Making New Music In Cold War Poland


Making New Music In Cold War Poland
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Making New Music In Cold War Poland


Making New Music In Cold War Poland
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Author : Lisa Jakelski
language : en
Publisher: Univ of California Press
Release Date : 2016-10-25

Making New Music In Cold War Poland written by Lisa Jakelski and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-10-25 with History categories.


Making New Music in Cold War Poland presents a social analysis of new music dissemination at the Warsaw Autumn International Festival of Contemporary Music, one of the most important venues for East-West cultural contact during the Cold War. In this incisive study, Lisa Jakelski examines the festivalÕs institutional organization, negotiations among its various actors, and its reception in Poland, while also considering the festivalÕs worldwide ramifications, particularly the ways that it contributed to the cross-border movement of ideas, objects, and people (including composers, performers, official festival guests, and tourists). This book explores social interactions within institutional frameworks and how these interactions shaped the practices, values, and concepts associated with new music. Ê



Composing The Party Line


Composing The Party Line
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Author : David G. Tompkins
language : en
Publisher:
Release Date : 2013

Composing The Party Line written by David G. Tompkins and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Music categories.


This book examines the exercise of power in the Stalinist music world as well as the ways in which composers and ordinary people responded to it. It presents a comparative inquiry into the relationship between music and politics in the German Democratic Republic and Poland from the aftermath of the World War II through Stalin's death in 1953, concluding with the slow process of de-Stalinization in the mid- to late-1950s. The author explores how the Communist parties in both countries expressed their attitudes to music of all kinds, and how composers, performers, and audiences cooperated with, resisted, and negotiated these suggestions and demands. Based on a deep analysis of the archival and contemporary published sources on state, party, and professional organizations concerned with musical life, Tompkins argues that music, as a significant part of cultural production in these countries, played a key role in instituting and maintaining the regimes of East Central Europe. As part of the Stalinist project to create and control a new socialist identity at the personal as well as collective level, the ruling parties in East Germany and Poland sought to saturate public space through the production of music. Politically effective ideas and symbols were introduced that furthered their attempts to, in the parlance of the day, "engineer the human soul." Music also helped the Communist parties establish legitimacy. Extensive state support for musical life encouraged musical elites and audiences to accept the dominant position and political missions of these regimes. Party leaders invested considerable resources in the attempt to create an authorized musical language that would secure and maintain hegemony over the cultural and wider social worlds. The responses of composers and audiences ran the gamut from enthusiasm to suspicion, but indifference was not an option.



The Symphony And Symphonic Thinking In Polish Music Since 1956


The Symphony And Symphonic Thinking In Polish Music Since 1956
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Author : Beata Bolesławska
language : en
Publisher: Routledge
Release Date : 2019-05-22

The Symphony And Symphonic Thinking In Polish Music Since 1956 written by Beata Bolesławska and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-05-22 with Music categories.


1956 was a year of transition in Poland, and an important year for Polish music. This year saw the beginning of a political thaw – sometimes called the Polish October – in communist Poland. It was also the year of the establishment of the 'Warsaw Autumn' International Festival of Contemporary Music. This was a time of great artistic ferment in Polish music, which also deeply influenced symphonic thinking. The year 1956 is thus an appropriate starting point for Beata Bolesławska’s study of the contemporary Polish symphonic tradition. Bolesławska investigates the influential Polish avant-garde, illuminating the ways in which new musical means and ideas influenced symphonic music and the genre of the symphony in the music of such important composers as Witold Lutosławski (1913–1994), Henryk Mikołaj Górecki (1933–2010) and Krzysztof Penderecki (b. 1933). Referring to the main elements of the European tradition, as well as examining briefly the symphonic activity in Poland before 1956, the book concentrates on the symphonic writing in the context of avant-garde trends, represented by the so-called 'Polish school of composers', as well as on its later redefinitions proposed by Polish composers up to the present day.



Cuban Music Counterpoints


Cuban Music Counterpoints
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Author : Marysol Quevedo
language : en
Publisher: Oxford University Press
Release Date : 2023

Cuban Music Counterpoints written by Marysol Quevedo and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023 with Psychology categories.


"This book tells readers: tracing the classical music networks that Cuban composers cultivated between 1940 and 1991 through examining compositions, ensembles, and cultural institutions with a microhistorical approach. It sets the foundation for investigating how aesthetics and politics intersected in the case studies explored throughout the book: individual points of view largely determined the degree to which composers engaged in various local and international artistic networks; and these networks were constantly being nurtured and shaped by their actors, who also had to contend with national and global political and economic circumstances. This chapter provides readers with working definitions of key concepts: modernism, avant-garde, experimentalism, and vanguardia. Key figures Fernando Ortiz and Alejo Carpentier and their contributions to the intellectual milieu that Cuban composers inhabited -especially the concepts of transculturation and lo real maravilloso, respectively-are also discussed. It contextualizes the book within existing scholarship on 20th-century classical music of the Americas, Eastern Europe, and the Cold War, as well as those dealing with Cuban music and Cuban studies more broadly"--



Nadia Boulanger And Her World


Nadia Boulanger And Her World
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Author : Jeanice Brooks
language : en
Publisher: University of Chicago Press
Release Date : 2020-11-19

Nadia Boulanger And Her World written by Jeanice Brooks and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-11-19 with Music categories.


Nadia Boulanger (1887–1979) was arguably one of the most iconic figures in twentieth-century music, and certainly among the most prominent musicians of her time. For many composers— especially Americans from Aaron Copland to Philip Glass—studying with Boulanger in Paris or Fontainebleau was a formative moment in a creative career. Composer, performer, conductor, impresario, and charismatic and inspirational teacher, Boulanger engaged in a vast array of activities in a variety of media, from private composition lessons and lecture-recitals to radio broadcasts, recordings, and public performances. But how to define and account for Boulanger’s impact on the music world is still unclear. Nadia Boulanger and Her World takes us from a time in the late nineteenth century, when many careers in music were almost entirely closed to women, to the moment in the late twentieth century when those careers were becoming a reality. Contributors consider Boulanger’s work in the worlds of composition, musical analysis, and pedagogy and explore the geographies of transatlantic and international exchange and disruption within which her career unfolded. Ultimately, this volume takes its title as a topic for exploration—asking what worlds Boulanger belonged to, and in what sense we can consider any of them to be “hers.”



Awangarda


Awangarda
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Author : Lisa Cooper Vest
language : en
Publisher: Univ of California Press
Release Date : 2020-12-01

Awangarda written by Lisa Cooper Vest and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-12-01 with Music categories.


In Awangarda, Lisa Cooper Vest explores how the Polish postwar musical avant-garde framed itself in contrast to its Western European counterparts. Rather than a rejection of the past, the Polish avant-garde movement emerged as a manifestation of national cultural traditions stretching back into the interwar years and even earlier into the nineteenth century. Polish composers, scholars, and political leaders wielded the promise of national progress to broker consensus across generational and ideological divides. Together, they established an avant-garde musical tradition that pushed against the limitations of strict chronological time and instrumentalized discourses of backwardness and forwardness to articulate a Polish road to modernity. This is a history that resists Cold War periodization, opening up new ways of thinking about nations and nationalism in the second half of the twentieth century.



Rethinking Modern Polish Identities


Rethinking Modern Polish Identities
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Author : Agnieszka Pasieka
language : en
Publisher: Boydell & Brewer
Release Date : 2023-03-21

Rethinking Modern Polish Identities written by Agnieszka Pasieka and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-03-21 with National characteristics, Polish categories.


A critical examination of the category of "Polishness" - that is, the formation, redefinition, and performance of various kinds of Polish identities - from a wide range of disciplinary perspectives. Inspired by new research in the humanities and social sciences as well as recent scholarship on national identities, this volume offers a rigorous examination of the idea of Polishness. Offering a diversity of case studies and methodological-theoretical approaches, it demonstrates a profound connection between national and transnational processes and places the Polish case in a broader context. This broader context stretches from a larger Eastern European one, a usual frame of comparison, to the overseas immigrant communities. The authors, renowned scholars from Europe and the United States, thus demonstrate that an understanding of modern Polish identity means crossing not only historical but also geographical boundaries. Consequently, the narrative on Polish identity that unfolds in the volume is a personalized and multivocal one that presents the perspectives of a wide range of subjects: peasants, workers, migrants, ethnic and sexual minorities-that is, all those actors who have been absent in grand national narratives. As such, the examination of Polishness sheds light on the identity question more broadly, emphasizing the interplay of pluralizing and homogenizing tendencies, and fostering a reflection on national identity as encompassing both sameness and difference.



Ask The Experts


Ask The Experts
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Author : Michael Sy Uy
language : en
Publisher: Oxford University Press
Release Date : 2020-09-14

Ask The Experts written by Michael Sy Uy and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09-14 with Music categories.


From the end of the Second World War through the U.S. Bicentennial, the National Endowment for the Arts, the Rockefeller Foundation, and the Ford Foundation granted close to $300 million (approximately $2.3 billion in 2017 dollars) in the field of music alone. In deciding what to fund, these three grantmaking institutions decided to "ask the experts," adopting seemingly objective, scientific models of peer review and specialist evaluation. They recruited music composers at elite institutions, professors from prestigious universities, and leaders of performing arts organizations. Among the most influential expert-consultants were Leonard Bernstein, Aaron Copland, Lukas Foss, and Milton Babbitt. The significance was two-fold: not only were male, Western art composers put in charge of directing large and unprecedented channels of public and private funds, but in doing so they also determined and defined what was meant by artistic excellence. They decided the fate of their peers and shaped the direction of music-making in this country. By asking the experts, the grantmaking institutions produced a concentrated and interconnected field of artists and musicians. Officers and directors utilized ostensibly objective financial tools like matching grants and endowments in an attempt to diversify and stabilize applicants' sources of funding, as well as the number of applicants they funded. Such economics-based strategies, however, relied more on personal connections among the wealthy and elite, rather than local community citizens. Ultimately, this history demonstrates how "expertise" served as an exclusionary form of cultural and social capital that prevented racial minorities and non-dominant groups from fully participating.



A History Of Eastern Europe 1918 To The Present


A History Of Eastern Europe 1918 To The Present
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Author : Ian D. Armour
language : en
Publisher: Bloomsbury Publishing
Release Date : 2021-04-08

A History Of Eastern Europe 1918 To The Present written by Ian D. Armour and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-04-08 with History categories.


Why is Eastern Europe still different from Western Europe, more than a quarter-century after the collapse of Communism? A History of Eastern Europe 1918 to the Present shows how the roots of this difference are based in Eastern Europe's tortured 20th century. Eastern Europe emerged in 1918 as the 'lands between', new states whose weakness vis-à-vis Germany and Soviet Russia soon became obvious. The region was the main killing-field of the Second World War, which visited unimaginable horrors on its inhabitants before their 'liberation' by the Soviets in 1945. The imposition of Communist dictatorships on the region, ironically, only deepened Eastern Europe's backwardness. Even in the post-Communist period, its problems continue to make it a fertile breeding-ground for nationalism and political extremism. A History of Eastern Europe 1918 to the Present explores the comparative backwardness of Eastern Europe and how this has driven strategies of modernisation; it looks at the ways in which the region has served as a giant test-tube for political experimentation and, in particular, at the enduring strength of nationalism, which since 1989 has re-emerged more virulent than ever. This book in the essential textbook for any student of 20th-century Eastern Europe.



Socialist Laments


Socialist Laments
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Author : Martha Sprigge
language : en
Publisher: Oxford University Press
Release Date : 2021-04-09

Socialist Laments written by Martha Sprigge and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-04-09 with Music categories.


Antifascist and socialist monuments pervaded the landscape of the former German Democratic Republic (1949-89), presenting a distorted vision of the national past. Official commemorative culture in East Germany celebrated a selective set of political heroes, seeming to leave no public space for mourning those who were excluded from the country's founding myths. Socialist Laments: Musical Mourning in the German Democratic Republic examines the role of music in this nation's memorial culture, demonstrating how music facilitated the expressions of loss within spaces of commemoration for East German citizens. Music performed during state-sponsored memorial rituals no doubt bolstered official narratives of the German past. But it simultaneously provided an outlet for mourning in highly politicized environment. The book presents both a history and theory of musical mourning in East Germany. Using a site-specific approach to analysis, author Martha Sprigge demonstrates how the multiple semantic networks opened up by these musical works facilitated many memorial associations without necessitating the overt articulation of a mourned subject. Throughout the country's forty-year existence, music offered East German citizens an audible outlet for working through traumatic losses-both collective and individual-that was distinct from other artistic expressive possibilities. The book reveals the ways that East Germany's extensive commemorative repertoire helped composers, performers, and audiences navigate between the inevitable need to mourn on the one hand, and the seeming impossibilities of mourning on the other.