Music And War In Europe


Music And War In Europe
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Music And War In Europe


Music And War In Europe
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Author : Étienne Jardin
language : en
Publisher: Brepols Publishers
Release Date : 2016

Music And War In Europe written by Étienne Jardin and has been published by Brepols Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with Music and war categories.


This book investigates the relationship between music and war from the end of the XVIII century to WWI, and aims to investigate that relationship by adopting a larger time-span: from the end of eighteenth century until the outbreak of the First World War. Bringing together more than twenty case studies dealing with several European wars, it also investigates the evolution of the perception of the sound of war, and proposes new perspectives based on recent music and war studies.



Music In World War Ii


Music In World War Ii
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Author : Pamela M. Potter
language : en
Publisher: Indiana University Press
Release Date : 2020-10-06

Music In World War Ii written by Pamela M. Potter and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-10-06 with Music categories.


How can music withstand the death and destruction brought on by war? Global conflicts of the 20th century fundamentally transformed not only national boundaries, power relations, and global economies, but also the arts and culture of every nation involved. An important, unacknowledged aspect of these conflicts is that they have unique musical soundtracks. Music in World War II explores how music and sound took on radically different dimensions in the United States and Europe before, during, and after World War II. Additionally, the collection examines the impact of radio and film as the disseminators of the war's musical soundtrack. Contributors contend that the European and American soundtrack of World War II was largely one of escapism rather than the lofty, solemn, heroic, and celebratory mode of "war music" in the past. Furthermore, they explore the variety of experiences of populations forced from their homes and interned in civilian and POW camps in Europe and the United States, examining how music in these environments played a crucial role in maintaining ties to an idealized "home" and constructing politicized notions of national and ethnic identity. This fascinating and well-constructed volume of essays builds understanding of the role and importance of music during periods of conflict and highlights the unique aspects of music during World War II.



Musicking In Twentieth Century Europe


Musicking In Twentieth Century Europe
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Author : Klaus Nathaus
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2020-12-16

Musicking In Twentieth Century Europe written by Klaus Nathaus and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-12-16 with History categories.


Music has gained the increasing attention of historians. Research has branched out to explore music-related topics, including creative labor, economic histories of music production, the social and political uses of music, and musical globalization. This handbook both covers the history of music in Europe and probes its role for the making of Europe during a "long" twentieth century. It offers concise guidance to key historical trends as well as the most important research on central topics within the field.



Concepts Of Time In Post War European Music


Concepts Of Time In Post War European Music
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Author : Aaron Hayes
language : en
Publisher: Routledge
Release Date : 2020-10-29

Concepts Of Time In Post War European Music written by Aaron Hayes and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-10-29 with Music categories.


Concepts of Time in Post-War European Music gives a historical and philosophical account of the discussions of the nature of time and music during the mid-twentieth century. The nature of time was a persistent topic among composers in Paris and Darmstadt in the decades after World War II, one which influenced their musical practice and historical relevance. Based on the author’s specialized knowledge of the relevant philosophical discourses, this volume offers a balanced critique of these composers' attempts at philosophizing about time. Touching on familiar topics such as Adorno’s philosophy of music, the writings of Boulez and Stockhausen, and Messiaen’s theology, this volume uncovers specific relationships among varied intellectual traditions that have not previously been described. Each chapter provides a philosophical explanation of specific problems that are relevant for interpreting the composer’s own essays or lectures, followed by a musical analysis of a piece of music which illustrates central theoretical concepts. This is a valuable study for scholars and researchers of music theory, music history, and the philosophy of music.



Popular Music In Eastern Europe


Popular Music In Eastern Europe
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Author : Ewa Mazierska
language : en
Publisher: Springer
Release Date : 2016-12-21

Popular Music In Eastern Europe written by Ewa Mazierska and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-12-21 with Social Science categories.


This book explores popular music in Eastern Europe during the period of state socialism, in countries such as Poland, Hungary, Yugoslavia, Romania, Czechoslovakia, the GDR, Estonia and Albania. It discusses the policy concerning music, the greatest Eastern European stars, such as Karel Gott, Czesław Niemen and Omega, as well as DJs and the music press. By conducting original research, including interviews and examining archival material, the authors take issue with certain assumptions prevailing in the existing studies on popular music in Eastern Europe, namely that it was largely based on imitation of western music and that this music had a distinctly anti-communist flavour. Instead, they argue that self-colonisation was accompanied with creating an original idiom, and that the state not only fought the artists, but also supported them. The collection also draws attention to the foreign successes of Eastern European stars, both within the socialist bloc and outside of it. v>



Music Collective Memory Trauma And Nostalgia In European Cinema After The Second World War


Music Collective Memory Trauma And Nostalgia In European Cinema After The Second World War
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Author : Michael Baumgartner
language : en
Publisher: Routledge
Release Date : 2019-09-23

Music Collective Memory Trauma And Nostalgia In European Cinema After The Second World War written by Michael Baumgartner and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-09-23 with Music categories.


In the wake of World War II, the arts and culture of Europe became a site where the devastating events of the 20th century were remembered and understood. Exploring one of the most integral elements of the cinematic experience—music—the essays in this volume consider the numerous ways in which post-war European cinema dealt with memory, trauma and nostalgia, showing how the music of these films shaped the representation of the past. The contributors consider films from the United Kingdom, Poland, the Soviet Union, France, Italy, Germany, Sweden, Austria, and the Netherlands, providing a diverse and well-rounded understanding of film music in the context of historical memory. Memory is often underrepresented within scholarly musical studies, with most of these applications found in the disciplines of ethnomusicology, popular music studies, music cognition, and psychology and music therapy. Likewise, trauma has mainly been studied in relation to music in only a few historical contexts, while nostalgia has attracted even less academic attention. In three parts, this volume addresses each area of study as it relates to the music of European cinema from 1945 to 1989, applying an interdisciplinary approach to investigate how films use music to negotiate the precarious relationships we maintain with the past. Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War offers compelling arguments as to what makes music such a powerful medium for memory, trauma and nostalgia.



The Role Of Music In European Integration


The Role Of Music In European Integration
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Author : Albrecht Riethmüller
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2017-08-07

The Role Of Music In European Integration written by Albrecht Riethmüller and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-08-07 with Music categories.


The volume focuses on music during the process of European integration since the Second World War. Often music in Europe is defined by its relation to the concept of Occidentalism (Musik im Abendland; western music). The emphasis here turns rather to recent manifestations of its evolvement in ensembles, events, musical organisations and ideas; questions of unity and diversity from Bergen to Tel Aviv, from Lisbon to Baku; and deals with the tension between local, regional and national music within the larger confluence of European music. The status of classical and avante-garde music, and to a degree rock and pop, during Europe's development the past sixty years are also reviewed within the context of eurocentrism – the domination of European music within world music, a term propagated by anthropologists and ethnomusicologists several decades ago and based on multiculturalism. Conversely, the search for a musical European identity and the ways in which this search has in turn been influenced by multiculturalism is an ongoing, dynamic process.



Music And Ideology In Cold War Europe


Music And Ideology In Cold War Europe
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Author : Mark Carroll
language : en
Publisher: Cambridge University Press
Release Date : 2006-11-02

Music And Ideology In Cold War Europe written by Mark Carroll and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-11-02 with History categories.


Places the radicalization of art music in early post-war France in its broader socio-cultural and political context.



Proof Through The Night


Proof Through The Night
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Author : Glenn Watkins
language : en
Publisher: Univ of California Press
Release Date : 2003

Proof Through The Night written by Glenn Watkins and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with Music categories.


An entertaining cultural history of music during World War I, covering all the major European nations as well as the United States, in both classical and popular genres. The book is lavishly illustrated and includes a CD.



The War On Music


The War On Music
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Author : John Mauceri
language : en
Publisher: Yale University Press
Release Date : 2022-04-26

The War On Music written by John Mauceri and has been published by Yale University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-04-26 with Music categories.


A prominent conductor explores how aesthetic criteria masked the political goals of countries during the three great wars of the past century This book offers a major reassessment of classical music in the twentieth century. John Mauceri argues that the history of music during this span was shaped by three major wars of that century: World War I, World War II, and the Cold War. Probing why so few works have been added to the canon since 1930, Mauceri examines the trajectories of great composers who, following World War I, created voices that were unique and versatile, but superficially simpler. He contends that the fate of composers during World War II is inextricably linked to the political goals of their respective governments, resulting in the silencing of experimental music in Germany, Italy, and Russia; the exodus of composers to America; and the sudden return of experimental music—what he calls “the institutional avant-garde”—as the lingua franca of classical music in the West during the Cold War.