Music And German National Identity
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Music And German National Identity
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Author : Celia Applegate
language : en
Publisher: University of Chicago Press
Release Date : 2002-08
Music And German National Identity written by Celia Applegate and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-08 with History categories.
Concert halls all over the world feature mostly the works of German and Austrian composers as their standard repertoire: composers like the three "Bs" of classical music, Bach, Beethoven, and Brahms, all of whom are German. Over the past three centuries, many supporters of German music have even nurtured the notion that the German-speaking world possesses a peculiar strength in the cultivation of music. This book brings together seventeen contributors from the fields of musicology, ethnomusicology, history, and German literature to explore these questions: how music came to be associated with German identity, when and how Germans came to be regarded as the "people of music," and how music came to be designated "the most German of arts." Unlike previous volumes on this topic, many of which focused primarily on Wagner and Nazism, the essays here are wide-ranging and comprehensive, examining philosophy, literature, politics, and social currents as well as the creation and performance of folk music, art music, church music, jazz, rock, and pop. The result is a striking volume, adeptly addressing the complexity and variety of ways in which music insinuated itself into the German national imagination and how it has continued to play a central role in the shaping of a German identity. Contributors to this volume: Celia Applegate Doris L. Bergen Philip Bohlman Joy Haslam Calico Bruce Campbell John Daverio Thomas S. Grey Jost Hermand Michael H. Kater Gesa Kordes Edward Larkey Bruno Nettl Uta G. Poiger Pamela Potter Albrecht Riethmüller Bernd Sponheuer Hans Rudolf Vaget
Soundtracking Germany
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Author : Melanie Schiller
language : en
Publisher: Rowman & Littlefield
Release Date : 2018-06-13
Soundtracking Germany written by Melanie Schiller and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-06-13 with Social Science categories.
This book argues for the importance of popular music in negotiations of national identity, and Germanness in particular. By discussing diverse musical genres and commercially and critically successful songs at the heights of their cultural relevance throughout seventy years of post-war German history, Soundtracking Germany describes how popular music can function as a language for “writing” national narratives. Running chronologically, all chapters historically contextualize and critically discuss the cultural relevance of the respective genre before moving into a close reading of one particularly relevant and appellative case study that reveals specific interrelations between popular music and constructions of Germanness. Close readings of these sonic national narratives in different moments of national transformations reveal changes in the narrative rhetoric as this book explores how Germanness is performatively constructed, challenged, and reaffirmed throughout the course of seventy years.
History In Mighty Sounds
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Author : Barbara Eichner
language : en
Publisher: Boydell Press
Release Date : 2012
History In Mighty Sounds written by Barbara Eichner and has been published by Boydell Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with History categories.
An indispensable study of nineteenth-century German music, history and nationalism. Music played a central role in the self-conception of middle-class Germans between the March Revolution of 1848 and the First World War. Although German music was widely held to be 'universal' and thus apolitical, it participated- like the other arts - in the historicist project of shaping the nation's future by calling on the national heritage. Compositions based on - often heavily mythologised - historical events and heroes, such as the Battle of the Teutoburg Forest or the medieval Emperor Barbarossa, invited individual as well as collective identification and brought alive a past that compared favourably with contemporary conditions. History in Mighty Sounds mapsout a varied picture of these 'invented traditions' and the manifold ideas of 'Germanness' to which they gave rise, exemplified through works by familiar composers like Max Bruch or Carl Reinecke as well as their nowadays little-known contemporaries. The whole gamut of musical genres, ranging from pre- and post-Wagnerian opera to popular choruses to symphonic poems, contributes to a novel view of the many ways in which national identities were constructed, shaped and celebrated in and through music. How did artists adapt historical or literary sources to their purpose, how did they negotiate the precarious balance of aesthetic autonomy and political relevance, and how did notions of gender, landscape and religion influence artistic choices? All musical works are placed within their broader historical and biographical contexts, with frequent nods to other arts and popular culture. History in Mighty Sounds will be indispensable reading for anyone interested in nineteenth-century German music, history and nationalism. Barbara Eichner is Senior Lecturer in Musicology at Oxford Brookes University.
French Music Culture And National Identity 1870 1939
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Author : Barbara L. Kelly
language : en
Publisher: University Rochester Press
Release Date : 2008
French Music Culture And National Identity 1870 1939 written by Barbara L. Kelly and has been published by University Rochester Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with History categories.
Heroism, art, and new media : France and identity formation. Unifying the French nation : Savorgnan de Brazza and the Third Republic / Edward Berenson ; New media, source-bonding, and alienation : listening at the 1889 Exposition Universelle / Annegret Fauser ; Debussy and the making of a musicien français : Pelléas, the press, and World War I / Barbara L. Kelly ; A bas Wagner! : the French press campaign against Wagner during World War I / Marion Schmid -- Canon, style, and political alignment. D'Indy's Beethoven / Steven Huebner ; Messidor : republican patriotism and the French revolutionary tradition in Third Republic opera / James Ross ; The symphony and national identity in early twentieth-century France / Brian Hart ; Transcending the word? : religion and music in Gauguin's quest for abstraction / Debora Silverman ; Jolivet's search for a new French voice : spiritual otherness in Mana (1935) / Deborah Mawer -- Regionalism. Rameau in late nineteenth-century Dijon : memorial, festival, fiasco / Katharine Ellis ; Becoming Alsatian : anti-German and pro-French cultural propaganda in Alsace, 1898-1914 / Detmar Klein ; National identity and the double border in Lorraine, 1870-1914 / Didier Francfort.
Patriotism And Nationalism In Music Education
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Author : David G. Hebert
language : en
Publisher: Routledge
Release Date : 2016-05-13
Patriotism And Nationalism In Music Education written by David G. Hebert and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-05-13 with Music categories.
Music has long served as an emblem of national identity in educational systems throughout the world. Patriotic songs are commonly considered healthy and essential ingredients of the school curriculum, nurturing the respect, loyalty and 'good citizenship' of students. But to what extent have music educators critically examined the potential benefits and costs of nationalism? Globalization in the contemporary world has revolutionized the nature of international relationships, such that patriotism may merit rethinking as an objective for music education. The fields of 'peace studies' and 'education for international understanding' may better reflect current values shared by the profession, values that often conflict with the nationalistic impulse. This is the first book to introduce an international dialogue on this important theme; nations covered include Germany, the USA, South Africa, Australia, Finland, Taiwan, Singapore and Canada.
Belonging
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Author : Nora Krug
language : en
Publisher: Scribner
Release Date : 2019-09-17
Belonging written by Nora Krug and has been published by Scribner this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-09-17 with Comics & Graphic Novels categories.
* Winner of the National Book Critics Circle Award * Silver Medal Society of Illustrators * * Named a Best Book of the Year by The New York Times, The Boston Globe, San Francisco Chronicle, NPR, Comics Beat, The Milwaukee Journal-Sentinel, Kirkus Reviews, and Library Journal This “ingenious reckoning with the past” (The New York Times), by award-winning artist Nora Krug investigates the hidden truths of her family’s wartime history in Nazi Germany. Nora Krug was born decades after the fall of the Nazi regime, but the Second World War cast a long shadow over her childhood and youth in the city of Karlsruhe, Germany. Yet she knew little about her own family’s involvement; though all four grandparents lived through the war, they never spoke of it. After twelve years in the US, Krug realizes that living abroad has only intensified her need to ask the questions she didn’t dare to as a child. Returning to Germany, she visits archives, conducts research, and interviews family members, uncovering in the process the stories of her maternal grandfather, a driving teacher in Karlsruhe during the war, and her father’s brother Franz-Karl, who died as a teenage SS soldier. In this extraordinary quest, “Krug erases the boundaries between comics, scrapbooking, and collage as she endeavors to make sense of 20th-century history, the Holocaust, her German heritage, and her family's place in it all” (The Boston Globe). A highly inventive, “thoughtful, engrossing” (Minneapolis Star-Tribune) graphic memoir, Belonging “packs the power of Alison Bechdel’s Fun Home and David Small’s Stitches” (NPR.org).
German National Identity After The Holocaust
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Author : Mary Fulbrook
language : en
Publisher: Polity
Release Date : 1999-08-25
German National Identity After The Holocaust written by Mary Fulbrook and has been published by Polity this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999-08-25 with History categories.
For over half a century, Germans have lived in the shadow of Auschwitz. Who was responsible for the mass murder of millions of people in the Holocaust: just a small gang of evil men, Hitler and his henchmen; or certain groups within a particular system; or even the whole nation? Could the roots of malignancy be traced far back in German history? Or did the Holocaust have more to do with European modernity? Should Germans live with a legacy of guilt forever? And how, if at all, could an acceptable German national identity be defined? These questions dogged public debates in both East and West Germany in the long period of division. Both states officially claimed to have "overcome the past" more effectively than the other; both sought to construct new, opposing identities as the "better Germany". But, in different ways, official claims ran at odds with the kaleidoscope of popular collective memories; dissonances, sensitivities and taboos were the order of the day on both sides of the Wall. And in the 1990s, with continued heated debates over past and present, it was clear that inner unity appeared to be no automatic consequence of formal unification. Drawing on a wide range of material - from landscapes of memory and rituals of commemoration, through private diaries, oral history interviews and public opinion poll surveys, to the speeches of politicians and the writings of professional historians - Fulbrook provides a clear analysis of key controversies, events and patterns of historical and national consciousness in East and West Germany in equal depth. Arguing against "essentialist" conceptions of the nation, Fulbrook presents a theory of the nation as a constructed community of shared legacy and common destiny, and shows how the conditions for the easy construction of any such identity have been notably lacking in Germany after the Holocaust. This book will be of interest to advanced undergraduate and postgraduate students in history, politics, and German and European Studies, as well as established scholars and interested members of the public.
Defining Deutschtum
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Author : David Lee Brodbeck
language : en
Publisher: New Cultural History of Music
Release Date : 2014
Defining Deutschtum written by David Lee Brodbeck and has been published by New Cultural History of Music this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with History categories.
Brodbeck offers a nuanced look at the intersection of music, cultural identity, and political ideology in Liberal Vienna by examining music-critical writing about Carl Goldmark, Antonín Dvořák, and Bedřich Smetana, Austrian citizens but not ethnic Germans. The critical reception of the three reveals a continuum of exclusivity, from a conception of Germanness rooted in social class and cultural elitism to one based in blood. The book thus offers insight into how educated German Austrians conceived of Germanness in music and understood their relationship to the 'non-Germans' in their midst.
Settling Scores
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Author : David Monod
language : en
Publisher: Univ of North Carolina Press
Release Date : 2006-03-08
Settling Scores written by David Monod and has been published by Univ of North Carolina Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-03-08 with History categories.
Classical music was central to German national identity in the early twentieth century. The preeminence of composers such as Bach and Beethoven and artists such as conductor Wilhelm Furtwangler and pianist Walter Gieseking was cited by the Nazis as justification for German expansionism and as evidence of Aryan superiority. In the minds of many Americans, further German aggression could be prevented only if the population's faith in its moral and cultural superiority was shattered. In Settling Scores, David Monod examines the attempted "denazification" of the German music world by the Music Control Branch of the Information Control Division of Military Government. The occupying American forces barred from the stage and concert hall all former Nazi Party members and even anyone deemed to display an "authoritarian personality." They also imported European and American music. These actions, however, divided American officials and outraged German audiences and performers. Nonetheless, the long-term effects were greater than has been previously recognized, as German government officials regained local control and voluntarily limited their involvement in artistic life while promoting "new" (anti-Nazi) music.
Sweeping The German Nation
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Author : Nancy R. Reagin
language : en
Publisher: Cambridge University Press
Release Date : 2006-10-09
Sweeping The German Nation written by Nancy R. Reagin and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-10-09 with History categories.
Is cleanliness next to Germanness, as some 19th century nationalists insisted? This book explores the relationship between gender roles, domesticity, and German national identity between 1870–1945. After German unification, approaches to household management that had originally emerged among the bourgeoisie became central to German national identity by 1914. Thrift, order, and extreme cleanliness, along with particular domestic markers (such as the linen cabinet) and holiday customs, were used by many Germans to define the distinctions between themselves and neighboring cultures. What was bourgeois at home became German abroad, as 'German domesticity' also helped to define and underwrite colonial identities in Southwest Africa and elsewhere. After 1933, this idealized notion of domestic Germanness was racialized and incorporated into an array of Nazi social politics. In occupied Eastern Europe during WWII Nazi women's groups used these approaches to household management in their attempts to 'Germanize' Eastern European women who were part of a large-scale project of population resettlement and ethnic cleansing.