Music Revolution


Music Revolution
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Beyond The Charts


Beyond The Charts
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Author : Bruce Haring
language : en
Publisher: JM Northern Media LLC
Release Date : 2000

Beyond The Charts written by Bruce Haring and has been published by JM Northern Media LLC this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with MP3 categories.


This book takes a look at the shocking war being waged over your CD collection, a struggle that will determine who controls popular music - and to a large extend, popular culture - in the coming years. It's a battle of multinational corporate giants versus Internet entrepeneurs working out of their bedrooms, challenging the fat cats who have built fortunes on the bones of underpaid musicians. It's also a war for the hearts and minds of a new generation and a culture that doesn't feel the need to hold a plastic disc in its hands to enjoy music.



Sounds Of The Metropolis


Sounds Of The Metropolis
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Author : Derek B. Scott
language : en
Publisher: Oxford University Press
Release Date : 2008-07-31

Sounds Of The Metropolis written by Derek B. Scott and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-07-31 with Music categories.


The phrase "popular music revolution" may instantly bring to mind such twentieth-century musical movements as jazz and rock 'n' roll. In Sounds of the Metropolis, however, Derek Scott argues that the first popular music revolution actually occurred in the nineteenth century, illustrating how a distinct group of popular styles first began to assert their independence and values. He explains the popular music revolution as driven by social changes and the incorporation of music into a system of capitalist enterprise, which ultimately resulted in a polarization between musical entertainment (or "commercial" music) and "serious" art. He focuses on the key genres and styles that precipitated musical change at that time, and that continued to have an impact upon popular music in the next century. By the end of the nineteenth century, popular music could no longer be viewed as watered down or more easily assimilated art music; it had its own characteristic techniques, forms, and devices. As Scott shows, "popular" refers here, for the first time, not only to the music's reception, but also to the presence of these specific features of style. The shift in meaning of "popular" provided critics with tools to condemn music that bore the signs of the popular-which they regarded as fashionable and facile, rather than progressive and serious. A fresh and persuasive consideration of the genesis of popular music on its own terms, Sounds of the Metropolis breaks new ground in the study of music, cultural sociology, and history.



The Future Of Music


The Future Of Music
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Author : David Kusek
language : en
Publisher: Berklee Press Publications
Release Date : 2005

The Future Of Music written by David Kusek and has been published by Berklee Press Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Business & Economics categories.


From the Music Research Institute at Berklee College of Music comes a manifesto for the ongoing music revolution. Today the record companies may be hurting, but the music making business is booming, using non-traditional digital methods and distribution models. This book explains why we got where we are and where we are heading. Kusek and Leonhard foresee the disappearance of CDs and record stores as we know them in the next decade. For the iPod, downloading market, this book will explain new ways of discovering music, new ways of acquiring it and how technology trends will make music "flow like water", benefiting the people who love music and make music.



K Pop Now


K Pop Now
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Author : Mark James Russell
language : en
Publisher: Tuttle Publishing
Release Date : 2014-04-29

K Pop Now written by Mark James Russell and has been published by Tuttle Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-04-29 with Music categories.


"K-Pop Now! […] features one hundred and twenty-eight glossy pages of Korean pop eye-candy." —KpopStarz.com K-Pop Now! takes a fun look at Korea's high-energy pop music, and is written for its growing legions of fans. It features all the famous groups and singers, and takes an insider's look at how they have made it to the top. In 2012, Psy's song and music video "Gangnam Style" suddenly took the world by storm. But K-Pop, the music of Psy's homeland of Korea has been winning fans for years with its infectious melodies and high-energy fun. Featuring incredibly attractive and talented singers and eye-popping visuals, K-Pop is the music of now. Though K-Pop is a relatively young phenomenon in the West, it is rapidly gaining traction and reaching much larger audiences—thanks in large part to social media like Facebook, YouTube and Twitter. Top K-Pop acts get ten million to thirty million hits for their videos—the Girls Generation single "Gee" has over a hundred million views! In K-Pop Now! you'll find: Profiles of all the current K-Pop artists and their hits A look at Seoul's hippest hot spots and hangouts Interviews with top artists like Kevin from Ze:A and Brian Joo A look at the K-Pop idols of tomorrow You'll meet the biggest record producers, the hosts of the insanely popular "Eat Your Kimchi" website, and K-Pop groups like Big Bang, TVXQ, 2NE1, Girls Generation, HOT, SES, FinKL Busker Busker and The Koxx. The book also includes a guide for fans who plan to visit Seoul to explore K-Pop up close and personal. Join the K-Pop revolution now!



Music For The Revolution


Music For The Revolution
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Author : Amy Nelson
language : en
Publisher: Penn State Press
Release Date : 2010-02-24

Music For The Revolution written by Amy Nelson and has been published by Penn State Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-02-24 with History categories.


Mention twentieth-century Russian music, and the names of three &"giants&"&—Igor Stravinsky, Sergei Prokofiev, and Dmitrii Shostakovich&—immediately come to mind. Yet during the turbulent decade following the Bolshevik Revolution, Stravinsky and Prokofiev lived abroad and Shostakovich was just finishing his conservatory training. While the fame of these great musicians is widely recognized, little is known about the creative challenges and political struggles that engrossed musicians in Soviet Russia during the crucial years after 1917. Music for the Revolution examines musicians&’ responses to Soviet power and reveals the conditions under which a distinctively Soviet musical culture emerged in the early thirties. Given the dramatic repression of intellectual freedom and creativity in Stalinist Russia, the twenties often seem to be merely a prelude to Totalitarianism in artistic life. Yet this was the decade in which the creative intelligentsia defined its relationship with the Soviet regime and the aesthetic foundations for socialist realism were laid down. In their efforts to deal with the political challenges of the Revolution, musicians grappled with an array of issues affecting musical education, professional identity, and the administration of musical life, as well as the embrace of certain creative platforms and the rejection of others. Nelson shows how debates about these issues unfolded in the context of broader concerns about artistic modernism and elitism, as well as the more expansive goals and censorial authority of Soviet authorities. Music for the Revolution shows how the musical community helped shape the musical culture of Stalinism and extends the interpretive frameworks of Soviet culture presented in recent scholarship to an area of artistic creativity often overlooked by historians. It should be broadly important to those interested in Soviet history, the cultural roots of Stalinism, Russian and Soviet music, and the place of music and the arts in revolutionary change.



Punk


Punk
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Author : Adrian Boot
language : en
Publisher: Penguin Putnam
Release Date : 1997

Punk written by Adrian Boot and has been published by Penguin Putnam this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Music categories.


In a uniquely graphic, outsized, full-color design that incorporates more than 200 photographs--many previously unpublished--Punk traces the rise of punk as both a music and a worldwide movement. 175 color photos, 25 b&w photos.



Noise Uprising


Noise Uprising
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Author : Michael Denning
language : en
Publisher: Verso Books
Release Date : 2015-08-18

Noise Uprising written by Michael Denning and has been published by Verso Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-08-18 with Music categories.


Noise Uprising brings to life the moment and sounds of a cultural revolution. Between the development of electrical recording in 1925 and the outset of the Great Depression in the early 1930s, the soundscape of modern times unfolded in a series of obscure recording sessions, as hundreds of unknown musicians entered makeshift studios to record the melodies and rhythms of urban streets and dancehalls. The musical styles and idioms etched onto shellac disks reverberated around the globe: among them Havana's son, Rio's samba, New Orleans' jazz, Buenos Aires' tango, Seville's flamenco, Cairo's tarab, Johannesburg's marabi, Jakarta's kroncong, and Honolulu's hula. They triggered the first great battle over popular music and became the soundtrack to decolonization.



Music Revolution


Music Revolution
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Author : Richard Barone
language : en
Publisher: Rowman & Littlefield
Release Date : 2022-09-15

Music Revolution written by Richard Barone and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-09-15 with Music categories.


Even before the Beatnik Riots of 1961, New York City's Greenwich Village was the epicenter of revolutionary movements in American music and culture. But, in the early 1960s and throughout the decade, a new wave of writers and performers inspired by the folk music revival of the 1950s created socially aware and deeply personal songs that spoke to a generation like never before. These writers—Bob Dylan, Buffy Sainte-Marie, Janis Ian, and Phil Ochs, to name a few—changed the folk repertoire from traditional songs to songs sprung from personal, contemporary experiences and the nation's headlines, raising the level of political self-expression to high art. Message and music merged and mirrored society. In Music + Revolution: Greenwich Village in the 1960s, Richard Barone unrolls a freewheeling historical narrative, peppered with personal stories and insights from those who were there. Illustrated with contemporaneous portraits of the musicians by renowned photographer David Gahr, it celebrates the lasting legacy of a pivotal decade with stories behind the songs that resonate just as strongly today.



Music And Revolution


Music And Revolution
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Author : Robin D. Moore
language : en
Publisher: Univ of California Press
Release Date : 2006

Music And Revolution written by Robin D. Moore and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Art categories.


Annotation A history of Cuban music during the Castro regime (1950s to the present.



The Sound Of Innovation


The Sound Of Innovation
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Author : Andrew J. Nelson
language : en
Publisher: MIT Press
Release Date : 2023-08-15

The Sound Of Innovation written by Andrew J. Nelson and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-08-15 with Education categories.


How a team of musicians, engineers, computer scientists, and psychologists developed computer music as an academic field and ushered in the era of digital music. In the 1960s, a team of Stanford musicians, engineers, computer scientists, and psychologists used computing in an entirely novel way: to produce and manipulate sound and create the sonic basis of new musical compositions. This group of interdisciplinary researchers at the nascent Center for Computer Research in Music and Acoustics (CCRMA, pronounced “karma”) helped to develop computer music as an academic field, invent the technologies that underlie it, and usher in the age of digital music. In The Sound of Innovation, Andrew Nelson chronicles the history of CCRMA, tracing its origins in Stanford's Artificial Intelligence Laboratory through its present-day influence on Silicon Valley and digital music groups worldwide. Nelson emphasizes CCRMA's interdisciplinarity, which stimulates creativity at the intersections of fields; its commitment to open sharing and users; and its pioneering commercial engagement. He shows that Stanford's outsized influence on the emergence of digital music came from the intertwining of these three modes, which brought together diverse supporters with different aims around a field of shared interest. Nelson thus challenges long-standing assumptions about the divisions between art and science, between the humanities and technology, and between academic research and commercial applications, showing how the story of a small group of musicians reveals substantial insights about innovation. Nelson draws on extensive archival research and dozens of interviews with digital music pioneers; the book's website provides access to original historic documents and other material.