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Manuscripta Illuminata


Manuscripta Illuminata
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Manuscripta Illuminata


Manuscripta Illuminata
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Author : Colum Hourihane
language : en
Publisher: Index of Christian Art
Release Date : 2014

Manuscripta Illuminata written by Colum Hourihane and has been published by Index of Christian Art this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Art categories.


Princeton University's unique collection of medieval manuscripts, stretching from Ottonian to the late Gothic-early Renaissance periods, forms the nucleus of this collection of essays. Written by some of the most celebrated scholars in the field, the studies make every effort to help us understand the power of the written and illuminated word.



Gender Piety And Production In Fourteenth Century English Apocalypse Manuscripts


 Gender Piety And Production In Fourteenth Century English Apocalypse Manuscripts
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Author : Renana Bartal
language : en
Publisher: Routledge
Release Date : 2017-07-05

Gender Piety And Production In Fourteenth Century English Apocalypse Manuscripts written by Renana Bartal and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Art categories.


Gender, Piety, and Production in Fourteenth-Century English Apocalypse Manuscripts is the first in-depth study of three textually and iconographically diverse Apocalypses illustrated in England in the first half of the fourteenth century by a single group of artists. It offers a close look at a group of illuminators previously on the fringe of art historical scholarship, challenging the commonly-held perception of them as mere craftsmen at a time when both audiences and methods of production were becoming increasingly varied. Analyzing the manuscripts? codicological features, visual and textual programmes, and social contexts, it explores the mechanisms of a fourteenth-century commercial workshop and traces the customization of these books of the same genre to the needs and expectations of varied readers, revealing the crucial influence of their female audience. The book will be of interest to scholars and students of English medieval art, medieval manuscripts, and the medieval Apocalypse, as well as medievalists interested in late medieval spirituality and theology, medieval religious and intellectual culture, book patronage and ownership, and female patronage and ownership.



The Long Lives Of Medieval Art And Architecture


The Long Lives Of Medieval Art And Architecture
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Author : Jennifer M. Feltman
language : en
Publisher: Routledge
Release Date : 2019-03-08

The Long Lives Of Medieval Art And Architecture written by Jennifer M. Feltman and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-03-08 with Art categories.


Traditional histories of medieval art and architecture often privilege the moment of a work’s creation, yet surviving works designated as "medieval" have long and expansive lives. Many have extended prehistories emerging from their sites and contexts of creation, and most have undergone a variety of interventions, including adaptations and restorations, since coming into being. The lives of these works have been further extended through historiography, museum exhibitions, and digital media. Inspired by the literary category of biography and the methods of longue durée historians, the introduction and seventeen chapters of this volume provide an extended meditation on the longevity of medieval works of art and the aspect of time as a factor in shaping our interpretations of them. While the metaphor of "lives" invokes associations with the origin of the discipline of art history, focus is shifted away from temporal constraints of a single human lifespan or generation to consider the continued lives of medieval works even into our present moment. Chapters on works from the modern countries of Italy, France, England, Spain, and Germany are drawn together here by the thematic threads of essence and continuity, transformation, memory and oblivion, and restoration. Together, they tell an object-oriented history of art and architecture that is necessarily entangled with numerous individuals and institutions.



Piety In Pieces


Piety In Pieces
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Author : Kathryn M. Rudy
language : en
Publisher: Open Book Publishers
Release Date : 2016-09-26

Piety In Pieces written by Kathryn M. Rudy and has been published by Open Book Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-09-26 with Literary Criticism categories.


Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illuminators, book binders) with labour-intensive processes using exclusive and sometimes exotic materials (parchment made from dozens or hundreds of skins, inks and paints made from prized minerals, animals and plants), books were expensive and built to last. They usually outlived their owners. Rather than discard them when they were superseded, book owners found ways to update, amend and upcycle books or book parts. These activities accelerated in the fifteenth century. Most manuscripts made before 1390 were bespoke and made for a particular client, but those made after 1390 (especially books of hours) were increasingly made for an open market, in which the producer was not in direct contact with the buyer. Increased efficiency led to more generic products, which owners were motivated to personalise. It also led to more blank parchment in the book, for example, the backs of inserted miniatures and the blanks ends of textual components. Book buyers of the late fourteenth and throughout the fifteenth century still held onto the old connotations of manuscripts—that they were custom-made luxury items—even when the production had become impersonal. Owners consequently purchased books made for an open market and then personalised them, filling in the blank spaces, and even adding more components later. This would give them an affordable product, but one that still smacked of luxury and met their individual needs. They kept older books in circulation by amending them, attached items to generic books to make them more relevant and valuable, and added new prayers with escalating indulgences as the culture of salvation shifted. Rudy considers ways in which book owners adjusted the contents of their books from the simplest (add a marginal note, sew in a curtain) to the most complex (take the book apart, embellish the components with painted decoration, add more quires of parchment). By making sometimes extreme adjustments, book owners kept their books fashionable and emotionally relevant. This study explores the intersection of codicology and human desire. Rudy shows how increased modularisation of book making led to more standardisation but also to more opportunities for personalisation. She asks: What properties did parchment manuscripts have that printed books lacked? What are the interrelationships among technology, efficiency, skill loss and standardisation?



Touching Parchment How Medieval Users Rubbed Handled And Kissed Their Manuscripts


Touching Parchment How Medieval Users Rubbed Handled And Kissed Their Manuscripts
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Author : Kathryn M. Rudy
language : en
Publisher: Open Book Publishers
Release Date : 2024-09-12

Touching Parchment How Medieval Users Rubbed Handled And Kissed Their Manuscripts written by Kathryn M. Rudy and has been published by Open Book Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-09-12 with History categories.


In the late middle ages (ca. 1200-1520), both religious and secular people used manuscripts, was regarded as a most precious item. The traces of their use through touching and handling during different rituals such as oath-taking, public reading, and memorializing the dead, is the subject of Kathryn Rudy’s research in Touching Parchment. This second volume, Social Encounters with the Book, delves into the physical interaction with books in various social settings, including education, courtly assemblies, and confraternal gatherings. Looking at acts such as pointing, scratching, and ‘wet-touching’, the author zooms in on smudges and abrasions on medieval manuscripts as testimonials of readers’ interaction with the book and its contents. In so doing, she dissects the function of books in oaths, confraternal groups, education, and courtly settings, illuminating how books were used as teaching aids and tools for conveying political messages. The narrative paints a vivid picture of medieval reading, emphasizing bodily engagement, from page-turning to the intimate act of kissing pages. Overall, this text offers a captivating exploration of the tactile and social dimensions of book use in late medieval Europe broadening our perspective on the role of objects in rituals during the middle ages. Social Encounters with the Book provides a fundamental resource to anybody interested in medieval history and book materiality more widely.



Inscribing Knowledge In The Medieval Book


Inscribing Knowledge In The Medieval Book
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Author : Rosalind Brown-Grant
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2020-01-20

Inscribing Knowledge In The Medieval Book written by Rosalind Brown-Grant and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-01-20 with Literary Criticism categories.


This collection of essays examines how the paratextual apparatus of medieval manuscripts both inscribes and expresses power relations between the producers and consumers of knowledge in this important period of intellectual history. It seeks to define which paratextual features – annotations, commentaries, corrections, glosses, images, prologues, rubrics, and titles – are common to manuscripts from different branches of medieval knowledge and how they function in any particular discipline. It reveals how these visual expressions of power that organize and compile thought on the written page are consciously applied, negotiated or resisted by authors, scribes, artists, patrons and readers. This collection, which brings together scholars from the history of the book, law, science, medicine, literature, art, philosophy and music, interrogates the role played by paratexts in establishing authority, constructing bodies of knowledge, promoting education, shaping reader response, and preserving or subverting tradition in medieval manuscript culture.



Models Of Change In Medieval Textual Culture


Models Of Change In Medieval Textual Culture
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Author : Jonatan Pettersson, Anna Blennow
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2024-08-07

Models Of Change In Medieval Textual Culture written by Jonatan Pettersson, Anna Blennow and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-08-07 with categories.




The Making Of Liturgy In The Ottonian Church


The Making Of Liturgy In The Ottonian Church
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Author : Henry Parkes
language : en
Publisher: Cambridge University Press
Release Date : 2015-01-15

The Making Of Liturgy In The Ottonian Church written by Henry Parkes and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-01-15 with History categories.


A bold re-examination of the religious and political history of Ottonian Germany through its musical and liturgical books.



People Of The Image


People Of The Image
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Author : Marc Michael Epstein
language : en
Publisher: Penn State Press
Release Date : 2025-06-24

People Of The Image written by Marc Michael Epstein and has been published by Penn State Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2025-06-24 with Art categories.


The Middle Ages provide us with one of the richest repositories of art in the West. Yet the rise in the production of art made for and by Jews—especially in the form of illuminated manuscripts—is often neglected in general surveys or viewed as a mere emulation of Christian art during this period. In People of the Image, Marc Michael Epstein demonstrates how medieval Jews transformed their visual art into a vital site of critical commentary. Through bold speculation and radical interpretation, Epstein considers how viewers might have empathized with depicted emotions, how they envisioned the relationship between the monstrous and the human, and how they could effectively perpetrate subversive acts merely by anticipating what might occur next in a given image were it to be set in motion. Examining these artworks and imagining the circumstances of their production and reception, Epstein uncovers otherwise inaccessible social, political, and theological perceptions among Europe’s major medieval minority. He goes on to illuminate the afterlives of medieval Jewish art in its reimaginings by postmodern Jews struggling to establish a conceptual as well as a political space for themselves as a minority in majority Christian society. Bringing together diverse currents from various fields and bodies of literature, People of the Image reveals how medieval Jews understood themselves, the world, and God. Provocative and engagingly written, the book will appeal to audiences across medieval studies, cultural studies, art history, and Jewish studies.



Marian Devotion In The Late Middle Ages


Marian Devotion In The Late Middle Ages
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Author : Andrea-Bianka Znorovszky
language : en
Publisher: Routledge
Release Date : 2022-04-19

Marian Devotion In The Late Middle Ages written by Andrea-Bianka Znorovszky and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-04-19 with History categories.


By the late Middle Ages, manifestations of Marian devotion had become multifaceted and covered all aspects of religious, private and personal life. Mary becomes a universal presence that accompanies the faithful on pilgrimage, in dreams, as holy visions, and as pictorial representations in church space and domestic interiors. The first part of the volume traces the development of Marian iconography in sculpture, panel paintings, and objects, such as seals, with particular emphasis on Italy, Slovenia and the Hungarian Kingdom. The second section traces the use of Marian devotion in relation to space, be that a country or territory, a monastery or church or personal space, and explores the use of space in shaping new liturgical practices, new Marian feasts and performances, and the bodily performance of ritual objects.