Mists Of Regret


Mists Of Regret
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Mists Of Regret


Mists Of Regret
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Author : Dudley Andrew
language : en
Publisher: Princeton University Press
Release Date : 2021-11-09

Mists Of Regret written by Dudley Andrew and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-11-09 with Performing Arts categories.


Just before World War II, French cinema reached a high point that has been dubbed the style of "poetic realism." Working with unforgettable actors like Jean Gabin and Arletty, directors such as Renoir, Carné, Gremillon, Duvivier, and Chenal routinely captured the prizes for best film at every festival and in every country, and their accomplishments led to general agreement that the French were the first to give maturity to the sound cinema. Here the distinguished film scholar Dudley Andrew examines the motivations and consequences of these remarkable films by looking at the cultural web in which they were made. Beyond giving a rich view of the life and worth of cinema in France, Andrew contributes substantially to our knowledge of how films are dealt with in history. Where earlier studies have treated the masterpieces of this era either in themselves or as part of the vision of their creators, and where certain recent scholars have reacted to this by dissolving the masterpieces back into the system of entertainment that made them possible, Andrew stresses the dialogue of culture and cinema. In his view, the films open questions that take us into the culture, while our understanding of the culture gives energy, direction, and consequence to our reading of the films. The book demonstrates the value of this hermeneutic approach for one set of texts and one period, but it should very much interest film theorists and film historians of all sorts.



Mists Of Regret


Mists Of Regret
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Author : Dudley Andrew
language : en
Publisher: Princeton University Press
Release Date : 1995-02-26

Mists Of Regret written by Dudley Andrew and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995-02-26 with Performing Arts categories.


An examination of pre-World War II French cinema, which analyzes the works of such directors as Renoir, Gremillon and Chenal in order to explain why the French were first to give maturity to the sound film. The study also describes the importance of these films in the context of French culture.



Spectacle In Classical Cinemas


Spectacle In Classical Cinemas
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Author : Tom Brown
language : en
Publisher: Routledge
Release Date : 2015-08-11

Spectacle In Classical Cinemas written by Tom Brown and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-08-11 with History categories.


Spectacle is not often considered to be a significant part of the style of ‘classical’ cinema. Indeed, some of the most influential accounts of cinematic classicism define it virtually by the supposed absence of spectacle. Spectacle in ‘Classical’ Cinemas: Musicality and Historicity in the 1930s brings a fresh perspective on the role of the spectacular in classical sound cinema by focusing on one decade of cinema (the 1930s), in two ‘modes’ of filmmaking (musical and historical films), and in two national cinemas (the US and France). This not only brings to light the special rhetorical and affective possibilities offered by spectacular images but refines our understanding of what ‘classical’ cinema is and was.



Popular Front Paris And The Poetics Of Culture


Popular Front Paris And The Poetics Of Culture
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Author : Dudley Andrew
language : en
Publisher: Harvard University Press
Release Date : 2005

Popular Front Paris And The Poetics Of Culture written by Dudley Andrew and has been published by Harvard University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with History categories.


The authors highlight the new symbolic forces put in play by technologies of the illustrated press and the sound film - technologies that converged with efforts among writers, artists, and other intellectuals to respond to the crises of the decade.



Le Jour Se L Ve


Le Jour Se L Ve
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Author : Ben McCann
language : en
Publisher: Bloomsbury Publishing
Release Date : 2014-06-10

Le Jour Se L Ve written by Ben McCann and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-06-10 with Performing Arts categories.


Le Jour se leve (1939) directed by Marcel Carne, is widely recognised as the classic French Poetic Realist film. Told in flashback, it recounts the story of a man who has committed a murder, and who awaits his fate as the police close in. Carne shuttles between different registers, tones and textures throughout, marshalling the studio's resources to create striking pictorial compositions. The film also contains the great French star Jean Gabin's most iconic performance as Francois, marooned at the top of his apartment building. Ben McCann's perceptive and lively book traces the evolution of Le Jour se leve and situates it in a very specific historical moment. He also underlines the importance of actors Jules Berry and Arletty, production designer Alexandre Trauner, writer Jacques Prevert and cinematographer Curt Courant in establishing the film's tone, mood and visual style. He charts the national and international reception of the film, uncovering a work that deeply divided critics at a time of national crisis. He also reveals Le Jour se leve to be a key transitional work between European and American noir and compares it with the 1947 Hollywood remake. Highlighting its combination of the 'poetic' and the 'realist' this book finally stresses how Le Jour se leve represents the very best of pre-war French studio filmmaking.



Global Neorealism


Global Neorealism
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Author : Saverio Giovacchini
language : en
Publisher: Univ. Press of Mississippi
Release Date : 2011-10-11

Global Neorealism written by Saverio Giovacchini and has been published by Univ. Press of Mississippi this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-10-11 with Performing Arts categories.


Contributions by Nathaniel Brennan, Luca Caminati, Silvia Carlorosi, Caroline Eades, Saverio Giovacchini, Paula Halperin, Neepa Majumdar, Mariano Mestman, Hamid Naficy, Sada Niang, Masha Salazkina, Sarah Sarzynski, Robert Sklar, and Vito Zagarrio Intellectual, cultural, and film historians have long considered neorealism the founding block of post-World War II Italian cinema. Neorealism, the traditional story goes, was an Italian film style born in the second postwar period and aimed at recovering the reality of Italy after the sugarcoated moving images of fascism. Lasting from 1945 to the early 1950s, neorealism produced world-renowned masterpieces such as Roberto Rossellini's Roma, città aperta (Rome, Open City, 1945) and Vittorio De Sica's Ladri di biciclette (Bicycle Thieves, 1947). These films won some of the most prestigious film awards of the immediate postwar period and influenced world cinema. This collection brings together distinguished film scholars and cultural historians to complicate this nation-based approach to the history of neorealism. The traditional story notwithstanding, the meaning and the origins of the term are problematic. What does neorealism really mean, and how Italian is it? Italian filmmakers were wary of using the term and Rossellini preferred "realism." Many filmmakers confessed to having greatly borrowed from other cinemas, including French, Soviet, and American. Divided into three sections, Global Neorealism examines the history of this film style from the 1930s to the 1970s using a global and international perspective. The first section examines the origins of neorealism in the international debate about realist esthetics in the 1930s. The second section discusses how this debate about realism was “Italianized” and coalesced into Italian “neorealism” and explores how critics and film distributors participated in coining the term. Finally, the third section looks at neorealism’s success outside of Italy and examines how film cultures in Latin America, Africa, Asia, and the United States adjusted the style to their national and regional situations.



Chanteuse In The City


Chanteuse In The City
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Author : Prof. Kelley Conway
language : en
Publisher: Univ of California Press
Release Date : 2004-09-08

Chanteuse In The City written by Prof. Kelley Conway and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-09-08 with Performing Arts categories.


Long before Edith Piaf sang "La vie en rose," her predecessors took to the stage of the belle epoque music hall, singing of female desire, the treachery of men, the harshness of working-class life, and the rough neighborhoods of Paris. Icon of working-class femininity and the underworld, the realist singer signaled the emergence of new cultural roles for women as well as shifts in the nature of popular entertainment. Chanteuse in the City provides a genealogy of realist performance through analysis of the music hall careers and film roles of Mistinguett, Josephine Baker, Fréhel, and Damia. Above all, Conway offers a fresh interpretation of 1930s French cinema, emphasizing its love affair with popular song and its close connections to the music hall and the café-concert. Conway uncovers an important tradition of female performance in the golden era of French film, usually viewed as a cinema preoccupied with masculinity. She shows how—in films such as Pépé le Moko, Le Crime de Monsieur Lange, and Zouzou—the realist chanteuse addresses female despair at the hopelessness of love. Conway also sheds light on the larger cultural implications of the shift from the intimate café-concert to the spectacular music hall, before the talkies displaced both kinds of live performance altogether.



French Musical Culture And The Coming Of Sound Cinema


French Musical Culture And The Coming Of Sound Cinema
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Author : Hannah Lewis
language : en
Publisher: Oxford University Press
Release Date : 2018-09-05

French Musical Culture And The Coming Of Sound Cinema written by Hannah Lewis and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-09-05 with Music categories.


The transition from silent to synchronized sound film was one of the most dramatic transformations in cinema's history, as it radically changed the technology, practices, and aesthetics of filmmaking within a few short years. In France, debates about sound cinema were fierce and widespread. In French Musical Culture and the Coming of Sound Cinema, author Hannah Lewis argues that the debates about sound film resonated deeply within French musical culture of the early 1930s, and conversely, that discourses surrounding a range of French musical styles and genres shaped audiovisual cinematic experiments during the transition to sound. Lewis' book focuses on many of the most prominent directors and screenwriters of the period, from Luis Buñuel to Jean Vigo, as well as experiments found in lesser-known films. Additionally, Lewis examines how early sound film portrayed the diverse soundscape of early 1930s France, as filmmakers drew from the music hall, popular chanson, modernist composition, opera and operetta, and explored the importance of musical machines to depict and to shape French audiovisual culture. In this light, the author discusses the contributions of well-known composers for film alongside more popular music hall styles, all of which had a voice within the heterogeneous soundtrack of French sound cinema. By delving into this fascinating developmental period of French cinematic history, Lewis encourages readers to challenge commonly-held assumptions about how genres, media, and artistic forms relate to one another, and how these relationships are renegotiated during moments of technological change.



French Cinema A Very Short Introduction


French Cinema A Very Short Introduction
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Author : Dudley Andrew
language : en
Publisher: Oxford University Press
Release Date : 2023-09-26

French Cinema A Very Short Introduction written by Dudley Andrew and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-09-26 with Performing Arts categories.


It is often claimed that the French invented cinema. Dominating the production and distribution of cinema until World War 1, when they were supplanted by Hollywood, the French cinema industry encompassed all genres, from popular entertainment to avant-garde practice. The French invented the "auteur" and the "ciné-club"; they incubated criticism from the 1920s to our own day that is unrivalled; and they boast more film journals, fan magazines, TV shows, and festivals devoted to film than anywhere else. This Very Short Introduction opens up French cinema through focusing on some of its most notable works, using the lens of the New Wave decade (1958-1968) that changed cinema worldwide. Exploring the entire French cinematic oeuvre, Dudley Andrew teases out distinguishing themes, tendencies, and lineages, to bring what is most crucial about French Cinema into alignment. He discusses how style has shaped the look of female stars and film form alike, analysing the "made up" aesthetic of many films, and the paradoxical penchant for French cinema to cruelly unmask surface beauty in quests for authenticity. Discussing how French cinema as a whole pits strong-willed characters against auteurs with high-minded ideas of film art, funded by French cinema's close rapport to literature, painting, and music, Dudley considers how the New Wave emerged from these struggles, becoming an emblem of ambition for cinema that persists today. He goes on to show how the values promulgated by the New Wave directors brought the three decades that preceded it into focus, and explores the deep resonance of those values today, fifty years later. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.



Americanism Media And The Politics Of Culture In 1930s France


Americanism Media And The Politics Of Culture In 1930s France
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Author : David A. Pettersen
language : en
Publisher: University of Wales Press
Release Date : 2016-05-20

Americanism Media And The Politics Of Culture In 1930s France written by David A. Pettersen and has been published by University of Wales Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-05-20 with History categories.


First book to focus on Americanism and its consideration of French film and literature The book is organized around individual figures, texts, and films, making it easy to adopt for individual units in courses. The book is written in clear, accessible, and jargon-free language. The book brings a new and innovative transatlantic perspective to 1930s French culture. The books offers new perspectives on important figures that we thought we knew well. The book mixes cultural history with the analysis of individual films and novels in a way that is engaging to read.