Music Theatre In A Changing Society
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Music Theatre In A Changing Society
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Author : Unesco
language : en
Publisher:
Release Date : 1968
Music Theatre In A Changing Society written by Unesco and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1968 with Mass media and music categories.
Music Theatre In A Changing Society
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Author : Jack Bornoff
language : en
Publisher:
Release Date : 1986
Music Theatre In A Changing Society written by Jack Bornoff and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1986 with categories.
Ibroadway
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Author : Jessica Hillman-McCord
language : en
Publisher: Springer
Release Date : 2017-11-21
Ibroadway written by Jessica Hillman-McCord and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-11-21 with Social Science categories.
This book argues that the digital revolution has fundamentally altered the way musicals are produced, followed, admired, marketed, reviewed, researched, taught, and even cast. In the first hundred years of its existence, commercial musical theatre functioned on one basic model. However, with the advent of digital and network technologies, every musical theatre artist and professional has had to adjust to swift and unanticipated change. Due to the historically commercial nature of the musical theatre form, it offers a more potent test case to reveal the implications of this digital shift than other theatrical art forms. Rather than merely reflecting technological change, musical theatre scholarship and practice is at the forefront of the conversation about art in the digital age. This book is essential reading for musical theatre fans and scholars alike.
New Music Theatre In Europe
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Author : Robert Adlington
language : en
Publisher: Routledge
Release Date : 2019-04-02
New Music Theatre In Europe written by Robert Adlington and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-04-02 with Music categories.
Between 1955 and 1975 music theatre became a central preoccupation for European composers digesting the consequences of the revolutionary experiments in musical language that followed the end of the Second World War. The ‘new music theatre’ wrought multiple, significant transformations, serving as a crucible for the experimental rethinking of theatrical traditions, artistic genres, the conventions of performance, and the composer’s relation to society. This volume brings together leading specialists from across Europe to offer a new appraisal of the genre. It is structured according to six themes that investigate: the relation of new music theatre to earlier and contemporaneous theories of drama; the use of new technologies; the relation of new music theatre to progressive politics; the role of new venues and environments; the advancement of new conceptions of the performer; and the challenges that new music theatre lays down for music analysis. Contributing authors address canonical works by composers such as Berio, Birtwistle, Henze, Kagel, Ligeti, Nono, and Zimmermann, but also expand the field to figures and artistic developments not regularly represented in existing music histories. Particular attention is given to new music theatre as a site of intense exchange – between practitioners of different art forms, across national borders, and with diverse mediating institutions.
British Musical Theatre Since 1950
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Author : Robert Gordon
language : en
Publisher: Bloomsbury Publishing
Release Date : 2016-09-08
British Musical Theatre Since 1950 written by Robert Gordon and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-09-08 with Performing Arts categories.
This critical introduction to British musical theatre since 1950 is the first book to discuss its post-war developments from the perspective of British – as opposed to American – popular culture. The genre is situated within the historical context of post-war British society in order to explore the range of forms through which significant sociocultural moments are represented. Introductory chapters analyse the way British musicals have responded to social change, the forms of popular theatre and music from which they have developed and their originality in elaborating new narrative strategies since the seventies. A key feature of the book is its close readings of twelve key works, from Salad Days (1954) and Oliver! (1960) to global smash hits such as Les Misérables (1985) and The Phantom of the Opera (1986) and beyond, including the latest critical and box-office success Matilda (2011). Also analysed are British favourites (Blood Brothers, 1983), cult shows (The Rocky Horror Show, 1975) and musicals with a pre-existing fan-base, such as Mamma Mia! (1999).
Popular Music Theatre Under Socialism
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Author : Wolfgang Jansen
language : de
Publisher: Waxmann Verlag
Release Date : 2020
Popular Music Theatre Under Socialism written by Wolfgang Jansen and has been published by Waxmann Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020 with Music categories.
Theatre scholars and musicologists from Russia, Poland, Hungary, Romania, the Czech Republic, Austria and Germany came together in spring 2017 at the Center for Popular Culture and Music for a symposium, where they discussed for the first time the topic “Popular Music Theatre under Socialism: Operettas and Musicals in the Eastern European States 1945 to 1990”. This involved general questions such as: Did the uniform (prescribed) worldview lead to identical plays, or are there – in spite of a transnational ideology – national specific differences? And what did these differences possibly look like? The authors of this volume describe the phases of development, the national productions went through, and what influence the import of plays from abroad had on it, whether from the “fraternal socialist countries” or the “capitalistic West”. They examine the government guidelines for authors and composers over the decades. Who were the most important authors and composers? Was there any “socialist operetta”, any “socialist musical”? And what political, social and ideological topics were negotiated on stage? The volume demonstrates the importance of a topic that has so far received little attention in research on European theatre and music history.
Fantastically Great Women Who Changed The World
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Author : Kate Pankhurst
language : en
Publisher: Bloomsbury Publishing
Release Date : 2018-02-22
Fantastically Great Women Who Changed The World written by Kate Pankhurst and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-02-22 with Juvenile Nonfiction categories.
Nominated for the CILIP Carnegie & Kate Greenaway Children's Book Awards 'Significantly more engaging and inspiring than the rival Rebel Girls' GUARDIAN 'It's hard to imagine any group of primary-aged children who wouldn't be inspired' BOOKSELLER 'An absolute must-have for every young person's bookshelf' HUFFINGTON POST Now a stunning hit musical! Kate Pankhurst, descendent of suffragette Emmeline Pankhurst, has created a wildly wonderful and accessible book about women who really changed the world. Discover fascinating facts about some of the most amazing women who changed the world we live in! · Fly high with incredible explorer and pilot Amelia Earhart · Discover the Wonderful Adventures of medical pioneer Mary Seacole · Fight for your rights with legendary civil rights activist Rosa Parks · Change the face of books forever with superstar novelist Jane Austen Bursting full of beautiful illustrations and astounding facts, Fantastically Great Women Who Changed the World is the perfect introduction to just a few of the most incredible women who helped shaped the world we live in. A fantastic gift for girls and boys alike! List of women featured: Jane Austen, Gertrude Ederle, Coco Chanel, Frida Kahlo, Marie Curie, Mary Anning, Mary Seacole, Amelia Earhart, Agent Fifi, Sacagawea, Emmeline Pankhurst, Rosa Parks, Anne Frank
Unfinished Show Business
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Author : Bruce Kirle
language : en
Publisher: SIU Press
Release Date : 2005
Unfinished Show Business written by Bruce Kirle and has been published by SIU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Musicals categories.
In this fresh approach to musical theatre history, Bruce Kirle challenges the commonly understood trajectory of the genre. Drawing on the notion that the world of the author stays fixed while the world of the audience is ever-changing, Kirle suggests that musicals are open, fluid products of the particular cultural moment in which they are performed. Incomplete as printed texts and scores, musicals take on unpredictable lives of their own in the complex transformation from page to stage. Using lenses borrowed from performance studies, cultural studies, queer studies, and ethnoracial studies, Unfinished Show Business: Broadway Musicals as Works-in-Process argues that musicals are as interesting for the provocative issues they raise about shifting attitudes toward American identity as for their show-stopping song-and-dance numbers and conveniently happy endings. Kirle illustrates how performers such as Ed Wynn, Fanny Brice, and the Marx Brothers used their charismatic personalities and quirkiness to provide insights into the struggle of marginalized ethnoracial groups to assimilate. Using examples from favorites including Oklahoma!, Fiddler on the Roof, A Chorus Line, and Les Misérables, Kirle demonstrates Broadway's ability to bridge seemingly insoluble tensions in society, from economic and political anxiety surrounding World War II to generational conflict and youth counterculture to corporate America and the "me" generation. Enlivened by a gallery of some of Broadway's most memorable moments--and some amusing, obscure ones as well--this study will appeal to students, scholars, and lifelong musical theatre enthusiasts.
Strategies For Success In Musical Theatre
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Author : Herbert D. Marshall
language : en
Publisher: Oxford University Press
Release Date : 2016
Strategies For Success In Musical Theatre written by Herbert D. Marshall and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with Music categories.
Marshall's book is a greatly beneficial resource for music education students and teachers alike, giving an insightful glimpse into the range of possibilities within a music educator's career. Musicians and actors with varying levels of skill and experience will be able to grow simultaneously through Marshall's innovative teaching plans. Through collaborative techniques, steps in the book serve to educate both director and student. Thoroughly illustrated with charts, diagrams, and scores, Strategies for Success in Musical Theatre is an ideal companion for all who work with school and community based musical theater productions. - Herbert Marshall is Associate Professor in Music Education at Baldwin Wallace University Conservatory of Music and serves on the editorial board of Research and Issues in Music Education. He maintains an active schedule as a clinician, consultant, adjudicator, and conductor, and teaches workshops for the Gordon Institute of Music Learning.
The Routledge Companion To The Contemporary Musical
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Author : Taylor & Francis Group
language : en
Publisher: Routledge
Release Date : 2021-12-13
The Routledge Companion To The Contemporary Musical written by Taylor & Francis Group and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-12-13 with categories.
The Routledge Companion to the Contemporary Musical is dedicated to the musical's evolving relationship to American culture in the late twentieth and early twenty-first centuries. In the past decade-and-a-half, international scholars from an ever-widening number of disciplines and specializations have been actively contributing to the interdisciplinary field of musical theater studies. Musicals have served not only to mirror the sociopolitical, economic, and cultural tenor of the times, but have helped shape and influence it, in America and across the globe: a genre that may seem, at first glance, light-hearted and escapist serves also as a bold commentary on society. Forty-four essays examine the contemporary musical as an ever-shifting product of an ever-changing culture. This volume sheds new light on the American musical as a thriving, contemporary performing arts genre, one that could have died out in the post-Tin Pan Alley era but instead has managed to remain culturally viable and influential, in part by newly embracing a series of complex contradictions. At present, the American musical is a live, localized, old-fashioned genre that has simultaneously developed into an increasingly globalized, tech-savvy, intensely mediated mass entertainment form. Similarly, as it has become increasingly international in its scope and appeal, the stage musical has also become more firmly rooted to Broadway--the idea, if not the place--and thus branded as a quintessentially American entertainment.