Modern With The Southern Accent
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Modern With The Southern Accent
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Author : John Crowe Ransome
language : en
Publisher:
Release Date : 1935
Modern With The Southern Accent written by John Crowe Ransome and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1935 with categories.
Southern Accent
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Author : Miranda Isabel Lash
language : en
Publisher: Duke University Press
Release Date : 2016
Southern Accent written by Miranda Isabel Lash and has been published by Duke University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with Art categories.
Featuring the work of sixty artists and including 300 illustrations, the catalog Southern Accent accompanies a major contemporary art exhibition that questions and explores the complex and contested space of the American South. This unprecedented exhibition investigates the many realities, fantasies, and myths of the South that have long captured the public's imagination, while presenting a wide range of perspectives that create a composite portrait of southern identity through contemporary art. It looks at the South as an open-ended question and concept in itself by encompassing a broad spectrum of media and approaches, demonstrating that southernness is more of a shared sensibility than any one definable culture or style. While the exhibition includes artwork from the 1950s to the present, it primarily focuses on the past thirty-five years. With numerous contributions by artists, scholars, musicians, and poets, a music-listening library, and a timeline of scholarship on southern art, this catalog redefines the way we look at the South in contemporary art. Southern Accent will be on display at the Nasher Museum of Art at Duke University from September 1, 2016 to January 8, 2017 and at the Speed Art Museum in Louisville, Kentucky, from April 29, 2017, to August 20, 2017. Contributors. Diego Camposeco, Mel Chin, Brittney Cooper, John T. Edge, William Fagaly, Carter Foster, Brendan Greaves, Harrison Haynes, Patterson Hood, Miranda Lash, Ada Limón, Mark Anthony Neal, Catherine Opie, Fahamu Pecou, Richard J. Powell, Tom Rankin, Dario Robleto, Trevor Schoonmaker, Bradley Sumrall, Natasha Trethewey, Kara Walker, Jeff Whetstone Selected Artists: Walter Inglis Anderson, Benny Andrews, Radcliffe Bailey, Romare Bearden, Sanford Biggers, Mel Chin, William Christenberry, Robert Colescott, William Cordova, Thorton Dial, Sam Durant, William Eggleston, Minnie Evans, Howard Finster, Theaster Gates, Jeffrey Gibson, Deborah Grant, Barkley L. Hendricks, James Herbert with R.E.M., Birney Imes, George Jenne, Deborah Luster, Kerry James Marshall, Jing Niu, Tameka Norris, Catherine Opie, Gordon Parks, Ebony G. Patterson, Dario Robleto, Xaviera Simmons, Jimmy Lee Sudduth, Hank Willis Thomas, Kara Walker, Andy Warhol, Carrie Mae Weems Publication of the Nasher Museum of Art at Duke University
Speaking Green With A Southern Accent
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Author : Gerald Andrews Emison
language : en
Publisher: Lexington Books
Release Date : 2010-09-25
Speaking Green With A Southern Accent written by Gerald Andrews Emison and has been published by Lexington Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-09-25 with Political Science categories.
This book studies Southern environmental policy and politics in order to understand the concrete realities of the Southeast and extend those realities' understanding to other regions of the country. It analyzes a series of cases that describe the state of environmental policy implementation and management in the South. These case studies cover a range of environmental areas, including air quality, drinking water and wastewater, brownfields, collaborative environmental management, and environmental justice, among others. These cases explore the diversity and flexibility which compose the dominant characters of environmental management today.
I Ll Take My Stand
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Author :
language : en
Publisher: LSU Press
Release Date : 2006-11-01
I Ll Take My Stand written by and has been published by LSU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-11-01 with Literary Criticism categories.
First published in 1930, the essays in this manifesto constitute one of the outstanding cultural documents in the history of the South. In it, twelve southerners-Donald Davidson, John Gould Fletcher, Henry Blue Kline, Lyle H. Lanier, Stark Young, Allen Tate, Andrew Nelson Lytle, Herman Clarence Nixon, Frank Lawrence Owsley, John Crowe Ransom, John Donald Wade, and Robert Penn Warren-defended individualism against the trend of baseless conformity in an increasingly mechanized and dehumanized society. In her new introduction, Susan V. Donaldson shows that the Southern Agrarians might have ultimately failed in their efforts to revive the South they saw as traditional, stable, and unified, but they nonetheless sparked debates and quarrels about history, literature, race, gender, and regional identity that are still being waged today over Confederate flags, monuments, slavery, and public memory.
Southern Modern
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Author : Jonathan Stuhlman
language : en
Publisher: UNC Press Books
Release Date : 2023-04-19
Southern Modern written by Jonathan Stuhlman and has been published by UNC Press Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-04-19 with Art categories.
Inspired by a companion exhibition, Southern/Modern is the first book to survey progressive art created in the American South during the first half of the twentieth century. Featuring twelve essays, this lavishly illustrated volume includes all the works from the exhibition and assesses a broader body of contextual pieces to offer a fascinating, multipronged look at modernism's thriving presence in the South—until now, something largely overlooked in histories of American art. Contributors take a broad view of the region, considering artists working in the states below the Mason-Dixon Line and those bordering the Mississippi River. It examines the central roles played by women and artists of color, providing a fuller, richer, and more accurate overview of the artistic activity in the region than has been previously presented. The book is structured around key themes, including the embrace of "high" modernism, the importance of emerging university programs and artist colonies, the depiction of rural and urban modern life, and the role of artists from the South who left and artists from outside the region who came to the South seeking new subjects. Contributors are Daniel Belasco, Katelyn D. Crawford, William Underwood Eiland, William R. Ferris, Shawnya Harris, Todd A. Herman, Karen Towers Klacsmann, Leo G. Mazow, Christopher C. Oliver, Jeffrey Richmond-Moll, Martha R. Severens, Jonathan Stuhlman, Rebecca VanDiver, and Jonathan Frederick Walz.
Southern Accents On Color
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Author : Frances Macdougall
language : en
Publisher: Hachette Digital, Inc.
Release Date : 2003
Southern Accents On Color written by Frances Macdougall and has been published by Hachette Digital, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with Architecture categories.
The editors of Southern Accent magazine work with design experts to show how to use colour to fabulous effect.
The Postsouthern Sense Of Place In Contemporary Fiction
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Author : Martyn Bone
language : en
Publisher: LSU Press
Release Date : 2005-06-01
The Postsouthern Sense Of Place In Contemporary Fiction written by Martyn Bone and has been published by LSU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-06-01 with Literary Criticism categories.
For generations, southern novelists and critics have grappled with a concept that is widely seen as a trademark of their literature: a strong attachment to geography, or a "sense of place." In the 1930s, the Agrarians accorded special meaning to rural life, particularly the farm, in their definitions of southern identity. For them, the South seemed an organic and rooted region in contrast to the North, where real estate development and urban sprawl evoked a faceless, raw capitalism. By the end of the twentieth century, however, economic and social forces had converged to create a modernized South. How have writers responded to this phenomenon? Is there still a sense of place in the South, or perhaps a distinctly postsouthern sense of place? Martyn Bone innovatively draws upon postmodern thinking to consider the various perspectives that southern writers have brought to the concept of "place" and to look at its fate in a national and global context. He begins with a revisionist assessment of the Agrarians, who failed in their attempts to turn their proprietary ideal of the small farm into actual policy but whose broader rural aesthetic lived on in the work of neo-Agrarian writers, including William Faulkner and Eudora Welty. By the 1950s, adherence to this aesthetic was causing southern writers and critics to lose sight of the social reality of a changing South. Bone turns to more recent works that do respond to the impact of capitalist spatial development on the South -- and on the nation generally -- including that self-declared "international city" Atlanta. Close readings of novels by Robert Penn Warren, Walker Percy, Richard Ford, Anne Rivers Siddons, Tom Wolfe, and Toni Cade Bambara illuminate evolving ideas about capital, land, labor, and class while introducing southern literary studies into wider debates around social, cultural, and literary geography. Bone concludes his remarkably rich book by considering works of Harry Crews and Barbara Kingsolver that suggest the southern sense of place may be not only post-Agrarian or postsouthern but also transnational.
Defining Southern Literature
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Author : John Earl Bassett
language : en
Publisher: Fairleigh Dickinson Univ Press
Release Date : 1997
Defining Southern Literature written by John Earl Bassett and has been published by Fairleigh Dickinson Univ Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Literary Criticism categories.
Defining Southern Literature delineates several phases in the story of Southern literature. Debate over what makes Southern literature different - or even Southern - goes back many decades, and among the answers has been the debate itself, a uniquely pervasive regional self-consciousness over what makes Southern culture different. Certainly no other American region has been so distinctly "marked" as the South has. Attempts to delineate the special mission, nature, problems, and virtues of Southern writers can be traced back at least to the 1830s, when editors called - with only slight success - for a sectional literature and more supportive Southern readers.
With A Southern Accent
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Author : Viola Goode Liddell
language : en
Publisher:
Release Date : 1948
With A Southern Accent written by Viola Goode Liddell and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1948 with African Americans categories.
World S Fairs In A Southern Accent
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Author : Bruce G. Harvey
language : en
Publisher: Univ. of Tennessee Press
Release Date : 2014-07-30
World S Fairs In A Southern Accent written by Bruce G. Harvey and has been published by Univ. of Tennessee Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-07-30 with Business & Economics categories.
The South was no stranger to world’s fairs prior to the end of the nineteenth century. Atlanta first hosted a fair in the 1880s, as did New Orleans and Louisville, but after the 1893 World’s Columbian Exposition in Chicago drew comparisons to the great exhibitions of Victorian-era England, Atlanta’s leaders planned to host another grand exposition that would not only confirm Atlanta as an economic hub the equal of Chicago and New York, but usher the South into the nation’s industrial and political mainstream. Nashville and Charleston quickly followed suit with their own exhibitions. In the 1890s, the perception of the South was inextricably tied to race, and more specifically racial strife. Leaders in Atlanta, Nashville, and Charleston all sought ways to distance themselves from traditional impressions about their respective cities, which more often than not conjured images of poverty and treason in Americans barely a generation removed from the Civil War. Local business leaders used large-scale expositions to lessen this stigma while simultaneously promoting culture, industry, and economic advancement. Atlanta’s Cotton States and International Exposition presented the city as a burgeoning economic center and used a keynote speech by Booker T. Washington to gain control of the national debate on race relations. Nashville’s Tennessee Centennial and International Exposition chose to promote culture over mainstream success and marketed Nashville as a “Centennial City” replete with neoclassical architecture, drawing on its reputation as “the Athens of the south.” Charleston’s South Carolina Inter-State and West Indian Exposition followed in the footsteps of Atlanta’s exposition. Its new class of progressive leaders saw the need to reestablish the city as a major port of commerce and designed the fair around a Caribbean theme that emphasized trade and the corresponding economics that would raise Charleston from a cotton exporter to an international port of interest. Bruce G. Harvey studies each exposition beginning at the local and individual level of organization and moving upward to explore a broader regional context. He argues that southern urban leaders not only sought to revive their cities but also to reinvigorate the South in response to northern prosperity. Local businessmen struggled to manage all the elements that came with hosting a world’s fair, including raising funds, designing the fairs’ architectural elements, drafting overall plans, soliciting exhibits, and gaining the backing of political leaders. However, these businessmen had defined expectations for their expositions not only in terms of economic and local growth but also considering what an international exposition had come to represent to the community and the region in which they were hosted. Harvey juxtaposes local and regional aspects of world’s fair in the South and shows that nineteenth-century expositions had grown into American institutions in their own right.