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Mind And Context In The Art Of Drawing


Mind And Context In The Art Of Drawing
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Mind And Context In The Art Of Drawing


Mind And Context In The Art Of Drawing
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Author : Kenneth R. Beittel
language : en
Publisher:
Release Date : 1972

Mind And Context In The Art Of Drawing written by Kenneth R. Beittel and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1972 with Art categories.




A Companion To Contemporary Drawing


A Companion To Contemporary Drawing
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Author : Kelly Chorpening
language : en
Publisher: John Wiley & Sons
Release Date : 2020-11-10

A Companion To Contemporary Drawing written by Kelly Chorpening and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-11-10 with Art categories.


The first university-level textbook on the power, condition, and expanse of contemporary fine art drawing A Companion to Contemporary Drawing explores how 20th and 21st century artists have used drawing to understand and comment on the world. Presenting contributions by both theorists and practitioners, this unique textbook considers the place, space, and history of drawing and explores shifts in attitudes towards its practice over the years. Twenty-seven essays discuss how drawing emerges from the mind of the artist to question and reflect upon what they see, feel, and experience. This book discusses key themes in contemporary drawing practice, addresses the working conditions and context of artists, and considers a wide range of personal, social, and political considerations that influence artistic choices. Topics include the politics of eroticism in South American drawing, anti-capitalist drawing from Eastern Europe, drawing and conceptual art, feminist drawing, and exhibitions that have put drawing practices at the centre of contemporary art. This textbook: Demonstrates ways contemporary issues and concerns are addressed through drawing Reveals how drawing is used to make powerful social and political statements Situates works by contemporary practitioners within the context of their historical moment Explores how contemporary art practices utilize drawing as both process and finished artifact Shows how concepts of observation, representation, and audience have changed dramatically in the digital era Establishes drawing as a mode of thought Part of the acclaimed Wiley Blackwell Companions to Art History series, A Companion to Contemporary Drawing is a valuable text for students of fine art, art history, and curating, and for practitioners working within contemporary fine art practice.



Drawing On All 4 Brains And All 8 Intelligences


Drawing On All 4 Brains And All 8 Intelligences
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Author : Stanley Horner
language : en
Publisher:
Release Date : 2007

Drawing On All 4 Brains And All 8 Intelligences written by Stanley Horner and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Cerebral dominance categories.


Drawing On All 4 Brains and All 8 Intelligences: Drawing on the Mind has 110 pages, with countless quotations form artists and writers-on-art, 42 suggested as Experiences designed to awaken participants to many of the basic issues in drawing, a chapter on the new pedagogical process that informs the book, over 130 charts, diagrams and images, a revision of the literature on brain/Mind intelligences as it affects artists researcher, teachers, and critics, and a chapter outlining the basics of visual image design. Drawing on the Mind proposes a new structural relationship between the functions of the brain and art-event making. According to this new (Shlain/Horner) typology, drawing and painting are not merely right brain practices as is often implied; rather, in their various forms, they carry the creative potential to evoke all four brains and all eight re-defined intelligences in an integrated process; drawing engages the Mind. A relatively new structural paradigm/syntagm construct, the Analogos, makes it possible to articulate a typology of the relationships between the layers of brain activity, the layers of art - event making, and the layers of human intelligences. A brief outline of the relatively new iiae (interactive interdisciplinary art education/interactive interdisciplinary art events) paradigm/syntagm and its relationship to DBAE (Discipline Based Art Education) are included for those interested in understanding the larger pedagogical context of the Response process that informs the orientation of the Experiences presented on pages 43 to 90. A more detailed theoretical elaboration of the meta-modernist/iiae paradigm/syntagm is available in Horner, Volumes 2 and 4 (Bibliography, p. 102) The iiae paradigm/syntagm introduces the Response process as theorized and practiced over a number of years by the author/artist and as central to the potential of the new meta-modernist paradigm and its interaction with the tradition explored by Modernist artists. Whereas DRAF (Discipline Based Art Education) endorses the Modernist preoccupation with discrete domains of knowledge and a top-down strategy that focuses more on the "subject matter" than on the "subject agent," iiae is grounded in inner-image/outer-image fluency by individual "subjects" engaged, as "activators," in a community of voices. As such, iiae is presented as a supportive ground for DBAE; iiae aims to integrate the two major streams that have been integral to the history of Art Education in North America: the self-expression creativity movement that emerged in the early part of the twentieth-century and the discipline-based movement (DBAE) which emerged later in the century. While semiotics and DBAE generally ignore the "subject," iiae foregrounds it as basic to all inter-active/intra-active dialogue, not in isolation form the outer object (artwork), but inclusive of the interactions between speaking subjects, spoken subjects, subjects spoken and meta-subjects spoken (i.e. between the one and the other, what they speak, and what they speak about what is spoken, respectively). While structuralism generally ignores diachronic (temporal) process, iiae foregrounds it, and integrates it into the ever-present problematic of synchronic space, the domain of timeless stasis. A new structural paradigm/syntagm of the layers of the intelligences (Shlain/Horner) makes it possible to revisit and revise the ground work by Howard Gardner in relation to layers of the brain and the layers of art-event making. By refocusing the heart of art on to the Response practices of each individual"s inner-imagining Experience (on all 4 brains) Drawing on the Brain springs forth as Drawing on the Mind. Forty-two suggested iiae art-event Experiences are outlined so that basic introductory issues of drawing are touched upon, not in the conventional mode, but rather in its new formation as an inner-imaging/outer-



Cognition And The Visual Arts


Cognition And The Visual Arts
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Author : Robert L. Solso
language : en
Publisher: MIT Press
Release Date : 1994

Cognition And The Visual Arts written by Robert L. Solso and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Psychology categories.


Applies research on how humans perceive, process and store information to the viewing and interpretation of art. The author argues that the clearest view of the mind comes from creating or experiencing art. The illustrations cover a range of examples but focus primarily on Western art.



Drawing And The Non Verbal Mind


Drawing And The Non Verbal Mind
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Author : Chris Lange-Küttner
language : en
Publisher: Cambridge University Press
Release Date : 2008-08-14

Drawing And The Non Verbal Mind written by Chris Lange-Küttner and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-08-14 with Language Arts & Disciplines categories.


Fascinating insight into the life-span and productivity of the non-verbal, visual mind.



Performance Drawing


Performance Drawing
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Author : Maryclare Foá
language : en
Publisher: Bloomsbury Publishing
Release Date : 2020-09-03

Performance Drawing written by Maryclare Foá and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09-03 with Art categories.


What is 'performance drawing'? When does a drawing turn into a performance? Is the act of drawing in itself a performative process, whether a viewer is present or not? Through conversation, interviews and essays, the authors illuminate these questions, and what it might mean to perform, and what it might mean to draw, in a diverse and expressive contemporary practice since 1945. The term 'performance drawing' first appeared in the subtitle of Catherine de Zegher's Drawing Papers 20: Performance Drawings, in particular with reference to Alison Knowles and Elena del Rivero. In this book, it is used as a trope, and a thread of thinking, to describe a process dedicated to broadening the field of drawing through resourceful practices and cross-disciplinary influence. Featuring a wide range of international artists, this book presents pioneering practitioners, alongside current and emerging artists. The combination of experiences and disciplines in the expanded field has established a vibrant art movement that has been progressively burgeoning in the last few years. The Introduction contextualises the background and identifies contemporary approaches to performance drawing. As a way to embrace the different voices and various lenses in producing this book, the authors combine individual perspectives and critical methodology in the five chapters. While embedded in ephemerality and immediacy, the themes encompass body and energy, time and motion, light and space, imagined and observed, demonstrating how drawing can act as a performative tool. The dynamic interaction leads to a collective understanding of the term, performance drawing, and addresses the key developments and future directions of this applied drawing process.



The Mind At Hand


The Mind At Hand
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Author : Michael J. Strauss
language : en
Publisher: Universal-Publishers
Release Date : 2013-01-01

The Mind At Hand written by Michael J. Strauss and has been published by Universal-Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-01-01 with Art categories.


The Mind at Hand explores how artists, scientists, writers, and others - students and professionals alike - see their world, record it, revise it and come to know it. It is about the rough-drawn sketch, diagram, chart, or other graphic representation, and the focus these provide for creative work that follows from them. Such work could involve solving a problem, composing a musical score, proposing a hypothesis, creating a painting, and many other imaginative and inventive tasks. The book is for for visual learners of all kinds, for scientists as well as artists, and for anyone who keeps a journal, notebook, or lab book in order to think and create visually. It is also a book for teachers and educational administrators interested in learning about new active learning strategies involving drawing, and possible outcomes of these in classrooms. The formulas and symbols of chemistry, the diagrams and features of the landscape in geology, and the organisms and structures in biology, are all represented as images on pages or screens. Students create them when studying, problem-solving, and learning. Once in front of their eyes, they can be reconsidered, revised, and reconstructed into new images for further consideration and revision. It is how artists often create a painting or a sculpture, and how scientists come up with new hypotheses. This is how learning occurs, not only across disciplines, but in all kinds of creative endeavors, through a continuing process of creation, revision, and re-creation. It is drawing-to-learn.



Brain And Art


Brain And Art
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Author : Idan Segev
language : en
Publisher: Frontiers E-books
Release Date : 2014-12-18

Brain And Art written by Idan Segev and has been published by Frontiers E-books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-12-18 with Art categories.


Could we understand, in biological terms, the unique and fantastic capabilities of the human brain to both create and enjoy art? In the past decade neuroscience has made a huge leap in developing experimental techniques as well as theoretical frameworks for studying emergent properties following the activity of large neuronal networks. These methods, including MEG, fMRI, sophisticated data analysis approaches and behavioral methods, are increasingly being used in many labs worldwide, with the goal to explore brain mechanisms corresponding to the artistic experience. The 37 articles composing this unique Frontiers Research Topic bring together experimental and theoretical research, linking state-of-the-art knowledge about the brain with the phenomena of Art. It covers a broad scope of topics, contributed by world-renowned experts in vision, audition, somato-sensation, movement, and cinema. Importantly, as we felt that a dialog among artists and scientists is essential and fruitful, we invited a few artists to contribute their insights, as well as their art. Joan Miró said that “art is the search for the alphabet of the mind.” This volume reflects the state of the art search to understand neurobiological alphabet of the Arts. We hope that the wide range of articles in this volume will be highly attractive to brain researchers, artists and the community at large.



Drawn To Design


Drawn To Design
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Author : Eric Jenkins
language : en
Publisher: Birkhäuser
Release Date : 2022-04-19

Drawn To Design written by Eric Jenkins and has been published by Birkhäuser this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-04-19 with Architecture categories.


The book is a guide for students and teachers to understand the need for, the role of and the methods and techniques of freehand analytical sketching in architecture. The presentation focuses on drawing as an approach to and phase of architectural design. The conceptual goal of this approach is to use drawing not as illustration or depiction, but as exploration. The first part of the book discusses underlying concepts of freehand sketching in design education and practice as a complement to digital technologies. The main component is a series of chapters that constitute a typology of fundamental issues in architecture and urban design; for instance, issues of "façade" are illustrated with sketch diagrams that show how façades can be explored and sketched through a series of specific questions and step-by-step procedures. In the expanded and updated edition, a new part explores the questions and experiences of large architectural offices in applying freehand drawing in the practice of architectural design. This book is especially timely in an age in which the false conflict between "traditional vs. digital" gives way to multiple design tools, including sketching. It fosters understanding of the essential human ability to investigate the designed and the natural world through freehand drawing.



The Arts And The Creation Of Mind


The Arts And The Creation Of Mind
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Author : Elliot W. Eisner
language : en
Publisher: Yale University Press
Release Date : 2002-01-01

The Arts And The Creation Of Mind written by Elliot W. Eisner and has been published by Yale University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-01-01 with Art categories.


Learning in and through the visual arts can develop complex and subtle aspects of the mind. Reviews in: Journal of aesthetic education. 38(2004)4(Winter. 71-98), available M05-194.