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Martin Scorsese Woody Allen Spike Lee


Martin Scorsese Woody Allen Spike Lee
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Martin Scorsese Woody Allen Spike Lee


Martin Scorsese Woody Allen Spike Lee
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Author : James F. Scott
language : en
Publisher: Rowman & Littlefield
Release Date : 2019-04-01

Martin Scorsese Woody Allen Spike Lee written by James F. Scott and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-04-01 with Social Science categories.


Directors Martin Scorsese, Woody Allen, and Spike Lee emerged as filmmakers toward the end of the 1960s, when the breakdown of the studio system paved the way for new production partnerships and gave more creative authority to directors, actors, and writers. In what has come to be called the “Indie” movement, these directors were able to explore ethno-racial themes with more frankness than previously allowed. From the perspectives of their own minority communities, Scorsese, Allen, and Lee dramatized and critiqued the challenges this restless, ethno-racial underclass posed to the “White Republic” imagined by the Founding Fathers. The three directors whose work is at the heart of this book explore the question of how identity formation is a process of negotiation, particularly among America’s ethno-racial minorities. They emphasize the stresses related to the double burden in the assimilative process of patterning oneself after the majoritarian culture, while acknowledging in complex ways the culture of the community of origin. Annie Hall tells Alvie Singer, “you’re a real Jew.” Buggin’ Out instructs his homeboy friend, “Stay Black, Mookie!” What implications do these phrases carry? Will Alvie have a chance to modify his identity? Should he? Will Mookie honor his friend’s admonition? Is “black” also susceptible to a cultural makeover? Is identity a personal choice? This book highlights how various films by these three directors explore the ways in which “cultural capital” (musical, artistic, intellectual, athletic, etc.) is used to erase “ethno-racial taint” (skin tones, supposed biological “traits,” offensive cultural habits). The formula ordains that assimilation and interculturation will be asymmetrical, favoring those groups or individuals who bring with them the most cultural capital.



Martin Scorsese Woody Allen Spike Lee


Martin Scorsese Woody Allen Spike Lee
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Author : James F. Scott
language : en
Publisher: Lexington Books
Release Date : 2021-03-15

Martin Scorsese Woody Allen Spike Lee written by James F. Scott and has been published by Lexington Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-03-15 with Social Science categories.


At a moment in history when the status of minorities, particularly ethno-racial minorities, is the subject of intense, often acrimonious debate, this book offers a timely and relevant discussion of the core themes of assimilation, interculturation, and identity in the oeuvre of three independent American filmmakers: Scorsese, Allen, and Lee.



Street Smart


Street Smart
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Author : Richard A. Blake
language : en
Publisher: University Press of Kentucky
Release Date : 2021-11-21

Street Smart written by Richard A. Blake and has been published by University Press of Kentucky this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-11-21 with Performing Arts categories.


New York has appeared in more movies than Michael Caine, and the resulting overfamiliarity to moviegoers poses a problem for critics and filmmakers alike. Audiences often mistake the New York image of skyscrapers and bright lights for the real thing, when in fact the City is a network of clearly defined villages, each with a unique personality. Standard film depictions of New Yorkers as a rush-hour mass of undifferentiated humanity obscure the connections formed between people and places in the City's diverse neighborhoods. Street Smart examines the cultural influences of New York's neighborhoods on the work of four quintessentially New York filmmakers: Sidney Lumet, Woody Allen, Martin Scorsese, and Spike Lee. The City's heterogeneous economic and ethnic districts, where people live, work, shop, worship, and go to school, often bear little relation to the image of New York City created by the movies. To these directors, their home city is as tangible as the smell of fried onions in the stairwell of an apartment building, and it is this New York, not the bustling, glittery illusion portrayed in earlier films, that shapes their sensibilities and receives expression in their films. Richard A. Blake shows how the Jewish enclaves on Manhattan's Lower East Side profoundly influence Sidney Lumet's most noted characters as they struggle to form and maintain their identities under challenging circumstances. Both Woody Allen's light comedies and his more serious cinematic fare reflect the director's origins in the Flatbush neighborhood in Brooklyn and the displacement he felt after relocating to Manhattan. Martin Scorsese's upbringing on Elizabeth Street in Manhattan's Little Italy resonates in his gritty portraits of urban modernity. Blake also looks at the films of Spike Lee, whose adolescence in Fort Greene, a socioeconomically diverse Brooklyn neighborhood, exposed him to widely ranging views that add depth to his complicated treatises on power, culture, and race. Lumet, Allen, Scorsese, and Lee's individual identities were shaped by their neighborhoods, and in turn, their life experiences have shaped their artistic vision. In Street Smart, Richard A. Blake examines the critical influence of "place" on the films of four of America's most accomplished contemporary filmmakers.



Ten American Movie Directors


Ten American Movie Directors
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Author : Anne E. Hill
language : en
Publisher: Enslow Publishing
Release Date : 2003

Ten American Movie Directors written by Anne E. Hill and has been published by Enslow Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with Juvenile Nonfiction categories.


Profiling the lives of individuals of a certain renown or certain field, these collective biographies are of value to libraries because they present sketches of a number of important people for the price of a single volume. Useful for reports, these books discuss the contributions of ten or more men and women individually, as well as in relation to the overall theme in the particular volume. Each book contains chapter notes, Internet addresses, and an index.Exceptional movie directors have the ability to tell a story through camera angles, scenery and actors. Their artistry takes us on a journey into another place and time. Their unique eye behind the camera grants them the ability to bring a vision to life creating some of the most unforgettable scenes in movie history. Read about Frank Capra, Alfred Hitchcock, Woody Allen, Francis Ford Coppola, Brian De Palma, Martin Scorsese, George Lucas, Steven Spielberg, Spike Lee, and Quentin Tarantino.



City That Never Sleeps


City That Never Sleeps
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Author : Murray Pomerance
language : en
Publisher: Rutgers University Press
Release Date : 2007-05-01

City That Never Sleeps written by Murray Pomerance and has been published by Rutgers University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-05-01 with Performing Arts categories.


New York, more than any other city, has held a special fascination for filmmakers and viewers. In every decade of Hollywood filmmaking, artists of the screen have fixated upon this fascinating place for its tensions and promises, dazzling illumination and fearsome darkness. The glittering skyscrapers of such films as On the Town have shadowed the characteristic seedy streets in which desperate, passionate stories have played out-as in Scandal Sheet and The Pawnbroker. In other films, the city is a cauldron of bright lights, technology, empire, egotism, fear, hunger, and change--the scenic epitome of America in the modern age. From Street Scene and Breakfast at Tiffany's to Rosemary's Baby, The Warriors, and 25th Hour, the sixteen essays in this book explore the cinematic representation of New York as a city of experience, as a locus of ideographic characters and spaces, as a city of moves and traps, and as a site of allurement and danger. Contributors consider the work of Woody Allen, Blake Edwards, Alfred Hitchcock, Gregory La Cava, Spike Lee, Sidney Lumet, Vincente Minnelli, Roman Polanski, Martin Scorsese, Andy Warhol, and numerous others.



Rumble And Crash


Rumble And Crash
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Author : Milo Sweedler
language : en
Publisher: SUNY Press
Release Date : 2019-02-01

Rumble And Crash written by Milo Sweedler and has been published by SUNY Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-02-01 with Performing Arts categories.


Analyzes six films as allegories of capitalism’s precarious state in the early twenty-first century. At the beginning of the twenty-first century, as the contradictions of capitalism became more apparent than at any other time since the 1920s, numerous films gave allegorical form to the crises of contemporary capitalism. Some films were overtly political in nature, while others refracted the vicissitudes of capital in stories that were not, on the surface, explicitly political. Rumble and Crash examines six particularly rich and thought-provoking films in this vein. These films, Milo Sweedler argues, give narrative and audiovisual form to the increasingly pervasive sense that the economic system we have known and accepted as inevitable and ubiquitous is in fact riddled with self-destructive flaws. Analyzing four movies from before the global financial crisis of 2008 and two that allegorize the financial meltdown itself, Sweedler explores how cinema responded to one of the defining crises of our time. Films examined include Alfonso Cuarón’s Children of Men (2006), Stephen Gaghan’s Syriana(2005), Fernando Meirelles’s The Constant Gardener (2005), Spike Lee’s Inside Man (2006), Martin Scorsese’s The Wolf of Wall Street (2013), and Woody Allen’s Blue Jasmine (2013). “Milo Sweedler has produced what are surely the most original, provocative, and downright dazzling readings of a handful of socially significant and potent films released during the tumultuous years from 2005 to 2013. This is a fine book.” — David Desser, former editor, Cinema Journal



The Philosophy Of Spike Lee


The Philosophy Of Spike Lee
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Author : Mark Conard
language : en
Publisher: University Press of Kentucky
Release Date : 2011-07-22

The Philosophy Of Spike Lee written by Mark Conard and has been published by University Press of Kentucky this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-07-22 with Performing Arts categories.


Over his twenty-plus year tenure in Hollywood, Spike Lee has produced a number of controversial films that unapologetically confront sensitive social issues, particularly those of race relations and discrimination. Through his honest portrayals of life’s social obstacles, he challenges the public to reflect on the world’s problems and divisions. The innovative director created a name for himself with feature films such as Do the Right Thing (1989) and Malcolm X (1992), and with documentaries such as 4 Little Girls (1997) and When the Levees Broke (2006), breaking with Hollywood’s reliance on cultural stereotypes to portray African Americans in a more realistic light. The director continues to produce poignant films that address some of modern society’s most important historical movements and events. In The Philosophy of Spike Lee, editor Mark T. Conard and an impressive list of contributors delve into the rich philosophy behind this filmmaker’s extensive work. Not only do they analyze the major themes of race and discrimination that permeate Lee’s productions, but also examine other philosophical ideas that are found in his films, ideas such as the nature of time, transcendence, moral motivation, self-constitution, and justice. The authors specialize in a variety of academic disciplines that range from African American Studies to literary and cultural criticism and Philosophy.



Spike Lee Woody Allen And The Coen Brothers


Spike Lee Woody Allen And The Coen Brothers
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Author : Zachary Ingle
language : en
Publisher:
Release Date : 2008

Spike Lee Woody Allen And The Coen Brothers written by Zachary Ingle and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Motion pictures and literature categories.


Examines the influence and confluence of Fyodor Dostoevsky's writings in the work of American filmmakers Joel and Ethan Coen, Spike Lee, and Woody Allen. Examines the popular misconceptions of nihilism in Demons and The Big Lebowski. Looks at the confluence between Crime and Punishment's Raskolnikov and the films of Spike Lee. Explores Woody Allen's debt to Dostoevsky in general and specifically in Love and Death, Crimes and Misdemeanors, and Match Point.



The Reluctant Film Art Of Woody Allen


The Reluctant Film Art Of Woody Allen
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Author : Peter Bailey
language : en
Publisher: University Press of Kentucky
Release Date : 2010-09-12

The Reluctant Film Art Of Woody Allen written by Peter Bailey and has been published by University Press of Kentucky this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-09-12 with Biography & Autobiography categories.


For three decades, no American filmmaker has been as prolific—or as paradoxical—as Woody Allen. From Play It Again, Sam (1972) through Celebrity (1998) and Sweet and Lowdown (1999), Allen has produced an average of one film a year, yet in many of these films Allen reveals a progressively skeptical attitude toward both the value of art and the cultural contributions of artists. In examining Allen’s filmmaking career, The Reluctant Film Art of Woody Allen demonstrates that his movies often question whether the projected illusions of magicians/artists benefit audience or artists. Other Allen films dramatize the opposed conviction that the consoling, life-redeeming illusions of art are the best solution humanity has devised to the existential dilemma of being a death-foreseeing animal. Peter Bailey demonstrates how Allen’s films repeatedly revisit and reconfigure this tension between image and reality, art and life, fabrication and factuality, with each film reaching provisional resolutions that a subsequent movie will revise. Merging criticism and biography, Bailey identifies Allen's ambivalent views of the artistic enterprise as a key to understanding his entire filmmaking career. Because of its focus upon filmmaker Sandy Bates’s conflict between entertaining audiences and confronting them with bleak human actualities, Stardust Memories is a central focus of the book. Bailey’s examination of Allen’s art/life dialectic also draws from the off screen drama of Allen’s very public separation from Mia Farrow, and the book accordingly construes such post-scandal films as Bullets Over Broadway and Mighty Aphrodite as Allen’s oblique cinematic responses to that tabloid tempest. By illuminating the thematic conflict at the heart of Allen's work, Bailey seeks not only to clarify the aesthetic designs of individual Allen films but to demonstrate how his oeuvre enacts an ongoing debate the screenwriter/director has been conducting with himself between creating cinematic narratives affirming the saving powers of the human imagination and making films acknowledging the irresolvably dark truths of the human condition.



Political And Protest Theatre After 9 11


Political And Protest Theatre After 9 11
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Author : Jenny Spencer
language : en
Publisher: Routledge
Release Date : 2011-12-22

Political And Protest Theatre After 9 11 written by Jenny Spencer and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-12-22 with Performing Arts categories.


This collection documents and examines political and protest theatre produced between the 9/11 attacks in 2001 and Obama’s election in 2008 by British and American artists responding to their own governments’ actions and policies during this time. The plays take up topics such as the ongoing wars on terror, Blair’s support of U.S. policies, the flawed intelligence that led to the Iraq war, and illegal detentions and torture at Abu Ghraib. The authors argue that engaged artists faced a radically different sociopolitical context for their work after 9/11 compared to earlier social protest movements and new forms of theatre, and different emotional strategies were necessary to meet the challenges. The subtitle Patriotic Dissent suggests the double stance of many artists-- influenced by patriotic expressions of national solidarity, yet critical of the ways that patriotic language was put to use against others. The articles represent a broad range of theatre: Broadway musicals, documentary theatre, adaptations of classical theatre, new plays by British playwrights, street performances and installations, and musical concerts. The contributors’ case studies evaluate the effectiveness of important instances of political theatre and protest from this decade, arguing for the significance, relevance, and continuing necessity for evolving forms of political theatre today.