Music As Concept And Practice In The Late Middle Ages
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Music As Concept And Practice In The Late Middle Ages
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Author : Reinhard Strohm
language : en
Publisher:
Release Date : 2001
Music As Concept And Practice In The Late Middle Ages written by Reinhard Strohm and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Music categories.
This entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of the late-medieval repertory, witnessed during the latter half of the 20th century.
Music Theory
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Author : Lloyd Ultan
language : en
Publisher: U of Minnesota Press
Release Date :
Music Theory written by Lloyd Ultan and has been published by U of Minnesota Press this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.
Music Theory
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Author : Lloyd Ultan
language : en
Publisher:
Release Date : 1977-01-01
Music Theory written by Lloyd Ultan and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1977-01-01 with categories.
Musica Naturalis
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Author : Philipp Jeserich
language : en
Publisher: JHU Press
Release Date : 2013-11
Musica Naturalis written by Philipp Jeserich and has been published by JHU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-11 with Literary Criticism categories.
A critical study of the relationship between poetics and music theory in medieval culture and aesthetics. Musica Naturalis delivers the first systematic account of speculative music theory as a discursive horizon for literary poetics. The title refers to the late medieval French poet Eustache Deschamps, whose 1392 treatise on verse writing, L'Art de Dictier, famously casts verse as “natural music” in explicit distinction to song, which Deschamps defines as “artificial.” Philipp Jeserich links the significance of the speculative branch of medieval musicology to literary theory and literary production, opening up a field of study that has been largely neglected. Beginning with Augustine and Boethius, he traces the discourse of speculative music theory to the late fifteenth century, giving attention to medieval Latin and vernacular sources. Ultimately, Jeserich calls for the conservatism of Deschamps’s poetics and develops a new perspective on the poetics and poetry of the Grands rhétoriqueurs. Given Jeserich's reliance on the intellectual inheritance of late medieval French poetics and poetry, this book will appeal to English-speaking specialists of Old and Middle French, as well as scholars of the French Renaissance. It will also interest English-language medievalists of several other disciplines: intellectual historians and specialists of English, as well as scholars of Italian and Iberian literature.
Songs Scribes And Society
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Author : Jane Alden
language : en
Publisher: Oxford University Press
Release Date : 2010
Songs Scribes And Society written by Jane Alden and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with History categories.
Songs, Scribes, and Society explores the cultural and musical importance of five 15th-century Chansonniers - personalized, portable, and lavishly decorated songbooks - from the Loire Valley of France. Author Jane Alden treats the Chansonniers as physical artifacts to reveal their cultural context and its relationship to their commission, creation, and use.
Music Theory In Late Medieval Avignon
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Author : Karen M. Cook
language : en
Publisher: Routledge
Release Date : 2021-06-04
Music Theory In Late Medieval Avignon written by Karen M. Cook and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-06-04 with Music categories.
The manuscript Seville, Biblioteca Colombina y Capitular 5-2-25, a composite of dozens of theoretical treatises, is one of the primary witnesses to late medieval music theory. Its numerous copies of significant texts have been the focus of substantial scholarly attention to date, but the shorter, unattributed, or fragmentary works have not yet received the same scrutiny. In this monograph, Cook demonstrates that a small group of such works, linked to the otherwise unknown Magister Johannes Pipudi, is in fact much more noteworthy than previous scholarship has observed. The not one but two copies of De arte cantus are in fact one of the earliest known sources for the Libellus cantus mensurabilis, purportedly by Jean des Murs and the most widely copied music theory treatise of its day, while Regulae contrapunctus, Nota quod novem sunt species contrapunctus, and a concluding set of notes in Catalan are early witnesses to the popular Ars contrapuncti treatises also attributed to des Murs. Disclosing newly discovered biographical information, it is revealed that Pipudi is most likely one Johannes Pipardi, familiar to Cardinal Jean de Blauzac, Vicar-General of Avignon. Cook provides the first biographical assessment for him and shows that late fourteenth-century Avignon was a plausible chronological and geographical milieu for the Seville treatises, hinting provocatively at a possible route of transmission for the Libellus from Paris to Italy. The monograph concludes with new transcriptions and the first English translations of the treatises.
A Companion To Late Medieval And Early Modern Milan
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Author :
language : en
Publisher: BRILL
Release Date : 2014-11-27
A Companion To Late Medieval And Early Modern Milan written by and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-11-27 with History categories.
20 Chapters by qualified and distinguished scholars offer a new and original view of the State of Milan from the mid 14th to the late 17th century, with themes ranging from society to politics, music to literature, the history of art to law, the church to the economy.
Church Music And Protestantism In Post Reformation England
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Author : Jonathan Willis
language : en
Publisher: Routledge
Release Date : 2016-05-23
Church Music And Protestantism In Post Reformation England written by Jonathan Willis and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-05-23 with History categories.
'Church Music and Protestantism in Post-Reformation England' breaks new ground in the religious history of Elizabethan England, through a closely focused study of the relationship between the practice of religious music and the complex process of Protestant identity formation. Hearing was of vital importance in the early modern period, and music was one of the most prominent, powerful and emotive elements of religious worship. But in large part, traditional historical narratives of the English Reformation have been distinctly tone deaf. Recent scholarship has begun to take increasing notice of some elements of Reformed musical practice, such as the congregational singing of psalms in meter. This book marks a significant advance in that area, combining an understanding of theory as expressed in contemporary religious and musical discourse, with a detailed study of the practice of church music in key sites of religious worship. Divided into three sections - 'Discourses', 'Sites', and 'Identities' - the book begins with an exploration of the classical and religious discourses which underpinned sixteenth-century understandings of music, and its use in religious worship. It then moves on to an investigation of the actual practice of church music in parish and cathedral churches, before shifting its attention to the people of Elizabethan England, and the ways in which music both served and shaped the difficult process of Protestantisation. Through an exploration of these issues, and by reintegrating music back into the Elizabethan church, we gain an expanded and enriched understanding of the complex evolution of religious identities, and of what it actually meant to be Protestant in post-Reformation England.
Angel Song Medieval English Music In History
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Author : Lisa Colton
language : en
Publisher: Taylor & Francis
Release Date : 2016-12-08
Angel Song Medieval English Music In History written by Lisa Colton and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-12-08 with Music categories.
Although medieval English music has been relatively neglected in comparison with repertoire from France and Italy, there are few classical musicians today who have not listened to the thirteenth-century song ‘Sumer is icumen in’, or read of the achievements and fame of fifteenth-century composer John Dunstaple. Similarly, the identification of a distinctively English musical style (sometimes understood as the contenance angloise) has been made on numerous occasions by writers exploring the extent to which English ideas influenced polyphonic composition abroad. Angel song: Medieval English music in history examines the ways in which the standard narratives of English musical history have been crafted, from the Middle Ages to the present. Colton challenges the way in which the concept of a canon of English music has been built around a handful of pieces, composers and practices, each of which offers opportunities for a reappraisal of English musical and devotional cultures between 1250 and 1460.
Music Education In The Middle Ages And The Renaissance
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Author : Susan Forscher Weiss
language : en
Publisher: Indiana University Press
Release Date : 2010-07-16
Music Education In The Middle Ages And The Renaissance written by Susan Forscher Weiss and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-07-16 with Music categories.
What were the methods and educational philosophies of music teachers in the Middle Ages and the Renaissance? What did students study? What were the motivations of teacher and student? Contributors to this volume address these topics and other -- including gender, social status, and the role of the Church -- to better understand the identities of music teachers and students from 650 to 1650 in Western Europe. This volume provides an expansive view of the beginnings of music pedagogy, and shows how the act of learning was embedded in the broader context of the early Western art music tradition.