Mito Y Literatura En La Filmograf A De Francis Ford Coppola
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Mito Y Literatura En La Filmograf A De Francis Ford Coppola
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Author : IGNACIO MONJE JUSTO, Adolfo
language : es
Publisher: Ediciones Universidad de Salamanca
Release Date : 2016-12-15
Mito Y Literatura En La Filmograf A De Francis Ford Coppola written by IGNACIO MONJE JUSTO, Adolfo and has been published by Ediciones Universidad de Salamanca this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-12-15 with Performing Arts categories.
Descripción / Resumen (Español / Castellano): “Mito y literatura en la filmografía de Francis Ford Coppola. Un estudio intertextual y mitocrítico a partir de Apocalypse Now” se enmarca dentro del ámbito académico de Teoría de la Literatura y Literatura Comparada y del área filosófica de la Estética y Teoría de las Artes. Partiendo de la interrelación que desde sus orígenes el cine ha tenido con la literatura, han sido muchos los estudios que se han realizado desde diversas perspectivas de la narración literaria sobre la creación fílmica. En este sentido juegan un papel destacado la multitud de teorías literarias que surgieron durante el pasado siglo y que a la postre sentaron las bases de los futuros estudios sobre teoría y crítica cinematográfica. Entre todas ellas existen un conjunto de teorías literarias que tuvieron especial relevancia en la primera mitad del siglo XX y que se caracterizan por estudiar la creación literaria partiendo de sus orígenes más ancestrales: el mito y el rito. Entre ellas destacan la teoría mítico-ritualista, el psicoanálisis, la teoría simbolista, el estructuralismo, la mitocrítica, etc. Todas coinciden en estudiar el mito desde perspectivas multidisciplinares diferentes con el objetivo de corroborar cómo las primeras narraciones de la humanidad han perdurado en la historia de la cultura humana a través de creaciones literarias, pictóricas o cinematográficas. Todas las teorías literarias antes nombradas ayudaron a que desde finales del siglo XIX se produjera un proceso de «remitologización» muy importante que ayudó a que, dentro de diferentes ámbitos culturales, especialmente en la literatura, se incorporase el mito y el rito ancestral como epicentro de la creación artística. Teorías como las de Frazer, Freud, Jung, Joseph Campbell o Mircea Eliade se fueron incorporando tanto a la crítica como a la creación literaria. Debido a la influencia de todas estas teorías antropológicas, psicológicas, sociológicas o lingüísticas sobre el estudio del mito y su relación con la literatura se fue creando una «poética del mito» clave para la creación literaria de la primera mitad del siglo XX. Sobre ellas trabajaron autores como James Joyce, Thomas Mann, Frank Kafka, H. D. Lawrence o T. S. Eliot entre otros. El propósito del siguiente estudios es comprobar y valorar cómo ha influido la «poética del mito» en el ámbito cinematográfico. La intención es rastrear qué grado asimilación han tenido las teorías antes nombradas en la creación fílmica y para ello tomaremos como referencia la filmografía del director norteamericano Francis Ford Coppola. A través del análisis de algunas de sus películas intentaremos demostrar como el cine ha supuesto (aunque más tímidamente que la literatura) otro eslabón en el proceso de remitologización que sufrió la cultura occidental en el siglo XX. Partiendo de esta idea preliminar, nos hemos centrado en algunas de las películas de Francis Ford Coppola para comprobar como es aplicable al cine algunas de las conclusiones críticas y creativas de la «poética del mito» desarrollada en el ámbito literario en la primera mitad del siglo XX. Tomaremos como obra de referencia Apocalypse Now (1979), película que consideramos una de las propuestas más cercanas a lo que supondría un «filme mitologizante», sin olvidarnos de otras películas de referencia en la filmografía del director norteamericano como son la trilogía de El Padrino, Drácula de Bram Stoker o El hombre sin edad.Descripción / Resumen (Inglés): Myth and Literature in the filmography of Francis Ford Coppola. A study in myth-criticism based on Apocalypse Now, within both the academic fields of the theory of literature and comparative literature and, from a philosophical perspective, that of aesthetics and art theory. Since its inception cinema and literature have been closely intertwined, and there have been many studies from various narrative perspectives about the matter of film creation. In this sense, the multiple literary theories that arose during the last century and that laid the foundation for future cinematographic theory and criticism play a fundamental role. There exists amongst all of these a group of literary theories which were especially relevant in the first half of the 20th century, which are categorized through the study of literary creation from their very roots: myth and ritual. Of these the theories of myth-ritualism, myth criticism, psychoanalysis, structuralism and symbolist theory deserve particular attention. All of these theories agree on one thing, and that is the study of myth from various multidisciplinary perspectives with the aim of corroborating how the earliest human narrations have endured in the history of human culture by means of literary, pictorial or cinematographic creation. In addition, all of the aforementioned literary theories were of great help in the highly important process of re-mythologisation that took place at the end of the nineteenth century which helped to introduce myth and ancestral ritual as the epicentre of artistic creation. Theories such as those of Frazer, Freud, Jung, Joseph Campbell and Mircea Eliade were incorporated into both literary criticism as well as literary creation. It is due to the influence of all of these anthropological, psychological, sociological and linguistic theories in the study of myth and its relation with literature that an essential “myth poetic” was established for the literary creation of the first half of the twentieth century, attracting the attention of such authors as James Joyce, Thomas Mann, Franz Kafka, H.D. Lawrence and T.S. Eliot amongst others. The main objective of this study is to try to understand and evaluate how “myth poetics” have influenced the cinematographic field. The aim is to identify the extent to which the aforementioned theories have been assimilated in film creation, using as a reference the filmography of the American film director Francis Ford Coppola. Through the analysis of some of his films we will try to prove how cinema has been, albeit to a lesser extent than with literature, another step in the process of re-mythologization that affected western cultural production in the twentieth century. Taking this idea as our starting point, we have focused on some of the films of Francis Ford Coppola to examine how some of the critical and creative conclusions of “myth poetics” developed in the literary field in the first half of the twentieth century can be applied to cinema. As a reference we will examine Apocalypse Now (1979), since it is a film which corresponds closely with the concept of a “mythologizing film”, without forgetting other the director‟s other important works such as The Godfather trilogy, Bram Stoker’s Dracula or Youth without Youth.
40 Reflexiones Para Una Cuarentena
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Author : VVAA
language : es
Publisher: Editorial Samarcanda
Release Date : 2020-04-02
40 Reflexiones Para Una Cuarentena written by VVAA and has been published by Editorial Samarcanda this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-04-02 with Literary Collections categories.
Nadie se esperaba esto. Nadie imaginó tanto silencio en las calles, tanta angustia en los hospitales, la desesperanza de tantos. La única ventaja de la situación que vivimos es el tiempo que poseemos para reflexionar, una capacidad que marcará la diferencia. Es el momento de la responsabilidad, la entereza y el sacrificio, pero por encima de todo es un periodo para la meditación. Toca cavilar sobre nuestros errores, diferencias, prioridades y prejuicios, con la esperanza de que, cuando acabe la crisis del Coronavirus, seamos mejores, más humanos y solidarios. \r\n En las páginas de esta obra, diversos profesionales del periodismo, la historia, la economía o la política, entre otros, expresan desde un clima de reflexión personal su propia percepción de la crisis que estamos padeciendo. Unos de una forma visceral, otros conmovidos por su día a día, pero todos con un único objetivo: refrendar su compromiso con los héroes y heroínas que mientras escribimos estas líneas, luchan contra el virus genocida.
Francis Ford Coppola
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Author : Esteve Riambau
language : es
Publisher: Catedra Ediciones
Release Date : 1997
Francis Ford Coppola written by Esteve Riambau and has been published by Catedra Ediciones this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Performing Arts categories.
Sagas familiares como El padrino, epopeyas de la magnitud de Apocalypse Now o exitos como Dracula, ademas de cinco Oscar de Hollywood y dos Palmas de Oro en Cannes, son algunas de las razones de peso que justifican el interes que despierta una personalidad como la de Francis Ford Coppola. Pero hay otras. De haber sido contemporaneo de Orson Welles habria competido con el realizador de Ciudadano Kane para conseguir un espacio de libertad creativa, pero tuvo que pagar la osadia de desafiar a Hollywood con el fracaso de los estudios Zoetrope. Perpetuo insatisfecho ante la imposibilidad de realizar films de indole artistica, este demiurgo, que certifica sus origenes italoamericanos con una ferviente obsesion por la familia, anuncia periodicamente que su gran obra todavia esta per llegar.
Francis Ford Coppola
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Author : Miguel Juan Payán
language : es
Publisher:
Release Date : 1992
Francis Ford Coppola written by Miguel Juan Payán and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992 with categories.
Francis F. Coppola es, sin duda, una de las figuras básicas del cine contemporáneo. Dotado de una personalidad propensa al egocentrismo y de un insaciable afán de notoriedad que le ha llevado a convertirse en uno de los ejemplos del cineasta que lucha por su independencia dentro del sistema, es un símbolo de las pesadillas que pueden llegar a engendrar los sueños de celuloide.
Francis Ford Coppola
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Author : Ronald Bergan
language : de
Publisher:
Release Date : 1998
Francis Ford Coppola written by Ronald Bergan and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with categories.
The Godfather
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Author : William Malyszko
language : en
Publisher: Longman Publishing Group
Release Date : 2001
The Godfather written by William Malyszko and has been published by Longman Publishing Group this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Fiction categories.
This book offers to take the reader on a journey behind the scenes for the bigger picture about the film.
Francis Ford Coppola
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Author : Michael Schumacher
language : en
Publisher: Crown
Release Date : 1999
Francis Ford Coppola written by Michael Schumacher and has been published by Crown this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Biography & Autobiography categories.
"So you still want to direct films?" Coppola wearily asked one of his assistants after a long day of shooting on The Godfather. "Always remember three things. Have the definitive script ready before you shoot. There'll always be some changes, but they should be small ones. Second, work with people you trust and feel secure with. Remember good crew people you've worked with on other films and get them for your film. Third, make your actors feel very secure so they can do their job well." Pausing for a moment, Coppola considered his advice. "I've managed to do none of these things on this film," he concluded. Francis Ford Coppola is one of the seminal filmmakers of the generation that changed the way movies are made. Five of the films he's worked on are listed among the American Film Institute's top 100 films ever made. He is a man who's spent his life seeking to realize his own artistic vision even as he acknowledges the force that truly drives Hollywood--box office receipts. Francis Ford Coppola: A Filmmaker's Life is the first complete picture of the flawed cinematic genius who directed the Godfather trilogy, Apocalypse Now, The Conversation, and other distinctive films--some wildly successful, some disastrous. Coppola is on every film aficionado's list of Hollywood's greatest directors. But he is renowned nearly as much for his mistakes as for his masterpieces, for his bluster as for his brilliance, for the money he has lost as for the fortunes he has made. In an era when playing it safe seems to be the credo of the Hollywood/Wall Street complex, Coppola is a driven, unpredictable renegade who has repeatedly gambled everything in an effort to bring hisideas to life, regardless of the cost. In Francis Ford Coppola, we hear the entire story of this man's career covered in more detail than ever before: from his apprenticeship under Roger Corman to his winning a Director's Guild Lifetime Achievement Award. Along the way, we learn how he turned a pulp Mafia novel into a cinematic classic, how he almost literally killed himself during the filming of Apocalypse Now, and how he confirmed Hollywood's predictions about him, with various flops and follies along the way. In the hands of biographer Michael Schumacher--who gained unprecedented access to Coppola's friends, critics, peers, casts, and crews--the story of Francis Ford Coppola makes for irresistible reading and the first complete picture of this complex, conflicted genius.
Un Arte De Fantasmas
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Author : José de la Colina
language : es
Publisher: Textofilia Ediciones
Release Date :
Un Arte De Fantasmas written by José de la Colina and has been published by Textofilia Ediciones this book supported file pdf, txt, epub, kindle and other format this book has been release on with Art categories.
Este genial libro ofrece un recorrido lúdico y nostálgico por las principales películas que asombraron a su autor. Aquellos lazos afectivos que desarrolló con los personajes, directores y actores del cine clásico de Hollywood, así como anécdotas entrañables sobre algunos personajes ya míticos. El cine como memoria accesible de la Historia preserva para siempre situaciones, rostros, escenarios, que conforman buena parte del imaginario de las últimas generaciones. Testimonio de un corto periodo de tiempo, apenas un siglo, el cine nos permite ver cómo eran los rostros de Fred Astaire, Charles Chaplin o Hitler. Con su particular estilo y humor, de la Colina rescata los mitos de diferentes personalidades de la pantalla, fantasmas vueltos al presente, que le han obsesionado como espectador. A través de dieciséis ensayos, De la Colina va trazando su historia con las películas. Figuras como Fred Astaire, Charles Chaplin, James Dean, Marilyn Monroe desfilan como viejos fantasmas capaces de seguir cautivándonos.
Siempre
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Author :
language : es
Publisher:
Release Date : 1995
Siempre written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Mexico categories.
Indice Espa Ol De Humanidades
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Author :
language : es
Publisher:
Release Date : 1980
Indice Espa Ol De Humanidades written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1980 with Humanities categories.