Music For Small Orchestra 1926
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Music For Small Orchestra 1926
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Author : Ruth Crawford Seeger
language : en
Publisher:
Release Date : 1993
Music For Small Orchestra 1926 written by Ruth Crawford Seeger and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993 with Chamber orchestra music categories.
Music For Small Ochestra 1926 Suite No 2 For Four Strings And Piano 1929
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Author : Ruth Crawford
language : en
Publisher: A-R Editions, Inc.
Release Date : 1996-01-01
Music For Small Ochestra 1926 Suite No 2 For Four Strings And Piano 1929 written by Ruth Crawford and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996-01-01 with Music categories.
Music For Small Orchestra 1926
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FREE 30 Days
Author : Ruth Crawford Seeger
language : en
Publisher:
Release Date : 1993
Music For Small Orchestra 1926 written by Ruth Crawford Seeger and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993 with Chamber orchestra music categories.
Accessible Orchestral Repertoire
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Author : Daniel Chetel
language : en
Publisher: Rowman & Littlefield
Release Date : 2020-06-15
Accessible Orchestral Repertoire written by Daniel Chetel and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-06-15 with Music categories.
Accessible Orchestral Repertoire is a reference volume for conductors who lead non-professional symphonic orchestras, offering practical and insightful commentary on music appropriate for intermediate and advanced youth, community, and collegiate orchestras. Modeled on and complimentary to Daniels’ Orchestral Music, it is a repertoire and programming resource for youth, academic, and community orchestras. The works included in this book are a combination of well-known warhorses and lesser known gems—clear favorites for young or amateur players and as well as more challenging pieces. Functioning like an annotated bibliography, entries on individual works include information about the composer, instrumentation, movement length, and publisher. Each entry also features notes regarding the particular pedagogical, stylistic, logistical, and technical strengths and challenges of the specific work. Accessible Orchestral Repertoire will help every conductor in the process of selecting repertoire that will both feature and enrich any individual non-professional ensemble for which thoughtful and strategic programming is required.
Surviving Orchestral Music
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Author : Charles Hommann
language : en
Publisher: A-R Editions, Inc.
Release Date : 2007-01-01
Surviving Orchestral Music written by Charles Hommann and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-01-01 with Music categories.
Pagination: lxxxiii + 270 pp.
Complete Wind Chamber Music
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Author : David Moritz Michael
language : en
Publisher: A-R Editions, Inc.
Release Date : 2006-01-01
Complete Wind Chamber Music written by David Moritz Michael and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-01-01 with Music categories.
l + 386 pagesPerformance parts available.
Palestina
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Author : Leo Zeitlin
language : en
Publisher: A-R Editions, Inc.
Release Date : 2014-11-01
Palestina written by Leo Zeitlin and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-11-01 with Music categories.
Trained in Russia, Zeitlin (18841930) was an accomplished composer, conductor, performer, and pedagogue. In writing Palestina, Zeitlin, as he had done during his entire career, was fulfilling the goals of the Society for Jewish Folk Music, which he joined in 1908 while still a student at the St. Petersburg Conservatory: to compose and perform works of art music on motivic material drawn from Jewish cantillation, liturgy, and folk song. In addition to employing two modes central to Jewish music and several Jewish tunes, in Palestina Zeitlin actually imitates the shofar calls heard in the synagogue before and during Rosh Hashanah and at the conclusion of Yom Kippur. This edition includes an extensive essay on the composer and on the themes and structure of Palestina, with insights into the Capitol Theatre and the role of music in picture palaces of this era.
Vocal Chamber Music
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Author : John Knowles Paine
language : en
Publisher: A-R Editions, Inc.
Release Date : 1999-01-01
Vocal Chamber Music written by John Knowles Paine and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999-01-01 with Music categories.
An American Singing Heritage
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Author : Norm Cohen
language : en
Publisher: A-R Editions, Inc.
Release Date : 2021-12-20
An American Singing Heritage written by Norm Cohen and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-12-20 with Music categories.
This edition brings together representative transcriptions of folk songs and ballads in the British-Irish-American oral tradition that have enjoyed widespread familiarity throughout twentieth-century America. Within are the one hundred folk songs that most frequently occurred in a methodical survey of Roud’s Folk Song Index, catalogues of commercial early country (or "hillbilly") recordings, and relevant archival collections. The editors selected sources for transcriptions in a broad range of singing styles and representing many regions of the United States. The selections attempt to avoid the biases of previous collections and provide a fresh group of examples, many heretofore unseen in print. The sources for the transcriptions are recordings of traditional musicians from the 1920s through the early 1940s drawn from (1) commercial recordings of "hillbilly" musicians, and (2) field recordings in the collection of the Library of Congress’s Archive of American Folk Song, now part of the Archive of Folk Culture. Each transcription is accompanied by a brief contextualizing essay discussing the song’s history and influence, recording and performance information (whenever available), and an examination of the tune. The edition begins with a substantive essay about the history of folk song recordings and folk song scholarship, and the nature of traditional vocal music in the United States.
Solo For Piano By John Cage Second Realization Part 2
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Author : David Tudor
language : en
Publisher: A-R Editions, Inc.
Release Date : 2020-01-01
Solo For Piano By John Cage Second Realization Part 2 written by David Tudor and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-01-01 with Music categories.
When I think of music, I think of you and vice-versa, John Cage told David Tudor in the summer of 1951. Looking back years later, Cage said that every work he composed in the ensuing two decades was composed for Tudoreven if it was not written for the piano, Tudors nominal instrument. The collaboration of Cage and Tudor reached an apex in the Solo for Piano from Cages Concert for Piano and Orchestra (195758). None of Cages previous works had employed more than a single type of notation. In contrast, the Solo for Piano consists of eighty-four notational types, ranging from standard line-and-staff notation to extravagant musical graphics. The notational complexity of the Solo for Piano led Tudor to write outor realizea performance score, from which he played at the premiere of the Concert for Piano and Orchestra in May 1958. The next spring, when Cage requested music to complement his ninety-minute lecture Indeterminacy, Tudor created a second realization, for which he devised a new temporal structure to implement Cages notations. This edition of Tudors second realization of the Solo for Piano presents Tudors performance score in the spatial-temporal layout of its proportional notation. An introductory essay discusses the early collaborations of Cage and Tudor, as well as the genesis, creative process, and performance history of the Solo for Piano. The critical commentary examines each of Tudors methods of realization; which notations from Cages score Tudor selected and why; how Tudor interpreted Cages often ambiguous performance instructions; how Tudor distributed the resulting sounds temporally; and the ways in which Tudors realization fulfills, transcends, and sometimes contravenes the instructions of Cages score.