opera Observed 1711 1844 Volume I written by Michael Burden and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-04 with categories.
The material in this five-volume reset edition examines opera not simply as a genre of performance, but as a wider topic of comment and debate. The collection includes only complete, published material organised chronologically so as to accurately retain the contexts in which the original readers encountered them -- placing an emphasis on rare texts that have not been reproduced in modern editions. Headnotes and footnotes establish the publication information and provide an introduction to the piece, its author, and the events surrounding it or which caused its publication. The approach is one of presentation, not interpretation, occupying a position that is neutral rather than polemical.
London Opera Observed 1711 1844 Volume V
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Author : Michael Burden
language : en
Publisher: Routledge
Release Date : 2013-04
London Opera Observed 1711 1844 Volume V written by Michael Burden and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-04 with categories.
The material in this five-volume reset edition examines opera not simply as a genre of performance, but as a wider topic of comment and debate. The collection includes only complete, published material organised chronologically so as to accurately retain the contexts in which the original readers encountered them -- placing an emphasis on rare texts that have not been reproduced in modern editions. Headnotes and footnotes establish the publication information and provide an introduction to the piece, its author, and the events surrounding it or which caused its publication. The approach is one of presentation, not interpretation, occupying a position that is neutral rather than polemical.
London Opera Observed 1711 1844 Volume Iv
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Author : Michael Burden
language : en
Publisher: Routledge
Release Date : 2013-04
London Opera Observed 1711 1844 Volume Iv written by Michael Burden and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-04 with categories.
The material in this five-volume reset edition examines opera not simply as a genre of performance, but as a wider topic of comment and debate. The collection includes only complete, published material organised chronologically so as to accurately retain the contexts in which the original readers encountered them -- placing an emphasis on rare texts that have not been reproduced in modern editions. Headnotes and footnotes establish the publication information and provide an introduction to the piece, its author, and the events surrounding it or which caused its publication. The approach is one of presentation, not interpretation, occupying a position that is neutral rather than polemical.
London Opera Observed 1711 1844 Volume Iii
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Author : Michael Burden
language : en
Publisher: Routledge
Release Date : 2013-04
London Opera Observed 1711 1844 Volume Iii written by Michael Burden and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-04 with categories.
The material in this five-volume reset edition examines opera not simply as a genre of performance, but as a wider topic of comment and debate. The collection includes only complete, published material organised chronologically so as to accurately retain the contexts in which the original readers encountered them -- placing an emphasis on rare texts that have not been reproduced in modern editions. Headnotes and footnotes establish the publication information and provide an introduction to the piece, its author, and the events surrounding it or which caused its publication. The approach is one of presentation, not interpretation, occupying a position that is neutral rather than polemical.
London Opera Observed 1711 1844 Volume Ii
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Author : Michael Burden
language : en
Publisher: Routledge
Release Date : 2013-04
London Opera Observed 1711 1844 Volume Ii written by Michael Burden and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-04 with categories.
The material in this five-volume reset edition examines opera not simply as a genre of performance, but as a wider topic of comment and debate. The collection includes only complete, published material organised chronologically so as to accurately retain the contexts in which the original readers encountered them -- placing an emphasis on rare texts that have not been reproduced in modern editions. Headnotes and footnotes establish the publication information and provide an introduction to the piece, its author, and the events surrounding it or which caused its publication. The approach is one of presentation, not interpretation, occupying a position that is neutral rather than polemical.
London Opera Observed 1711 1844
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Author : Michael John Burden
language : en
Publisher:
Release Date : 2013
London Opera Observed 1711 1844 written by Michael John Burden and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with categories.
London Opera Observed 1711 1844
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Author : Michael Burden
language : en
Publisher: Taylor & Francis
Release Date : 2024-07-31
London Opera Observed 1711 1844 written by Michael Burden and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-07-31 with Music categories.
The thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which — during the seventeenth, eighteenth and nineteenth centuries — used the concept of ‘spying’ or ‘observing’ by a narrator, or rambler, as a means of establishing a discourse on aspects of London life. The material in this five-volume reset edition examines opera not simply as a genre of performance, but as a wider topic of comment and debate. The stories that surrounded the Italian opera singers illuminate contemporary British attitudes towards performance, sexuality and national identity. The collection includes only complete, published material organised chronologically so as to accurately retain the contexts in which the original readers encountered them — placing an emphasis on rare texts that have not been reproduced in modern editions. The aim of this collection is not to provide a history of opera in England but to facilitate the writing of them or to assist those wishing to study topics within the field. Headnotes and footnotes establish the publication information and provide an introduction to the piece, its author, and the events surrounding it or which caused its publication. The notes concentrate on attempting to identify those figures mentioned within the texts. The approach is one of presentation, not interpretation, ensuring that the collection occupies a position that is neutral rather than polemical.
London Voices 1820 1840
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Author : Roger Parker
language : en
Publisher: University of Chicago Press
Release Date : 2019-12-09
London Voices 1820 1840 written by Roger Parker and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-12-09 with Music categories.
London, 1820. The British capital is a metropolis that overwhelms dwellers and visitors alike with constant exposure to all kinds of sensory stimulation. Over the next two decades, the city’s tumult will reach new heights: as population expansion places different classes in dangerous proximity and ideas of political and social reform linger in the air, London begins to undergo enormous infrastructure change that will alter it forever. It is the London of this period that editors Roger Parker and Susan Rutherford pinpoint in this book, which chooses one broad musical category—voice—and engages with it through essays on music of the streets, theaters, opera houses, and concert halls; on the raising of voices in religious and sociopolitical contexts; and on the perception of voice in literary works and scientific experiments with acoustics. Emphasizing human subjects, this focus on voice allows the authors to explore the multifaceted issues that shaped London, from the anxiety surrounding the city’s importance in the musical world at large to the changing vocal imaginations that permeated the epoch. Capturing the breadth of sonic stimulations and cultures available—and sometimes unavoidable—to residents at the time, London Voices, 1820–1840 sheds new light on music in Britain and the richness of London culture during this period.