Making Music Modern


Making Music Modern
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Making Music Modern


Making Music Modern
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Author : Carol J. Oja
language : en
Publisher: Oxford University Press, USA
Release Date : 2000

Making Music Modern written by Carol J. Oja and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Biography & Autobiography categories.


This book recreates an exciting and productive period in which creative artists felt they were witnessing the birth of a new age. Aaron Copland, Henry Cowell, George Gershwin, Roy Harris, and Virgil Thomson all began their careers then, as did many of their less widely recognized compatriots. While the literature and painting of the 1920's have been amply chronicled, music has not received such treatment. Carol Oja's book sets the growth of American musical composition against parallel developments in American culture, provides a guide for the understanding of the music, and explores how the notion of the concert tradition, as inherited from Western Europe, was challenged and revitalized through contact with American popular song, jazz, and non-Western musics.



Making Music For Modern Dance


Making Music For Modern Dance
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Author : Katherine Teck
language : en
Publisher: Oxford University Press
Release Date : 2011

Making Music For Modern Dance written by Katherine Teck and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Music categories.


Making Music for Modern Dance traces the collaborative approaches, working procedures, and aesthetic views of the artists who forged a new and distinctly American art form during the first half of the 20th century. The book offers riveting first-hand accounts from innovative artists in the throes of their creative careers and provides a cross-section of the challenges faced by modern choreographers and composers in America. These articles are complemented by excerpts from astute observers of the music and dance scene as well as by retrospective evaluations of past collaborative practices. Beginning with the careers of pioneers Isadora Duncan, Ruth St. Denis, and Ted Shawn, and continuing through the avant-garde work of John Cage for Merce Cunningham, the book offers insights into the development of modern dance in relation to its music. Editor Katherine Teck's introductions and afterword offer historical context and tie the artists' essays in with collaborative practices in our own time. The substantive notes suggest further materials of interest to students, practicing dance artists and musicians, dance and music history scholars, and to all who appreciate dance.



Music And The Making Of Modern Japan


Music And The Making Of Modern Japan
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Author : Margaret Mehl
language : en
Publisher: Open Book Publishers
Release Date : 2024-05-29

Music And The Making Of Modern Japan written by Margaret Mehl and has been published by Open Book Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-05-29 with Music categories.


Japan was the first non-Western nation to compete with the Western powers at their own game. The country’s rise to a major player on the stage of Western music has been equally spectacular. The connection between these two developments, however, has never been explored. How did making music make Japan modern? How did Japan make music that originated in Europe its own? And what happened to Japan’s traditional music in the process? Music and the Making of Modern Japan answers these questions. Discussing musical modernization in the context of globalization and nation-building, Margaret Mehl argues that, far from being a side-show, music was part of the action on centre stage. Making music became an important vehicle for empowering the people of Japan to join in the shaping of the modern world. In only fifty years, from the 1870s to the early 1920s, Japanese people laid the foundations for the country’s post-war rise as a musical as well as an economic power. Meanwhile, new types of popular song, fuelled by the growing global record industry, successfully blended inspiration from the West with musical characteristics perceived as Japanese. Music and the Making of Modern Japan represents a fresh contribution to historical research on making music as a major cultural, social, and political force.



Music In The Making Of Modern Japan


Music In The Making Of Modern Japan
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Author : Kei Hibino
language : en
Publisher: Springer Nature
Release Date : 2021-07-29

Music In The Making Of Modern Japan written by Kei Hibino and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-07-29 with Music categories.


This volume explores the notion of “affective media” within and across different arts in Japan, with a primary focus on music, whether as standalone product or connected to other genres such as theatre and photography. The volume explores the Japanese reception of this “affective media”, its transformation and subsequent cultural flow. Moving from a discussion of early encounters with the West through Jesuits and others, the contributors primarily consider the role of music in the nineteenth, twentieth, and twenty-first centuries. With ten original chapters, the volume covers a wealth of themes, from education, koto music, guitar making, avant-garde recorder works, musicals and rock photography, to interviews with contemporary performers in jazz, modern rock and J-pop. Innovative and fascinating, the book provides rich new insights and material to all those interested in Japanese musical culture.



Form And Method


Form And Method
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Author : Roger Reynolds
language : en
Publisher: Harwood Academic Publishers
Release Date : 2002

Form And Method written by Roger Reynolds and has been published by Harwood Academic Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Music categories.


This book puts the reader as close as anyone is likely to get to the mind of a practising composer. Reynolds, probably the most adventurous winner of the coveted Pulitzer Prize, works out each piece in a surprisingly detailed way that is never the same from one project to the next. Here he reveals to us what he is doing and why, through an on-going narrative which he interplays with illustrations and a wealth of musical examples, including some of his own working sketches which are fascinating in their own right. Although he is direct, practical, and explicit, Reynolds rejects a doctrinaire approach: he weaves a thread of his philosophical musings throughout his book, showing his wider views. Form and Method: Composing Music offers us a unique testing ground on which a meaningful exchange can now begin about how recognized composers actually work, runnning against the grain of covertness that has become the norm in recent decades. Understanding the condition of music in contemporary society requires insight into how composers actually do what they do. This book is an important first step in this regard, and will be of interest to composers, theorists, cognitive and perceptual scientists, as well as the general reader.



Music And The Making Of Modern Science


Music And The Making Of Modern Science
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Author : Peter Pesic
language : en
Publisher: MIT Press
Release Date : 2022-09-13

Music And The Making Of Modern Science written by Peter Pesic and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-09-13 with Music categories.


A wide-ranging exploration of how music has influenced science through the ages, from fifteenth-century cosmology to twentieth-century string theory. In the natural science of ancient Greece, music formed the meeting place between numbers and perception; for the next two millennia, Pesic tells us in Music and the Making of Modern Science, “liberal education” connected music with arithmetic, geometry, and astronomy within a fourfold study, the quadrivium. Peter Pesic argues provocatively that music has had a formative effect on the development of modern science—that music has been not just a charming accompaniment to thought but a conceptual force in its own right. Pesic explores a series of episodes in which music influenced science, moments in which prior developments in music arguably affected subsequent aspects of natural science. He describes encounters between harmony and fifteenth-century cosmological controversies, between musical initiatives and irrational numbers, between vibrating bodies and the emergent electromagnetism. He offers lively accounts of how Newton applied the musical scale to define the colors in the spectrum; how Euler and others applied musical ideas to develop the wave theory of light; and how a harmonium prepared Max Planck to find a quantum theory that reengaged the mathematics of vibration. Taken together, these cases document the peculiar power of music—its autonomous force as a stream of experience, capable of stimulating insights different from those mediated by the verbal and the visual. An innovative e-book edition available for iOS devices will allow sound examples to be played by a touch and shows the score in a moving line.



Music Modern Culture And The Critical Ear


Music Modern Culture And The Critical Ear
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Author : Nicholas Attfield
language : en
Publisher: Routledge
Release Date : 2016-04-30

Music Modern Culture And The Critical Ear written by Nicholas Attfield and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-30 with Music categories.


In his 1985 book The Idea of Music: Schoenberg and Others, Peter Franklin set out a challenge for musicology: namely, how best to talk and write about the music of modern European culture that fell outside of the modernist mainstream typified by Schoenberg, Berg, and Webern? Thirty years on, this collected volume of essays by Franklin’s students and colleagues returns to that challenge and the vibrant intellectual field that has since developed. Moving freely between insights into opera, Volksoper, film, festival, and choral movement, and from the very earliest years of the twentieth century up to the 1980s, its authors listen with a ‘critical ear’: they site these musical phenomena within a wider web of modern cultural practices - a perspective, in turn, that enables them to exercise a disciplinary self-awareness after Franklin’s manner.



Out Of Time


Out Of Time
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Author : Julian Johnson
language : en
Publisher: Oxford University Press
Release Date : 2015-02-27

Out Of Time written by Julian Johnson and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-02-27 with Music categories.


What does music have to say about modernity? How can this apparently unworldly art tell us anything about modern life? In Out of Time, author Julian Johnson begins from the idea that it can, arguing that music renders an account of modernity from the inside, a history not of events but of sensibility, an archaeology of experience. If music is better understood from this broad perspective, our idea of modernity itself is also enriched by the specific insights of music. The result is a rehearing of modernity and a rethinking of music - an account that challenges ideas of linear progress and reconsiders the common concerns of music, old and new. If all music since 1600 is modern music, the similarities between Monteverdi and Schoenberg, Bach and Stravinsky, or Beethoven and Boulez, become far more significant than their obvious differences. Johnson elaborates this idea in relation to three related areas of experience - temporality, history and memory; space, place and technology; language, the body, and sound. Criss-crossing four centuries of Western culture, he moves between close readings of diverse musical examples (from the madrigal to electronic music) and drawing on the history of science and technology, literature, art, philosophy, and geography. Against the grain of chronology and the usual divisions of music history, Johnson proposes profound connections between musical works from quite different times and places. The multiple lines of the resulting map, similar to those of the London Underground, produce a bewildering network of plural connections, joining Stockhausen to Galileo, music printing to sound recording, the industrial revolution to motivic development, steam trains to waltzes. A significant and groundbreaking work, Out of Time is essential reading for anyone interested in the history of music and modernity.



Making Jazz French


Making Jazz French
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Author : Jeffrey H. Jackson
language : en
Publisher: Duke University Press
Release Date : 2003-08-05

Making Jazz French written by Jeffrey H. Jackson and has been published by Duke University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-08-05 with Music categories.


Between the world wars, Paris welcomed not only a number of glamorous American expatriates, including Josephine Baker and F. Scott Fitzgerald, but also a dynamic musical style emerging in the United States: jazz. Roaring through cabarets, music halls, and dance clubs, the upbeat, syncopated rhythms of jazz soon added to the allure of Paris as a center of international nightlife and cutting-edge modern culture. In Making Jazz French, Jeffrey H. Jackson examines not only how and why jazz became so widely performed in Paris during the 1920s and 1930s but also why it was so controversial. Drawing on memoirs, press accounts, and cultural criticism, Jackson uses the history of jazz in Paris to illuminate the challenges confounding French national identity during the interwar years. As he explains, many French people initially regarded jazz as alien because of its associations with America and Africa. Some reveled in its explosive energy and the exoticism of its racial connotations, while others saw it as a dangerous reversal of France’s most cherished notions of "civilization." At the same time, many French musicians, though not threatened by jazz as a musical style, feared their jobs would vanish with the arrival of American performers. By the 1930s, however, a core group of French fans, critics, and musicians had incorporated jazz into the French entertainment tradition. Today it is an integral part of Parisian musical performance. In showing how jazz became French, Jackson reveals some of the ways a musical form created in the United States became an international phenomenon and acquired new meanings unique to the places where it was heard and performed.



Colin Mcphee


Colin Mcphee
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Author : Carol J. Oja
language : en
Publisher: University of Illinois Press
Release Date : 2004

Colin Mcphee written by Carol J. Oja and has been published by University of Illinois Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Biography & Autobiography categories.


Colin McPhee was a performer, writer, and pioneer among Western composers in turning to Asia for inspiration. A close friend of Aaron Copland, Carlos Chavez, Henry Cowell, and Virgil Thomson, he played a vital role in new music activities in New York in the 1920s, but his most important accomplishments came from his devotion to the music of Bali. Carol Oja's Colin McPhee: Composer in Two Worlds traces his life, his influences on fellow musicians, and the profound experience of a composer striving to comprehend an entirely new musical language. After hearing rare recordings of the Balinese gamelan--a percussion orchestra with delicately layered textures and clangorous sounds--McPhee traveled to Bali and worked closely with such Western anthropologists as Margaret Mead and Gregory Bateson. The island may also have appealed to him because of its relatively open attitude toward homosexuality. Gay by inclination, he nevertheless married anthropologist Jane Belo and built a native-style house on the island where they lived for most of the 1930s. During this time, McPhee became a devoted and meticulous chronicler of Balinese musical culture, and his Music of Bali remains a classic in ethnomusicology. Beginning in the mid-1930s, his own compositions became an imaginative hybrid of Balinese and Western music, anticipating the later work of such figures as John Cage, Lou Harrison, and Steve Reich. Finally back in print, Carol Oja's account of McPhee's unconventional life and work evokes key issues in composition and ethnomusicology, sure to be of interest to scholars, musicians or anyone interested in 20th century American or Balinese music.