Music Performance Encounters


Music Performance Encounters
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Music Performance Encounters


Music Performance Encounters
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Author : John Koslovsky
language : en
Publisher:
Release Date : 2023

Music Performance Encounters written by John Koslovsky and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023 with Historically informed performance (Music) categories.


"Why do most musical performers and musical researchers continue to inhabit divergent epistemic spaces? To what extent is the act of musical performance coextensive with the act of doing musical research, and vice versa? At what point in the research process can a performative act transform into a scholarly one, and a scholarly act into performative one? These, and other related questions, form the central focus of this book with each chapter offering a fresh perspective on a particular topic in music performance studies: improvisational traditions, historical performance practices, analysis and performance, sports psychology, cross-cultural musical interactions, and institutional challenges. This book is aimed at music researchers, teachers, students, and practicing musicians interested in the intersection of academic and performance research and bridges the divide between the research of university-trained musicologists, scholars from other fields who focus on music, and the growing community of musical artist-researchers. Material in the book is supported by performance outcomes offered by the contributors on a separate YouTube channel and on the Routledge online portal"--



Music Performance Encounters


Music Performance Encounters
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Author : John Koslovsky
language : en
Publisher: Taylor & Francis
Release Date : 2023-11-29

Music Performance Encounters written by John Koslovsky and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-11-29 with Music categories.


Why do most musical performers and musical researchers continue to inhabit divergent epistemic spaces? To what extent is the act of musical performance coextensive with the act of doing musical research, and vice versa? At what point in the research process can a performative act transform into a scholarly one, and a scholarly act into a performative one? These, and other related questions, form the central focus of this book, with each chapter offering a fresh perspective on a particular topic in music performance studies: improvisational traditions, historical performance practices, analysis and performance, sports psychology, cross-cultural musical interactions, and institutional challenges. This book is aimed at music researchers, teachers, students, and practising musicians interested in the intersection of academic and performance research; as such, it seeks to bridge the divide between the research of university-trained musicologists, scholars from other fields who focus on music, and the growing community of musical artist-researchers. Material in this book is supported by performance outcomes offered by the contributors on a separate YouTube channel and on the Routledge online portal.



Creative Musical Encounters


Creative Musical Encounters
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Author : Harold Zabrack
language : en
Publisher:
Release Date : 1978

Creative Musical Encounters written by Harold Zabrack and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1978 with Music categories.




Transnational Encounters


Transnational Encounters
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Author : Alejandro L. Madrid
language : en
Publisher: Oxford University Press
Release Date : 2011-09-29

Transnational Encounters written by Alejandro L. Madrid and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-09-29 with Music categories.


Through the study of a large variety of musical practices from the U.S.-Mexico border, Transnational Encounters seeks to provide a new perspective on the complex character of this geographic area. By focusing not only on norte?a, banda or conjunto musics (the most stereotypical musical traditions among Hispanics in the area) but also engaging a number of musical practices that have often been neglected in the study of this border's history and culture (indigenous musics, African American musical traditions, pop musics), the authors provide a glance into the diversity of ethnic groups that have encountered each other throughout the area's history. Against common misconceptions about the U.S.-Mexico border as a predominant Mexican area, this book argues that it is diversity and not homogeneity which characterizes it. From a wide variety of disciplinary and multidisciplinary enunciations, these essays explore the transnational connections that inform these musical cultures while keeping an eye on their powerful local significance, in an attempt to redefine notions like "border," "nation," "migration," "diaspora," etc. Looking at music and its performative power through the looking glass of cultural criticism allows this book to contribute to larger intellectual concerns and help redefine the field of U.S.-Mexico border studies beyond the North/South and American/Mexican dichotomies. Furthermore, the essays in this book problematize some of the widespread misconceptions about U.S.-Mexico border history and culture in the current debate about immigration.



Watching Jazz


Watching Jazz
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Author : Björn Heile
language : en
Publisher: Oxford University Press
Release Date : 2016-05-31

Watching Jazz written by Björn Heile and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-05-31 with Music categories.


Watching Jazz: Encounters with Jazz Performance on Screen is the first systematic study of jazz on screen media. Where earlier studies have focused almost entirely on the role and portrayal of jazz in Hollywood film, the present book engages with a plethora of technologies and media from early film and soundies through television to recent developments in digital technologies and online media. Likewise, the authors discuss jazz in the widest sense, ranging from Duke Ellington and Jimmy Dorsey through the likes of Dizzy Gillespie, Art Blakey, Oscar Peterson, Miles Davis, John Coltrane and Charles Mingus to Pat Metheny. Much of this rich and fascinating material has never been studied in depth before, and what emerges most clearly are the manifold connections between the music and the media on which it was and is being recorded. Its long association with film and television has left its trace in jazz, just as online and social media are subtly shaping it now. Vice versa, visual media have always benefited from focusing on music and this significantly affected their development. The book follows these interrelations, showing how jazz was presented and represented on screen and what this tells us about the music, the people who made it and their audiences. The result is a new approach to jazz and the media, which will be required reading for students of both fields.



Musical Encounters With Deleuze And Guattari


Musical Encounters With Deleuze And Guattari
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Author : Pirkko Moisala
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2017-01-12

Musical Encounters With Deleuze And Guattari written by Pirkko Moisala and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-01-12 with Music categories.


This is the first volume to mobilize encounters between the work of Gilles Deleuze and Félix Guattari and the rich developments in cultural studies of music and sound. The book takes seriously the intellectual and political challenge that the process philosophy of Deleuze and Guattari poses for previous understandings of music as permanent objects and primarily discursive texts. By elaborating on the concepts of Deleuze and Guattari in innovative ways, the chapters of the book demonstrate how musical and sonic practices and expressions can be reconsidered as instances of becoming, actors in assemblages, and actualizations of virtual tendencies. The collection pushes notions of music and sound beyond such long-term paradigms as identity thinking, the privileging of signification, and the centrality of the human subject. The chapters of the volume bring a range of new topics and methodological approaches in contact with Deleuze and Guattari. These span from movement improvisation, jazz and western art music studies, sound and performance art and reality TV talent shows to deaf musicians and indigenous music. The book also highlights such fresh ways of doing analysis and shaping the methodological tools of music and sound studies that are enabled by Deleuze and Guattari's philosophy. Their philosophy, too, gains renewed capacities and potential when responding to ethnographic, cultural, ethnomusicological, participatory, aesthetic, new materialist, feminist and queer perspectives to music and sound.



In Concert


In Concert
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Author : Philip Auslander
language : en
Publisher: University of Michigan Press
Release Date : 2021-01-04

In Concert written by Philip Auslander and has been published by University of Michigan Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-01-04 with Music categories.


The conventional way of understanding what musicians do as performers is to treat them as producers of sound; some even argue that it is unnecessary to see musicians in performance as long as one can hear them. But musical performance, counters Philip Auslander, is also a social interaction between musicians and their audiences, appealing as much to the eye as to the ear. In Concert: Performing Musical Persona he addresses not only the visual means by which musicians engage their audiences through costume and physical gesture, but also spectacular aspects of performance such as light shows. Although musicians do not usually enact fictional characters on stage, they nevertheless present themselves to audiences in ways specific to the performance situation. Auslander’s term to denote the musician’s presence before the audience is musical persona. While presence of a musical persona may be most obvious within rock and pop music, the book’s analysis extends to classical music, jazz, blues, country, electronic music, laptop performance, and music made with experimental digital interfaces. The eclectic group of performers discussed include the Beatles, Miles Davis, Keith Urban, Lady Gaga, Nicki Minaj, Frank Zappa, B. B. King, Jefferson Airplane, Virgil Fox, Keith Jarrett, Glenn Gould, and Laurie Anderson.



Live At The Forbidden City


Live At The Forbidden City
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Author : Dennis Rea
language : en
Publisher: iUniverse
Release Date : 2006

Live At The Forbidden City written by Dennis Rea and has been published by iUniverse this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Guitarists categories.


Live at the forbidden City offers a singular look at the rapidly evolving Chinese popular music scene, as seen through the eyes of one of the first progressive Western musicians to perform extensively in both China and Taiwan. In the 1980s and 90s, American author and musician Dennis Rea played concerts in venues ranging from sports arenas to underground nightclubs to TV broadcasts - frequently under bizarre circumstances and the constant threat of harassment by Communist Party authorities. Spiced with informative reflections on Chinese music and culture, Rea interweaves depictions of his musical adventures with an insider's look at China's emergent rock music phenomenon and an eyewitness account of the violent civil uprising in Chengdu at the same time as the events at Tiananmen Square.



Music Encounter Togetherness


Music Encounter Togetherness
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Author : Nicholas Cook
language : en
Publisher: Oxford University Press
Release Date : 2024

Music Encounter Togetherness written by Nicholas Cook and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024 with Music categories.


Modern Western musical thought tends to represent music as a thing--a pattern, a structure, even an organism--than as a human practice. Music, Encounter, Togetherness focusses on music as something people do, as a mode of encounter between individuals and cultures, and as an agent of interpersonal and social togetherness. It presents music as a utopian dimension of everyday life.



Ethnomusicological Encounters With Music And Musicians


Ethnomusicological Encounters With Music And Musicians
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Author : Timothy Rice
language : en
Publisher: Routledge
Release Date : 2016-04-22

Ethnomusicological Encounters With Music And Musicians written by Timothy Rice and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-22 with Social Science categories.


Designed as a tribute to Robert Garfias, who has conducted field work in more cultures than any other living ethnomusicologist, this volume explores the originating encounter in field work of ethnomusicologists with the musicians and musical traditions they study. The nineteen contributors provide case studies from nearly every corner of the world, including biographies of important musicians from the Philippines, Turkey, Lapland, and Korea; interviews with, and reports of learning from, musicians from Ireland, Bulgaria, Burma, and India; and analyses of how traditional musicians adapt to the encounter with modernity in Japan, India, China, Turkey, Afghanistan, Morocco, and the United States. The book also provides a window into the history of ethnomusicology since all the contributors have had a relationship with the University of Washington, home to one of the oldest programs in ethnomusicology in the United States. Inspired by the example of Robert Garfias, they are all indefatigable field researchers and among the leading authorities in the world on their particular musical cultures. The contributions illustrate the core similarities in their approach to the discipline of ethnomusicology and at the same time deal with a remarkably wide range of perspectives, themes, issues, and theoretical questions. Readers should find this collection of essays a fascinating, indeed surprising, glimpse into an important aspect of the history of ethnomusicology.