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Music And German National Identity


Music And German National Identity
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Music And German National Identity


Music And German National Identity
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Author : Celia Applegate
language : en
Publisher: University of Chicago Press
Release Date : 2002-08

Music And German National Identity written by Celia Applegate and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-08 with History categories.


Concert halls all over the world feature mostly the works of German and Austrian composers as their standard repertoire: composers like the three "Bs" of classical music, Bach, Beethoven, and Brahms, all of whom are German. Over the past three centuries, many supporters of German music have even nurtured the notion that the German-speaking world possesses a peculiar strength in the cultivation of music. This book brings together seventeen contributors from the fields of musicology, ethnomusicology, history, and German literature to explore these questions: how music came to be associated with German identity, when and how Germans came to be regarded as the "people of music," and how music came to be designated "the most German of arts." Unlike previous volumes on this topic, many of which focused primarily on Wagner and Nazism, the essays here are wide-ranging and comprehensive, examining philosophy, literature, politics, and social currents as well as the creation and performance of folk music, art music, church music, jazz, rock, and pop. The result is a striking volume, adeptly addressing the complexity and variety of ways in which music insinuated itself into the German national imagination and how it has continued to play a central role in the shaping of a German identity. Contributors to this volume: Celia Applegate Doris L. Bergen Philip Bohlman Joy Haslam Calico Bruce Campbell John Daverio Thomas S. Grey Jost Hermand Michael H. Kater Gesa Kordes Edward Larkey Bruno Nettl Uta G. Poiger Pamela Potter Albrecht Riethmüller Bernd Sponheuer Hans Rudolf Vaget



Soundtracking Germany


Soundtracking Germany
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Author : Melanie Schiller
language : en
Publisher: Bloomsbury Publishing PLC
Release Date : 2018-06-13

Soundtracking Germany written by Melanie Schiller and has been published by Bloomsbury Publishing PLC this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-06-13 with Social Science categories.


This book argues for the importance of popular music in negotiations of national identity, and Germanness in particular. By discussing diverse musical genres and commercially and critically successful songs at the heights of their cultural relevance throughout seventy years of post-war German history, Soundtracking Germany describes how popular music can function as a language for “writing” national narratives. Running chronologically, all chapters historically contextualize and critically discuss the cultural relevance of the respective genre before moving into a close reading of one particularly relevant and appellative case study that reveals specific interrelations between popular music and constructions of Germanness. Close readings of these sonic national narratives in different moments of national transformations reveal changes in the narrative rhetoric as this book explores how Germanness is performatively constructed, challenged, and reaffirmed throughout the course of seventy years.



Defining Deutschtum


Defining Deutschtum
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Author : David Lee Brodbeck
language : en
Publisher:
Release Date : 2014

Defining Deutschtum written by David Lee Brodbeck and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Music categories.


Defining Deutschtum: Political Ideology, German Identity, and Music-Critical Discourse in Liberal Vienna offers a nuanced look at the intersection of music, cultural identity, and political ideology in late-nineteenth-century Vienna. Drawing on an extensive selection of writings in the city's political press, correspondence, archival documents, and a large body of recent scholarship in late Habsburg cultural and political history, author David Brodbeck argues that Vienna's music critics were important agents in the public sphere whose writings gave voice to distinct, sometimes competing ideological positions. These conflicting positions are exemplified especially well in their critical writings about the music of three notable composers of the day who were Austrian citizens but not ethnic Germans: Carl Goldmark, a Jew from German West Hungary, and the Czechs Bed'ich Smetana and Anton n Dvo? k. Often at stake in the critical discourse was the question of who and what could be deemed "German" in the multinational Austrian state. For critics such as Eduard Hanslick and Ludwig Speidel, traditional German liberals who came of age in the years around 1848, "Germanness" was an attribute that could be earned by any ambitious bourgeois-including Jews and those of non-German nationality-by embracing German cultural values. The more nationally inflected liberalism evident in the writings of Theodor Helm, with its particularist rhetoric of German national property in a time of Czech gains at German expense, was typical of those in the next generation, educated during the 1860s. The radical student politics of the 1880s, with its embrace of racialist antisemitism and irredentist German nationalism, just as surely shaped the discourse of certain young Wagnerian critics who emerged at the end of the century. This body of music-critical writing reveals a continuum of exclusivity, from a conception of Germanness rooted in social class and cultural elitism to one based in blood. Brodbeck neatly counters decades of musicological scholarship and offers a unique insight into the diverse ways in which educated German Austrians conceived of Germanness in music and understood their relationship to their non-German fellow citizens. Defining Deutschtum is sure to be an essential text for scholars of music history, cultural studies, and late 19th century Central European culture and society.



The Cambridge Companion To Modern German Culture


The Cambridge Companion To Modern German Culture
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Author : Eva Kolinsky
language : en
Publisher: Cambridge University Press
Release Date : 1998

The Cambridge Companion To Modern German Culture written by Eva Kolinsky and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Art categories.


One of the most intriguing questions of our time is how some of the masterpieces of modernity originated in a country in which personal liberty and democracy were slow to emerge. This Companion provides an authoritative account of modern German culture since the onset of industrialisation, the rise of mass society and the nation state. Newly written and researched by experts in their respective fields, individual chapters trace developments in German culture - including national identity, class, Jews in German society, minorities and women, the functions of folk and mass culture, poetry, drama, theatre, dance, music, art, architecture, cinema and mass media - from the nineteenth century to the present. Guidance is given for further reading and a chronology is provided. In its totality the Companion shows how the political and social processes that shaped modern Germany are intertwined with cultural genres and their agendas of creative expression.



Settling Scores


Settling Scores
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Author : David Monod
language : en
Publisher: Univ of North Carolina Press
Release Date : 2006-03-08

Settling Scores written by David Monod and has been published by Univ of North Carolina Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-03-08 with History categories.


Classical music was central to German national identity in the early twentieth century. The preeminence of composers such as Bach and Beethoven and artists such as conductor Wilhelm Furtwangler and pianist Walter Gieseking was cited by the Nazis as justification for German expansionism and as evidence of Aryan superiority. In the minds of many Americans, further German aggression could be prevented only if the population's faith in its moral and cultural superiority was shattered. In Settling Scores, David Monod examines the attempted "denazification" of the German music world by the Music Control Branch of the Information Control Division of Military Government. The occupying American forces barred from the stage and concert hall all former Nazi Party members and even anyone deemed to display an "authoritarian personality." They also imported European and American music. These actions, however, divided American officials and outraged German audiences and performers. Nonetheless, the long-term effects were greater than has been previously recognized, as German government officials regained local control and voluntarily limited their involvement in artistic life while promoting "new" (anti-Nazi) music.



Sounds German


Sounds German
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Author : Kirkland A. Fulk
language : en
Publisher: Berghahn Books
Release Date : 2020-11-01

Sounds German written by Kirkland A. Fulk and has been published by Berghahn Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-11-01 with Social Science categories.


For decades, Germany has been shaped and reshaped by the sounds of popular music—whether viewed as uniquely German or an ideological invader from abroad. This collected volume brings together leading figures in the field of German Studies, popular music studies, and cultural studies at large to survey the sociopolitical impact of music on conceptions of the German state and national identity, gender and sexuality, and transnational cultural production and consumption, expanding on the ways in which sounds, technologies, media practices, and exchanges of popular music provide a unique glimpse into the cultural dynamics of postwar Germany.



The Shaping Of German Identity


The Shaping Of German Identity
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Author : Len Scales
language : en
Publisher: Cambridge University Press
Release Date : 2012-04-26

The Shaping Of German Identity written by Len Scales and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-04-26 with History categories.


German identity, a key force in history, took shape during the late Middle Ages. This book explains how and why.



Sound Matters


Sound Matters
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Author : Nora M. Alter
language : en
Publisher: Berghahn Books
Release Date : 2005-10

Sound Matters written by Nora M. Alter and has been published by Berghahn Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-10 with Music categories.


Working across established disciplines & methodological divides, these essays investigate the ways in which texts, artists, & performers in all kinds of media have utilized sound materials in order to enforce or complicate dominant notions of German cultural & national identity.



Music Makes The Nation


Music Makes The Nation
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Author :
language : en
Publisher: Cambria Press
Release Date :

Music Makes The Nation written by and has been published by Cambria Press this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.




Dreams Of Germany


Dreams Of Germany
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Author : Neil Gregor
language : en
Publisher: Berghahn Books
Release Date : 2018-12-17

Dreams Of Germany written by Neil Gregor and has been published by Berghahn Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-12-17 with Music categories.


For many centuries, Germany has enjoyed a reputation as the ‘land of music’. But just how was this reputation established and transformed over time, and to what extent was it produced within or outside of Germany? Through case studies that range from Bruckner to the Beatles and from symphonies to dance-club music, this volume looks at how German musicians and their audiences responded to the most significant developments of the twentieth century, including mass media, technological advances, fascism, and war on an unprecedented scale.