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Melismas


Melismas
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Melismas


Melismas
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Author :
language : en
Publisher:
Release Date : 2020-12

Melismas written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-12 with categories.


"Poetry, in Marlon Hacla's Melismas, abides by anticipations and arrivals. In these poems, a keen ear bears the vitality of voice, an ecstatic eloquence as song fortifies earth and alludes to grief unravelling. Hacla writes of audacious sentiment and a world wondrous that in these poems translate to an idiom that "returns [us] to the primeval nature of the ordinary." This is a grammar of looking at the world that Kristine Ong Muslim's translation aspires to cultivate, a vocabulary teeming with startling turns: systems that would keep us quiet, method to our extinction, machinery of wind, cellists and their exorcism. In this translation, we go through this cycle in anticipation of "the times [that] have been insinuating scores of uprising," arousals that "grasp the temperament of things." - Carlos Quijon, Jr., Art Historian & Curator "What's most distinguished in Marlon Hacla's Melismas is sincere invocation- "This is how I will carry on: lightning storm that enters a creek, dyed seraphim, bottled scorpion," its indisputable inaugurations of pressure and freedom- "split the violins with an ax," breaching form into form the riddled rhythms of our ageless Age of Noise, proletarian and industrial, domesticated and ferocious, are all "upright pickets" "worshipped by sound." Kristine Ong Muslim, as acousmatic translator, is the essential technomancer of Hacla's objets sonores. She stirs the "aching void" from which she's able to "open the chest that holds the sabers" and transmit a corybantic resistance of language against its own exacting dictatorship. To this Treatise of Self-Subversions Unfolding in Time- "This is no longer me," these "feathers of terror falling on my tabernacles" of perceiving where I perceive farther, stronger the "perspectives of enemies" alongside our relentless critique of reality, I offer solemn gratitude."-Marchiesal Bustamante, author of Mulligan (High Chair, 2016)"So much of Melismas seems to insinuate itself between the recognizable despairs of the commonplace and its disconcerting, rapidly constituting outcomes, Hacla's omnivorous consciousness troubling these two states, investigating and distorting where it is and what it's turning into into the shapes of its own suspicions. The voice of the poem in the Filipino original, so expertly pitched just below histrionics, acquires, in Muslim's translation, a lucidity that foregrounds its role as "the creator of engines that run [its] world": there's a private, arresting deliberateness behind the improvisational disorderings of imagery, the Ashberian way pronouns warp in and out of material antecedents. The distraught voice, relentlessly "eulogiz[ing] the futures," escalates its suspicions into foreknowledge, successfully forestalling but also goading itself toward horror, and exerts a tyranny of imagination over the real that in provocative art, such as in this book, feels a lot like freedom." -Mark Anthony Cayanan, author of Narcissus (Ateneo de Manila University Press, 2011), Except you enthrall me (University of the Philippines Press, 2013), and Unanimal, Counterfeit, Scurrilous (Giramondo Publishing, forthcoming 2021)"What's most distinguished in Marlon Hacla's Melismas is sincere invocation- "This is how I will carry on: lightning storm that enters a creek, dyed seraphim, bottled scorpion," its indisputable inaugurations of pressure and freedom- "split the violins with an ax," breaching form into form the riddled rhythms of our ageless Age of Noise, proletarian and industrial, domesticated and ferocious, are all "upright pickets" "worshipped by sound." Kristine Ong Muslim, as acousmatic translator, is the essential technomancer of Hacla's objets sonores. She stirs the "aching void" from which she's able to "open the chest that holds the sabers" and transmit a corybantic resistance of language against its own exacting dictatorship..."-Marchiesal Bustamante, author of Mulligan (High Chair, 2016)



The Migrant Melismas Of The Gregorian Graduals And The Ambrosian Psalmelli


The Migrant Melismas Of The Gregorian Graduals And The Ambrosian Psalmelli
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Author : Dorothea Mae Schmidt
language : en
Publisher:
Release Date : 1954

The Migrant Melismas Of The Gregorian Graduals And The Ambrosian Psalmelli written by Dorothea Mae Schmidt and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1954 with Graduals (Chants) categories.




Western Plainchant


Western Plainchant
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Author : David Hiley
language : en
Publisher: Oxford University Press
Release Date : 1995

Western Plainchant written by David Hiley and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Music categories.


Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.



Manuscripts And Medieval Song


Manuscripts And Medieval Song
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Author : Helen Deeming
language : en
Publisher: Cambridge University Press
Release Date : 2015-05-28

Manuscripts And Medieval Song written by Helen Deeming and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-05-28 with Language Arts & Disciplines categories.


This in-depth exploration of key manuscript sources reveals new information about medieval songs and sets them in their original contexts.



Inside The Offertory


Inside The Offertory
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Author : Rebecca Maloy
language : en
Publisher: Oxford University Press
Release Date : 2010-03-12

Inside The Offertory written by Rebecca Maloy and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-03-12 with Music categories.


The offertory has played a crucial role in recent vigorous debates about the origins of Gregorian chant. Its elaborate solo verses are among the most splendid of chant melodies, yet the verses ceased to be performed in the twelfth and thirteenth centuries, making them among the least known and studied members of the repertory. Rebecca Maloy now offers the first comprehensive investigation of the offertory, drawing upon its music, texts, and liturgical history to shed new light on its origins and chronology. Maloy addresses issues that are at the very heart of chant scholarship, such as the relationship between the Gregorian and Old Roman melodies, the nature of oral transmission, the presence of non-Roman pieces in the Gregorian repertory, and the influence of theoretical thought on the transmission of the melodies. Although the Old Roman chant versions were not recorded in writing until the eleventh century, it has long been assumed that they closely reflect the eighth-century state of the melodies. Maloy illustrates, however, that rather than preserving a pristine earlier version of the melodies, the prolonged period of oral transmission from the eighth to the eleventh centuries instead enforced a formulaic trend. Demonstrating that certain musical and textual traits of the offertory are distributed in distinct patterns by liturgical season, she outlines new chronological layers within the repertory, and along the way, explores the presence and implications of foreign imports into the Roman and Gregorian repertories. Carefully weighing questions surrounding the origins of elaborate verse melodies, Maloy deftly establishes that these melodies reached their final form at a relatively late date. Available for the first time as a complete critical edition, ninety-four Gregorian and Old Roman offertories are presented on a companion website in transcriptions which readers can view side-by-side. The book also provides music examples and essays that elucidate these transcriptions with significant insights into their similarities and differences. Inside the Offertory will be an important and longstanding resource for all students and scholars of early liturgical music, as well as performers of early music and medievalists interested in music.



Tanz Und Musik


Tanz Und Musik
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Author : Christelle Cazaux
language : en
Publisher: Schwabe Verlag (Basel)
Release Date : 2023-11-13

Tanz Und Musik written by Christelle Cazaux and has been published by Schwabe Verlag (Basel) this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-11-13 with Music categories.


Wie beeinflussen Tanzbewegungen die musikalische Spielweise? Und umgekehrt: Welche Wirkung hat die musikalische Interpretation auf die Ausführung einer Choreografie? Wie stehen tänzerische und melodische Phrasierung zueinander? Derlei Fragen zum Verhältnis von Tanz und Musik ergeben sich sowohl bei der praktischen Ausführung als auch bei der Erforschung historischer ‹Tanzmusik›. Entsprechend vielseitig sind die Zugänge, mit denen dieser interdisziplinäre Band ‹Tanzmusik› vom Mittelalter bis zur Romantik untersucht, kontextualisiert und im Sinne historischer Musikpraxis erschließt. Im Mittelpunkt steht die Wechselbeziehung zwischen Klang und Bewegung in verschiedenen historischen Repertoires, Gattungen und Formen.



Beneventanum Troporum Corpus Ii Part 2a


Beneventanum Troporum Corpus Ii Part 2a
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Author : John Boe
language : en
Publisher: A-R Editions, Inc.
Release Date : 1990-02-01

Beneventanum Troporum Corpus Ii Part 2a written by John Boe and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990-02-01 with Music categories.




Human Computer Interaction Design Practice In Contemporary Societies


Human Computer Interaction Design Practice In Contemporary Societies
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Author : Masaaki Kurosu
language : en
Publisher: Springer
Release Date : 2019-07-10

Human Computer Interaction Design Practice In Contemporary Societies written by Masaaki Kurosu and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-10 with Computers categories.


The 3 volume-set LNCS 11566, 11567 + 11568 constitutes the refereed proceedings of the Human Computer Interaction thematic area of the 21st International Conference on Human-Computer Interaction, HCII 2019, which took place in Orlando, Florida, USA, in July 2019. A total of 1274 papers and 209 posters have been accepted for publication in the HCII 2019 proceedings from a total of 5029 submissions. The 125 papers included in this HCI 2019 proceedings were organized in topical sections as follows: Part I: design and evaluation methods and tools; redefining the human in HCI; emotional design, Kansei and aesthetics in HCI; and narrative, storytelling, discourse and dialogue. Part II: mobile interaction; facial expressions and emotions recognition; eye-gaze, gesture and motion-based interaction; and interaction in virtual and augmented reality. Part III: design for social challenges; design for culture and entertainment; design for intelligent urban environments; and design and evaluation case studies.



Studies In Music


Studies In Music
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Author :
language : en
Publisher:
Release Date : 1985

Studies In Music written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1985 with Music categories.




Medieval Music And The Art Of Memory


Medieval Music And The Art Of Memory
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Author : Anna Maria Busse Berger
language : en
Publisher: University of California Press
Release Date : 2019-10-08

Medieval Music And The Art Of Memory written by Anna Maria Busse Berger and has been published by University of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-10-08 with Music categories.


Winner of the ASCAP Deems Taylor Award and Society of Music Theory's Wallace Berry Award This bold challenge to conventional notions about medieval music disputes the assumption of pure literacy and replaces it with a more complex picture of a world in which literacy and orality interacted. Asking such fundamental questions as how singers managed to memorize such an enormous amount of music and how music composed in the mind rather than in writing affected musical style, Anna Maria Busse Berger explores the impact of the art of memory on the composition and transmission of medieval music. Her fresh, innovative study shows that although writing allowed composers to work out pieces in the mind, it did not make memorization redundant but allowed for new ways to commit material to memory. Since some of the polyphonic music from the twelfth century and later was written down, scholars have long assumed that it was all composed and transmitted in written form. Our understanding of medieval music has been profoundly shaped by German philologists from the beginning of the last century who approached medieval music as if it were no different from music of the nineteenth century. But Medieval Music and the Art of Memory deftly demonstrates that the fact that a piece was written down does not necessarily mean that it was conceived and transmitted in writing. Busse Berger's new model, one that emphasizes the interplay of literate and oral composition and transmission, deepens and enriches current understandings of medieval music and opens the field for fresh interpretations.