Music And Cinema


Music And Cinema
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Music And Cinema


Music And Cinema
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Author : James Buhler
language : en
Publisher: Wesleyan University Press
Release Date : 2000-11

Music And Cinema written by James Buhler and has been published by Wesleyan University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000-11 with Music categories.


A wide-ranging look at the role of music in film.



Popular Music And Film


Popular Music And Film
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Author : Ian Inglis
language : en
Publisher: Wallflower Press
Release Date : 2003

Popular Music And Film written by Ian Inglis and has been published by Wallflower Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with Music categories.


The growing presence of popular music in film is one of the most exciting areas of contemporary Film Studies. Written by a range of international specialists, this collection includes case studies on Sliding Doors, Topless Women Talk About Their Lives, The Big Chill and Moulin Rouge, considering the work of populist musicians such as the Beatles, Jimi Hendrix and Sting. Contributors to the volume include Robb Wright, Lesley Vize, Phil Powrie, Anno Mungen, Anaheid Kassabian, Lauren Anderson, Antti-Ville Karja, K. J. Donnelly, Lee Barron, Melissa Carey Michael Hannan and Jaap Kooijman.



Music In Cinema


Music In Cinema
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Author : Michel Chion
language : en
Publisher: Columbia University Press
Release Date : 2021-10-12

Music In Cinema written by Michel Chion and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-10-12 with Art categories.


Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other. The first section of the book examines film music in historical perspective, and the second section addresses the theoretical implications of the crossover between art forms. Chion discusses a vast variety of films across eras, genres, and continents, embracing all the different genres of music that filmmakers have used to tell their stories. Beginning with live accompaniment of silent films in early movie houses, the book analyzes Al Jolson’s performance in The Jazz Singer, the zither in The Third Man, Godard’s patchwork sound editing, the synthesizer welcoming the flying saucer in Close Encounters of the Third Kind, and the Kinshasa orchestra in Felicité, among many more. Chion considers both original scores and incorporation of preexisting works, including the use and reuse of particular composers across cinematic traditions, the introduction of popular music such as jazz and rock, and directors’ attraction to atonal and dissonant music as well as musique concrète, of which he is a composer. Wide-ranging and original, Music in Cinema offers a welcoming overview for students and general readers as well as refreshingly new and valuable perspectives for film scholars.



Meaning And Interpretation Of Music In Cinema


Meaning And Interpretation Of Music In Cinema
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Author : David P. Neumeyer
language : en
Publisher: Indiana University Press
Release Date : 2015-08-17

Meaning And Interpretation Of Music In Cinema written by David P. Neumeyer and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-08-17 with Performing Arts categories.


By exploring the relationship between music and the moving image in film narrative, David Neumeyer shows that film music is not conceptually separate from sound or dialogue, but that all three are manipulated and continually interact in the larger acoustical world of the sound track. In a medium in which the image has traditionally trumped sound, Neumeyer turns our attention to the voice as the mechanism through which narrative (dialog, speech) and sound (sound effects, music) come together. Complemented by music examples, illustrations, and contributions by James Buhler, Meaning and Interpretation of Music in Cinema is the capstone of Neumeyer’s 25-year project in the analysis and interpretation of music in film.



Film Music A Very Short Introduction


Film Music A Very Short Introduction
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Author : Kathryn Kalinak
language : en
Publisher: Oxford University Press
Release Date : 2010-03-11

Film Music A Very Short Introduction written by Kathryn Kalinak and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-03-11 with Performing Arts categories.


Film music is as old as cinema itself. Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a compact, lucid, and thoroughly engaging overview written by one of the leading authorities on the subject. After opening with a fascinating analysis of the music from a key sequence in Quentin Tarantino's Reservoir Dogs, Kathryn Kalinak introduces readers not only to important composers and musical styles but also to modern theoretical concepts about how and why film music works. Throughout the book she embraces a global perspective, examining film music in Asia and the Middle East as well as in Europe and the United States. Key collaborations between directors and composers--Alfred Hitchcock and Bernard Herrmann, Akira Kurosawa and Fumio Hayasaka, Federico Fellini and Nino Rota, to name only a few--come under scrutiny, as do the oft-neglected practices of the silent film era. She also explores differences between original film scores and compilation soundtracks that cull music from pre-existing sources. As Kalinak points out, film music can do many things, from establishing mood and setting to clarifying plot points and creating emotions that are only dimly realized in the images. This book illuminates the many ways it accomplishes those tasks and will have its readers thinking a bit more deeply and critically the next time they sit in a darkened movie theater and music suddenly swells as the action unfolds onscreen. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.



Composing For The Cinema


Composing For The Cinema
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Author : Ennio Morricone
language : en
Publisher: Scarecrow Press
Release Date : 2013-10-10

Composing For The Cinema written by Ennio Morricone and has been published by Scarecrow Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10-10 with Performing Arts categories.


With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike. In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Though aimed at composers, Morricone’s expositions are easy to understand and fascinating even to those without any musical training. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Translated and edited by Gillian B. Anderson, an orchestral conductor and musicologist, these lessons reveal Morricone’s passion about musical expression. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition. Aimed at a wide audience of composers, musicians, film historians, and fans, Composing for the Cinema contains a treasure trove of practical information and observations from a distinguished musicologist and one of the most accomplished composers on the international film scene.



Sound And Music In Film And Visual Media


Sound And Music In Film And Visual Media
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Author : Graeme Harper
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2014-10-27

Sound And Music In Film And Visual Media written by Graeme Harper and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-10-27 with Social Science categories.


Sound and Music in Film and Visual Media: A Critical Overview is a comprehensive work defining and encapsulating concepts, issues and applications in and around the use of sound in film and the cinema, media/broadcast and new media. Over thirty definitive full-length essays, which are linked by highlighted text and reference material, bring together original research by many of the world's top scholars in this emerging field. Complete with an extensive bibliography, Sound and Music in Film and Visual Media provides the most comprehensive and wide-ranging consideration of this subject yet produced.



Music In Film


Music In Film
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Author : Pauline Reay
language : en
Publisher: Wallflower Press
Release Date : 2004

Music In Film written by Pauline Reay and has been published by Wallflower Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Music categories.


Music in Film: Soundtracks and Synergy discusses a broad range of films - from classical Hollywood through to American independents and European art films - and offers a brief history of the development of music in film from the silent era to the present day. In particular, this book explores how music operates as a narrative device, and also emotionally and culturally. By focusing on the increasing synergy between film and music texts, it includes an extended case study of Magnolia as a film script which developed from a pop song. Emphasis is also placed on the divide between the `high culture' of the orchestral score and the `low culture' of the pop song.



Beyond The Soundtrack


Beyond The Soundtrack
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Author : Daniel Ira Goldmark
language : en
Publisher: Univ of California Press
Release Date : 2007-06-08

Beyond The Soundtrack written by Daniel Ira Goldmark and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-06-08 with Performing Arts categories.


This groundbreaking collection by the most distinguished musicologists and film scholars in their fields gives long overdue recognition to music as equal to the image in shaping the experience of film. Refuting the familiar idea that music serves as an unnoticed prop for narrative, these essays demonstrate that music is a fully imagined and active power in the worlds of film. Even where films do give it a supporting role—and many do much more—music makes an independent contribution. Drawing on recent advances in musicology and cinema studies, Beyond the Soundtrack interprets the cinematic representation of music with unprecedented richness. The authors cover a broad range of narrative films, from the "silent" era (not so silent) to the present. Once we think beyond the soundtrack, this volume shows, there is no unheard music in cinema.



Popular Music On Screen


Popular Music On Screen
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Author : John Mundy
language : en
Publisher: Manchester University Press
Release Date : 1999-08-21

Popular Music On Screen written by John Mundy and has been published by Manchester University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999-08-21 with Art categories.


Popular Music on Screen examines the relationship between popular music and the screen, from the origins of the Hollywood musical to contemporary developments in music television and video. Through detailed examination of films, television programs and popular music, together with analysis of the economic, technological and cultural determinants of their production and consumption, the book argues that popular music has been increasingly influenced by its visual economy. Though engaging with the debates that surround postmodernism, the book suggests that what most characterizes the relationship between popular music and the screen is a strong sense of continuity, expressed through institutional structures, representational strategies and the ideology of "entertainment."