Love Sonnets And Madrigals To Tommaso De Cavalieri

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Love Sonnets And Madrigals To Tommaso De Cavalieri

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Author : Michelangelo Buonarroti
language : en
Publisher: Peter Owen Publishers
Release Date : 1997

Love Sonnets And Madrigals To Tommaso De Cavalieri written by Michelangelo Buonarroti and has been published by Peter Owen Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Italian poetry categories.

The genius of Michelangelo as architect, sculptor and painter was recognised by his European contemporaries. Only recently has he been acknowledged as the greatest Italian lyric poet of his generation. From the time he was thirty he wrote verse all his long life, but what turned him into a great poet was his encounter at the age of fifty-seven with Tommaso de'Cavalieri, a young Roman nobleman. The versions given here are of the sonnets and madrigals generated by his love for Cavalieri. Whether that love was ever physical is debatable. It was certainly 'metaphysical', and in their conceptual toughness and power these poems anticipate the work of the English poets of that description. The themes are light and dark, cold and the fever of flesh and damnation, helplessness in the face of young beauty, hope for the divine countenance. Immortalized in these poems, Cavalieri has another aspect. Vasari tells us Michelangelo did a full-length cartoon of him. If Aretino is right, millions have admired his features - in all probability Christ in the Sistine Chapel Last Judgement is a portrait of Tommaso de'Cavalieri.

A Detailed Explication Of T S Eliot S The Love Song Of J Alfred Prufrock

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Author : Harry Eiss
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2022-03-22

A Detailed Explication Of T S Eliot S The Love Song Of J Alfred Prufrock written by Harry Eiss and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-03-22 with Poetry categories.

Do I dare disturb the universe? This is a question recognized by people around the world. If typed into the internet, hundreds of examples appear. Many know that it comes from one of the best-known poems of the previous century, T. S. Eliot’s The Love Song of J. Alfred Prufrock. What many do not know is that Eliot dramatically shifted his views at the height of his fame for writing such dark poetry as this and The Waste Land, becoming a sincere, devoted Christian. While his poetry is famous because it expresses the loss of a spiritual center in European civilization, a careful reading of it reveals that he was struggling with his Christianity from the beginning, not rejecting it, but trying to make it fit into the contemporary world. If the reader works through Eliot’s love song for all of the esoteric meanings, as he demands, it quickly becomes evident that he intended it as a struggle between agape, amour and eros. Beginning it with a quote from Dante forces that into place. Though the protestant forms of Christianity have changed their views on these, the Roman Catholic holds fast. Eliot references Michelangelo in the poem, bringing in the great painter of the ceiling of the Sistine Chapel. Most immediately recognize his name and work, but do not realize how he expressed a similar personal struggle between the desires of the flesh and the spirit. Both of them admired Dante’s Divine Comedy, and its inclusion of amour as a means to salvation. Dante’s work is generally seen as the greatest literature ever to come out of Italy. This book is an expanded revision of Seeking God in the Works of T. S. Eliot and Michelangelo. It explores how T.S Eliot struggled with the highest meanings of existence in his poetry and his own life, and perhaps managed to express what has become known as a modernist (and post-modernist) view of what Rudolph Otto designated the mysterium tremendum, the experience of a mystical awe, the experience of God.

Michelangelo

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Author : Lilian H. Zirpolo
language : en
Publisher: Rowman & Littlefield Publishers
Release Date : 2020-08-09

Michelangelo written by Lilian H. Zirpolo and has been published by Rowman & Littlefield Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-08-09 with Young Adult Nonfiction categories.

Michelangelo: A Reference Guide to His Life and Works cover the life and works of Michelangelo Buonarroti. Michelangelo is considered to be one of the greatest masters in history and he produced some of the most notable icons of civilization, including the Sistine Ceiling frescoes, the Moses, and the Pietà at St. Peter’s. Includes a detailed chronology of Michelangelo’s life, family, and work. The A to Z section includes the major events, places, and people in Michelangelo’s life and the complete works of his sculptures, paintings, architectural designs, drawings, and poetry. The bibliography includes a list of publications concerning his life and work. The index thoroughly cross-references the chronological and encyclopedic entries.

Michelangelo On Parnassus

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Author : Gandolfo Cascio
language : en
Publisher: BRILL
Release Date : 2022-02-28

Michelangelo On Parnassus written by Gandolfo Cascio and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-02-28 with Poetry categories.

This book presents an original investigation of the relationship of a variety of authors (Varchi, Aretino, Foscolo, Wordsworth, Stendhal, Mann, Montale, Morante and others) with Buonarroti’s verse. Through close analysis of the texts, it shows why Michelangelo should hold a more noble position on Parnassus than that which historiography has hitherto granted him.

Seeking God In The Works Of T S Eliot And Michelangelo

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Author : Harry Eiss
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2017-05-11

Seeking God In The Works Of T S Eliot And Michelangelo written by Harry Eiss and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-05-11 with Religion categories.

Do I dare disturb the universe? It is a question recognized by people around the world. If typed into the internet, hundreds of examples appear. Many know that it comes from one of the best known poems of the twentieth century, T. S. Eliot’s The Love Song of J. Alfred Prufrock. What many do not know is that Eliot dramatically shifted his views at the height of his fame for writing such dark poetry as this and his also famous The Wasteland, becoming a sincere, devoted Christian. While his poetry is famous because it expresses the loss of a spiritual center in European civilization, a careful reading of it reveals that he was struggling with his Christianity from the beginning, not rejecting it, but trying to make it fit into the contemporary world. If a reader works through his love song for all of the esoteric meanings, as he demands, it quickly becomes evident that he intended it as a struggle between agape, amour and eros. Beginning it with a quote from Dante forces that into place. Though the protestant forms of Christianity have changed their views on these, the Roman Catholic holds fast. Eliot references Michelangelo in the poem, bringing in the great painter of the ceiling of the Sistine Chapel. Most immediately recognize his name and work. Many do not realize how he expressed a similar personal struggle between the desires of the flesh and the spirit. Both of them admired Dante’s Divine Comedy, and its inclusion of amour as a means to salvation. His work is generally seen as the greatest literature ever to come out of Italy, sometimes referred to as the epic representation of St. Thomas Aquinas’ Summa Theologica, one of the central documents establishing Catholic doctrine. This book explores how these brilliant men struggle with the highest meanings of life in their artistic expressions and perhaps manage to express what Rudolph Otto designates the mysterium tremendum, the experience of a mystical awe, what he calls the numinous or, in more common terms, the experience of God.

Poems And Letters

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Author : Michelangelo
language : en
Publisher: Penguin UK
Release Date : 2007-05-31

Poems And Letters written by Michelangelo and has been published by Penguin UK this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-05-31 with Poetry categories.

Michelangelo Buonarroti (1475-1564) is universally celebrated as one of the greatest artists of all time, yet iconic Renaissance creator was also a prolific and gifted poet. The verses collected here are primarily devoted to love and religion. Intense and passionate, the love poems focus on two figures: Tommaso de Cavalieri and Vittoria Colonna; with the sonnets and madrigals dedicated to de Cavalieri revealing a highly charged, homoerotic fervour - previously obscured in the original versions. Michelangelo's later religious poetry moves away from his earlier wordly concerns, while his letters provide a fasicnating insight into his fanily relations and day-to-day life as a working artist. The result is a revealing picture of one of the towering figures of the Renaissance.

Renaissance Woman

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Author : Ramie Targoff
language : en
Publisher: Macmillan + ORM
Release Date : 2018-04-17

Renaissance Woman written by Ramie Targoff and has been published by Macmillan + ORM this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-04-17 with Biography & Autobiography categories.

A biography of Vittoria Colonna, confidante of Michelangelo, scion of one of the most powerful families of her era, and a pivotal figure in the Italian Renaissance Ramie Targoff’s Renaissance Woman tells of the most remarkable woman of the Italian Renaissance: Vittoria Colonna, Marchesa of Pescara. Vittoria has long been celebrated by scholars of Michelangelo as the artist’s best friend—the two of them exchanged beautiful letters, poems, and works of art that bear witness to their intimacy—but she also had close ties to Charles V, Pope Clement VII and Pope Paul III, Pietro Bembo, Baldassare Castiglione, Pietro Aretino, Queen Marguerite de Navarre, Reginald Pole, and Isabella d’Este, among others. Vittoria was the scion of an immensely powerful family in Rome during that city’s most explosively creative era. Art and literature flourished, but political and religious life were under terrific strain. Personally involved with nearly every major development of this period—through both her marriage and her own talents—Vittoria was not only a critical political actor and negotiator but also the first woman to publish a book of poems in Italy, an event that launched a revolution for Italian women’s writing. Vittoria was, in short, at the very heart of what we celebrate when we think about sixteenth-century Italy; through her story the Renaissance comes to life anew.

Italian Literature Before 1900 In English Translation

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Author : Robin Healey
language : en
Publisher: University of Toronto Press
Release Date : 2011-01-01

Italian Literature Before 1900 In English Translation written by Robin Healey and has been published by University of Toronto Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-01-01 with Literary Criticism categories.

"Italian Literature before 1900 in English Translation provides the most complete record possible of texts from the early periods that have been translated into English, and published between 1929 and 2008. It lists works from all genres and subjects, and includes translations wherever they have appeared across the globe. In this annotated bibliography, Robin Healey covers over 5,200 distinct editions of pre-1900 Italian writings. Most entries are accompanied by useful notes providing information on authors, works, translators, and how the translations were received. Among the works by over 1,500 authors represented in this volume are hundreds of editions by Italy's most translated authors - Dante Alighieri, [Niccoláo] Machiavelli, and [Giovanni] Boccaccio - and other hundreds which represent the author's only English translation. A significant number of entries describe works originally published in Latin. Together with Healey's Twentieth-Century Italian Literature in English Translation, this volume makes comprehensive information on translations accessible for schools, libraries, and those interested in comparative literature."--Pub. desc.

Young Michelangelo

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Author : John T. Spike
language : en
Publisher: Prelude Books
Release Date : 2012-07-04

Young Michelangelo written by John T. Spike and has been published by Prelude Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-07-04 with Art categories.

This is a long-awaited and authoritative reinterpretation of the early life and career of arguably the greatest artist in history. Author John T. Spike surveys Michelangelo's early life from birth to his early thirties, probing the thinking, artistic evolution and yearnings of a young man thoroughly convinced of his own exceptional talent. Spike explores Michelangelo's involvement in the most troubling controversies of his age, and recreates Florence and Rome with vivid sketches of Lorenzo the Magnificent, Leonardo, Julius II and Machiavelli. This is a prodigiously informative and compelling account that will fulfil the need for a major Michelangelo biography for this generation and many to come.

Sonnets And Madrigals Of Michelangelo Buonarroti

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Author : Michaelangelo Buonarroti
language : en
Publisher: Library of Alexandria
Release Date : 2020-09-28

Sonnets And Madrigals Of Michelangelo Buonarroti written by Michaelangelo Buonarroti and has been published by Library of Alexandria this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09-28 with Fiction categories.

Michelangelo, who considered himself as primarily sculptor, afterwards painter, disclaimed the character of poet by profession. He was nevertheless prolific in verse; the pieces which survive, in number more than two hundred, probably represent only a small part of his activity in this direction. These compositions are not to be considered merely as the amusement of leisure, the byplay of fancy; they represent continued meditation, frequent reworking, careful balancing of words; he worked on a sonnet or a madrigal in the same manner as on a statue, conceived with ardent imagination, undertaken with creative energy, pursued under the pressure of a superabundance of ideas, occasionally abandoned in dissatisfaction, but at other times elaborated to that final excellence which exceeds as well as includes all merits of the sketch, and, as he himself said, constitutes a rebirth of the idea into the realm of eternity. In the sculptor’s time, the custom of literary society allowed and encouraged interchange of verses. If the repute of the writer or the attraction of the rhymes commanded interest, these might be copied, reach an expanding circle, and achieve celebrity. In such manner, partly through the agency of Michelangelo himself, the sonnets of Vittoria Colonna came into circulation, and obtained an acceptance ending in a printed edition. But the artist did not thus arrange his own rhymes, does not appear even to have kept copies; written on stray leaves, included in letters, they remained as loose memoranda, or were suffered altogether to disappear. The fame of the author secured attention for anything to which he chose to set his hand; the verses were copied and collected, and even gathered into the form of books; one such manuscript gleaning he revised with his own hand. The sonnets became known, the songs were set to music, and the recognition of their merit induced a contemporary author, in the seventy-first year of the poet’s life, to deliver before the Florentine Academy a lecture on a single sonnet. Diffusion through the printing-press, however, the poems did not attain. Not until sixty years after the death of their author did a grand-nephew, also called Michelangelo Buonarroti, edit the verse of his kinsman; in this task he had regard to supposed literary proprieties, conventionalizing the language and sentiment of lines which seemed harsh or impolite, supplying endings for incomplete compositions, and in general doing his best to deprive the verse of an originality which the age was not inclined to tolerate. The recast was accepted as authentic, and in this mutilated form the poetry remained accessible. Fortunately the originals survived, partly in the handwriting of the author, and in 1863 were edited by Guasti. The publication added to the repute of the compositions, and the sonnets especially have become endeared to many English readers.