Music In Fascist Italy


Music In Fascist Italy
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Music In Fascist Italy


Music In Fascist Italy
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Author : Harvey Sachs
language : en
Publisher: New York : W.W. Norton
Release Date : 1988

Music In Fascist Italy written by Harvey Sachs and has been published by New York : W.W. Norton this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988 with Composers categories.


Looks at the ways Mussolini's government attempted to control music, describes the reactions of individual composers and musicians, and examines Mussolini's own musical pretenstions



Italian Jewish Musicians And Composers Under Fascism


Italian Jewish Musicians And Composers Under Fascism
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Author : Alessandro Carrieri
language : en
Publisher: Springer Nature
Release Date : 2021-05-13

Italian Jewish Musicians And Composers Under Fascism written by Alessandro Carrieri and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-05-13 with History categories.


This book is the first collection of multi-disciplinary research on the experience of Italian-Jewish musicians and composers in Fascist Italy. Drawing together seven diverse essays from both established and emerging scholars across a range of fields, this book examines multiple aspects of this neglected period of music history, including the marginalization and expulsion of Jewish musicians and composers from Italian theatres and conservatories after the 1938–39 Race Laws, and their subsequent exile and persecution. Using a variety of critical perspectives and innovative methodological approaches, these essays reconstruct and analyze the impact that the Italian Race Laws and Fascist Italy’s musical relations with Nazi Germany had on the lives and works of Italian Jewish composers from 1933 to 1945. These original contributions on relatively unresearched aspects of historical musicology offer new insight into the relationship between the Fascist regime and music.



Luigi Dallapiccola And Musical Modernism In Fascist Italy


Luigi Dallapiccola And Musical Modernism In Fascist Italy
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Author : Ben Earle
language : en
Publisher: Cambridge University Press
Release Date : 2013-08-15

Luigi Dallapiccola And Musical Modernism In Fascist Italy written by Ben Earle and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-08-15 with History categories.


Luigi Dallapiccola is widely considered a defining figure in twentieth-century Italian musical modernism, whose compositions bear passionate witness to the historical period through which he lived. In this book, Ben Earle focuses on three major works by the composer: the one-act operas Volo di notte ('Night Flight') and Il prigioniero ('The Prisoner'), and the choral Canti di prigionia ('Songs of Imprisonment'), setting them in the context of contemporary politics to trace their complex path from fascism to resistance. Earle also considers the wider relationship between musical modernism and Italian fascism, exploring the origins of musical modernism and investigating its place in the institutional structures created by Mussolini's regime. In doing so, he sheds new light on Dallapiccola's work and on the cultural politics of the early twentieth century to provide a history of musical modernism in Italy from the fin de siècle to the early Cold War.



Italian Music During The Fascist Period


Italian Music During The Fascist Period
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Author : Roberto Illiano
language : de
Publisher: Brepols Publishers
Release Date : 2004

Italian Music During The Fascist Period written by Roberto Illiano and has been published by Brepols Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Music categories.


In the present volume 23 specialists investigate a number of significant aspects of Italian music history during the Fascist period. Included are also unpublished documents and fresh information on composers like Ferruccio Busoni, Alfredo Casella, Aldo Finzi, Adriano Lualdi, Gian Francesco Malipiero and Ottorino Respighi. The last section of the book commemorates the centenary of the birth of Luigi Dallapiccola (Pisino dIstria 1904 - Firenze 1975) by collecting the most recent research on his music. The authors featured are: Vincenzo Alaimo, Chiara Bianchi, Eleonora Carapella, Ermanno Comuzio, Mila De Santis, Benjamin Earle, Christoph Flamm, Roberto Illiano, Erik Levi, Charles Maier, Fiamma Nicolodi, Carlo Piccardi, Luca Sala, Massimiliano Sala, Michela Niccolai, Giovanella Pacini, Karen Painter, Gemma Perez-Zalduondo, Luigi Pestalozza, Graham Phipps, Laureto Rodoni, Michael Walter and Martina Weindel.



Music And Institutions In Fascist Italy


Music And Institutions In Fascist Italy
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Author : Roberto Illiano
language : en
Publisher:
Release Date : 2024-07

Music And Institutions In Fascist Italy written by Roberto Illiano and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-07 with History categories.


In the 1920s and 1930s, the entire process of renovation of the cultural institutions conducted by the Fascists, implemented through the Ministry of National Education, imposed a strong concentration of power on the Italian school administrations, especially the universities, and created new national institutions. At the same time, the Fascist Cultural Institute (IFC), which under the leadership of Giovanni Gentile aspired to be a charitable organisation for the promotion of the culture typical of pre-Fascist associations, was placed after 1937 directly under the National Fascist Party, which changed its name to the National Institute of Fascist Culture (INCF), with the aim of giving the party itself the task of educating the new leadership. The relationship between intellectuals and power under Fascism was aligned into a perspective of orientation that attributed the party with the role of educator of homo novus, summarised in a phrase from Mussolini himself: "Fascism is a great orchestra, where everyone plays a different instrument". A particular concern of the ruling class was to develop a production-fruition process involving all social classes, in order to offer them the feeling of being part of a solid, free and fair system. However, this conception was not explicit in the artistic expressions of the regime: the construction of a social apparatus proceeded underground through the channels of the productive and hierarchical apparatus of the institutions, rather than through the creation of a tangible aesthetic of the regime. In summary: culture had to be the expression of a common heritage belonging both to the people and to the intellectuals; it bore the task of providing a fascist conception of the world.



Jazz Italian Style


Jazz Italian Style
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Author : Anna Harwell Celenza
language : en
Publisher: Cambridge University Press
Release Date : 2017-03-06

Jazz Italian Style written by Anna Harwell Celenza and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-03-06 with History categories.


This book examines the arrival of jazz in Italy, its reception and development, and how its distinct style influenced musicians in America.



B La Bart K In Italy


B La Bart K In Italy
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Author : Nicolò Palazzetti
language : en
Publisher: Boydell & Brewer
Release Date : 2021

B La Bart K In Italy written by Nicolò Palazzetti and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021 with History categories.


Examines the reputation of the Hungarian musician Béla Bartók (1881-1945) as an antifascist hero. This book examines the reputation of the Hungarian composer Béla Bartók (1881-1945) as an antifascist hero and beacon of freedom. Following Bartok's reception in Italy from the early twentieth century, through Mussolini's fascist regime, and into the early Cold War, Palazzetti explores the connexions between music, politics and diplomacy. The wider context of this study also offers glimpses into broader themes such as fascist cultural policies, cultural resistance, and the ambivalent political usage of modernist music. The book argues that the 'Bartókian Wave' occurring in Italy after the Second World War was the result of the fusion of the Bartók myth as the 'musician of freedom' and the Cold War narrative of an Italian national regeneration. Italian-Hungarian diplomatic cooperation during the interwar period had supported Bartok's success in Italy. But, in spite of their political alliance, the cultural policies by Europe's leading fascist regimes started to diverge over the years: many composers proscribed in Nazi Germany were increasingly performed in fascist Italy. In the early 1940s, the now exiled composer came to represent one of the symbols of the anti-Nazi cultural resistance in Italy and was canonised as 'the musician of freedom'. Exile and death had transformed Bartók into a martyr, just as the Resistenza and the catastrophe of war had redeemed post-war Italy.



Jazz Italiano


Jazz Italiano
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Author : David Chapman
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2018-11-21

Jazz Italiano written by David Chapman and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-11-21 with Music categories.


Italy has always been a land enamored of music, but in the early 20th century it was jazz that seduced many Italian music lovers. Loud, brash and syncopated, it was an imported passion that came from across the Atlantic; it was first performed by visiting American troupes and returning emigrants. Eventually Italians began creating their own jazz. From ragtime to big bands, Italy has foxtrotted and boogie-woogied through periods of war and peace, poverty and prosperity, Fascism and democracy. Italy often had a mixed opinion of jazz, and that suspicion and active hatred of foreign musical novelties reached its apex during Mussolini’s era – and yet jazz survived and even flourished despite political and social disapproval. This illustrated book records the story of Italian jazz from the early period of imitation to the time when the country’s own jazz geniuses made the genre uniquely Italian. Musicologists, historians and jazz lovers will find much to enjoy here.



Composing For The State


Composing For The State
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Author : Esteban Buch
language : en
Publisher: Routledge
Release Date : 2016-01-27

Composing For The State written by Esteban Buch and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-01-27 with Music categories.


Under the dictatorships of the twentieth century, music never ceased to sound. Even when they did not impose aesthetic standards, these regimes tended to favour certain kinds of art music such as occasional works for commemorations or celebrations, symphonic poems, cantatas and choral settings. In the same way, composers who were more or less ideologically close to the regime wrote pieces of music on their own initiative, which amounted to a support of the political order. This book presents ten studies focusing on music inspired and promoted by regimes such as Nazi Germany, Fascist Italy, France under Vichy, the USSR and its satellites, Franco's Spain, Salazar's Portugal, Maoist China, and Latin-American dictatorships. By discussing the musical works themselves, whether they were conceived as ways to provide "music for the people", to personally honour the dictator, or to participate in State commemorations of glorious historical events, the book examines the relationship between the composers and the State. This important volume, therefore, addresses theoretical issues long neglected by both musicologists and historians: What is the relationship between art music and propaganda? How did composers participate in musical life under the control of an authoritarian State? What was specifically political in the works produced in these contexts? How did audiences react to them? Can we speak confidently about "State music"? In this way, Composing for the State: Music in Twentieth Century Dictatorships is an essential contribution to our understanding of musical cultures of the twentieth century, as well as the symbolic policies of dictatorial regimes.



Fascist Directive Ezra Pound And Italian Cultural Nationalism


Fascist Directive Ezra Pound And Italian Cultural Nationalism
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Author : Catherine E. Paul
language : en
Publisher: Liverpool University Press
Release Date : 2016-06-21

Fascist Directive Ezra Pound And Italian Cultural Nationalism written by Catherine E. Paul and has been published by Liverpool University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-06-21 with Literary Criticism categories.


By bringing Italian primary sources and new approaches to the cultural project of Mussolini’s regime to bear on Ezra Pound’s prose work, this book shows how Pound’s modernism changed as a result of involvement in Italian politics and culture.