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Mime And Pantomime In The Twentieth Century


Mime And Pantomime In The Twentieth Century
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Mime And Pantomime In The Twentieth Century


Mime And Pantomime In The Twentieth Century
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Author : Louis H. Campbell
language : en
Publisher:
Release Date : 2008

Mime And Pantomime In The Twentieth Century written by Louis H. Campbell and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Mime categories.


Defines, qualifies, and amplifies the art form. This work presenting the words of professionals performing in the field.



From The Greek Mimes To Marcel Marceau And Beyond


From The Greek Mimes To Marcel Marceau And Beyond
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Author : Annette Lust
language : en
Publisher:
Release Date : 2000

From The Greek Mimes To Marcel Marceau And Beyond written by Annette Lust and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Performing Arts categories.


One of the few studies covering the historical flow of mime from its beginnings to postmodern movement theatre, this book develops the meaning and evolution of mime and pantomime from the Greeks to the 20th century, depicting the role of mime in dance, clowning, the cinema, and verbal theatre throughout the centuries. It is also an in-depth study of twentieth-century mime masters, including Jacques Lecoq, Etienne Decroux, Jean-Louis Barrault, and Marcel Marceau. In addition to defining and tracing the history of mime, Lust documents present-day training programs in North America and Europe, providing contact addresses and information on mime festivals and centers. A filmography lasting mime and mime-related films and an extensive bibliography contribute to the usefulness of the book. With over 60 illustrations, this world-wide study is indispensable for the student, teacher, or fan of mime.



Etienne Decroux And His Theatre Laboratory


Etienne Decroux And His Theatre Laboratory
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Author : Marco De Marinis
language : en
Publisher:
Release Date : 2016

Etienne Decroux And His Theatre Laboratory written by Marco De Marinis and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with PERFORMING ARTS categories.


Etienne Decroux and His Theatre Laboratory is based on the long-awaited translation of Marco De Marinis' monumental work on mime in the twentieth century: Mimo e teatro nel Novecento (1993). Now revised and updated, the volume focuses specifically on the seminal role played by French mime artist and pedagogue Etienne Decroux. Mime is a theatrical form of ancient tradition. In the nineteenth century, it saw both apogee and crisis in the west with the realistic and gesticulating 'white pantomime'. In the twentieth century, it underwent a radical overhaul, transforming into an 'abstract' corporeal art that shunned imitation and narrative, and which instead tended towards the plastic, elliptic, allusive, and symbolic transposition of actions and situations. This book is the result of detailed investigations, based on contemporary accounts and obscure or unpublished materials. Through the examination of the creative, pedagogical, and theoretical work of the 'inventor' of the new mime art, Etienne Decroux, De Marinis focuses on the different assumptions underlying the various modes of the problematic presence of mime in the theatre of the twentieth century: from the utopia of a 'pure' theatre, attributed to the sole essence of the actor, to its decline into a closed poetic genre often nostalgically stuck in the past; from mime as a pedagogical tool for the actor to mime as an expressive and virtuosic means in the hands of the director.



Modern And Post Modern Mime


Modern And Post Modern Mime
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Author : Thomas Leabhart
language : en
Publisher: Palgrave Macmillan
Release Date : 1989

Modern And Post Modern Mime written by Thomas Leabhart and has been published by Palgrave Macmillan this book supported file pdf, txt, epub, kindle and other format this book has been release on 1989 with Performing Arts categories.


Modern mime, which has emerged as a major art form has its roots in the theatre work of Jacques Copeau in Paris in the 1920s. Copeau looked for a remedy to the ills of the theatre of his day by turning to the golden age of Greek theatre, the Noh and Kabuki, and commedia dell'arte. Here Copeau found an emphasis on the expressive potential of the actor's whole body, rather than just the voice. This series aims to introduce the reader to major 19th and 20th century dramatists, movements and new forms of drama throughout the world. This study examines the contributions of Etienne Decroux, Barrault, Marceau and Lecoq to the development of mime and post modern mime.



Copeau Decroux Irving Craig


Copeau Decroux Irving Craig
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Author : Thomas G Leabhart
language : en
Publisher: Routledge
Release Date : 2022-05-11

Copeau Decroux Irving Craig written by Thomas G Leabhart and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-05-11 with Performing Arts categories.


In this series of essays, Thomas Leabhart presents a thorough overview and analysis of Etienne Decroux’s artistic genealogy. After four years’ apprenticeship with Decroux, Thomas Leabhart began to research and discover how forebears and contemporaries might have influenced Decroux’s project. Decades of digging revealed striking correspondences that often led to adjacent fields—art history, philosophy, and anthropology—forays wherein Leabhart’s appreciation of Decroux and his "kinsfolk," who themselves transgressed traditional frontiers, increased. The following essays, composed over a 30-year period, find a common source in a darkened Prague cinema where people gasped at a wooden doll’s sudden reversal of fortune. These essays: investigate the source of that astonishment; continue Leabhart's examination of Decroux’s "family tree"; consider how Copeau's and Decroux's keen observation of animal movement influenced their actor training; record the challenging and paradoxical improvisations chez Decroux; and recall Decroux’s debt to sculpture, poster art, sport and masks. These essays will be of great interest to students, scholars and practitioners in theatre and performance studies.



Marcel Marceau Poetics Of Gesture


Marcel Marceau Poetics Of Gesture
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Author : Patrizia Iovine
language : en
Publisher: Youcanprint
Release Date : 2019-06-24

Marcel Marceau Poetics Of Gesture written by Patrizia Iovine and has been published by Youcanprint this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-06-24 with Performing Arts categories.


The origins of theatre date back to 500 b. C. with religious rituals of ancient Greece. Mime drama dates back to Theocritus, to performances of folk life, to gatherings in honour of the God Dionysus, during which the use of a mask was introduced. The Romans used to mime political situations inventing satirical pantomimes. A silent genre developed in the town of Atella, the Atellan Farce, with fixed characters, ancestors of the stereotypes of the Commedia dell’Arte or theatre of the Zanni. The father of the family of the Zanni was the servant Arlequin. In the Commedia dell’Arte of the Sixteenth Century, the face was covered by a mask that would define the nature of the character. Created by Deburau in 1665, the melancholic Pierrot will step on stage and as his ancestors, he will be forever in love and rejected. With Molière, the use of the mask will start to change until it will disappear leaving space to the expressiveness of the face and nature of the character. With Carlo Goldoni the “Commedia di carattere” will flourish. In the Twentieth Century it’s Charlie Chaplin’s turn to write an important chapter of the art of mime with the romantic hero Charlot who wanders up and down the streets in the city of London in the Twenties, desperate and alone. In his gestural grammar, Etienne Decroux covers the face of the actors with a veil to leave only the body mass to speak. On the contrary, according to his pupil, Marcel Marceau, the face and the hands represent the backbone to gestural eloquence as in Oriental techniques with the aristocratic Noh and the commoner Kabuki. Starting from Graeco-Roman Statuary, retracing the phases of gestural art, remembering the myths of gesture and, working side by side with Decroux, Marceau will decide to generate the last heir of this imaginary dynasty, the merchant of illusions, Bip, leaving him free to live and dream in the temporal space of a performance. Transforming the invisible into visible, bringing into the theatres all around the world his pantomimes, the French Master has made palpable the art of emotions.



The Art Of Mime Its History And Technique In Education And The Theatre


The Art Of Mime Its History And Technique In Education And The Theatre
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Author : Irene Mawer
language : en
Publisher:
Release Date : 1932

The Art Of Mime Its History And Technique In Education And The Theatre written by Irene Mawer and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1932 with Pantomime categories.




Deburau


Deburau
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Author : Edward Nye
language : en
Publisher: Taylor & Francis
Release Date : 2022-07-01

Deburau written by Edward Nye and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-07-01 with Literary Criticism categories.


This volume analyses the nature of the mime art of Deburau and of the pantomime performances of the Théâtre des Funambules in Paris in the context of Romantic art, literature and socio-political thought. Deburau and the Théâtre des Funambules are characteristic of Romantic art in that they are closely associated with certain aspirations for social reform, even revolution. Deburau was an iconic figure for intellectuals such as George Sand who effectively considered him to be part of the ‘poète-maçon’ movement. Edward Nye examines this fascination as well as the myth which developed from it. With its unique framing in art, literature and politics, this book is a must read for undergraduates and postgraduates in theatre, literary studies and the Romantic period.



Memoirs On Mime For All Time


Memoirs On Mime For All Time
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Author : Louis H. Campbell
language : en
Publisher: CreateSpace
Release Date : 2013-11

Memoirs On Mime For All Time written by Louis H. Campbell and has been published by CreateSpace this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-11 with Performing Arts categories.


In this remarkable compilation are the unique experiences of the author who was privileged to have been placed at an auspicious time in history with preordained opportunities to meet, engage, learn, apply and celebrate with personalities whose lives and careers left their footprints on the extraordinary subject of mime and pantomime. This book is a culmination of nearly fifty years of experiences with mimes, actors, clowns and dancers all of which have direct influence on the current activity known as Physical Theatre. This book is a documentation of that history, a textbook summary of techniques consolidated and a collection of photographs of historical significance to this age.



Pantomime


Pantomime
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Author : Karl Toepfer
language : en
Publisher: Vosuri Media
Release Date : 2019-08-19

Pantomime written by Karl Toepfer and has been published by Vosuri Media this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-08-19 with Performing Arts categories.


This book offers perhaps the most comprehensive history of pantomime ever written. No other book so thoroughly examines the varieties of pantomimic performance from the early Roman Empire, when the term “pantomime” came into use, until the present. After thoroughly examining the complexities and startlingly imaginative performance strategies of Roman pantomime, the author identifies the peculiar political circumstances that revived and shaped pantomime in France and Austria in the eighteenth century, leading to the Pierrot obsession in the nineteenth century. Modernist aesthetics awakened a huge, highly diverse fascination with pantomime. The book explores an extraordinary variety of modernist and postmodern approaches to pantomime in Germany, Austria, France, numerous countries of Eastern Europe, Russia, Scandinavia, Spain, Belgium, The Netherlands, Chile, England, and The United States. Making use of many performance and historical documents never before included in pantomime histories, the book also discusses pantomime’s messy relation to dance, its peculiar uses of music, its “modernization” through silent film aesthetics, and the extent to which writers, performers, or directors are “authors” of pantomimes. Just as importantly, the book explains why, more than any other performance medium, pantomime allows the spectator to see the body as the agent of narrative action.